Event Comment: Benefit Miss Mozart of Twelve and Master Mozart of Eight Years Prodigies of Nature. Tickets a Half a Guinea each, to be had of Mr Mozart at Mr Williamson's in Thrift St., Soho. A Box Ticket shall admit two into the Gallery. To begin at 6 p.m., which will not hinder the Nobility and Gentry from meeting in other Assemblies the same evening

Event Comment: Benefit for The General Lying-In Hospital. Tickets to be had at the Smyrna Coffee House, Pall Mall, and at the Stage Door. N.B. Tickets deliver'd for The Distress'd Mother will be admitted

Event Comment: Mainpiece: Not acted this season. Benefit for the Increase of a Fund Establish'd by the Performers at the Theatre Royal Covent Garden, for the support of such actors, and their families, who from age or infirmities shall be incapable of their business. Such of the Nobility, Gentry, &c., who are pleased to favour this undertaking, are desir'd to send for places, Box or Pit tickets to Mr Sarjant at the Stage-Door. Charges #65. Profits to the Fund #13617s., plus #22 6s. from tickets (Box 82, Pit 12). Paid Mr Weller as per bills for property and machinery in Faustus #14 13s. (Account Book). Receipts: #201 17s. (Account Book)

Event Comment: Benefit for Woodward. Mainpiece: Not acted these 10 years. Places (with Tickets) to be had of Mr Sarjant at the stage Door. [See 31 Jan. 1760.] Charges: #68 9s. Profit to Woodward of #123 3s. 6d. plus #61 income from tickets (Box 244) (Account Book). [The House launched the benefit season with a profitable balance of #9616 5s. 5d. on the books.] Receipts: #191 12s. 6d. (Account Book)

Event Comment: Benefit for Shuter. Tickets to be had of Shuter at Number 2, in Martlet Court, Bow St. Covent Garden; and of Mr Sarjant, Book-Keeper. Charges: #65 2s. [Profits to Shuter #150 6d., plus #70 11s. from tickets (Box 233; Pit 82).] Paid Miss Elliott the balance of her two nights Jan. 13 and Feb. 18, #90 13s. 6d. and gave her as a present from the managers by deducting the charge of the Farce for her 2nd night, Feb. 18th, #21 (Account Book). Receipts: #215 2s. 6d. (Account Book). About 5 with great difficulty got into the Pit at Covent Garden to see...the benefit for Mr Shuter. Stood all night at the bottom of the Pit in a most disagreeable situation, though I saw very well and heard too, unless when prevented by the noise on occasion of which Shuter very smartly applied the Passage, But if we all speak together, how shall we hear one another," and again when a great noise was made about someone in the Gallery, he cried 'Give him a knock o' the head and make him quiet,' and another bawling Silence," he cried Silence, Silence why don't you be quiet.'At the end of Act II, the Cries of London', with additions by Shuter. In going off he shook his head on hearing it encored, but was oblig'd to comply by repeating the greater part. End of Opera Shuter entertained us with his Serious, Comic Post-Haste Observations in his Journey to Paris, to hear which was a principal reason of my not dining at Holliss's. The Barber in the Upholsterer inimitably played by Woodward (Neville MS Diary)

Event Comment: Benefit for Mrs Pinto. Tickets to be had of her in Charlotte Street, Rathbone Place; and of Mr Sarjant, at the stage-door (playbill). Charges #65 15s. [Profit to Mrs Pinto #103 8s. 6d., plus #78 11s. from tickets (Box 229; Pit 110; Gallery 48)] (Account Book). Receipts: #169 3s. 6d. (Account Book)

Event Comment: Benefit for Mrs Bellamy. Tickets to be had of her Two Doors beyond the Rising Sun in Great Suffolk St; and of Mr Sarjant at the Stage-Door. Charges #64 5s. [Profit to Mrs Bellamy #33 16s. 6d. plus #102 1s. from Tickets (Box 251; Pit 262)] (Account Book). Receipts: #98 1s. 6d. (Account Book)

