SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Court"/1) | (@(roleclean,performerclean) "Court")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 582 matches on Event Comments, 131 matches on Roles/Actors, 64 matches on Performance Title, 41 matches on Performance Comments, and 0 matches on Author.
Event Comment: Benefit for Holland. Afterpiece: By particular Desire. Tickets of Holland at No 17 New Crown Court, Bow St., Covent Garden. Receipts: #150 (Cross)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Chaplet

Event Comment: Benefit for Blakes and Miss Haughton. Tickets of Blakes in Duke's Court, Bow Street, and of Varney at the Stage Door, where tickets and places for Miss Haughton may be had. Afterpiece: By Desire. Receipts: #140 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Reprisal

Song: I: Beard

Dance: V: A Hornpipe-Mathews

Event Comment: Benefit for myself & Wife (Cross). Last time of performing the afterpiece this season. Tickets of Cross at Crown-Court, Russel St., Covent Garden, &c. Receipts: #256 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Lethe

Music: By Desire aConcerto on the Violin-Cross Jun

Event Comment: Benefit for increasing the Fund for Support of Decay'd Musicians, or their Families. Pit and Boxes to be put together at Half a Guinea each. Gallery 5s. Doors open at Five. Gallery at Four, to begin at Half an Hour after Six. None to be admitted without tickets. Tickets delivered to Subscribers to this Charity will admit one person into any part of the House. Subscribers tickets may be had of Richard Dawson at his house near Henry the VII's Chapel, Westminster, who is empower'd by the Society to deliver them, and to receive the subscriptions. The Governors beg leave to inform the Nobility and Gentry to whom this Charity is so much oblig'd, that from June 1756 to June 1757 they have necessarily laid out for decay'd musicians and their families, widows of decay'd musicians, and in maintaining and educating orphans who are left in distress, and in putting them Apprentice, and for Physic, Burials, and other incidental charges #532 13s. 7d. The Books are open and may be inspected by subscribers the first Sunday in every month at a meeting of the Governors, at the Turk's Head in Greek Street, Soho. All expenses attending the meetings of the Governors, Court of Affidavits Committee for managing of this Concert, are defrayed by themselves

Performances

Mainpiece Title: Concert

Event Comment: Benefit for Blakes. Tickets and places to be had of Blakes at his house in Duke's Court, Bow St., CG; and of Varney at the Stage Door. That there may not be any interruption to the Performance, there will be no Building on the Stage. Receipts: #170 (Cross)

Performances

Mainpiece Title: King Henry Iv

Afterpiece Title: The Devil to Pay

Ballet: The Prussian Camp. As17580328 but Officer-Blakes

Event Comment: BBenefit for Mr Arne and Mr Arne Jr. Boxes Half a Guinea. First Gallery 3s. Upper Gallery 2s. To begin exactly at Half an Hour after Six o'clock. Tickets to be had of Mr Arne Sr next door to the Passage in Charles St., Covent Garden; and of Mr Arne Jr at his Chambers, No 4. in Garden Court, Temple. [N.B. This Benefit had been advertised the Wednesday before; With the New Songs perform'd at the Charity for Decay'd Musicians, the Principal Parts by Lowe, Mattocks, Miss Brent, Miss Frederica, Miss Pliemess, Miss Carter, and the Gentlemen of the Choir.

Performances

Mainpiece Title: Alfred The Great

Music: I: Concerto on Hautboy-Vincent; II: Concerto on Organ-Arne Jr

Event Comment: Benefit for Mr and Mrs Davies. Tickets of Davies at No 16 in New Crown Court, Russel St., Covent Garden; and at the Stage Door. Receipts: #170 (Cross); charges #63 (Winston MS 8)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Miss in Her Teens

Event Comment: For one night only. Never acted before. By particular desire. An Historical Play, taken from Holinshead's Chronicles, and written by the late Mr Lillo, Author of George Barnwell. Tickets for Boxes and Pit to be had of Mr Cross, at his House in Crown Court, Russel St., Covent Garden; and of Mr Varney at the Stage Door. 7 P.M

Performances

Mainpiece Title: Arden Of Feversham

Dance: II: A New Dutch Dance, as17590515; End: The Threshers-Master Settree, Master Blagdon, Miss Twist; with a Prologue-; Epilogue-

Event Comment: Mainpiece: By Particular Desire. Recipts: #222 0s. 6d. Paid Meares (Tailor) #1 11s. 4d.; Paid Mr Monck 80 days salary to this day #20; Paid Xmas Boxes: King's Footmen, #2 2s., Chairmen, #2 2s., Prince of Wales Footmen, #1 1s., Chairmen, #1 1s., Princess of Wales Footmen #1 1s., Chairmen #1 1s., Porters at Inns of Court #3 14s

