SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duchesse of York"/1) | (@(roleclean,performerclean) "Duchesse of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 292 matches on Performance Comments, 208 matches on Event Comments, 18 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-T. Morris; Lieutenant of the Tower-A. Morris; King Henry-Horwell; Tressel-Birch; Richmond-Crewe; Catesby-Uncle; Buckingham-Meredith; Stanley-Webber; Prince Edward-Miss S. Francis; Queen-Mrs Hunter; Lady Anne-Mrs Pollard; Duchess of York-Mrs McGeorge; Prologue-T. Morris; Epilogue-Mrs Pollard.
Cast
Role: Richard Actor: T. Morris
Role: Lieutenant of the Tower Actor: A. Morris
Role: King Henry Actor: Horwell
Role: Tressel Actor: Birch
Role: Richmond Actor: Crewe
Role: Catesby Actor: Uncle
Role: Buckingham Actor: Meredith
Role: Stanley Actor: Webber
Role: Prince Edward Actor: Miss S. Francis
Role: Queen Actor: Mrs Hunter
Role: Lady Anne Actor: Mrs Pollard
Role: Duchess of York Actor: Mrs McGeorge
Role: Prologue Actor: T. Morris
Role: Epilogue Actor: Mrs Pollard.

Afterpiece Title: The Citizen

Cast
Role: Old Philpot Actor: Hurlstone
Role: Young Philpot Actor: Hewardine
Role: Old Wilding Actor: Hurlstone Jun.
Role: Young Wilding Actor: Crewe
Role: Quildrive Actor: Ridgway
Role: Dapper Actor: Lane
Role: Maria Actor: Mrs Pollard
Role: Corinna Actor: Miss S. Francis.

Performances

Mainpiece Title: At King's King Richard The Third

Performance Comment: As17921105, but Duchess of York-Mrs Hopkins.
Cast
Role: Duchess of York Actor: Mrs Hopkins.
Role: King Henry Actor: Bensley
Role: Prince of Wales Actor: Master DeCamp
Role: Duke of York Actor: Miss Menage
Role: Richard Actor: Kemble
Role: Duke of Buckingham Actor: Barrymore
Role: Earl of Richmond Actor: Palmer
Role: Duke of Norfolk Actor: Dignum
Role: Ratcliff Actor: Phillimore
Role: Sir William Catesby Actor: Packer
Role: Tressel Actor: Whitfield
Role: Earl of Oxford Actor: Caulfield
Role: Brackenbury Actor: Benson
Role: Lord Stanley Actor: Aickin
Role: Sir James Blount Actor: Bland
Role: Sir James Tyrrel Actor: Jones
Role: Lord Mayor Actor: Hollingsworth
Role: Elizabeth Actor: Mrs Ward
Role: Lady Anne Actor: Mrs Powell

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Sir Owen Actor: Dignum
Role: Lauretta Actor: Miss DeCamp.
Role: Richard Actor: Kelly
Role: Blondel Actor: Barrymore
Role: Florestan Actor: Caulfield
Role: Seneschal Actor: Phillimore
Role: Antonio Actor: Mrs Bland
Role: Guilliot Actor: Suett
Role: Matthew Actor: Fawcett
Role: William Actor: Banks
Role: Pilgrim Actor: Webb
Role: Matilda Actor: Mrs Crouch
Role: Dorcas Actor: Mrs Edwin
Role: Julie Actor: Miss Menage
Role: Chorus of Knights Actor: Danby, Cooke, Maddocks, Lyons
Role: Chorus of Soldiers Actor: Fawcett, Alfred, Shaw, Dorion.

Performances

Mainpiece Title: The Life And Death Of King Richard The Iiid

Performance Comment: As17930930, but Richard-A Gentleman (1st appearance [Litchfield]); Duke of Norfolk-Dignum; Sir R. Ratcliff-Maddocks; Sir R. Brackenbury-Cooke//Elizabeth-Mrs Powell; Duchess of York-Mrs Hopkins .

