SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Edward Cape Everard"/1) | (@(roleclean,performerclean) "Edward Cape Everard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 939 matches on Author, 837 matches on Performance Comments, 238 matches on Event Comments, 101 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; Aickin, Whitefiled, Fearon, Lane, Brett, L'Estrange, Wilson, Jacobs, Jones, Lloyd, Everard, Castevens, Walters, Pierce, Chaplin, Francis, Weston, Miss Ambrose, Miss Platt, Mrs Weston, Miss Francis; with a Reinforcement of Bayes's new-Raised troops-.
Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips

Afterpiece Title: Thomasand Sally

Dance: The Medley-

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Loves Metamorphoses

Performance Comment: Parts by King, Packer, Davies, Everard, Vernon, Mrs Siddons and Mrs Wrighten. Young Dormer-King; Moody-Vernon; Sir John Murray-Packer; Col. Murrary-Davies; Maria-Mrs Siddons; Feather-Mrs Wrighten (Genest, V, 494); Prologue-King; a Cantata Epilogue-Vernon, Mrs Wrighten.

Dance: End: A Comic Dance-the two Miss Stagledoirs, scholars to M. LaRiviere

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Man of Quality

Performance Comment: As17760328 but Parts-Everard for $Marr.
Cast
Role: Parts Actor: Everard for Marr.