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Englishman Returned from Paris

Dance: II: The Threshers, as17591005

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Smith; Elder Brother-Clarke; Younger Brother-Dyer; 1st Spirit-Hull; 2nd Spirit (with song in character)-Mattocks; The Lady-Mrs Ward; Bacchanals-Beard, Lowe, Baker; Bacchants-Miss Brent, Mrs Lampe, Miss Young; Chorusses-Legg, Courtney; Whitaker, Roberts, Ryley, Courts, Miss Davis, Miss Sledge, Miss Allen; Euphrosyne-Mrs Lampe; Sabrina, the Pastoral Nymph, and Song of Sweet Echo-Miss Brent; The Dances incident to the Masque-Poitier Jr, Mlle Capdeville, Granier, Leppie, Desse, Rochford, Dumai, Gosly, Terriot, Mrs Granier, Mrs Jansolin, Mrs Viviez, Mrs Leppie, Mrs Terriot, Miss Terriot.
Cast
Role: Chorusses Actor: Legg, Courtney
Event Comment: Benefit for Havard. By Particular Desire. Ode written by Havard, and set to music by Mr Bates. Tickets to be had at Mr Havard's in Broad Court, Bow-Street; at Tom's and the Bedford Coffee Houses; and of Mr Varney at the Stage Door, where places for the Boxes may be taken. Ode deliver'd Gratis

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Polly Honeycombe

Entertainment: End: will be perform'd a New Coronation Ode by Havard; Vocal parts-Lowe, Champness, Mrs Vincent, Miss Young

Event Comment: Benefit for King. Tickets to be had of Mr King, at his lodgings in Broad Court, Bow Street; and of Mr Varney, at the Stage Door. The New Hippocrates, wrote by Dr Hiffernan--wretched, but went off quietly (Hopkins MS Notes)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The New Hippocrates; or, A Lesson for Quacks

Entertainment: After the Play: by Desire, for that night only The Picture of a Playhouse or, Bucks Have at Ye All-Mr King; a Mimic Comic opera song-Mrs Clive

Event Comment: By Permission, For One Night Only. He humbly hopes that the Nobility and Gentry of this nation, who are known to be the encouragers of all fine arts, will honour him with their presence, that he may have the opportunity to display part of his talents. He has performed in most of the principal courts of Europe. The representation has chiefly been in rooms. He has had the happiness to meet with universal applause. First Boxes 1!2 Guinea. Pit and Others 5s. Gallery 3s. To begin at 6:30 p.m

Performances

Mainpiece Title: La Serva Padrona

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: Benefit for Miss Twist. Tickets to be had of her at 10 Wild-Court, Wild-St., and at the Theatre

Performances

Mainpiece Title: Concert

Dance: I: Les Chasseurs and les Bergeres, as17610623 II: A Hornpipe-Miss Twist; To conclude, by particular desire of several persons of quality, with a Minuet-Gaudry, Miss Twist

Performances

Mainpiece Title: George For England; Or, The Triumphs Of Roast Beef

Performance Comment: In which will be exhibited the Reception of George for England at the Court of Solymanv, the Egyptian Emperor, the love of the fair Sabrina; and the Rivalship of Mamamouchi, the Persian General, interspersed with the Humours of Don Duello Flanconado, and the extra-ordinary incidents that befell Esquire Solomon Gundy, alias Gluttonglug de Gull, and his Culinarian Armour. With the remarkable Caterwauling Combat; or Pussy Catty's Victory. or Pussy Catty's Victory.

Afterpiece Title: Triumphs of Hymen; and the Landing of the Queen

Event Comment: Afterpiece: Not perform'd these two Years. [See 26 May 1760.] Income from Boxes #25 15s. Nightly expenses #37 2s. 1d. plus the following items: Chorus singers in the Fair (Dibdin, Warren, Court, Roberts and Whiteaker) at 5s. each-#1 5s.; Two side Drums 10s.; Fife 5s.; Two Fire-eaters 15s.; Merry Andrew 5s.; Fidder 2s. 6d.; Loveman 2s. 6d. Receipts: #131 (Winston Theatrical Record)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Fair, A Grotesque Pantomime Entertainment

Related Works
Related Work: The Fair Example: or the Modish Citizens Author(s): Richard EstcourtFlorent Carton Dancourt
Event Comment: Benefit for Sparks. Tickets to be had of Mrs Sparks, at her house in Crown Court. Tickets deliver'd out for the Distress'd Mother will be taken. N.B. Mr Sparks having been very long indisposed and rendered incapable of attending the theatre, with the greatest deference persuades himself that Circumstance will readily plead his Apology, and induce his friends to dispense with his personal appearance, and favor him with their commands; and that they will excuse the changing of his play, to which he is oblig'd by the illness of a principal performer; of which and his former obligations, he shall always retain the most gratful sense. [Sparks had been ill since 14 Jan. when Hull took over his part of Buckingham in King Richard III.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Merry Counterfeit

