SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cross jun"/1) | (@(roleclean,performerclean) "Cross jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2851 matches on Event Comments, 2708 matches on Performance Comments, 328 matches on Performance Title, 110 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: At the Desire of several persons of Quality. At the Theatre Royal in Drury Lane, on Monday April 2 will be performed Othello, for the benefit of Mr Mossop; Othello by Mossop, Iago to b reviv'd by Garrick. It is hoped that those Ladies and Gentlemen who have engag'd places will excuse its being deferr'd to the above day, as a new tragedy, and a multiplicity of other business render it impossible for Mr Garrick to revive the character of Iago in the due course of Time. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Anatomist

Dance: LL'Entree de Flore, as17521122

Event Comment: Receipts: #150 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Genii

Event Comment: Mainpiece: By Particular Desire. Receipts: #140 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Genii

Event Comment: For a Public Benefaction. [Perhaps for the Society for the Propagation of the Gospel in Foreign parts, to which Young gave #1,000 on 14 March, according to the Public Advertiser.] Tickets for the Benefaction to be had of Mr Dodsley, in Pall Mall; Mr Miller in the Strand and at the Stage Door. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Brothers

Event Comment: Receipts: #140 (Cross)

Performances

Mainpiece Title: The Brothers

Event Comment: [The Public Advertiser published a long New Historical Epilogue, intended by the Author as a proper sequel to the Tragedy of the Brothers. It speaks of the authentic history in the play, and of the effective moral lesson, closing: @As public woes a Prince's crimes pursue,@So public blessings are his Virtues' due.@Shout Britons, shout!--auspicious Fortune Bless!@And cry, Long live--OUR title to success!@ This was followed by a Letter from Mr Booth in the Shades to Dr Young, on his Tragedy call'd the Brothers (an elaborate puff). In it Booth forgives Young for withdrawing the play from rehearsal thirty years earlier, and thus precluding his playing the part of Demetrius: "And I the more readily pardon you, as you have not disgraced me by giving the part to any of my successors, till this Garrick appeared, whose reputation, I can assure you, is by no means confined to your world, and who, I am told, hath more than supply'd my place, hath rendered the loss even of Betterton himself very supportable." He then lets Young in on a secret that there will be a performance of his play in the shades by all the old actors as soon as Curll can steal a copy of it for them.] We are assured that on Thursday the 22nd instant will be publish'd a Comedy in 2 acts, call'd The Rehearsal; or, Bayes in Petticoats, witten by Mrs Clive, and to be performed that evening, after the Mourning Bride, for her Benefit at Drury Lane. Mr Yates's Benefit will be on Thursday the 5th of April, when the tragedy of the Gamester will be played, being the twelfth day. A new farce will be added to it, the preparing of which has oblig'd Yates to defer his Benefit till the above day. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Brothers

Event Comment: As a principal performer was taken ill after the play last night, the New tragedy is oblig'd to be deferred till Thursday. [Printed: The British Theatre, containing Lives of the British Dramatic poets with an account of all their plays. Also The Present state of the Stage, in Great Britain and Ireland, and the theatrical characters of the principal Performers in both kingdoms.] Receipts: #130 (Cross)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Genii

Event Comment: Being the last time this season (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Dance: IIl Pastore, as17521219; Les Sabotiers Tyrolese, as17521028

Event Comment: Benefit for Mrs Pritchard. Tickets of Mrs Pritchard in Great Queen St. Lincoln's Inn-Fields, and at Stage Door. Part of the Pit will be taken into the Boxes, and servants will be admitted to keep places on the stage. [A Complaint of the Tragic Poets, addressed to Dr Young appeared in the Public Advertiser, praising him on the Brothers: "And your last efforts prove your strength divine."] Receipts: #250 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Chaplet

Dance: As17521201

Event Comment: Benefit for Ryan. Quin did Falstaff for Ryan (Cross). The Nobility and Gentry at Bath gave Quin 100 guineas, and desir'd him to send them down so many tickets for this benefit (Gentleman's Magazine, 1753, p. 147). Pit and Boxes together at 5s. [with an Amphitheatre on stage]

Performances

Mainpiece Title: King Henry Iv, Part I, With The Humours Of Falstaff

Dance: GGrand Scots Ballet, as17521216

Event Comment: Benefit for Miss Bellamy. Afterpiece: By Desire. No part of the pit will be laid into the boxes, nor any building on the stage. Tickets of Miss Bellamy at her House in Thrift St., Soho; and at stage door. Receipts: #160 (Cross)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Oracle

Dance: II: A Grand Ballet-Devisse, Mlle Auguste; V: L'Entree de Flore, as17521122, but Janeton Auretti seems to replace Mrs Preston