Dance: IV: The Irish Fair, as17751003

Event Comment: This being the Last time of Mr G. performing he generously gave the Profits of the Night to the Theatrical Fund, he spoke the Usual prologue & after the play he went forward & address'd the Audience in so pathetic a Manner as draw Tears from the Audience & himself & took his leave of them forever (Hopkins Diary). [Accounts of the farewell address in the Morning Post and in Davies; Life of Garrick.] So Ends the Season 67 different Play 32 different Farce 189 Nights in all (Hopkins Diary). N.B. The profits of this night appropriated to the benefit of the Theatrical Fund: Cash #309 2s.; After Money #2 10s. 6d. Received #311 12s. 6d. Paid #36 5s. 9d. viz: @Renters #8@Supernumeraries & Kettle Drum #2 11s.@Soldiers 14s.@Extra Constables #1 10s. 6d.@Candles, Oyl & Lampmen #3 18s. 6d.@Carpenters Extras #2 1s.@Music Band #7 18s. 9d.@Messrs. Legg, Lauchery, Larivere, Garland & Langlois Salary #1 13s. 4d.@Sundry Doorkeepers & Servants #7 18s. 8d. @#36 5s. 9d.@Rec'd #311 12s. 6d.@Paid #36 5s. 9d.@Remains #275 6s. 9d.@Brought Fd #62 3s. 7d. from 10th May@Total #337 10s. 4d.@ N.B. The above sum of the two Nights for Theatrical Fund-order'd by Mr Garrick this 25th day of June 1776 to be paid into the hands of Mr Hatsell (Treasurer's Book). AFTER SEASON RECEIPTS (Treasurer's Book): 11 June: Rec'd Box office keeper's cash #25; Candles, Oil &c. the 2nd Fund night #7 17s.; From Mr Dodd in Full #21. 24 June: From Sinking Fund (3rd) in full #963 10s.; From Grimaldi on acct #70; From Mrs Smith (singer) in full #31 10s. 2 July: From Public Advertiser for this season #50; Gazetteer ditto #50. 4 July: Their Majesties Acct this season #76; from Mr Harrison one yrs. rent Land tax deducted #37 5s. 5 July: From Mr Parsonage 1 yr. & one quarter rent to Midsummer (tax deducted) #53 15s. 15 July: From Mr Pope 1 yr. & one quarter rent to Mids. Last (taxes deducted) #35 12s. 6d.; Mr Heath 1 yr. and 1!2 Rent to Mids last #15. 19 July: From Mrs Johnston 1 yr. & one quarter rent to Mids. last #7 10s.; Mrs Groath 1!2 year to ditto #1 10s. Mr Percy three quarters Rent to ditto #7 10s.; Mr Waterer five quarters rent to ditto (land tax deducted) #51 7s. 25 July: Sundry forfeits taken up by Evans #38 5s. AFTER SEASON EXPENDITURES (Treasurer's Book): 11 June: Five days salary to sundries at #88 2s. 10d. per diem #440 14s. 2d.; George Garrick in full of #400 #5 13s. 4d.; Slingsby in full of #350 #1 3s. 4d.; Everard on note #10 10s.; Davis on note #21; Mr King to make up #500 in full #32 10s.; Lauchery on note #15 15s.; Mr Page in full of #25 #1 12s. 6d. 28 June: To Lord Walpole for one year's acting season #315; Mr Highly in Full of his building acct #85 19s.; Ditto for 3 yrs. ground rent to the 24th inst. #42. [For explanation of Walpole payment, see Boaden, Garrick Correspondence, II, 155 an involved agreement re an annuity dating from October 1761, now being collected because of new taxes on Carriages, and because Lady Walpole was footsore and would walk nowhere.] 20 June: Adelphi Tavern Bill & Waiters #20 10s. 6d.; Mr Park, chorus 4 nights in full #1 10s.; Mr R. Johnston's property Bills in full #33 1s. 6d. 24 June: Mr D. Garrick in full of #1,300 #235 13s. 2d.; Mr R. Harwood's gratuity #5 5s. 2 July: One yrs. subscription for St George's Hospital for both the managers #10 10s. 5 July: Three quarter's rent pd for Miss Abrahams at Gardners #37 10s. 9 July: Blakes (hatter) #11 15s.; Mrs Chitty (coals) #94 17s.; Hadley & Co., Engine, #12 12s.; Thomson (smith) #6 15s.; Barrow & Co., Oil, #108 13s. 6d.; Ireland (upholsterer) #17 2s. 6d.; Stevens (mason) #42 7s. 6d.; Hewetson (laceman) #9 2s.; Racket (taylor) #16 9s.; Barret (wax chandler) #14 5s.; Waller (hosier) #11 5s. 11 July: Machin, Chorus singer, #6, Bibb (sword cutler) #2 5s.; Gardner (shoemaker) #3 2s.; Marshall (plumber) #4 13s.; Stacey (colourman) #4 17s. 15 July: Daley (sadler) #5 5s.; Scott (copperlace) #25 14s. 6d.; Norfolk (glazier) #3 7s.; Carpue (silk Dyer) #18 13s.; Mrs Carter (scowerer) #1 14s. 6d.; Chettle (timber) #4 6s. 7d.; Pope, for Wiggs, #12 12s.; ditto for 81 extra nights dressing #8 2s.; Mr Preston 69 nights dressing Mr Garrick #5 3s. 6d.; Hatsell (mercer) #47 3s. 16 July: Powney (stationer) #2 10s.; Jennings (glover) #25 17s. 6d.; Prior (turner) #9 5s. 6d; Hopkin's Prompter's bill #13 18s.; Palmer for Sperma. Candles #7 14s.; Kirkman (harpsicord maker) #13 17s. 6d.; Hele (surveyor) #26 10s. 19 July: Mrs Garwood (laundress) #2 12s. 8d.; a Green coat for Mr Garrick #3 3s.; Mr Woods, chorus, 63 nights in full, #15 15s.; Mr French's bills in full #235 3s. 6d. 22 July: Mr Waterer, Black Lyon dinner Bills #56 8s. 6d. 25 July: Mrs Vaughan (haberdasher) #3 18s. 6d.; Cubit (tinman) #2 15s.; Kirk (housekeeper) three quarter's salary to Midummer #30; Victor's gratuity and two weeks salary #35; Evans in lieu of Benefit #42 and 2 weeks salary #3; Mr Westley 2 weeks salary #1 10s. AFTER SEASON COMPUTATION: DRURY LANE 1775-1776: Books closed 25 July 1776. @Total income #37,917 3s. 10d.@Total Expense #33,453 18s. 4d.@Profit #4,463 5s. 6d. divided as follows:@Mr Clutterbuck #1,000@Managers #3,240@ In Victor's hands #223 5s. 6d. [presumably for summer expenses and opening the next season. The Treasurer's Book also mentions a sum of #575 18s. 8d. at Mr Clutterbucks, without indication of its source or contemplated use.

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

Performances

Mainpiece Title: The Macaroni Adventurer; Or, Woman's A Riddle

Performance Comment: Characters-Payler, Middleton, Swords, Evans, Kennedy, Levi [their 1st appearance on any stage], Davis, Everard, Mrs Shirley, Miss Hiorne, Miss Percey, Miss Dudley (their 1st appearance on any stage), Mrs Lefevre; A new occasional Prologue-; Epilogue-.

