SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Elizabeth Barry"/1) | (@(roleclean,performerclean) "Elizabeth Barry")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 913 matches on Performance Comments, 520 matches on Author, 320 matches on Event Comments, 11 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, adapted from Das Kind der Liebe, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor; Epilogue by Thomas Palmer (see text)]. Afterpiece [1st time; MF 2, by Charles Smith]: The Music composed by Attwood. The Overture accompanied on the Harp by Weippert. Morning Herald, 28 Nov. 1798: This Day is published Lovers' Vows [sic] (2s.). Times, 26 Oct. 1798: This Day is published A Day at Rome (1s.). Receipts: #197 15s. 6d. (194.3.6; 3.12.0)

Performances

Mainpiece Title: Lover's Vows

Cast
Role: Frederick Actor: Pope
Role: Verdun the Butler Actor: Munden
Role: Anhalt Actor: H. Johnston
Role: Count Cassel Actor: Knight
Role: Baron Wildenhaim Actor: Murray
Role: Cottager Actor: Powel
Role: Landlord Actor: Thompson
Role: Farmer Actor: Rees
Role: Countryman Actor: Curties
Role: Agatha Friburg Actor: Mrs Johnson
Role: Cottager's Wife Actor: Mrs Davenport
Role: Country Girl Actor: Miss Leserve
Role: Amelia Wildenhaim Actor: Mrs H. Johnston
Role: Prologue Actor: Murray
Role: Epilogue Actor: Munden.
Related Works
Related Work: Lovers' Vows Author(s): Elizabeth Inchbald

Afterpiece Title: A Day at Rome

Event Comment: Mainpiece: Written by the Author of The Castle-Spectre [Matthew Gregory Lewis, also the author of Prologue and Epilogue (see text)]. "The Epilogue was spoken by Bannister Jun. in the character of Queen Elizabeth, who ascends from a trap in the middle of the stage, and who is supposed to have obtained the permission of Pluto to revisit her kingdom, in order to witness the representation of the East Indianv" (Monthly Mirror, Dec. 1799, p. 367). Receipts: #200 13s. 6d. (131.11.0; 67.9.6; 1.13.0)

Performances

Mainpiece Title: The East Indian

Performance Comment: Characters-Palmer, Barrymore, Kemble, C. Kemble, Aickin, Maddocks, Hollingsworth, Wathen, Miss Stuart, Mrs Powell, Miss Biggs, Miss Pope, Mrs Sparks, Miss Tidswell, Mrs Coates, Mrs Cuyler, Mrs Jones. Cast adjusted from text (J. Bell, 1800): Lord Listless-Palmer; Modish-Barrymore; Rivers-Kemble; Beauchamp-C. Kemble; Walsingham-Aickin; Friponeau-Maddocks; Squeez'em-Hollingsworth; Frank-Wathen; Lady Clara Modish-Miss Stuart; Mrs Ormond-Mrs Powell; Zorayda-Miss Biggs; Miss Chatterall-Miss Pope; Mrs Slip@slop-Mrs Sparks; Mrs Blab@all-Miss Tidswell; Mrs Tiffany-Mrs Coates; Lady Hubbub-Mrs Cuyler; Anne-Mrs Jones; Prologue-C. Kemble; Epilogue (in Character)-Bannister Jun.

Afterpiece Title: The Prize

Cast
Role: Lenitive Actor: Bannister Jun.
Role: Mr Caddy Actor: Maddocks
Role: Heartwell Actor: Trueman
Role: Label Actor: Suett
Role: Juba Actor: Mrs Roffey
Role: Mrs Caddy Actor: Miss Tidswell
Role: Caroline Actor: Miss DeCamp.

