SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dance "/1) | (@(roleclean,performerclean) "Dance ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4004 matches on Performance Title, 3242 matches on Roles/Actors, 1418 matches on Performance Comments, 470 matches on Event Comments, and 19 matches on Author.

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performance Comment: Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker.
Event Comment: Well rec'd: all but the 1st Chorus w[hic]h was Hiss'd. First Dance Hiss'd off. Mr Norris being ill, Mrs Dormond perform'd in his room, much applauded (Cross Diary). Acted but once. Books of the Opera to be sold at the Theatre. Receipts: #169 1s. 6d. (MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Hunters, as17640224; The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Event Comment: A new Opera composed by Giardini. With two entire new sets of Scenes at the Managers Expense. New dresses. New Dances

Performances

Mainpiece Title: Enea E Lavinia

Dance: I: Le Mariage du Village, as17640414 II: A New Dance-Fischer, Miss Auretti, Berardi, Miss Tetley

Ballet: III: Le Masquerade. As17640331

Event Comment: [R+Rich's Register lists The Hermit as afterpiece.] Paid salary list 5 days at #72 6s. 8d. per diem, #361 13s. 4d.; Atkins not on list #1 7s. 6d.; Rollet on note #7 7s.; Vernon on note per order Mr L, #12 12s.; Bill for 2 suit Men's cloathes #15 15s. (Treasurer's Book). [See engagement contract for Guidetti (Private Correspondence of David Garrick, II, 454) arranged for in Paris by Jean Monnet in early August 1766. He was engaged as Premier Danseur and composer of Ballets at 150 Guineas a year plus "300 Livres argent de France" for travelling expenses. He was to dance for no other theatre without explicit permission from Garrick.] Receipts: #130 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Polly Honeycombe

Dance: II: A New Comic Dance call'd The Vintage-Sga Giorgi, Sg Guidetti (his first appearance in England); End: A New Entertainment of Dancing call'd The Italian Bakers-Guidetti, Mrs King

Event Comment: Paid Mr Rayner a bill for bows and arrows in LaRivier's dance #1 2s. (Account Book). [Probably for the dance called The Female Archer, which was in rehearsal and due to be presented 15 Dec.] Receipts: #119 16s. 6d. (Account Book)

Performances

Mainpiece Title: The Conscious Lovers

Event Comment: Benefit for Yates. House Charges #65 5s. [Profit to Yates #118 16s. 6d.] Not performed for 20 years. Revived with alterations. Paid B. Johnson's Head Bill #2 5s. 6d. Paid #2 2s. for licensing Dido (Treasurer's Book). Receipts: #184 6d. (Treasurer's Book). About 5 went into the Pit at Drury Lane to see the False Friend reviv'd with alterations, for the benefit of Yates. It engages the attention, but was very well performed. Don John by Holland; Don Pedro by Powell; Lopez by Mr Yates, the drinking Servant by Baddeley; Leonora by Mrs Barry (whom I never saw before); Isabella by Miss Plym and Jacintha by Mrs Yates. I think an Abigail an odd character for her, but no doubt she was willing to play anything for her husband's benefit. After the dance of the Vintage, Mr Yates spoke by way of Interlude a new piece on his being in France called the "Modern Traveller," containing some strokes on the affectation of French Fashions, &c. We had the Farce of High Life Below Stairs with minuet by Mrs Yates and a French Valet, which I do not remenber to have seen when I saw this Farce (before) (Neville MS Diary)

Performances

Mainpiece Title: The False Friend

Afterpiece Title: High Life below Stairs

Dance: Pantomime Dance, The Vintage, as17661011

Entertainment: V: a New Interlude, The Modern Traveller-Mr Yates

Event Comment: Benefit for King. House charges #76 10s. [Profit to King #55 14s.] Paid Master Burney 15 nights #3 2s. 6d. Printer's bill #9 6s. (Treasurer's Book). Receipts: #132 4s. (Treasurer's Book). At 5 went to the Pit at Drury Lane to see the Clandestine Marriage...I could see this play, as it is now performed, every night, but J. Palmer was not so good in Brush as the other Mr Palmer whose character it is. Plym did not please tonight. The scene between the lawyers was omitted. We had the Irish Lilt by Mrs King, Giorgi, &c., and a comic scene by her and M Dugermay, with Linco's Travels...Mrs King is certainly a very fine dancer and has the best legs I ever saw. Past eleven ere we got out. A little girl of 7 or 8 years old danced very prettily (Neville MS Diary)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Dance: I: The Irish Lilt-Giorgi, Mrs King; End: A Comic Dance-Duquesney, Mrs King

