SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Diary of Isaac Reed"/1) | (@(roleclean,performerclean) "Diary of Isaac Reed")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1378 matches on Event Comments, 1326 matches on Author, 116 matches on Performance Comments, 4 matches on Performance Title, and 1 matches on Roles/Actors.
Event Comment: Mainpiece: By Particular Desire. At 5 went into the Pit to see Love do Kite--like him better than Bransby in that character. End Act II a Pantomime dance by children called the Lilliputian Camp: Adjutant by Miss Rogers. J. Palmer did Bounce in Harlequin's Invasion, but not as well as Bransby. When King runs off in the Dancer's scene, Rooker comes on, jumps, King not being able, having had his thigh-bone broken 2 years ago (Neville MS Diary)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin's Invasion

Dance: I: Hearts of Oak, as17671022; II: The Lilliputian Camp-

Event Comment: At 4 went into the Pit to see Garrick do Archer a 2nd time (Neville MS Diary)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance: IV: The Irish Hay@makers, as17670919

Event Comment: [T+Theatrical Monitor, Nov. VII, appeared this day, again critical of The Oxonian in Town, of the dances, and of Mrs Mattocks's performance, "She raises herself by strut, rage, and storm."] At 5 went into the Pit. Powell does Othello very well, better than he did last season. Iago by Macklin (first time there in 12 years) who is reckon'd capital in that character....Clarke is a good Cassio. Mattocks appeared in his usual character Apollo. I like him better than DuBellamy who did it during his illness (Neville MS Diary). Receipts: #205 1s. (Account Book)

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Midas

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: By command of their Majesties. Did not go to see Garrick play Archer that I might avoid the abhorred sight of George and his family (Neville MS Diary)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: A Peep behind the Curtain

Dance: IV: The Lilliputian Camp, as17671202

Event Comment: Never Perform'd. Founded on Beaumont and Fletcher. Music by Thomas Linley. A Comic Opera the Music entirely new. [By Thomas Hull altered from The Royal Merchant; or the Beggar's Bush (Biographia Dramatica). See 19 Dec. 1767 for further note on Music.] Paid Mr Horne for 4 Tambourines #1 10s. (Account Book). Went into the Pit to see the opera founded on Beaumont and Fletcher, performed for the first time....The music may be good, but the piece is trifling and childish, barren of incident and character except that of Clause played by Bensley and the frightened peasant. The performers are in the Flemish dresses of the times, and do the piece much justice. At the beginning of the 2nd act some fellows in the 2s. Gallery began a disturbance, but were turn'd out and carried before Sir John Fielding, where they confessed that they were hired to disturb this performance by a publican, but refused to say whom....Stood in the well (Neville MS Diary). Receipts: #225 1s. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Dance: I: A New Comic Dance, as17671021; II: A Grand Ballet The Garland-Fishar, Mrs Bulkley. [See17651003.

Event Comment: Mainpiece: By Desire. At half past 4 went into the Pit to see Garrick do Archer a 3rd time....It is not agreeable to see Packer make love--he is oblig'd to do Aimwell, Palmer being ill....Moody does Hob pretty well, but not so well as Yates. Hartry did not do Old Hob so well as Parsons (Neville MS Diary)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Flora

Event Comment: [N$Neville stood in the Pit this evening]: Iachimo by Smith, but I like Holland better in that character; Cloten by Yates, tho' not equal in it to King...Afterpiece concluded by an original dance by Mr Arnauld and Mrs Thomson (Neville MS Diary). Receipts: #193 10s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Thomasand Sally

Dance: III: The Garland, as17671214

Event Comment: The Last time of the company's performing this season. [Following deficiencies for this season paid up: Richard Smith, Lewes, Dumay, Condell, Potter, Thomas Smith, Quick, Furkins, Wilkinson, Abbott, Simmonds, Pullen, Stephenson, Asbury, Wilde, Francis, Mrs Griffiths, Claridge, and Sharratt (Account Book). This includes payment of half value of tickets for those who were granted partial benefits on that basis.] Music forfeits at end of season #17 6s. 11d. Neville MS Diary: Went...to see Cymbeline...chiefly to hear Powell speak an occasional prologue. Would not have gone had I known it was only a stale piece of flattery to George. [See The Gentleman's Magazine, 9 July p. 346: "On shutting up the playhouse in Covent Garden at the end of the season, admission into the theatre having been denied to Mr H and R through any other passage but Mr Powell's House, those gentlemen at the head of a large posse on the 17th of last month, [June] made a forcible entry by breaking open a window near the playhouse door in Hart street; after which they expelled by violence Mr Sargeant the Housekeeper, all his family and others; but the acting managers not being inclined to submit to the arbitrary proceedings of their colleagues, immediately applied for redress, where redress was effectually to be had, and this day they were formally expelled by virtue of a warrant from under the hand and seal of the high sherrifs of London and Middlesex, and the old housekeeper, Mr Sargeant, restored to his office of trust, to the great mortification of one of the champions who had been heard to say: That he had now got possession and d--n him if he would not keep it while he had a drop of blood in his body, and while there was one brick upon another belonging to the house."