Performances

Mainpiece Title: Madam Fickle; Or, The Witty False One

Performance Comment: Edition of 1677: Prologue-Mr Smith; Epilogue-; Lord Bellamore-Betterton; Manley-Smith; Sir Arthur Oldlove-Sandford; Captain Tilbury-Medbourn; Zechiel-Anthony Leigh; Toby-James Nokes; Old Jollyman-Underhill; Harry-Jevan; Flaile-Richards; Dorrel-Norrice; Madam Fickle-Mrs Mary Lee; Constantia-Mrs Barrer [Barry]; Arbella-Mrs Gibbs; Silvia-Mrs Napper.
Cast
Role: Prologue Actor: Mr Smith
Role: Epilogue Actor:
Role: Lord Bellamore Actor: Betterton
Role: Manley Actor: Smith
Role: Sir Arthur Oldlove Actor: Sandford
Role: Captain Tilbury Actor: Medbourn
Role: Zechiel Actor: Anthony Leigh
Role: Toby Actor: James Nokes
Role: Old Jollyman Actor: Underhill
Role: Harry Actor: Jevan
Role: Flaile Actor: Richards
Role: Dorrel Actor: Norrice
Role: Madam Fickle Actor: Mrs Mary Lee
Role: Constantia Actor: Mrs Barrer
Role: Arbella Actor: Mrs Gibbs
Role: Silvia Actor: Mrs Napper.
Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Event Comment: The United Company. Peregrine Bertie to the Countess of Rutland. 6 Feb. 1685@6: Thursday was acted Mithridates? for the Queen and Goodman played (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 104). [In L. C. 5@147, is a warrant to pay Mrs Barry for two plays-Valentinian and Mithridates-acted before the King and Queen, #40. The date of the warrant is 8 May 1686. If this warrant represents payment for this performance of Mithridates, probably Valentinian was acted in 1686.

Performances

Mainpiece Title: Mithridates

Cast
Role: Possibly Ziphares Actor: Goodman?.
Event Comment: An order dated 20 Dec. 1687 (L. C. 5@148, p. 59; in Nicoll, Restoration Drama, p. 356) calls for a payment to Mrs Barry for The Emperour of the Moon cast, see March 1686@7

Performances

Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box, and a Box for the Maids of Honor at the Spanish Fryer. See also Nicoll, Restoration Drama, p. 352. A warrant, dated 8 June 1689, L. C. 5@149, p. 154 (see Nicoll, Restoration Drama, p. 356), calls for a payment of #25 to Mrs Barry and presumably represents payment for this performance. Daniel Finch, ca. June 1689: The only day Her Majesty gave herself the diversion of a play, and that on which she designed to see another, has furnished the town with discourse for a month. The choice of the play was the Spanish Fryar, the only play forbid by the late K@@. Some unhappy expressions, among which those that follow, put her in some disorder, and forc'd her to hold up her fan, and often look behind her and call for her palatine and hood, and any thing she could next think of, while those who were said. (Sir John Dalrymple, Memoirs of Great Britain [London, 1771-88], in the pit before her, whenever their fancy led them to make any application of what was Volume II, Appendix, Part II, pp. 78-80.) Henry Purcell's new setting for whilst I with grief did on you look may have been made by this date. It is in Deliciae Musicae, 1695

Performances

Mainpiece Title: The Spanish Fryar

Event Comment: The United Company. The date of this performance is not certainly known. On 7 Nov. 1690 an order was issued to pay Mrs Barry #25 for Circe, acted by command

Performances

Mainpiece Title: Circe

Event Comment: Thomas Shadwell to Earl of Dorset, 19 Jan. 1691@2 (summary): Asks that he will order The Innocent Impostors to be the next new play to be acted. He would have had it acted in Roman Habits and then, with a mantle to have covered her hips, [if] Mrs Barry would have acted the part; but Thomas Davenant has with a great slight turned him off, and says he will trouble himself no more about the Play. Asks Dorset to favour the author and him. Complains of priority being given to Durfey's play and a play by Dryden (HMC, 4th Report, Appendix [1874], pp. 280-81)

Performances

Event Comment: An order to pay Mrs Barry #25 for The Orphan (L. C. 5@151, p. 30; Nicoll, Restoration Drama, p. 358) probably represents payment for the performance on 9 Feb. 1691@2

Performances

Event Comment: The United Company. Constatijn Huygens, 16 Jan. 1692@2 O. S. [translation]: In the afternoon I went with Preswitz to the comedy, by Covent Garden, where there was a play about Henry II, but I could not very well understand the comedians, neither what they said. Mrs Barry played the King's wife and Mrs Bracegirdle his mistress, who let the King be poisoned in her presence. Sayer came and sat with us. The best places were for the English crown (Journaal van Constantijn Huygens, Publication of the Dutch Historical Society, New Series, XXV [Utrecht, 1877], 168)

Performances

Mainpiece Title: Henry The Second

Event Comment: In L. C. 5@151 is an order, dated this day, to pay Mrs Barry for the acting of Caius Marius. The day of the performance is not indicated