Event Comment: Benefit for Miss Macklin. Afterpiece: For only time this season. Pit and Boxes to be laid together. Ladies send servants by 3 o'clock and to prevent disappointments come early themselves. Tickets to be had of Miss Macklin at the Golden Fan in Leicester Fields and of Mr Sarjant at the Stage-Door. Charges #64 12s. [Profit to Miss Macklin #90 2s. 6d., plus #165 from tickets (Box and Pit 648; Gallery 30).] (Account Book). Receipts: #154 14s. 6d. (Account Book)

Event Comment: Benefit for Mrs Barry. House Charges #74 10s. [Profit to Mrs Barry #1 18s. 6d. Doubtless she had additional profit from tickets not listed in the Treasurer's Book.] The Indisposition of Mrs Yates obliges Mrs Barry to change her play. Tickets deliver'd for Jane Shore will be admitted. [Mainpiece advertised as for last time this season.] Paid salary list #435 19s. Chorus singers #2 10s. 6d.; Rec'd stopages #3 3s. (Treasurer's Book)

Event Comment: Benefit for Hull. Mainpiece: by Particular Desire. Tickets deliver'd for Anna Bullen will be taken. Charges #66 7s. [Profit to Hull #27 5s. 6d. plus #56 6s. from tickets (Box 106; Pit 132; Gallery 100).] (Account Book). Receipts: #93 12s. 6d. (Account Book)

Event Comment: Benefit for Davis and Dibdin. Cato cannot be perform'd on account of the indisposition of Mrs Mattocks. Tickets for Cato will taken. Charges #64 10s. [Profit to each beneficiary #4 5s. 6d. plus income from tickets. Davis #67 11s. (Box 65; Pit 272; Gallery 105); Dibdin #41 7s. (Box 46; Pit 97; Gallery 153).] (Account Book)

Event Comment: Benefit for Mr and Mrs Baddeley. House charges #67 9s. 6d. [Profits to Baddeley family 16s. plus tickets.] Tickets deliver'd for this night will be taken. Paid Palmer of Bath for Spermecetti candles #128 4s. Paid Mr Deeble (chorus singer) omitted 3 nights 15s.; Chorus singers 1 night #2 10s. 6d.; Salary list #435 19s. (Treasurer's Book). Receipts: #68 5s. 6d. (Treasurer's Book). I find ye corner of ye orchestra is ye best place to stand in...Holland played Iago very well, and Mrs Baddeley Desdemona pretty well, being her 1st appearance in that character...End of ye play Baddeley spoke a composition of his own, called "Search after Scrubs," to hear which Garrick came into ye orchestra. He looks healthy and strong, and should oftener entertain ye Public to which he owes so much. Entertainment Daphne and Amintor. Daphne (for ye first time) Mrs Baddeley, who does not shine in the singing part, as Mrs Arne does (Neville MS Diary)

Event Comment: Benefit for Legg, Mrs Lampe, Mrs Jones. Afterpiece: For the last time this season. Tickets deliver'd for Hamlet will be taken. The Dragon of Wantly cannot be perform'd on account of indisposition of Mrs Pinto. Charges #67 9s. 6d. [Profit to each beneficiary #2 19s. 6d. plus income from tickets: Legg #84 2s. (Box 129; Pit 251; Gallery 142); Mrs Lampe and Mrs Jones combined #74 15s. (Box 102; Pit 219; Gallery 164).] Paid Bryan a bill for writing parts #1 1s. 6d. Paid Cooper (printer) #27 2s. Paid Condell for Coach hire, the last command by order of Mr Beard 2s. (Account Book). Before 5 went to ye Play...It was played tolerably well; Cleopatra very well by Mrs Bellamy, Octavia (for ye 1st time) by Mrs Mattocks, Antony by Smith, Vent. by Gibson not badly. We had ye Dances, Rural Love and ye Wapping Landlady (Neville MS Diary). Receipts: #76 8s. (Account Book)

Event Comment: Benefit for Bryan (prompter), Hallam, Buck. Mainpiece: By Desire. Charges #64 5s. [Deficit to beneficiaries #16 4s. This deficit was paid by Hallam and Buck. Bryan seems to have had his ticket money clear. From Tickets, Bryan #16 16s. (Box 10; Pit 46; Gallery 74); Hallam #30 9s. (Box 22; Pit 91; Gallery 113); Buck #47 7s. (Box 17; Pit 188; Gallery 140).] (Account Book). Receipts: #48 1s. (Account Book)