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17680307

Event Comment: MMrs Jeffries very imperfect in Lucy. The Farce greatly applauded (Hopkins Diary). Afterpiece: With alterations

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: Harlequin's Invasion

Event Comment: MMrs W. Barry very bad in Almeria-imagine she was in Liquor (Hopkins Diary)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Harlequin's Invasion

Event Comment: AAlexander by Mr Reddish-Very Bad (Hopkins Diary)

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Afterpiece Title: A Peep behind the Curtain

Event Comment: Doors opened (by Partiuclar Desire) at Five. Play to begin at half past Six. The King of Denmark came to the Farce after seeing Jane Shore at Covent Garden,--came in just before the Play was finished (Hopkins Diary)

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Harlequin's Invasion

Dance: II: The Wake, as17680929

Event Comment: MMr Barry's 1st appearance this season.--A quarrel in the Green Room between Mrs Barry and Mr Aickin (Hopkins Diary)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Elopement

Event Comment: NNeville MS Diary: At 8 in the evening went into the Pit at dl saw the last two acts of Cymbeline--Imogen by a Miss Young being her second appearance on any stage. Her person is good, her action proper and her voice excellent, but her face is ordinary

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Harlequin's Invasion

Dance: III: The Wake, as17680929

Event Comment: FFelix, Mr Garrick (Cross Diary)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The King and Miller of Mansfield

Dance: End: The Wake, as17680929

Event Comment: Mainpiece: An English Opera composed and directed by Dr Arne. In this opera two new performers appeared,--Mr Rathom who played Artaxerxes, a bad figure, extreamly aukward, and much hissed--the other Mrs Forbes, who played Arbaces, a small figure a good voice, was well received, and went decently through the part (Hopkins Diary)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Old Maid

Dance: M Daguville, 1st appearance, Mrs King

Event Comment: MMr Aickin hissed for being imperfect.--This night was introduced at the end of the Pantomime a Grand Masquerade in imitation of that given by the King of Denmark at the Opera House, and lighted up after the same manner--Every performer belonging to the House was on, even Mr Garrick and his brother.--The dresses were very elegant, and the whole very striking,--and gave pleasure to the Audience (Hopkins Diary). [The masquerade remained a part of Queen Mab and was also attached to Fortunatus. It evoked the following verse in Lloyd's Evening Post, Nov. 21-23]: One night last week a merry blade,@Who'd seen the Royal Masquerade,@And paid ten guineas for admission,@Began to damn the imposition;@His friend reply'd, "You may complain,@For I last Night at Drury Lane,@Saw full as much for eighteen pence,@As you got at such vast expence."-- G.S. C y

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Queen Mab

Event Comment: Mainpiece: Not acted these 6 years. [See 11 May 1762.] Douglas by a Young Gent, first Appearance. Mr Anon (Cross Diary)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Queen Mab

Event Comment: Mainpiece: By Particular Desire. Neville MS Diary: Saw Douglas by a Mr Brereton, being his 3rd appearance. He is a pretty figure, but wants lemon in his voice, as Mr Garrick calls it. Lady Randolph by Mrs Barry. The Entertainment was Queen Mab, with a new scene representing the late Masquerade at the Opera House, with all the extravagances and intrigue which it occasions. Was very much squeezed in the Pit. Wish I was settled in th country at a distance from these crowded diversions

Performances

Mainpiece Title: Douglas

Afterpiece Title: Queen Mab

Event Comment: Comedy from Moliere and Cibber. Hopkins Diary: This comedy [Hypocrite] is the Non Juror altered, and two new characters introduced,--went off very well,--some few hisses,--but the play will do.--The alterations are by Mr Bickerstaffe. [Full account of the mainpiece, but without critical observation, appeared in the Lloyd's Evening Post, Nov. 18-21.

Performances

Mainpiece Title: The Hypocrite

Related Works
Related Work: The Hypocrite Author(s): Isaac Bickerstaffe

Afterpiece Title: The Lyar

Event Comment: JJane Shore for the 1st time by Miss Younge--so, so--spoke much too low.--Mrs Barry was very well in Alicia (Hopkins Diary)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Queen Mab

Event Comment: FFelix-Mrs Garrick (Cross Diary)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar

Event Comment: Benefit for London Lying In Hospital Aldersgate Street (Cross Diary)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: High Life below Stairs

Dance: III: The Wake, as17680929

Event Comment: Benefit for Author of Zingis. Damon and Phillida was altered into a Comic opera of two acts, and new musick with the addition of some new songs and choruses--the Musick composed by Mr Dibdin,--went off very dull, and some hisses--the muscik not vastly liked (Hopkins Diary). New Overture. Both Zingis and Damon and Phillida published at 1s. 6d. and 1s

Performances

Mainpiece Title: Zingis

Afterpiece Title: Damon and Phillida

Event Comment: RRanger, Mr Garrick (Cross Diary). Zingis publish'd at 1s. 6d

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Damon and Phillida