Afterpiece Title: MY GRANDMOTHER

Cast
Role: : Vapour Actor: Bannister Jun.
Role: Gossip Actor: Suett
Role: Souffrance Actor: Wewitzer
Role: Sir Matthew Medley Actor: Waldron
Role: Woodly Actor: Sedgwick
Role: Tom Actor: Bland
Role: Servant Actor: Lyons Charlotte-Mrs Bland
Role: Lyons Charlotte Actor: Mrs Bland
Role: Florella Actor: Sga Storace.

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Aickin; Prince of Wales-Miss Wentworth; Duke of York-Master Chatterley; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-C. Kemble; Duke of Norfolk-Holland; Sir Richard Ratcliff-Maddocks; Sir William Catesby-Caulfield; Tressel-Surmont; Earl of Oxford-Sparks; Sir Robert Brackenbury-Trueman; Lord Stanley-Packer; Sir James Blount-Wentworth; Sir James Tyrrel-Webb; Lord Mayor-Hollingsworth; Queen Elizabeth-Mrs Powell; Lady Anne-Miss Miller; Dutchess of Yord-Miss Tidswell.

Afterpiece Title: Bon Ton

Cast
Role: Lord Minikin Actor: R. Palmer
Role: Sir John Trotley Actor: King
Role: Tivy Actor: Barrymore
Role: Jessamy Actor: Wathen
Role: Davy Actor: Suett
Role: Lady Minikin Actor: Miss Pope
Role: Miss Tittup Actor: Miss Mellon.
Event Comment: Under the Patronage of their Royal Highnesses the Prince of Wales, Duke of York, Duke of Clarence, Duke of Cumberland, and Her Royal Highness the Duchess of York [and] the Duchess of Devonshire and the Duchess of Gordon. Benefit for O'Keeffe, the Unfortunate Author of the following successful Dramatic Pieces: The Son in Law, Agreeable Surprise, Peeping Tom, Dead Alive, Young Quaker, Life's Vagaries, Castle of Andalusia, Czar, Tony Lumpkin in Town, Poor Soldier, Modern Antiques, Basket Maker, Wild Oats, Wicklow Mountains, French Grenadier [never acted], Positive Man, Love in a Camp, Tantara Rara Rogues all, Beggar on Horseback, Toy, London Hermit, Highland Reel, Blacksmith of Antwerp, Man Milliner, Irish Mimic, Little Hunchback, World in a Village, Fontainbleau, Magic Banner, Farmer, Doldrum, Sprigs of Laurel, Birth Day, Prisoner at Large, &c. &c. Tickets delivered for The Belle's Stratagem will be admitted. [O'Keeffe is referred to as being unfortunate because he was totally blind. In delivering his Poetical Composition, which is printed in Dramatic Censor, II, 265-67, the Monthly Mirror, June 1800, p. 367, reports that he was led on and off the stage by Lewis. It also notes that "Mrs Jordan...came from Drury-Lane, where she had performed the Child of Nature, to officiate at Covent-Garden as the handmaid of charity."] The Last Night of the Company's performing this season. Receipts: none listed

Performances

Mainpiece Title: The Lie Of The Day

Cast
Role: Aircourt Actor: Lewis
Role: Alibi Actor: Quick
Role: Metheglin Actor: Fawcett
Role: Larry Kavanagh Actor: Knight
Role: Sir Carrol O'Donnovan Actor: Waddy
Role: Young O'Donnovan Actor: Claremont
Role: Lady Arable Actor: Miss Chapman
Role: Katty Kavanagh Actor: Mrs Davenport
Role: Fib Actor: Mrs Watts
Role: Sophia Actor: A Young Lady

Afterpiece Title: Three Weeks after Marriage

Cast
Role: Sir Charles Racket Actor: Lewis
Role: Woodly Actor: Claremont
Role: Lovelace Actor: Farley
Role: Drugget Actor: Quick
Role: Dimity Actor: Mrs Litchfield
Role: Mrs Drugget Actor: Mrs Davenport
Role: Nancy Actor: Miss Sims
Role: Lady Racket Actor: Mrs Jordan