Song: Between Acts: some Favorite Songs from the English Opera Artaxerxes-; viz: I: In Infancy our hopes and fears-Tenducci; II: If e'er the Cruel Tyrant Love-Miss Brent; III: Water parted from the sea-Tenducci; IV: Let no rage thy bosom fire-Miss Brent

Dance: TThe Pleasures of Spring, as17620212

Event Comment: By Command of their Majesties. [This seems to be the night referred to by The Volunteer Manager in Theatrical Review of 1 January 1763 who condemns Miss Poitier's scandalous costume and indelicate actions: "Would any person suppose she could have the confidence to appear with her bosom so scandalously bare, that to use the expression of a public writer, who took some moderate notice of the circumstance, the breast hung flabbing over a pair of stays cut remarkably low, like a couple of empty bladders in an oil-shop. One thing the author of that letter has omitted, which, if possible is still more gross; and that is, in the course of Miss Poitier's hornpipe, one of her shoes happening to slipt down at the heel, she lifted up her leg, and danced upon the other till she had drawn it up. This had she worn drawers, would have been the more excusable; but unhappily, there was little occasion for standing in the pit to see that she was not provided with so much as a fig-leaf. The Court turned instantly from the stage-The Pit was astonished! and scarcely anything, but a disapproving murmur, was heard, from the most unthinking spectator in the twelvepenny gallery." Miss Poitier subsequently denied any impropriety in action, and sought hearing in the Theatrical Review. In the Volunteer Manager" section of the number for 1 March 1763 the editiors reaffirmed their stand on her indecency and refused to join further in a personal altercation.

Performances

Mainpiece Title: Love In A Village

Dance: II: The Sicilian Peasants, as17621125; Hornpipe-Miss Poitier

Event Comment: Benefit for Weston and Mrs Daly. Tickets to be had of Mrs Daly at Mr Allen's in Great Suffolk St., near the Haymarket; and of Mr Weston, in Monmouth Court, Hedge Lane, Charing Cross

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Contented Cuckold

Dance: Master Clinton, Miss Street

Event Comment: [The Public Advertiser substitutes Court for Roberts in the Choruses.

Performances

Mainpiece Title: Comus

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Comus

Performance Comment: As17631115, but Bacchanals-_Mattocks; The Chorusses-_Roberts, Courts.
Cast
Role: The Chorusses Actor: _Roberts, Courts.

Afterpiece Title: The Upholsterer

Event Comment: Afterpiece: By Desire. There is a new passage from the Marquis Buildings, Russel Court, to the Pit. Proper care is taken to keep the House Cool. Paid Supernumaries 13s. 6d.; Drum 5s.; a Lampmen #1 5s.; Carpenter's Bill #5 19s. 2d.; Taylor's Bill #3 1d. (Drury Lane Treasurer's Book). [These were constant weekly bills throughout the season amounting to total sums as follows, and will not hereafter be itemized further]: @Item Nightly or Weekly Average Season Total@Supers and Drum #2 5s. Nightly Supers #382; Drum #47 10s.@Lampmen #2 6s. Weekly #84 2s.@Carpenters #2 Weekly #74@Taylors #7 Weekly #259@ Receipts. #195 6s

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Daphne and Amintor

Event Comment: Rec'd from Condell on acct of Fruit rent, #20. Gave porters of the several Inns of Court their Xmas Box, #3 11s. 6d. (Account Book). Receipts: #109 10s. 6d. (Account Book)

Performances

Mainpiece Title: The Accomplish'd Maid

Afterpiece Title: The Intriguing Chambermaid

Dance: TThe Happy Villagers-; The Female Archer, as17670109

Event Comment: For the author. No Prologue or Epilogue. Paid Reynolds (oyl) bill #48 11s.; Powney (stationers) #8 17s. 5d.; Inns of Court their Christmas box #3 1s. 6d.; Mr Bibb (sword cutler) 3 bills #13 1s.; Vaughan (Haberdasher) #21 7s.; Mrs Amy Vaughan #1 11s. 6d. (Treasurer's Book). [This day at Noon will be publish'd. Price 2s. The Kellyad, or a critical examen into the merits of Thespis. By Louis Stamma. Who steals my purse..." Also publish'd this day The Anti-Thespis; or, a vindication of the principal performers belonging to Drury Lane Theater, from the false criticisms, illiberal abuse, and gross misrepresentations of the Author of Thespis. Players are the abstracts and brief chronicles of the times..."] Receipts: #73 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Musical Lady