Performances

Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: ye Q a Box & a Box for ye Maids of Honr double dealer. [See also Nicoll, Restoration Drama, p. 352.] Cibber relates an incident which may pertain to this performance, Apology, I, 185-86: Queen Mary having commanded the Double Dealer to be acted, Kynaston happen'd to be so ill that he could not hope to be able next Day to perform his Part of the Lord Touchwood. In this Exigence, the Author, Mr Congreve, advis'd that it might be given to me, if at so short a Warning I would undertake it. The Flattery of being thus distinguish'd by so celebrated an Author, and the Honour to act before a Queen, you may be sure made me blind to whatever Difficulties might attend it. I accepted the Part, and was ready in it before I slept; next Day the Queen was presented at the Play, and was received with a new Prologue from the Author, spoken by Mrs Barry, humbly acknowledging the great Honour done to the Stage....After the Play, Mr Congreve made me the Compliment of saying, That I had not only answer'd, but had exceeded his Expectations, and that he would shew me he was sincere in his saying more of me to the Masters.--He was as good as his Word, and the next Pay-day I found my Sallary of fifteen was then advanced to twenty Shillings a Week

Performances

Mainpiece Title: The Double Dealer

Event Comment: An unidentified letter, 22 March 1693@4. There is hardly anything now to make it acceptable to you, but an account of our winter diversions, and chiefly of the new plays which have been the entertainment of the town. The first that was acted was Mr Congreve's, called The Double Dealer [see October 1693]. It has fared with that play, as it generally does with beauties officiously cried up: the mighty expectation which was raised of it made it sink, even beneath its own merit. The character of The Double Dealer is artfully writt, but the action being but single, and confined within the rules of true comedy, it could not please the generality of our audience, who relish nothing but variety, and think any thing dull and heavy which does not border upon farce.--The criticks were severe upon this play, which gave the author occasion to lash 'em in his Epistle Dedicatory, in so defying or hectoring a style, that it was counted rude even by his best friends; so that 'tis generally thought he has done his business, and lost himself: a thing he owes to Mr Dryden's treacherous friendship, who being jealous of the applause he had gott by his Old Batchelour, deluded him into a foolish imitation of his own way of writing angry prefaces. The 2d play is Mr Dryden's, called Love Triumphant, or Nature will prevail [see 15 January 1694]. It is a tragi-comedy, but in my opinion one of the worst he ever writt, if not the very worst: the comical part descends beneath the style and shew of a Bartholomew-fair droll. It was damn'd by the universal cry of the town, nemine contradicente, but the conceited poet. He says in his prologue, that this is the last the town must expect from him; he had done himself a kindness had he taken his leave before. The 3d is Mr Southern's call'd The Fatal Marriage, or the Innocent Adultery [see February 1693@4]. It is not only the best that author ever writt, but is generally admired for one of the greatest ornaments of the stage, and the most entertaining play has appeared upon it these 7 years. The plot is taken from Mrs Behn's novel, called the Unhappy Vow-Breaker. I never saw Mrs Barry act with so much passion as she does in it; I could not forbear being moved even to tears to see her act. Never was poet better rewarded or incouraged by the town; for besides an extraordinary full house, which brought him about 140 #. 50 noblemen, among whom my Lord Winchelsea, was one, give him guineas apiece, and the printer 36 #. for his copy. This kind usage will encourage desponding minor poets, and vex huffing Dryden and Congreve to madness. [For the fourth play, see 21 March 1693@4; Edmond Malone, Plays and Poems of William Shakespeare (London, 1821), III, 162-64.

Performances

Event Comment: In L. C. 151@p. 352, is an order, dated 16 April 1694, to pay Mrs Barry #25 for The Old Batchelor. The date of the performance is not specified

Performances

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performance Comment: Presumably Mrs Barry acted Roxana.
Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and two in the Box at Caius Marius. 12s. See Hotson, Commonwealth and Restoration Stage, p. 378. On this night occurred a quarrel between Henry Arthur and one Barry of the playhouses. See Post Boy, 11-14 Nov. 1699, and other news accounts during November 1699

Performances

Mainpiece Title: The History And Fall Of Caius Marius

Event Comment: Benefit Mrs Barry

Performances

Mainpiece Title: All For Love

Event Comment: Benefit Mrs Barry. At the Desire of several Persons of Quality. Admission: 5s., 3s., 2s

