SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Edmond Malone"/1) | (@(roleclean,performerclean) "Edmond Malone")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 26 matches on Performance Comments, 17 matches on Event Comments, 0 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Lord Edmond-Davies; Jack Connor-Macready; Count Frippon-Cubitt; Tough-Rock; Frill-Farley; Father Frank-Rees; Landlord-Thompson; Trap-Powel; Phelim-Ledger; Dowdle-Munden; Rachael-Miss Hopkins; Mary-Miss Stuart; Adelaide-Miss Chapman.
Cast
Role: Lord Edmond Actor: Davies

Song: As17931009

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Lord Edmond-Davies; Jack Connor-Macready; Count Fripon-Rees; Tough-Rock; Father Frank-Davenport; Trap-Powel; Dowdle-Munden; Rachael-Miss Hopkins; Mary-Miss Stuart; Adelaide-Miss Chapman.
Cast
Role: Lord Edmond Actor: Davies

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Prisoner at Large

Performance Comment: As17950203, but Lord Edmond-Claremont; added: Frill-Farley; Phelim-Ledger.
Cast
Role: Lord Edmond Actor: Claremont

Ballet: Dermot and Kathlane. As17950219

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Jack Connor-Macready; Lord Edmond-Toms; Frill-Farley; Father Frank-Davenport; Trap-Powel; Count Fripon-Rees; Phelim-Ledger; Dowdle-Munden; Rachael-Mrs Townsend; Mary-Mrs Fawcett; Adelaide-Miss Chapman.
Cast
Role: Lord Edmond Actor: Toms

Song: End I: The Storm-Incledon; End: a Grand Harmonic Selection, Admiral Benbow-Incledon; The Sailor Boy cap'ring on Shore-Fawcett; O bring me wine-Bowden; The Land of Potatoes-Johnstone; The Group of Lovers; or, Beauty at her Levee-Munden; Old Towler-Incledon

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Jack Connor-Macready; Lord Edmond-Toms; Frill-Farley; Father Frank-Davenport; Tough-Haymes; Trap-Powel; Count Fripon-Wilde; Phelim-Ledger; Dowdle-Munden; Rachael-Miss Mansel; Mary-Mrs Fawcett; Adelaide-Miss Chapman.
Cast
Role: Lord Edmond Actor: Toms

Dance: I: a Dance- incident to the Piece

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Jack Connor-Betterton; Lord Edmond-Mansel; Father Frank-Waddy; Frill-Farley; Tough-Rees; Dowdle-Munden; Rachael-Miss Sims; Mary-Mrs Gibbs; Adelaide-Miss Chapman.
Cast
Role: Lord Edmond Actor: Mansel

Afterpiece Title: Fun and Frolic; or, Sailors' Revels

Song: In course Evening: The Storm-Incledon; Black Ey'd Susan-Incledon; Mad Tom of Bedlam (in character)-Incledon; Together let us range (composed by Boyce)-Incledon, Miss Poole

Performances

Mainpiece Title: Joanna

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Jack Connor-Betterton; Lord Edmond-Mansel; Father Frank-Waddy; Dowdle-Munden; Rachael-Miss Sims; Mary-Mrs Litchfield; Adelaide-Miss Chapman.
Cast
Role: Lord Edmond Actor: Mansel

Song: Chorusses, as18000116, but Miss Leserve

Event Comment: It is not certain what company produced this play, if it was acted; and it may not have been staged. A manuscript note on Bodleian Malone 116 attributes it to Southby. As the play was advertised in the Post Boy, 2-4 March 1696@7, and as a copy in the Library of Congress bears the manuscript date of 10 March 1696@7, the play, if produced, was probably first acted not later than February 1696@7

