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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dukes of Richmond and StAlbans"/1) | (@(roleclean,performerclean) "Dukes of Richmond and StAlbans")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2926 results for: Keyword - Dukes of Richmond and St@Albans
We found 1254 matches on Performance Comments, 1100 matches on Event Comments, 402 matches on Author, 364 matches on Performance Title, and 0 matches on Roles/Actors.

1876
11 June 1777 @ Haymarket Theatre

Event Comment: "[Henderson] appears to have cultivated the gifts of nature, with great industry; he promises better to attain the character of a player of consummate judgment than a great player, properly so called. Edwin, in spite of his thin voice and disgusting articulation, is at least equal to half his London contemporaries; and exhibited proofs that neither his conception, nor style of playing, is limited to a particular cast of parts, or mode of acting" (London Magazine, June 1777, p. 288). [ Miss Barsanti was from the Crow Street Theatre, Dublin.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Piety in Pattens

Dance: End III: The Merry Lasses-; End IV: The Venetian Regatta- [performers not listed for either dance, but "Monsieur Giorgi's infantile pupils, as dancers, were a complete burlesque upon a corps de ballet. The audience laughed, and tolerated the poor little things, when they were pushed on between the acts to caper and lose their shoes" (Peake, II, 15-16)]

Performance Comment: The audience laughed, and tolerated the poor little things, when they were pushed on between the acts to caper and lose their shoes" (Peake, II, 15-16)].

1877
15 July 1777 @ Haymarket Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Waterman

Dance: As17770707

1878
21 July 1777 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: All the World's a Stage

1879
19 August 1777 @ Haymarket Theatre

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Henderson (1st appearance in that character [in London]); Petruchio-Aickin; Duke-Fearon; Peter-Blissett; Anthony-Massey; Francisco-Jackson; Surgeon-Griffiths; Antonio-Parsons; Don Frederick-Davies; 1st Constantia-Mrs Hunter; Landlady-Mrs Love; Nurse-Mrs W. Palmer; Kinswoman-Miss Hale; Mother-Miss Platt; 2nd Constantia-Miss Barsanti.
Cast
Role: Landlady Actor: Mrs Love

Afterpiece Title: The Lyar

Dance: End Monologue: a Dance-

Entertainment: MonologueEnd: The Picture of a Playhouse or Bucks have at Ye All-Palmer

1880
14 October 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years. [Henderson had 1st acted Shylock at Bath, 21 Dec. 1774; and 1st in London at hay, 11 June 1777.] Paid Printers Bills to the 11th Inst. #32 8s. Receipts: #234 6s. 6d. (209.7.0; 23.19.6; 1.0.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Quaker

Dance: End III: Rural Grace, as17771002

1881
16 October 1777 @ Covent Garden

Event Comment: London Chronicle, 17 Oct.: In Act IV Macklin 'very properly declined the orator, but pleaded from his feelings and the predetermined purpose of his heart.' [Mrs Barry, as Mrs Dancer, had 1st acted Portia at Crow Street Theatre, Dublin, 9 Dec. 1761, and at dl, 24 Mar. 1768.] Receipts: #205 8s. (204.19.6; 0.8.6)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End III: The Shepherd's Wedding, as17770924; End IV: As17771008

1882
01 November 1777 @ Covent Garden

Performances

Mainpiece Title: Othello

Afterpiece Title: Comus

1883
14 November 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Cast
Role: Ferdinand Actor: Davies
Role: Miranda Actor: Mrs Cuyler

Afterpiece Title: High Life below Stairs

Dance: IV: Rural Grace, as17771002 II afterpiece: a Mock Minuet-Palmer, Miss Pope. [This was danced, as here assigned, in both subsequent performances.