Afterpiece Title: Fashionable Love; or, The Happy British Tar

Afterpiece Title: The Covent Garden Tragedy

Dance: Entertainments ofDancing-

Entertainment: Monologue.End III: Imitations [Vocal and Rhetorical, never attempted, a Trumpet-a Choice Spirit [who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified])

Event Comment: [Song and Chorus] Written over our late Victory over the French Fleet (General Advertiser). (bad) upon beat F: fleet (Cross). [The battle was fought on 25 Oct. off Cape Finisterre. Accounts, both French and English, appeared in the General Advertiser by 16 Nov.] Receipts: 120 (Cross); #114 16s. (Powel)

Performances

Mainpiece Title: The Recruiting Officer

Song: New Sailor's Song-; Chorus call'd Tit for Tat-

Dance: New Ballet, call'd %The Gardner's Revels-Cooke, Mathews, Leviez, Pelling, Shawford, Royer, Mrs Addison, Miss Thompson, Mrs Shawford, Miss Cole

Event Comment: Mainpiece: At the Particular Desire of some Persons of Quality. [The song, apparently by Cibber, upon the victory off Cape Finisterre displeased Cross the night before, but met with sufficient popular appeal to have a run.] Receipts: #82 (Cross); #88 14s. 6d. (Powel)

Performances

Mainpiece Title: Albumazar

Dance: II: The Gardner's Revels-Cooke, Mathews, Mrs Addison

Song: fter the dance, an Entertainment of singing and dancing call'd The Sailors Rendezvous at Portsmouth-. [See17471116]

Event Comment: Benefit for Morris, Gray, West, Mortimer, and Cape. Tickets deliver'd out by Mr Page and Mr Roberts will be taken. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Event Comment: Receipts: #173 5s. [The Occasional Song is Larpent MS 164, a patriotic one on George II's victories: "Amherst by land Boscawen by sea" referring to victories at Cape Breton, Crown Point, Niagara, Guadeloupe, Senegal, and Quebec.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Fair

Related Works
Related Work: The Fair Quaker; or, The Humours of the Navy Author(s): Edward Thompson
Event Comment: Benefit for Cape, West, Tomlinson, Robinson, Roberts, and Mortimer. Tickets delivered by Marr and Page will be taken

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Englishman in Paris

Event Comment: Benefit for Shuter. Mainpiece: Not acted in 20 years. Receipts: #171 15s. 6d. plus #112 17s. from tickets (Box 272; Pit 299). Paid Hughes and Batten for 4 1!2 yds muslin for sleeves for women dancers 18s. 9d. (Account Book). [Shuter's Interlude is Larpent MS 188, a verse monologue with songs, giving the geneology of Bucks from Nimrod's heirs-hunters who now seek ladies in Boxes rather than foxes. A patriotic song on successes at Minden, Quebec, Cape Breton, &c. ending]: @We wish as we ought that Great Britain may thrive@That freedom and friendship may faction survive@On sea and on shore, as we have may we shine@And this year sixty-one equal fam'd forty-nine.@ Charges: #63 (Account Book)

Performances

Mainpiece Title: The Wife's Relief; Or, The Husband's Cure

Afterpiece Title: The Cheats of Scapin

Dance: II: (By Desire) Hornpipe-Poitier Jr

Entertainment: End: A Comic Lecture; or, Tea a-la-Mode, in the manner of Foote-Wilkinson; The Cries of London-Shuter; End Afterpiece: the Origin, Nature, and Progress of the Order of British Bucks-Mr Shuter; with the whimsical behaviour of Choice Spirits, and Mons Thurot's Trip to Carrickfergus-

Event Comment: Benefit for West, Cape, Mortimer, Roberts, Tomlinson. Tickets deliver'd for This Night will be taken. [The Occasional Epilogue is Larpent MS 197, wherein Tomlinson as the habitual stage mute finally speaks, after having acted in dumb show Prelate, Senator, Page, Soldier, Clown, and Lord, thanks the audience and expresses his desire to please.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Double Disappointment