Afterpiece Title: Paul and Virginia

Cast
Role: unassigned Actor: _Atkins, _Abbot.
Role: Paul Actor: Incledon
Role: Alambra Actor: Mrs Mills
Role: Tropic Actor: Townsend
Role: Don Antonio Actor: Hill
Role: Diego Actor: Emery
Role: Sebastian Actor: Claremont
Role: Dominique Actor: Munden
Role: Jacintha Actor: Mrs Atkins
Role: Mary Actor: Miss Sims
Role: Virginia Actor: Mrs H. Johnston
Role: Friars and Muleteers Actor: _Gardner
Role: Choral Boys Actor: Master _Ramage.
Role: Claire Actor: Miss? _Bologna, Mrs _Blurton.
Role: added to Domestics Actor:
Role: Count of Lindenbergh Actor: Howell
Role: Annette Actor: Miss Burnett.
Role: Don Raymond Actor: Farley
Role: Robert and Jaques Actor: Bologna Jun., Blurton
Role: Baptist Actor: Delpini
Role: Claud Actor: King
Role: Don Felix Actor: Hawtin
Role: Theodore Actor: Simmons
Role: Antonio Actor: Miss Sims
Role: Father Ansellum Actor: Whitmore
Role: Master of Hotel Actor: Atkins
Role: Old Steward Actor: Wilde
Role: Domestics Actor: Platt, L. Bologna, Lewiss, Webb, Abbot, Goostree, Howell, Vials, Letteney
Role: Maugerette Actor: Mrs Mills
Role: mother of Agnes Actor: Mrs Watts
Role: Step Actor:
Role: Countess of Lindenbergh Actor: Mrs Follett
Role: Agnes Actor: Mrs Parker

Song: In Course Evening: The Storm-Incledon

Entertainment: Monologue End II: personal address to the Audience in a Poetical Composition-O'Keeffe (written by Himself for the Occasion); End: Imitations-Rees

Event Comment: Pepys, Diary: So back to the Cockpitt [Whitehall], and there, by the favour of one Mr Bowman, he [Creed] and I got in, and there saw the King, and Duke of York and his Duchess (which is a plain woman, and like her mother, my Lady Chancellor). And so saw The Humersome Lieutenant acted before the King, but not very well done. But my pleasure was great to see the manner of it, and so many great beauties, but above all Mrs Palmer, with whom the King do discover a great deal of familiarity. Sometime before the Coronation of Charles II, on 23 April 1661, there may have been acted The Merry Conceited Humours of Bottom the Weaver. An edition of 1661 refers to its being "often publikely acted by some of his Majesties Comedians" and the Dedication suggests that it would make a good entertainment at the mirthful time of the Coronation. The edition lists no actors' names, no prologue, no epilogue

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: On Sunday Charles, Duke of Cambridge, the son of the Duke of York, died. On 7 May 1661, Francis Newport wrote to Sir Richard Leveson: The Duke of Cambridge dyed on Sunday in the afternoon and was buryed yesternight without any solemnity, noe mourning in the Court for him (HMC, Sutherland MSS, 5th Report, Appendix, 1876, p. 151). If the theatres were closed because of this death, the closure was for not more than ten days