1884
18 November 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: Braganza

Performance Comment: Velasquez-Smith; Almada-Aickin; Ribiro-Palmer; Mendoza (1st time)-Farren; Lemos-Chaplin; Corea-Hurst; Roderic-Wright; Mello-R. Palmer; Pizarro-Davies; Ramirez-Packer; Antonio-Wrighten; Ferdinand-Griffiths; Duke of Braganza-Brereton (1st appearance in that character); Ines-Mrs Johnston; Dutchess of Braganza-Mrs Yates.
Cast
Role: Ferdinand Actor: Griffiths

Afterpiece Title: Harlequin's Invasion

1885
04 December 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 3 years. Afterpiece: With a Grand Procession. [Both the dance and the procession were included in all subsequent performances, except on 23 Apr. 1778. For Henderson as Don John see hay, 19 Aug. 1777.] Receipts: #153 11s. 6d. (125.19.0; 18.0.6; 9.12.0)

Performances

Mainpiece Title: The Chances

Performance Comment: Don John (1st time [at this theatre])-Henderson; Frederick-Brereton; Duke-Packer; Petruchio-Aickin; Antonio-Parsons; Peter-Burton; Antony-Waldron; Francisco-Wright; Surgeon-Wrighten; First Constantia-Miss Hopkins (1st appearance in that character); Mother-Mrs Hopkins; Landlady-Mrs Bradshaw; Nurse-Mrs Love; Second Constantia-Mrs Abington.
Cast
Role: Landlady Actor: Mrs Bradshaw

Afterpiece Title: A ChristmasTale

Dance: In afterpiece: a Dance of Evil Spirits-

1886
16 March 1778 @ Drury Lane Theatre

Event Comment: [Bingham is identified by MS annotation on Kemble playbill.] Afterpiece [1st time; CO 2, by Miles Peter Andrews, based on Le Bucheron; ou, Les Trois Souhaits, by Jean Francois Guichard. Music by Francois Hippolyte Barthelemon]: With New Scenes, Dresses and Decorations. Books of the Songs, Chorusses, &c. to be had at the Theatre. Public Advertiser, 17 Mar, 1778: This Day is published the Songs in Belphegor (6d.). [Text 1st published in Dublin: For the Booksellers, 1788.] Receipts: #196 0s. 6d. (156.5.0; 38.13.6; 1.2.0)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Belphegor; or, The Wishes

Related Works
Related Work: Belphegor; or, The Wishes Author(s): Miles Peter Andrews

1887
11 April 1778 @ Covent Garden

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: True-Blue

Afterpiece Title: Poor Vulcan

1888
15 May 1778 @ Covent Garden

Performances

Mainpiece Title: Edward The Black Prince; Or, The Battle Of Poictiers

Afterpiece Title: Mother Shipton

Ballet: End: The Sailors' Revels at Portsmouth. As17780511

Cast
Role: and Hornpipe Dancing Actor: in an entire new stile.

Song: As17780511

1889
15 June 1778 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Afterpiece Title: Comical Courtship; or, The Battle Royal

Dance: As17780601

Song: As17780529

1890
18 June 1778 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: A Bold Stroke For A Wife; Or, The Quaker's Wedding

Afterpiece Title: High Life below Stairs

Dance: As17780601

Song: As17780529

1891
15 October 1778 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; M. ENT 2, by Richard Brinsley Sheridan (also attributed to Richard Tickell). Prologue by Richard Tickell (London Chronicle, 23 Oct.). Text 1st published probably by T. Lowndes, 1795]: To conclude with a perspective Representation of the Grand Camp at Cox-Heathv [near Maidstone, Kent, where a military encampment had been in existence for several months], from a View taken by DeLoutherbourg and executed under his direction. [This was included in all subsequent performances.] With a New Overture and other Music [by Thomas Linley Sen.]. New Scenery, Dresses and Decorations. Account-Book, 16 Oct.: Paid Supernumeraries & Soldiers for Camp #35 5s. 6d. Receipts: #266 0s. 6d. (258.16.0; 6.18.0; 0.6.6)

Performances

Mainpiece Title: Braganza

Performance Comment: Velasquez-Smith; Almada-Aickin; Ribiro-Palmer; Mendoza-Farren; Lemos-Chaplin; Corea-Hurst; Roderic-Wright; Mello-R. Palmer; Pizarro-Davies; Ramirez-Packer; Antonio-Wrighten; Ferdinand-Griffiths; Duke of Braganza-Brereton; Ines-Mrs Johnston; Dutchess of Braganza-Mrs Yates.
Cast
Role: Ferdinand Actor: Griffiths