Performances

Mainpiece Title: Don Sebastian, King Of Portugal

Afterpiece Title: The Judgment of Paris

Dance: Mlle delaVal, Mrs Elford, both of l'Abbe's scholars

Event Comment: Benefit Mrs Barry

Performances

Mainpiece Title: Tamerlane

Song: Several Musical Dialogues-

Dance: deBarques, Mrs Elford

Performances

Mainpiece Title: The Maid's Tragedy

Performance Comment: Betterton and Mrs Barry acting their own parts, but see queen's, 6 Nov. 1707.
Event Comment: Benefit Mrs Barry. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Indian Emperor

Event Comment: Tickets deliver'd for the Orphan will be taken. Hamlet oblig'd to be deferr'd on account of Indisposition of Barry

Performances

Mainpiece Title: The Artful Husband

Cast
Role: Sir Harry Freelove Actor: Mills
Role: Winwife Actor: Giffard
Role: Stockwell Actor: Yates
Role: Frank Flash Actor: Neale
Role: Mrs Winwife Actor: Mrs Giffard
Role: Ned Actor: Blakes
Role: Lady Upstart Actor: Mrs Furnival
Role: Mademoiselle Actor: Mrs Macklin
Role: Mrs Decoy Actor: Mrs Bridges
Role: Steward Actor: Taswell
Role: Butler Actor: Winstone
Role: John Actor: Usher
Role: Robin Actor: Bransby
Role: Mrs Prink Actor: Miss Cole
Role: Betty Actor: Miss Pitt
Role: Belinda Actor: Mrs Woffington

Afterpiece Title: The Suspicious Husband Criticized

Dance: Salomon, Sga Padouana, Salomon's Son

Event Comment: GGeneral Advertiser: On Wednesday next at Drury Lane will be reviv'd the Historical Play of King Henry the Fifth, written by Shakespear, the Part of King Henry to be performed by Mr Barry; and the Chorus to be spoken by Mr Garrick. Receipts. #130 (Cross); #132 5s. (Powel)

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: also Player Actor: Bransby
Role: Beggar Actor: Winstone
Role: Mrs Slammekin Actor: Mrs Green
Role: Sukey Tawdry Actor: Mrs Yates
Role: Jenny Diver Actor: Miss Royer
Role: Molly Brazen Actor: Miss Minors
Role: Polly Actor: Mrs Cibber
Role: Hornpipe Actor: Mathews
Role: whole to conclude with a Country Dance Actor: Characters.
Role: Macheath Actor: Lowe
Role: Peachum Actor: Macklin
Role: Lockit Actor: Berry
Role: Filch Actor: Raftor
Role: Mat@o@Mint Actor: Blakes
Role: Mrs Peachum Actor: Mrs Macklin
Role: Lucy Actor: Mrs Clive
Role: In III a Hornpipe Actor: Vaughan.

Afterpiece Title: The Anatomist

Dance: II: New Comic Dance call'd The Savoyards-Matthews

Event Comment: On Thursday next Hamlet, the part of Hamlet by Barry. And on Saturday the Foundling. N.B.: All Places taken by Ladies and Gentlemen for the Foundling this night [Tuesday] will be continued for Saturday, unless notice is given to the contrary (General Advertiser). This play was for the benefit of Mr Garrick, clear of all charges; and therefore I shall at the end of the account subtract this sum from the total amount, it being return'd him again. And the reason of entering it among the rest of the sums was, because the principle [sic] treasurer should know nothing of the matter; and therefore as it stands in their books in the same manner as above, I think it proper to set it down here (Powel). Receipts: #200 (Cross); #193 16s. (Powel)

Performances

Mainpiece Title: King Lear

Cast
Role: Regan Actor: Miss Minors.
Role: Bastard Actor: Lee
Role: Lear Actor: Garrick
Role: Edgar Actor: Havard
Role: Gentleman Usher Actor: Neale
Role: Cordelia Actor: Mrs Cibber
Role: Gloster Actor: Berry
Role: Kent Actor: Winstone
Role: Albany Actor: Mozeen
Role: Cornwall Actor: Blakes
Role: Burgundy Actor: Marr
Role: Goneril Actor: Mrs Bennet

Afterpiece Title: The Lying Valet