Entertainment: LLinco's Travels-King

Event Comment: By Particular Desire. Neville MS Diary: Went into ye first row of ye Pit. Before ye play began and between ye acts read ye part of Lord and Lady Townly, Sir Francis, J. Moodie, and Sir Richard...The little girl who dances is more applauded than anyone who appears on that stage

Performances

Mainpiece Title: The Provoked Husband

Cast
Role: Lady Townly Actor: Mrs Dancer.

Afterpiece Title: A Duke and no Duke

Dance: Serious Dance-; Hornpipe, as17670722

Event Comment: [T+The Theatrical Monitor, No. V (21 Nov.) includes a letter from Bathyllus: As Dancing has ever been receiv'd by the greatest of dramatic writers, with encomiums suitable to its distinguished merit; you will be pleased through the channel of your justly spirited paper, to express the satisfaction I met with from Mr Aldridge in the Merry Sailor: his stature, strength, agility, and swiftness, are beyond anything I ever saw on Covent Garden theatre: he stands tip-toe on the pinnacle of perfection, and gives us an idea of Homer's pyrrhick dance delineated on the shield of Achilles"] Receipts: #74 17s. (Account Book)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Harlequin Dr Faustus

Dance: III: A new dance call'd The Merry Sailors-Aldridge

Event Comment: At 5 went into the Pit...Mrs Yates is the Callista Mr Rowe drew; Powell did Scioto well, nor is Bensley a bad Horatio. A new Comic Dance by LaRiviere and Miss Vallois in wooden shoes, with Harlequin Skeleton to which is now added a new scene (Neville MS Diary). Receipts: #123 15s. 6d. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Royal Chace

Dance: End: A New Comic Dance-LaRiviere, Miss Valois

Event Comment: Paid John Sutherland for playing Bagg Pipes 3 nights in Midas and 1 in Dr Faustus #1 (Account Book). Went into the Pit to see Woodward in the character of Brazen. He is a most inimitable fellow....This play is entertaining, but rather loose. End Act II, a pantomime Dance by Fishar and Manesiere. The entertainment was Harlequin Dr Faustus (Neville MS Diary). Receipts: #145 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Dr Faustus

Dance: II: Comic Dance-Fishar, Sga Manesiere

Event Comment: Mainpiece: By Particular Desire. King of Denmark. Richard-Mr Garrick (Cross Diary). For the King of Denmark.--Richard by Mr Garrick, for the first time these six years-Beyond discription fine, -his voice clear to the last (Hopkins Diary). No money taken at stage door. None returned after curtain is up. The doors (by particular desire) will be opened at half an Hour after Five. To Begin at Seven. Neville MS Diary: Hearing about 7 o'clock that Garrick did Richard III, one of his very capital characters which he has not done these 7 or 8 years, resolved (if I could get in to see him) to bear the abhorred sight of that woman-like painted puppy, the King of Denmark. After one unsuccessful attempt got into the Pit with the greatest difficulty after the third act. Garrick is inimitably great in Richard & very different from the other Richards I have seen; his expression of the dying agony of that wretch is beyond description. Some actors speak with as strong & loud voice in that scene as if they had received no wound & were not dying. One Lloyd, who waits on Garrick sometimes, observed that he himself says he never acted better in his life, modestly observing that something must be allowed to the improvement of his judgment. During the dance (for there was no farce) I was within a yard of the Danish tyrant

Performances

Mainpiece Title: King Richard Iii

Dance: End: A Comic Dance call'd The Wake-Giorgi, Mrs King

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Holland; Ferdinand (with songs)-Vernon; Stephano-King; Caliban-Love; Trincalo-Baddeley; Hymen-Kear; Ceres-Mrs Dorman; Ariel-Miss Rogers; Miranda-Mrs Baddeley; Antonio-Hurst; Sebastian-Keen; Gonzalo-Burton; Alonzo-Bransby; Shipmaster-Ackman; Boatswain-Clough; Francisco-Wright; With a Grand Dance of Fantastic Spirits-; The Other Dances-Giorgi.