Event Comment: Benefit for Macklin. Afterpiece: A Comedy in 2 acts written by Foote, with Prologue and Epilogue by him. Miss Macklin did Calista and a part in the farce,-all went well (Cross). A Comedy in answer to the French Farce A Frenchman in London, with a Dialogue Prologue, spoken by Macklin & his wife. Epilogue spoken by Miss Macklin. All by Foote. Part of Pit laid into the boxes, with an amphitheatre on stage, all at 5s. Full Prices (Winston MS 8). The Englishman at Paris has been better recev'd that I expected. Garrick, &c., &c....say kinder things of it than modesty will permit me to repeat. Upon the whole it was damnably acted, Macklin miserably imperfect in the words and in the character (a stain to Comedy). You might have seen what I meant,--an English Buck, by the power of dulness instantaneously transformed into an Irish chairman. Miss Roach, accompany'd by some frippery French woman occupy'd, to the no small scandal of the whole house, the Prince's box, whilst the duchess of Bedford &c., &c. were oblig'd to take up with seats upon the stage. The piece will be printed the 25th instant, which I will enclose to you (Samuel Foote to Mr Delaval, MS in Folger Shakespeare Library, written either 24 March, or, perhaps more likely, 24 April, since Foote states later in the letter he is leaving for foreign parts the first of May)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Englishman in Paris

Event Comment: Benefit for Mons Devisse & Mad Auguste. Tickets of Devisse at Mrs Jones's, Hoop-petticoat Maker in Bow St., Covent Garden; at Turk's Head Tavern, in Grig-St., Soho; of Mad Auguste at Mr Harris's, Hosier, in Tavistock Row, Covent Garden; and at the Stage Door. Receipts: #200 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: A Duke and no Duke

Dance: I: A New Dance-Mlle Auguste; II: A Masquerade Dance-M Gerard first appearance from Paris, never appeared in England; III: A New Pierrot Dance-Devisse, Mlle Auguste; IV: The Matelot Basque-Ferrere; after the Country Dance-; The Louvre and Minuet-Devisse, Mlle Auguste

Event Comment: Benefit for Beard. Tickets of Beard in Russel-St, Covent Garden; and at Stage Door. Receipts: #260 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Double Disappointment

Song: I: Cymon and Iphigenia a Cantata by Mr Arne-Beard; II: The School of Anacreon a New Cantata by Arne-Beard; IV: (By Desire) The Lass of the Mill-Beard; accompany'd on the Harp-Mr Parry

Music: III: A Piece on the Welch Harp-Parry

Event Comment: Mainpiece: By Particular Desire. [Cross suggests The Country Wife this night, but the Public Advertiser indicates The Miser. The Country Wife had been advertised on the advance notice.

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Sorcerer

Dance: IIl Pastore, as17521219; Les Sabotiers Tyrolese, as17521028

Event Comment: Benefit for Havard. Receipts: #230 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Chaplet

Song: II: By Particular Desire, the Lass of the Mill-Beard; accompany'd on the Harp-Parry, and a piece by him on the same instrument

Dance: Devisse, Mlle Auretti

Event Comment: Benefit for Mossop. Part of Pit laid into Boxes to form Amphitheatre. Tickets to be had of Mossop, at his lodgings at Newton's Warehouse in Tavistock St., and at Stage Door. Receipts: #200 (Cross)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Intriguing Chambermaid

Dance: III: A Comic Dance-Devisse, Mlle Auguste; End: L'Entree de Flore, as17530324

Event Comment: Benefit for Yates. Afterpiece: By Desire. Not acted this season. [Cross lists no Receipts.

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Miss in Her Teens

Dance: II: A Comic Dance, as17530402 V: L'Entree de Flore, as17530324

Song: III: Beard

Event Comment: Benefit for Ross. Part of pit laid into boxes. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Lethe

Dance: II: Le Matelot Basque, as17521005; V: L'Entree de Flore, as17530324

Event Comment: Benfit for Berry. Afterpiece: By Desire. Tickets at stage door, and of Berry at Mr Pope's, a Peruke Maker in Russel St., Covent Garden. Berry's figure was well adapted to Sciolto, Acasto and characters of that cast; No man had more feeling than he, and it generally had its proper effect, but by being too fond of aiming at tenderness, he grated upon the ear of an auditor (Genest, IV, p. 363, from State of the Stage). Receipts: #220 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Double Disappointment

Event Comment: Receipts: #180 (Cross)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Genii

Event Comment: Benefit for Miss Macklin. Miss Macklin did Monimia (Cross). Afterpiece: For last time this season. With a New Prologue. To prevent mistakes, those Gentlemen and Ladies who send for Places, are desired to send for Tickets; which may be had of Miss Macklin, in Bow St.; and of Mr Crudge at the stage door

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Englishman in Paris

Dance: II: Grand Scots Ballet, as17521216

Event Comment: Benefit for Mrs Mills and Miss Minors. Tickets deliver'd by Taswell will be taken. [The Present State of the Stage commends Miss Minors in characters of awkward country girls.] Receipts: #170 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for Winstone and Burton. Tickets deliver'd by Palmer and Miss Batcheldor will be taken. No building on Stage. Receipts: #180 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Miss in Her Teens

Dance: MMinuet-Piettro, Miss Batcheldor

Event Comment: By particular desire. Receipts: #110 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Genii

Dance: MMinuet-Devisse, Mlle Janeton Auretti