Afterpiece Title: The Camp

Performance Comment: Principal Characters by Webster, Moody, Parsons, Bannister, Baddeley, Carpenter, Wrighten, Burton, Fawcett, Dodd; Mrs Robinson, Mrs Cuyler, Miss Farren, Mrs Love, Mrs Bradshaw, Mrs Booth, Miss Kirby, Mrs Wrighten, Miss Walpole. Prologue-Palmer; [This was spoken, as here assigned, at the first 46 performances, except on 9, 10, 17, 18 Nov. (see17790209).] [Cast from Morning Chronicle, 16 Oct.: Corporal [later called William]-Webster; O'Daub-Moody; Gage-Parsons; Serjeant-Bannister; Mons Bluard-Baddeley; Recruits-Carpenter, Fawcett, Holcroft, Chaplin; Countrymen-Wrighten, Burton, Waldron; Sir Charles Plume [later called Sir Harry Bouquet]-Dodd; Commander@in@Chief at the Camp-Farren; Officers of Regiments-R. Palmer, Lamash, Kenny; Lady Plume-Mrs Robinson; Lady Gorget-Mrs Cuyler; Lady Sash-Miss Farren; Countrywomen-Mrs Love, Mrs Bradshaw, Mrs Booth, Miss Kirby; Nell-Mrs Wrighten; Nancy-Miss Walpole.
Cast
Role: Commander@in@Chief at the Camp Actor: Farren

1892
17 October 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Camp

Cast
Role: Commander@in@Chief at the Camp Actor: Farren

Dance: End III: The Force of Love, as17781003

1893
31 October 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Henderson; Duke-Packer; Petruchio-Aickin; Antonio-Parsons; Peter-Burton; Antony-Waldron; Francisco-Wright; Surgeon-Wrighten; Frederick-Brereton; 1st Constantia-Mrs Baddeley; Mother-Mrs Hopkins; Landlady-Mrs Bradshaw; Nurse-Mrs Love; Niece-Miss Kirby; 2nd Constantia-Miss Farren (1st appearance in that character).
Cast
Role: Landlady Actor: Mrs Bradshaw

Afterpiece Title: The Camp

Cast
Role: Commander@in@Chief at the Camp Actor: Farren

1894
18 November 1778 @ Drury Lane Theatre

Event Comment: [The playbill announces this as "By Command of Their Majesties," but "His Majesty intended going to Drury-lane Theatre last night, but was prevented by the multiplicity of business at St James's" (Morning Post, 19 Nov.).] Mainpiece: Not acted these 3 years [acted 2 May 1776]. Receipts: #212 11s. 6d. (184.8.0; 27.6.6; 0.17.0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Camp

Cast
Role: Commander@in@Chief at the Camp Actor: Farren

1895
07 January 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Cast
Role: Mrs Candour Actor: Miss Pope

Afterpiece Title: High Life below Stairs

Dance: II afterpiece: a Mock Minuet-Palmer, Miss Pope. [This was danced, as here assigned, in all subsequent performances.

Song: As17781006

1896
22 January 1779 @ Covent Garden

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Touchstone

Cast
Role: Landlord Actor:

Song: III: song in character-Mrs Farrell

1897
04 March 1779 @ Covent Garden

Performances

Mainpiece Title: Othello

Afterpiece Title: The Liverpool Prize

Cast
Role: Monsieur Coromandel Actor: Wewitzer

Dance: As17790222

1898
22 March 1779 @ Covent Garden

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Comus

1899
02 October 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Harlequin's Invasion

1900
16 October 1779 @ Drury Lane Theatre

Event Comment: [Henry is identified in playbill of 15 Nov. He had been acting in America since 1767 (Dictionary of American Biography); and see 18 Apr. 1780.] "We cannot but object to [his] calling handkerchief hand-kercher, according to the old Saxon termination. Perhaps he may be justifiable [sic] on the strict rules of etymology, but singularity always looks like affectation" (Morning Chronicle, 18 Oct.). Receipts: #109 2s. 6d. (91.15.0; 17.2.0; 0.5.6)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Elopement