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Parsons; Jemmy Twinkle-Brereton; Sotherton-Palmer; Cupid-Mas. Cape; Chamberlin-Booth; Landlady-Mrs Love; Filagree-Mrs Bradshaw; Miss Flack-Miss Platt; Miss Griskin-Miss Pope; With Dances incidental to the piece-Giorgi, Atkins; To Conclude with a Country Dance-.

Dance: I: A Dance-Daigville, Sga Vidini

Event Comment: Mainpiece: Not acted in two years.[See 27 April 1768.] Afterpiece: Altered from Richard Brome's Jovial Crew by James Love. [Dance.

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Ladies' Frolick

Performance Comment: Oliver-Dodd; Justice Clack-Parsons; Hilliard-Bannister; Vincent-Davies; Beggars-Wright, Waldron, Kear, Booth, Messink, Mrs Bradshaw, Mrs Love; Meriel-Miss Rogers; Rachel-Miss Radley; In Act I, a Crutch Dance-.
Cast
Role: a Crutch Dance Actor: .

Dance: End: A Comic Dance-two children, scholars of Daigville

Event Comment: Benefit for Keen and Wright. Tickets deliver'd by Philips will be taken. [For Philips' first dance, see 7 May 1754.

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Harlequin's Invasion

Dance: V: A Clown's Dance, in which will be introduc'd a mock Minuet-Philips

Ballet: II: The Drunken Peasant. Drunken Peasant-Philips (The Original); Clown-Wright

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Packer; Ferdinand (with songs)-Vernon; Stephano-Love; Trincalo-Baddeley; Caliban-Ackman; Ariel (with songs)-Mrs Scott; Hymen-Kear; Ceres-Mrs Dorman; Miranda-Miss Rogers; Francisco-Griffith; Master of Ship-Wrighten; Boatswain-Wright; Gonzalo-Burton; Alonzo-Bransby; Antonio-Hurst; Sebastian-Keen; With a Grand Dance of Fantastic Spirits-; The other Dances-Atkins, Sg and Sga Giorgi.

Afterpiece Title: The Institution of the Garter

Event Comment: This Farce was wrote on purpose to Shew Mrs Barry in an Irish part. She did not succeed so well in it as was expected but upon the Whole the Farce was well perform'd & met with great Applause (Hopkins Diary). [Macmillan note from Kemble differs slightly. See Account of the Irish Widow" in British Theatre article, London Magazine, Oct. 1772.] Paid Mr Rochfort for men's cloaths #7 7s. (Treasurer's Book). [The account in Town and Country Magazine of the afterpiece: "Upon the whole it is very indifferent production and as it did not meet with the applause that was expected, no one has adopted the bantling. The many are of opinion that Garrick had a hand in it, as it is got up to the best advantage, and a new dance is introduc'd between the acts to put the audience in a good humour for the succeeding scenes. Mrs Sutton is the principal dancer in the Irish Fair, in which she displayed great spirit and activity. The piece concludes with a song sung by Mrs Barry, which we think injudiciously alloted to her, as her forte does not consist in singing."] Receipts: #200 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Irish Widow

Dance: End Act I of the Farce: A New Dance call'd The Irish Fair-Atkins, Mrs Sutton, being her first appearance that stage

Performances

Mainpiece Title: The Golden Pippin

Afterpiece Title: The Commissary

Dance: I: A New Pantomime Dance call'd The Venetian Gardner-Mas. Blurton, Miss Capon. [See17650925]; II: [A New Dance-Aldridge, Miss Capon; End: [A New Grand Ballet, call'd Rural Amusements-Fishar, Sga Manesiere. [See17720424.

