SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Edinburgh"/1) | (@(roleclean,performerclean) "Edinburgh")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 53 matches on Performance Comments, 37 matches on Event Comments, 11 matches on Performance Title, 10 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 7-9 July 1696, suggests that it was first presented not later than June 1696. The cast also has a large number of relatively new players, suggesting a performance in the early summer, when the young actors had more opportunities to act. Several Songs, with the names of the singers, were published separately: Hark you, madam, can't I move you, set by John Eccles, and sung by Bowman and Mrs Bracegirdle; Shou'd I not lead a happy life, set by John Eccles and sung by Reading and M. Lee; From Aberdeen to Edinburgh, set by Ackeroyd and sung by Mrs Hudson; all in Deliciae Musicae, The Second Book of the Second Volume, 1696. Preface, Edition of 1696: I am almost asham'd to mention the extraordinary Success of a Play which I myself must condemn....Let me leave this ungrateful Subject to acknowledge my obligations to Mr John Eccles, who not only set my three Dialogues to most charming Notes, but honour'd the Words to Admiration. Downes, Roscius Anglicanus, p. 44: Love's a Jest, a Comedy, done by Mr Mateox; succeeded well, being well Acted, and got the Company Reputation and Money

Performances

Mainpiece Title: Love's A Jest

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: MacHeath-Cunningham, from Edinburgh.; Polly-Miss Atherton.

Music: Preamble on the Kettle@Drums-Baker

Event Comment: Gift for ye Sufferers by ye fire in Cornhill (Cross). [A column and a half "Letter to the Author" appeared in the General Advertiser this day, laying historical background for Ford's Lover's Melancholy]. The history of the stage before the Restoration is like a Foreign Land, in which no Englishman had ever travelled; we know there were such things as Playhouses, and one Shakespear a great writer, but the historical traces of them are so imperfect, that the manner in which they existed is less known to us, than that of Eschylus or the theatres of Greece. For this reason, 'tis hoped that the following Gleaning of Theatrical History will readily obtain a place in your paper. 'Tis taken from a Pamphlet written in the reign of Charles I, with this quaint title, "Old Ben's Light Heart made heavy by young John's Melancholly Lover"; and as it contains some historical anecdotes and altercations concerning Ben Johnson, Ford, Shakespear, and the Lover's Melancholy it is imagined that a few extracts from it at this juncture, will not be unentertaining to the Public. [The substance of the remainder retails Jonson's critical cantankerousness and his wounded pride at the failure of the New Inn, quoting some epigrams made at Jonson's expense on his allegation that Ford was a plagiary. This second "puff" for the play, presumably also written by Macklin, formed the basis for a Steevens-Malone controversy late in the century, centering on the existence or nonexistence of the pamphlet referred to by Macklin as "Old Ben's Light Heart made Heavy, &c." A summary account of the evidence appears in the Dramatic Works of John Ford, by Henry Weber (Edinburgh, 1811) I, Intro. XVI, XXXI.] Receipts: #210 (Cross); #208 1s. (Powel)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Double Disappointment

Dance: Cooke, Anne Auretti, Matthews, Mrs Addison

Performances

Mainpiece Title: Auction Of Pictures

Performance Comment: also an Oration in Praise of Sight-as at Edinburgh, Oxford, Cambridge, Dublin, Foreign Universities.

Music: A Piece of Musick-the Child

Performances

Mainpiece Title: Auction Of Pictures

Performance Comment: Also An Oration in Praise of Sight-as at Edinburgh, Oxford, Cambridge, Dublin and Foreign Universities.

Dance: A Dance in Character-

Event Comment: Play Never acted there before. The Characters new dress'd. [See comment in London Chronicle, March 8-10, 1757, which quotes the lengthy Admonition and Exhortation of the Scots Presbytery to be read from all pulpits, against stage plays. "This Exhortation," writes the London Chronicler, "was probably occasioned by the greatness of the crowds who flocked for many successive nights to see the tragedy of Douglas acted" It had been played in Edinburgh 14 Dec. 1756.

Performances

Mainpiece Title: Douglas

Event Comment: Benefit for Lauder. By Desire. To begin at six. Tickets for boxes to be had of Lauder at the Rising Sun opposite Hungersford Market, Strand, at the Edinburgh Coffee House, near the Royal Exchange, and at the theatre

Performances

Mainpiece Title: Patie And Roger; Or, The Gentle Shepherd

Dance: -FFroment, Mad Dulisse

Song: FavouriteScots Songs-Lauder

Event Comment: [The young gentlewoman was Mrs Hopkins (Genest, IV, 634) and had acted at Edinburgh.