Performances

Event Comment: The date of the first performance is not certainly known, but Pepys, on 2 July, saw Part II, stating that 2 July was the premiere of Part I and the opening of the Duke's Company's new theatre in Lincoln's Inn Fields. Downes (Roscius Anglicanus, pp. 20-21): His [Davenant's] Company Rehears'd the First and Second Part of the Siege of Rhodes...at Pothecaries-Hall: And in Spring 1662 [1661], Open'd his House with the said Plays, having new Scenes and Decorations, being the first that e're were Introduc'd in England....All Parts being Justly and Excellently Perform'd; it continu'd Acting 12 Days without Interruption with great Applause. Downes, p. 34: I must not forget my self, being Listed for an Acotr in Sir William Davenant's Company in Lincolns-Inn-Fields: The very first Day of opening the House there, with the Siege of Rhodes, being to Act Haly; (The King, Duke of York, and all the Nobility in the House, and the first time the King was in a Publick Theatre). The sight of that August presence, spoil'd me for an Actor too. HMC, 10th Report, Appendix, Part IV, p. 21: @For the Siege of Rhodes all say@It is an everlasting play@Though they wonder now Roxalana is gon@What shift it makes to hold out so long@For when the second part took, butt for Bully@The first did not satisfie so fully.@ [Presumably this verse was written after Mrs Davenport left the stage, in 1662(?).

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Cast
Role: Solyman Actor: Betterton
Role: Alphonso Actor: Harris
Role: Villerius Actor: Lilliston
Role: Admiral Actor: Blagden
Role: Roxolana Actor: Mrs Davenport
Role: Ianthe Actor: Mrs Sanderson
Role: Haly Actor: Downes.
Event Comment: The King's Company. Pepys, Diary: My wife and I...to the Theatre, where we seated ourselves close by the King, and Duke of York, and Madame Palmer, which was great content; and, indeed, I can never enough admire her beauty. And here was Bartholomew Fayre, with the puppet-show, acted to-day, which had not been these forty years (it being so satyricall against Puritanism, they durst not till now, which is strange they should already dare to do it, and the King to countenance it), but I do never a whit like it the better for the puppets, but rather the worse

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: The Duke's Company. Pepys, Diary: Against my judgment and conscience (which God forgive, for my very heart knows that I offend God in breaking my vows therein) to the Opera, which is now newly begun to act again, after some alteracion of their scene, which do make it very much worse; but the play, Love and Honour, being the first time of their acting it, is a very good plot, and well done. Downes (pp. 21-22): This Play was Richly Cloath'd; The King giving Mr Betterton his Coronation Suit;...The Duke of York giving Mr Harris his...and my Lord of Oxford gave Mr Joseph Price his...and all the other Parts being very well done: The Play having a great run, Produc'd to the Company great Gain and Estimation from the Town

Performances

Mainpiece Title: Love And Honour

Cast
Role: Prince Alvaro Actor: Betterton
Role: Prince Prospero Actor: Harris
Role: Lionel Actor: Joseph Price
Role: Duke Actor: Lilliston
Role: Evandra Actor: Mrs Hester? Davenport.
Event Comment: Evelyn, Diary: I saw a Comedy acted before the Dutchesse of York at the Cock-pit: The king was not at it

Performances

Event Comment: The King's Company. Pepys, Diary: After dinner, with my wife, to the King's house to see The Mayden Queene, a new play of Dryden's, mightily commended for the regularity of it, and the strain and wit; and, the truth is, there is a comical part done by Nell, which is Florimell, that I never can hope ever to see the like done again, by man or woman. The King and Duke of York were at the play. But so great performance of a comical part was never, I believe, in the world before as Nell do this, both as a mad girle, then most and best of all when she comes in like a young gallant; and hath the motions and carriage of a spark the most that ever I saw any man have. It makes me, I confess, admire her

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Cast
Role: Florimell Actor: Nell Gwin.
Event Comment: The King's Company. Pepys, Diary: My wife and I and Sir W. Pen to the King's playhouse, where the house extraordinary full; and there was the King and Duke of York to see the new play, Queen Elizabeth's Troubles, and the History of Eighty Eight. I confess I have sucked in so much of the sad story of Queen Elizabeth, for my cradle, that I was ready to weep for her sometimes; but the play is the most ridiculous that sure ever come upon the stage; and, indeed, is merely a shew, only shews the true garbe of the Queen in those days, just as we see Queen Mary and Queen Elizabeth painted; but the play is merely a puppet play, acted by living puppets. Neither the design nor language better; and one stands by and tells us the meaning of things: only I was pleased to see Knipp dance among the milkmaids, and to hear her sing a song to Queen Elizabeth; and too see her come out in her night-gowne with no lockes on, but her bare face and hair only tied up in a knot behind; which is the comeliest dress that ever I saw her in to her advantage