Performance Comment: Blurton, Miss Capon. [See17650925]; II: [A New Dance-Aldridge, Miss Capon; End: [A New Grand Ballet, call'd Rural Amusements-Fishar, Sga Manesiere. [See17720424.]See17720424.]
Cast
Role: A New Dance Actor: Aldridge, Miss Capon
Event Comment: Benefit for Robinson, Berrisford, Carlton Jr and Kaygill. Saw the Beggar's Opera at Drury Lane. Pit and Gallery so full no place Went into front Box ou much mob--low sort of people had tickets given them--side boxes almost empty. Extremely pleased with Mrs Smith (the Polly whom I never heard before), Mrs Wrighten (Lucy) and Vernon (Macheath) who all performed incomparably well (Baker Diary, p. 259). So Ends the Season 63 different Plays 36 different Farces 188 Nights in all (Hopkins Diary). Receipts: #201 15s. 6d. Charges: #84. Profits to Berrisford, Robinson, Carlton, and Kaygille: #117 15s. 6d. (Treasurer's Book). AFTER SEASON RECEIPTS (Treasurer's Book). 5 June: Rec'd Box Officer keeper's cash (deficit #6 5s.) #18 15s.; Benefit deficiencies #142 13s. 6d.; Remainder of Mr S. Barry's Bag #40 3s. 8d. 15 June: Rec'd in benefit deficiencies #223 18s.; Mr Griffith in full of #12 lent him #2 5s.; Mr Davies on acct #20; J. Aickin ditto #16 11s. 6d. 18 June: Public Advertiser and Gazetteer acct this season #100. 19 June: Sundry salaries taken up by Mr Evans #227 4s.; Remainder of Sinking Fund #70. 23 June: Rowland one yrs rent to Lady Day (#43 with #2 2s. tax decuted) #40 18s.; Mr Pope one yrs rent ditto (#30 with #1 13s. King's tax deducted) #28 7s.; Harrison one yrs rent ditto (#46 with #7 King's tax deducted) #39; Balance from Clutterbuck #159 16s.; Discount on #344 18s. 6d., the amount of tallow chandler's Bills this season #27 11s. 9d.; From the Managers per Mr D. G. #534 11s. 8d. 1 July: J. Johnston in part of Music forfeits #29 10s. 6d. 2 July: From A. Johnston for oil and sperm. Candle ends sold to sundry #6 12s. 6d. 3 July: Their Majesties Acct 3 nights #30; Her Majesty's Ladies Acct ditto #9; Williams one yrs rent to Lady Day last (#48 with #4 King's tax deducted) #44. EXPENDITURES 15 June: Paid J. French on acct #20; Wegg half yrs rent to Lady Day last #57. 19 June: Paid Miss Berkley on note #5 5s.; Loutherbourg (in full of #300) #70; D. Garrick (in full of #800) #254 11s. 8d.; King's extra salary at #3 Per week) #93 10s.; Parsons in lieu of a benefit night #80; J. Stevens 2 weeks as usual #1 16s. 23 June: Paid Black Lyon Wardrobe and Carpenter's Dinner bills #16 10s. 8d.; Pope's bill for wigs #21 4s., and for 54 nights extra dressing &c. #5 8s.; Tallow chandler's 10th and last bill #23 11s. 9d. 24 June: Paid Bibb, sword cutler, #14 16s. 6d.; Dorman, Coals, #27 15s., and for attending practices of Dances, as usual #10 10s.; Jennings, Glover & Furrier #21 9s.; Cropley (linen draper) #35 12s.; Cole (turner) #7 3s.; Hatsell (mercer) #35 9s.; Marshall & Co. (plumbers) #15; Thomson (smith) #15 15s. 6d.; Barber, for men's cloaths #6 6s.; Barret (wax chandler) #18 14s.; Ireland (upholder) #27 6s. 6d.; Blakes (hatter) #16 19s.; Hopkins & Co. (ironmongers) #42 2s.; Carpue (silk dyer) #9 10s.; Carter (scowerer); Jones (worsted lace man) #3 17s.; Hinchcliff (mercer) #36 11s. 6d.; Cubit (tinman) #12 7s.; Lowe & Co. (glasiers) #1 16s.; J. French on Acct #10. 25 June: Waller & Co. (hosiers) #20 19s.; Scott (copper laceman) #47 7s. 6d.; Kirkman, Harpsicord tuning #18 16s.; Mrs Chitty, Coals, #28 5s. A. Johnston a bill for gilt leather &c. #51 15s.; J. Aickin's Law bill to Mr Stephens #54 7s. 9d.; Mrs Garwood for work for the Wardrobe, &c. #17 16s. 6d.; Barrow & Co., for oil, #170; half yrs rent to Duke of Bedford to Lady Day Last, #165 17s. 7d.; Mrs Vaughan (haberdasher) #3 3s.; Mr Page in full of #25 for this season, #1 10s. 1 July: Paid Daigville's 5 Children Dancing &c. in full #5 5s.; Johnston Music bill to Xmas last, #29 10s. 6d.; Chettel (timber) #46 3s.; D. Richards of M: Band 31 weeks and 1 day, extra salary at #1 per week for this season, #31 3s. 4d.; Victor's gratuity as usual, #30; Evans in lieu of a Benefit #42; Hopkins, prompter's bill, #4 12s. 6d.; Jenkins, extra Trumpet 17 nights in full #8 18s. 6d.; Miss P. Hopkins, 8 Nights in full #2; C. Roberts (shoemaker) #6 9s. 6d.; One yrs Watch & Paving for Covent Garden Parish to Lady Day last #4 8s.; Victor & Evans 2 weeks salary as usual #8. BOOKS CLOSED 1 July 1773: Total income #32,639 15s. 5d. Total outgo #27,705 7s. 3d. Profit #4,934 8s. 2d. distributed as follows: To Managers #3,760; To Clutterbuck #1000, To Clutterbuck #174 8s. 2d