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Old Maid

Dance: II: The Camp Alarm'd, as17610926

Performances

Mainpiece Title: The Gentle Shepherd

Performance Comment: Sir William Worthy-Lauder; Prologue-; Cries of Edinburgh-Glaud.
Cast
Role: Cries of Edinburgh Actor: Glaud.

Performances

Mainpiece Title: The Gentle Shepherd

Performance Comment: Sir William Worthy-Lauder; Occasional Prologue-Lauder; several favorite Scots songs-Lauder; several musical entertainments-; Cries of Edinburgh-Player representing Glaud.

Performances

Mainpiece Title: The Gentle Shepherd

Performance Comment: Sir William Worthy-Lauder; who will introduce several favourite Scots Songs, Prologue-Lauder; Glaud-Boyack; who will sing the Cries of Edinburgh-Boyack.

Entertainment: Dancing-

Event Comment: Benefit for Woodward. Ladies send servants by 4 o'clock. Charges #66 19s. Balance to Woodward #87 16s. 6d. plus #65 15s. from 263 Box tickets (Account Book). [The proposed afterpiece, Dr Schomberg's burlesque tragedy, The Rival Favourites; or, Death of Bucephalus the Great (Public Advertiser, 4 March), had been sent to the Licenser 27 Feb., had been cast, and put in rehearsal, but was dropped and never played there. It had been done in Edinburgh in 1765. Larpent MS 293 is the Edinburg edn. The rivals are Statira and the Horse, Statira bribes Alexander's physician to kill Bucephalus.] Receipts: #154 16s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Oxonian in Town

Dance: End: The Irish Lilt, as17680930

Event Comment: MMr Waldron from Edinburgh made his first appearance upon this Stage in Scrub he is a mean figure a small Impediment in his speaking and wants power he met with some applause (Hopkins Diary)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Ode

Dance: IV: The Wake-Giorgi, Mrs King

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Thomasand Sally

Performance Comment: Squire-Philips, from Theatre Royal, Edinburgh, his first appearance upon this Stage (a Scholar of Dr Arne's); Thomas-DuBellamy; Dorcas-Saunders; Sally-Mrs Jewell.

Dance: TThe Cowkeeper-Master West, Miss West

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No Persons to be admitted behind the scenes, nor any money returned after the Curtain is Drawn up. Places for the boxes to be had (only) of Mr Sarjant at the Stage Door. The Doors to be opened at Five o'clock. To begin exactly at Six o'clock. Vivant Rex & Regina! [Customary note for each bill. Only significant changes will be further noted. The company was weakened by the loss of Woodward (see 23 Oct.) who accompanied Foote to Edinburgh, and of Mrs Bellamy who was not engaged. Miss Catley, however, returned from Ireland after an absence of 9 years. And Ross returned after four years.

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Chaplet

Dance: The Dutch Milkmaid-Mas. Burton, Miss Besford. [See17691111.

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: Bobadil-Woodward (first appearance on this stage); Welbred-Robson; Young Knowell-Didier; Downright-Gardner; Old Knowell-Miller; Matthew-Hamilton; Cash-Dancer; Kitely-Fearon (from Edinburgh); first appearance on this stage; Cobb-Collett; Formal-Farrell; Brainworm-Vandermere; Stephen-Weston; Bridget-Mrs Didier; Tibb-Mrs Collett; Dame Kitely-Mrs Gardner.

Afterpiece Title: The Wrangling Lovers

Dance: End: The Shoemaker-Mrs West, Miss West, Mas. Williamson

Performances

Mainpiece Title: Patie And Roger; Or, The Gentle Shepherd

Performance Comment: Patie-M'Donald; Roger-Stewart; Bauldy-Walker; Symond-Millemist; Glaud-Boyack (who will introduce the Cries of Edinburgh); Peggy-Miss Stuart; Jenny-Miss Sterling; Mage-Wilson; Mause-Blair; Sir William-Blendel; Occasional Prologue-Walker.