Performances

Mainpiece Title: Queen Elizabeth's Troubles; And The History Of Eighty Eight

Event Comment: The Duke's Company. This play in on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. It is possible that this is a delayed third performance and that the conjectured one for 7 Oct. did not occur. Pepys, Diary: My wife and I and Willet to the Duke of York's house, where, after long stay, the King and Duke of York come, and there saw The Coffee House, the most ridiculous, inspid play that ever I saw in my life, and glad we were that Betterton had no part in it

Performances

Mainpiece Title: Tarugo's Wiles; Or, The Coffee House

Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Cast
Role: Prologue Actor: the Genius of England
Role: King Edward Actor: Moon
Role: King John Actor: Wintersell
Role: Prince Actor: Kenniston
Role: Lord Delaware Actor: Hart
Role: Count Guesclin Actor: Burt
Role: Lord Latimer Actor: Cartwright
Role: Page Actor: Beeston
Role: Alizia Actor: Mrs Guinn
Role: Plantaginet Actor: Mrs Marshall
Role: Cleorin Actor: Mrs Corey
Role: Sevina Actor: Mrs Nepp
Role: Valeria disguised Actor: F. Damport
Role: A Lady Actor: Betty Damport
Role: Epilogue to the King Actor: .
Event Comment: The Duke's Company. Although Downes refers to the play's being acted "12 Days together" [see below], these were not consecutive, as Pepys saw another play at lif on 7 May. Pepys, Diary: To the Duke of York's playhouse, at a little past twelve, to get a good place in the pit, against the new play, and there setting a poor man to keep my Place, I out...and so back again, where I find the house quite full. But I had my place, and by and by the King comes and the Duke of York; and then the play begins, called The Sullen Lovers; or, The Impertinents, having many good humours in it, but the play tedious, and no design at all in it. But a little boy, for a farce, do dance Polichinelli, the best that ever anything was done in the world, by all men's report: most pleased with that, beyond anything in the world, and much beyond all the play. Thence to the King's house to see Knepp, but the play done. Downes (p. 29): This Comedy being Admirably Acted:...This Play had wonderful Success, being Acted 12 Days together

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents

Cast
Role: Prologue Actor:
Role: Sir Positive At@All Actor: Harris
Role: Poet Ninny Actor: Nokes
Role: Woodcock Actor: Angel
Role: Standford Actor: Smith
Role: Emilia Actor: Mrs Shadwell.
Event Comment: Pepys, Diary: But, Lord! to see how this play of Sir Positive At-all [The Sullen Lovers], in abuse of Sir Robert Howard, do take, all the Duke's and every body's talk being of that, and telling more stories of him, of the like nature, that it is now the town and country talk, and, they say, is most exactly true. The Duke of York himself said that of his playing at trap-ball is true, and told several other stories of him

Performances

Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard. See William VanLennep, "Plays on the English Stage", p. 13. The edition of 1668 states: As it was Acted (with great Applause) by the Servants of His Royal Highness the Duke of York, at the Theatre in Lincolns-Inn Fields

Performances

Mainpiece Title: The Changeling

Event Comment: The Duke's Company. This play is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage," p. 13. Pepys, Diary: To the Duke's playhouse, and saw Macbeth. The King and Court there; and we sat just under them and my Lady Castlemayne, and close to the woman that comes into the pit, a kind of a loose gossip, that pretends to be like her, and is so, something...The King and Duke of York minded me, and smiled upon me, at the handsome woman near me: but it vexed me to see Moll Davis, in the box over the King's and my Lady Castlemayne's head, look down upon the King, and he up to her; and so did my Lady Castlemayne once, to see who it was; but when she saw her, she looked like fire; which troubled me