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Trip to Scotland

Dance: II: A Dance, as17730506

Event Comment: Music by Sacchini and other celebrated composers. The Dances under the direction of Pitrot. With New Cloaths, Scenes and other Decorations. Pit and Boxes Half a Guinea; Gallery 5s.; Second Gallery 3s. Doors to open at 5:30. To begin at 7:00 p.m. N.B. Fierville having unfortunately sprained his ankle by a fall at the rehearsal yesterday...Mariottini, who never appeared in England before, has kindly undertaken to supply his place. The Managers beg leave to acquaint the Nobility and Gentry that Mesdames Favier having arrived from Florence, but being indisposed from the great fatigue of the journey are incapable of dancing this day

Performances

Mainpiece Title: Lucio Vero

Dance: I: Grand Comic Pantomime Ballet, call'd La Bagatelle-Bocchini, Sga Mazzoni, other principals; II: A Pastoral Dance with a Pas de Trois, de Deux-Mariottini, Bocchini, Sga Mazzoni; End Opera: A Grand Serious Ballet-; with a Grand Chaconne-Fierville

Entertainment: A Poetical Exordium-Mrs Yates [In which she proposed to intermix plays and operas this season. (Burney, II, 879, notes she could not get permission.)]

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Palmer; Ferdinand (With songs)-Vernon; Stephano-King; Trincalo-Baddeley; Caliban-Ackman; Ceres-Mrs Wrighten; Ariel (With songs)-Mrs Scott; Miranda (With song)-Mrs Smith; Hymen-Fawcett; Gonzalo-J. Aickin; Alonzo-Bransby; Sebastian-Keen; Francisco-Griffith; Boatswain-Wright; Master of Ship-Wrighten; With a Grand Dance of Fantastic Spirits-; The Other Dances-Giorgi, Mrs Sutton.

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The Tempest

Performance Comment: Stephano-Moody; Trincalo-Baddeley; Caliban-Wright; Francisco-Norris; Boatswain-Griffiths; Hymen-Kear; Prospero-Packer; Ferdinand (With songs)-Vernon; Ceres-Mrs Wrighten; Miranda (with song)-Mrs Smith; Gonzalo-Aickin; Alonzo-Bransby; Sebastian-Keen; Master of ship-Wrighten; Ariel (With Songs)-Mrs Scott; With a Grand Dance of Fantastic Spirits-; The Other Dances-Como, Giorgi, Sga Crespi.

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The Tempest

Performance Comment: Sebastian-Farren; Boatswain-Carpenter; Prospero-Packer; Caliban-Wright; Gonzalo-Aickin; Stephano-Moody; Trincalo-Baddeley; Francisco-Norris; Ariel (with songs)-Mrs Scott; Hymen-Fawcett; Ceres-Mrs Wrighten; Miranda (with Song)-Mrs Smith; Alonzo-Bransby; Antonio-Hurst; Sebastian-Farren; Master of Ship-Wrighten; Ferdinand (with songs)-Vernon; With a Grand Dance of Fantastic Spirits-; The other Dances-Como, Giorgi, Sga Crespi.

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17751003

Performances

Mainpiece Title: News From Parnassus

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Cross Purposes

Dance: III: Hornpipe-Miss Besford; To conclude with: Country Dance-the characters. [Both these were danced, as here assigned, at all subsequent performances.

Performance Comment: [Both these were danced, as here assigned, at all subsequent performances.]