Performances

Mainpiece Title: Timoleon; Or, The Revolution

Event Comment: PPanton St. Benefit Malone. 2s. 6d., 2s., 1s., 6d

Performances

Mainpiece Title: Cato

Afterpiece Title: The Lying Valet

Event Comment: The Characters all New Dress'd. A new Comedy [by Dr Benjamin Hoadly] never before acted. [The previous July Garrick had been entertained by the Rev. Dr John Hoadly at Alresford and carried on a pleasant correspondence with him afterwards. In his letter 19 Aug. 1746 (Folger) he wrote]: I had the pleasure of the Doctor's company [brother Benjamin Hoadly] to supper at my lodgings the night before I set out for this place; we talk'd about Ranger, but whether he will appear next winter or sleep forever in ye scritore, is not yet determined: 'tis pit, faith. [That this friendship was exceedingly profitable to Garrick is indicated by the fact that Benjamin Hoadly seems to have turned over the profits from the three author's nights to Garrick. (1) Garrick by a bargain with John Rich received #80 advance cash and promised to pay nightly charges (3rd, 6th, & 9th nights) of #60, and (2) to divide equally the remaining profits on those nights. The agreement was drawn 27 Dec. 1746. Garrick noted on this document]: N.B. the copy of the play is my own, and the profit arising from the printing of it. [Hoadly seems to have received only the #100 given him by George II for dedicating the printed copy to him.] [Settlement for the three performances was made 6 April. Total receipts for those nights (14, 18, 21 Feb.) was #570 11s. Total expenses were #182 2s. (including #2 2s. for the licensing). The profit of #388 9s. was equally divided and Garrick received his #194 4s. 6d. on that day. He had received the other #80 the day before the play opened, 11 Feb. 1747. See documents in Folger, Holograph Letters of David Garrick, p. 38, seemingly Edmund Malone's copy, of BM Add MSS 21508.] Receipts: #205 9s. 6d

Performances

Mainpiece Title: The Suspicious Husband

Event Comment: Gift for ye Sufferers by ye fire in Cornhill (Cross). [A column and a half "Letter to the Author" appeared in the General Advertiser this day, laying historical background for Ford's Lover's Melancholy]. The history of the stage before the Restoration is like a Foreign Land, in which no Englishman had ever travelled; we know there were such things as Playhouses, and one Shakespear a great writer, but the historical traces of them are so imperfect, that the manner in which they existed is less known to us, than that of Eschylus or the theatres of Greece. For this reason, 'tis hoped that the following Gleaning of Theatrical History will readily obtain a place in your paper. 'Tis taken from a Pamphlet written in the reign of Charles I, with this quaint title, "Old Ben's Light Heart made heavy by young John's Melancholly Lover"; and as it contains some historical anecdotes and altercations concerning Ben Johnson, Ford, Shakespear, and the Lover's Melancholy it is imagined that a few extracts from it at this juncture, will not be unentertaining to the Public. [The substance of the remainder retails Jonson's critical cantankerousness and his wounded pride at the failure of the New Inn, quoting some epigrams made at Jonson's expense on his allegation that Ford was a plagiary. This second "puff" for the play, presumably also written by Macklin, formed the basis for a Steevens-Malone controversy late in the century, centering on the existence or nonexistence of the pamphlet referred to by Macklin as "Old Ben's Light Heart made Heavy, &c." A summary account of the evidence appears in the Dramatic Works of John Ford, by Henry Weber (Edinburgh, 1811) I, Intro. XVI, XXXI.] Receipts: #210 (Cross); #208 1s. (Powel)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Double Disappointment

Dance: Cooke, Anne Auretti, Matthews, Mrs Addison

Event Comment: Benefit for Edmonds, boxkeeper

Performances

Mainpiece Title: Mrs Midnight's New Carnival Concert

Afterpiece Title: La Pantomime du Charpentier

Event Comment: A Tragedy [by Edmond Smith] revived. Never acted there before

Performances

Mainpiece Title: Phaedra And Hippolitus

Event Comment: Account-Book: Tickets delivered by Calkin, Edmonds, Gorman, Gooding, Humphries, Henderson, Jacobs, Marks, Massingham Jun., Perry, Ross, Scott, Waterer will be admitted. Receipts: #40 7s. (18.11.0; 19.11.6; 2.4.6; tickets: none listed)

Performances

Mainpiece Title: First Love

Afterpiece Title: The Prize

Event Comment: Mainpiece: In IV a Masquerade Scene. [Account-Book: Tickets delivered by Bentley, Bynam, Dale, Edmonds, Faux, Fisher, Gregson, Gaurion, Kent, Munday, Ross, Robson, Robinson, Smith, Sherwood, Stevens, Townsend, Webb, Whitmell, Wyber, Wells, Wyatt, Waterer, Mrs Byrne will be admitted.] Receipts: #31 14s. (8.11.0; 13.16.6; 0.7.0; odd money: 8.19.6; tickets: none listed)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Virgin Unmask'd

Event Comment: Account-Book: Tickets delivered by Appleby, Briggs, Benson, Byrne, Bynam, Dale, Doyle, Edmonds, Faux, Garbutt, Gregson, Gauron, Henderson, Kent, Powell, Perry, Rhodes, Ross, Robson, Robinson, Smith, Sherwood, Stevens, Townsend, Williams, Whitmell, Wyler will be admitted. Receipts: #49 7s. (25.17; 20.3; 3.7; tickets: none listed)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Of Age To-morrow

Ballet: End: The Scotch Ghost. As18000612