Performances

Mainpiece Title: Macbeth

Event Comment: Newsletter, 7 April: Last evening their Majesties were diverted with a comedy acted at St James's by the little young ladies of the Court, who appeared extraordinarily glorious and covered with jewels (HMC, Fleming MSS. 12th Report, VII, 70). This may have been a performance of The Faithful Shepherdess which was entered by Richard Boyle, Earl of Burlington, in his diary, 2 April 1670 [error for 6 April (?)]: I saw Lady Mary, daughter of the Duke of York, and many young ladies act the Faithful Shepherdess very finely (Diary, Volume V, in Chatsworth. I owe this entry to Professor Kathleen Lynch). In Covent Garden Drollery, 1672 (ed. G. Thorn-Drury), p. 68, is an Epilogue spoken by the Lady Mary Mordaunt, before the King and Queen at court, to the Faithful Shepherdess. As Lady Mary was then about twelve, this Epilogue seems to confirm the possibility that the play was The Faithful Shepherdess acted by amateurs

Performances

Event Comment: An order of the Lord Chamberlain (5@12, p. 202) dated 1 April 1671, states that the theatres are to be closed because of the death of the Duchess of York on 31 March 1671. See Nicoll, Restoration Drama, p. 322. It is uncertain how long the theatres were closed, but probably the closure extended for six weeks

Performances

Event Comment: The Duke's Company. See Duffett's burlesque, above. The Diary of Robert Hooke, 6 Dec. 1673: Saw Empress of Morocco at Duke's Theatre. 1s. 6d. Dutchess of York? there

Performances

Mainpiece Title: The Empress Of Morocco

Performances

Mainpiece Title: The Goldsmiths Jubilee; Or, London's Triumph

Performance Comment: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Performed Octob. 29, 1674 for the Entertainment of the Right Honourable and truly Noble Pattern of prudence and Loyalty, Sir Robert Vyner, Kt & Bart, Lord Mayor of the City of London: At the proper Costs and Charges of the Worshipful Company of Goldsmiths. The King's Most Sacred Majesty and his Royal Consort, their Royal Highnesses the Duke and Dutchess of York, Prince Rupert, The Duke of Monmouth, several Foreign Embassadors, Chief Nobility, and Secretaries of State, honouring the City with their Presence.
Event Comment: G. Lady Chaworth to Lord Roos, 7 Sept. 1675: The Dutchesse of York? lykes Bartholomew Faire so well she hath bin att [it] againe incognito on Friday (HMC, 12th Report, Part V, Rutland Papers, II, 27)

Performances

Event Comment: The Duke's Company. The date of the first production is uncertain. The fact that the Epilogue suggests that it followed Settle's The Female Prelate is not a factor in the dating, as the Newdigate newsletters--see Wilson, Theatre Notes from the Newdigate Newsletters, p. 80--show that Settle's play was first acted on 31 May 1680, whereas Caesar Borgia was entered in the Term Catalogues, November 1679. Although the reference in the Epilogue to burning the Pope's Effigies" has been argued as referring to the Pope-burning procession of 17 Nov. 1679, the references in the Epilogue to Father Lewis, who was tried and convicted at York, 28 March 1679, suggest that it was written before his execution, 27 Aug. 1679. Hence the play may have been acted first some time in the late spring or the summer. A song, Blush not redder than the Morning, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681

Performances

Mainpiece Title: Caesar Borgia, Son Of Pope Alexander The Sixth

Cast
Role: Prologue by Mr Dryden Actor:
Role: Caesar Borgia Actor: Betterton
Role: Palante Actor: Williams
Role: Machiavel Actor: Smith
Role: Paul Orsino Actor: Gillow
Role: Ascanio Sforza Actor: Lee
Role: Vitellozzo Actor: Peircifull
Role: Bellamira Actor: Mrs Lee
Role: Adorna Actor: Mrs Price
Role: Epilogue Actor: .