Song: II: Fawcett

Entertainment: II: An Occasional Epilogue (1st time)-Tomlinson

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Performances

Mainpiece Title: Florizel And Perdita

Afterpiece Title: Catharine and Petruchio

Performance Comment: As17620127 *uö›dl The Farmer's Return from London. As17620320 but Children, Master Pope, Miss Cape, Miss Heath.
Event Comment: Last time of company's performing this season. Benefit for Bowers and Widow Veal. Tickets deliver'd by Berrisford, Hodges, and Burroughs will be taken. Thus Ends the Season-63 different plays-36 different Farces-186 Nights in all (Hopkins Diary). Paid Watch, Rector, Cleansing, &c., cg to Lady Day last #5 18s. 4d. (Treasurer's Book). After Season Receipts: 11 June: Box Office Keeper's cash #25; Condill's 3rd and last payment for Fruit Office #20. 16 June: Candles, Oyl and Lampmen of Theatrical Fund Night 2nd inst. #3 18s. 6d. 23 June: Mr Johnston for Candle ends sold to sundry #11 7s. 6d.; Ditto for Lace burnt form the Wardrobe #205 8s. 26 June: Harrison's rent 1 yr to Lady Day last #46 but with #12 5s. in taxes deducted amount rec'd #33 15s.; Williams rent ditto (#48 with #8 6s. 8d. taxes deducted) #39 13s. 4d.; From Public Advertiser this season #50; From Daily Gazetteer #50. 3 July: Remainder of Sinking Fund #160 2s. 6d. 6 July. Mr Rowland 1 yrs rent to Lady Day last with #3 8s. in taxes deducted, #139 12s.; Mr Pope 1 yrs rent to ditto with #3 11s. 2d. taxes deducted #26 8s. 10d. 10 July: Benefit deficiencies cleared and Cash taken up by Evans as per acct. #89 7s. (Treasurer's Book). After Season expenditures: 11 June: Hopkins, Prompters Bill #8 15s.; Miss Hopkins 18 Nights full #2 5s. 13 June: 2 days salary list at #72 6s. 5d. per diem #144 12s. 10d.; S. French 6 days #1 10s. 16 June: Davies on note #7 6s.; Printer's 2 bills #11 14s.; Mas. Thomson 3 nights in full 15s.; Mrs Mann on note #2 2s.; Tallow chandler's 9th bill (#30 14s. 4d. with a discount of #26 15s. 6d. on all bills for season) #3 18s. 10d. 19 June: Miss Berkley on note #5 5s. 3 July: J. Stevens 2 weeks as usual #1 16s; Sandys & Co. for Colours #10 4s. Dorman for Coals #20 10s. and for attending practices of dances, as usual #10 10s.; Cole (turner) #14 3s.; Bibb (sword cutler) #3 12s.; Barret (wax chandler) #20 6s. 6d.; Blakes, (hatter), #5 12s.; Lowe and Co (glaziers) #16 6d.; Cropley, (linen draper) #14 7s. 6d.; Chamberlain & Co. (ironmongers), #25; Carter (scowerer) #14 12s.; Jennings (glover and furrier) #18 6d.; Scott (copper laceman), #51 19s.; Carpue, (silk dyer) #9 1s. 6d.; Mrs Chitty (coals) #28; Carver's bill #2 1s.; Chettell (timber) #14 9s.; Cubitt (Tinman) #18 2s. 6d.; Waller (hosier) #24 19s. 6d.; Barrow & Co. (only) #118; Vaughan (haberdasher) #3 6s.; Hatsell (mercer) #28 2s.; Thomson (smith) #10 15s. 6 July: B. Lyon, Wardrobe & Carp Bills #10 10s. 6d.; Stephens (manson) #6 4s.; Pope (peruke maker) #29 6s. and #3 16s. for 38 extra nights dressing &c.; Mrs Slaughter's Bill #9 2s. 6d.; Roberts (shoemaker) #3 12s. 6d.; D. Richards, 30 weeks 5 days extra salary in full for this season #30 16s. 8d.; Hewetson (laceman) #17 6s.; Mr Page in full of #25 this season #1 17s. 6d. 8 July: J. Johnston's Music Bill #37 13s. 6d.; Powney & Co., (stationers) #3 14s.; Landall for Mrs Cape's Funeral per order #4 7s. 6d.; Kirkman, (harpsichord maker) #18 14s.; John French, painter's bill #5 3s. 10 July: Palmer for Spermacetti Candles #255 8s.; Miss Collett's schooling #2 8s. 10d.; Stafford (glassman) #4 19s.; A. Johnston's bill for feathers &c. #15 6s. 6d.; Ditto four Housekeeping Bills #10 1s. 4d.; Chapman (Jubilee horsekeeping) #3 13s. 6d.; Victor 2 weeks salary as usual #5; Victor gratuity as usual #30; Evans 2 weeks salary as usual #3 and #42 in lieu of a Benefit. Books Closed 10 July. Total income #32,538 6s. 1d. Total outgo #26,410 8s. 8d. Profit #6,127 17s. 5d. paid To Managers #5,040 To Clutterbuck #1,087 17s. 5d