Entertainment: II: Bucks have at ye all-a young Gentleman; with other entertainment of Music and Dancing-

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot (with an address to the Town)-Brunsdon (from Edinburgh); Sir George Airy-Farren; Charles-Wilks; Sir Jealous-Morris; Whisper-Lamb; Butler-Mills; Sir Francis-Batson; Miranda-Mrs Batson; Isabinda-Mrs Gardner; Patch-Young Lady, first time on any stage.

Afterpiece Title: The Citizen

Entertainment: Between the Play and Farce: a Variety of Imitations-Young Lady who never appeared on any stage

Performances

Mainpiece Title: The Nabob

Performance Comment: Parts-Foote, Weston, Wilson, first time (from Edinburgh), Kennedy, Follett, Griffith, Owenson, Fearon, Davis, Jacobs, Jones, Castle, Lloyd, Courtney, Mrs Williams, Miss Ambrose, Mrs Palmer, Mrs Gardner.

Afterpiece Title: The Padlock

Dance: As17740516

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Performance Comment: Patie-M'Donald; Roger-Stewart; Symon-Middlemist; Glaud (with the Cries of Edinburgh)-Boyack; Bauldy-Walker; Sir William-Hartry; Peggy-Mrs Hartry (with additional song); Madge-Wilson; Mause-Hamilton; Jenny-A Gentlewoman; New Occasional Prologue-Walker.

Entertainment: End I: Song-Hartry; II: Tarewoo-M'Donald; III: Hornpipe-; End: A burlesque Tinker's Travels-Hartry

Performances

Mainpiece Title: King Henry Viii; With The Fall Of Cardinal Wolsey

Performance Comment: King Henry-A Gentleman (from the Theatre Royal, Edinburgh [unidentified]); Duke of Buckingham-Stacy; Duke of Norfolk-Comerford; Duke of Suffolk-Kenny; Earl of Surry-Garland; Cranmer (Archbishop of Canterbury)-Lewis; Gardiner (Bishop of Winchester)-Massey; Lord Sands-Ware of Deptford; Lord Chamberlain-Johnson; Cardinal Campeius (the Pope's Legate)-Sparrow; Cromwell (Gentleman Usher)-W. Smith; Doctor Butts (Physician to the King)-Ward; Cardinal Wolsey-Stokes; Queen Katherine-Miss Reynolds; Anne Bullen-Mrs West; Patience (with a song in character)-Mrs Davies; Dame Prattle-Mrs Ross; Lady of the bed chamber [to Queen Katherine-Miss C. Reynolds.

Afterpiece Title: Miss Hoyden; or, The Man of Quality

Dance: A Hornpipe-Mrs Marklew

Song: Between Acts: Singing-Mrs Davies

Event Comment: The Characters will be dressed in the Habits of the Times. The Musick of Macbeth had a proper Attention paid to it in the getting up by Mr Linley (who composed the Additional Accompaniments) and went off with great Applause. Mrs Melmoth, who came out at Covent Garden [on 26 Feb. 1774], made her first Appearance upon this Stage in Lady Macbeth, was very wild in the Part, met with some Applause. The Play was dressed in the Habits of the Times. [Note added by J. P. Kemble: I have seen some of these Habits, and very paltry and very improper they were] (Hopkins Diary). [Mrs Melmoth was from the Edinburgh theatre.] Receipts: #191 1s. 6d

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Hotel

Dance: IV: a Dance of Furies-. [This was included in all subsequent performances.

Song: original Music by Mattew Locke , with full Chorusses and Additional Accompaniments by ThomasLinley Sen.-Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd

Performances

Mainpiece Title: A Word To The Wise

Performance Comment: As17770513, but Capt. Dormer-Powell (from the Theatre Royal, Edinburgh; 1st appearance in London); Miss Dormer-Mrs Mattocks (1st appearance in that character).

Afterpiece Title: The Deuce is in Him

Song: End I: a new cantata, Diana-Mrs Farrell

Music: End Epilogue: concerto on the violin-Fisher

Event Comment: Mainpiece: Never performed here. [Digges's 1st recorded appearance as Sir John Brute was at Edinburgh in 1757.

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Midas

Dance: End: Dance-

Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Mrs Lisley, late Miss Barsanti. T. Davis's benefit, which was intended for Tuesday next, is obliged to be deferred till a Future Day, of which Proper Notice will be given. [Digges's 1st recorded appearance as Lord Townly was at Edinburgh, 6 Mar. 1756.

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Occasional Prelude

Afterpiece Title: The Mayor of Garratt