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Miss in Her Teens

Dance: End: Hornpipe-Walker

Event Comment: Cymon and The Witches both to be laid aside after this night on account of preparations for a New Pantomime for the Holidays (Winston MS 10). [See Pigmy Revels, 26 Dec.] Paid Mr Vernon on note #10 10s.; Mr Wright's bill to Manning, #4 10s. 3d.; Eaton for Women's cloaths #16 16s.; Master Cape per order, #2 12s. 6d. Receipts: #177 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Witches

Event Comment: Benefit for Hopkins, prompter, and Mrs Hopkins. The Farmer's Return was advertised for Hopkins' Benefit, the Farmer-Cape">Weston, but changed (Winston MS 10). Paid $Mr Cape's Apothecary's Bill #4 16s. 11d.; Chorus 2 nights (this incl.) #3 11s.; Mr Wallis on note #2 2s.; Extra Flutes & Guitars in Genii & Xmas Tale (9th inst. incl.) #1 15s. (Treasurer's Book). Receipts: #166 4s. 6d. Charges: #66 11s. 6d. Profits to Mr and Mrs Hopkins: #99 13s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Deserter

Song: II: (By Desire) the Song from Love a@la@Mode-Moody

Dance: End Entertainment: The Irish Fair, as17730918

Monologue: Between Play and Entertainment: (By Desire and for the last time this season) Linco's Travels. As 14 March

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Event Comment: Mainpiece: Divided into Two Parts. Afterpiece [1st time; CANT 1. Larpent MS 1156; not published. The playbill omits Apollo; added in MS]: With Chorusses and Dances. The Music composed new for occasion by Bianchi. The Dances also new, by Gallet. Poetry by DaPonte. In honour of the Glorious Victory of His Majesty's Navy [off Cape St. Vincent] on the 14th of last Month

Performances

Mainpiece Title: Il Consiglio Imprudente

Afterpiece Title: Le Nozze del Tamigi e Bellona

Dance: End I: Peggy's Love-, as17961220

Ballet: Ballet succeeding to and analogous to the Cantata. Doris-Mme Rose; Nerid-Didelot; Ocean-Gentili; Amphitrite-Mlle Parisot; Thetis-Mme Hilligsberg

Event Comment: By Authority of the Lord Chamberlain. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. Benefit for the Unfortunate Sufferers in the Glorious Action between Sir John Jervis, and the Spanish Fleet, off Cape St. Vincent [on 14 Feb. 1797]

Performances

Mainpiece Title: The Battle Of Eddington

Afterpiece Title: The Romance of an Hour

Song: Mainpiece: Vocal Parts, as17970123, but Master _Willoughby, Master Paul, A Young _Lady, Miss +Jones; End: +Ye Gentleman of England-; and the Companion, To all you Ladies now at Land-; A Sea Song, The Muffin Man-Master Sincock

Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Performances

Mainpiece Title: Alceste

Ballet: End Opera: Sapho et Phaon. As17970406

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Performance Comment: Principal Characters by Pope, Incledon, Farren, Fawcett, Bowden, Macready, Miss Hopkins, Miss Wallis. Cast from text (T. N. Longman, 1795): Edward Prince of Wales-Pope; Sir Ralph Neville-Incledon; King Edward III-Farren; Leveret-Fawcett; Fitz@Alan-Bowden; Lord Edward Spyncer-Macready; Revel-Burton; Ferryman-Rees; Eustace-Linton; Lady Blanche-Miss Hopkins; Countess of Kent-Miss Wallis; Villagers-Mrs Clendining, Mrs Martyr.

Afterpiece Title: Windsor Castle 2

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .

Performances

Mainpiece Title: Samson

Performance Comment: Samson-Beard; Manoa-Savage; Micah-Mrs Cibber; Dalila-Mrs Clive; Harapha-Reinhold; Officer-Lowe; Israelite Women-Signora Avoglio, Miss Edwards; Philistine Women-Signora Avoglio, Miss Edwards; Philistine-Lowe (Deutsch, Handel p. 559).

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Statesman Foil'd

Performance Comment: Characters-Sowdon, Mahoon, Bannister, Miss Grace, Miss Edwards. Lord Crafty-Sowdon; Meanwell-Mahoon; Worthy-Bannister; Amilia-Miss Edwards; Sally-Miss Groce (Edition of 1768).

Dance: As17680530