Event Comment: Benefit for Vaughan, Condell, Potter (box-keepers). Tickets sold at the doors will not be admitted. Charges #81 5s. [Deficit to each beneficiary #9 10s. 10d., covered by income from tickets: Vaughan #50 13s. (Box 106; Pit 101; Gallery 90); Condell #81 3s. (Box 206; Pit 145; Gallery 79); Potter #60 6s. (Box 126; Pit 145; Gallery 138).] (Account Book). Receipts: #52 12s. 6d. (Account Book)

Event Comment: Benefit for Charles Sarjant (book-keeper) and his Son (box-keeper). Tickets sold at doors not admitted. Afterpiece: For last time this season. Charges #89 6d. [Deficit to the Sarjants #11 16s., covered by income from tickets of #142 8s. (Box 346; Pit 260; Gallery 169).] Paid the Billsetters for Black Bills #4 10s. (Account Book). Receipts: #77 4s. 6d. (Account Book)

Event Comment: Benefit for Theatrical Fund. Doors open at 5 o'clock. Play to begin at half past 6. Last night of season. Cash in the Galleries #88, from Mr Johnston #211 18s. Total #299 19s. Paid in sundries (Rent #8; Soldiers 14s.; Properties 2s.; Bill Stickers 18s.; Candles, Oyl, Lampmen #3 18s. 6d.; Printer #2 13s. 6d.; Total #16 5s. 6d.; Box tickets 680 #170). Ladies and Gentlemen who have taken tickets for the Pit and Boxes are requested to be early at the Theatre, to prevent their being incommoded in getting to their Place. [N.B. 27 June 1767 the Gentleman's Magazine reports that Sg Tenducci "renounced the errors of popery, and embraced the protestant religion in Dublin."] Receipts: #299 19s. (Treasurer's Book). Instead of going to dinner put The Suspicious Husband in my pocket and read Ranger's part at the Somerset Coffee House. Dressed and at half past 5 went into the Front Boxes at Drury Lane to see The Suspicious Husband for the Fund for the Relief of Decayed Actors, being the last time of performing this season. The Pit and Boxes were laid together. Mr Garrick spoke an occasional Prologue and played Ranger. Though in the back row I saw him very well by the help of my glass...Before the Dance Mr Garrick saying that he would not have been able to do it after, in the name of the company and managers thanked the public for the favors received this season. Mr @@ asked me to go to Vauxhall after ye Play, but I chose rather to see Daphne and Amintor ye characters as usual (Neville MS Diary)

Event Comment: Mrs Laroche's Tickets taken: @Tickets 356 202 #119 6s.@1!2 x #59 13s.@Money #132 14s.@Total #252@ (Account Book). [Presumably Mrs Laroche received #59 13s. this night. See entry 22 Dec. 1767.

Event Comment: Author's Night. @Receipt #126 4s.@House charges #84@Candles #1 5s.@Kettle Drum 5s.@Chorus Singers #2@Total #87 10s.@Balance due the author #38 14s.@Tickets 14 48 #10 14s.@Money #126 4s.@Total #136 18s. (Account Book).@ [The #136 18s. represents the total value of the house, from two sources: money at the door and tickets given to the author to dispose of. Since the #10 14s. value of the tickets is not added into the Account Book as a receipt for the company, it is presumed that the author received this as a bonus in addition to the #38 14s. which was taken in over and above the house charges, etc.

Event Comment: Benefit of a Public Charity. [The Lock Hospital?] To begin at 7:00 p.m. A great many Tickets having been lost by Accident, no Person can be admitted but by paying ready Money at the Door. Connection denied by Thos. Stamford, Secretary to the Lock Hospital: Whereas a Ridotto has been publicly advertised for the benefit of a "public charity," and tickets for the same sent to several governors of this charity, by which they and many others have been induced to suppose that the benefit was intended for this hospital; the Governors of this charity think it incumbent on them to inform the Public, that the same is NOT intended for the benefit of this Hospital (which has ever applied to the benevolence of the Town under the title of Public Charity), nor do they know for what charity the same is meant. By order of the Board (Public Advertiser)

Event Comment: Benefit for Woodward. With two New Scenes in the Afterpiece painted by Richards and Dahl. Mr Woodward, at the particular request of several persons of Quality has changed from the Fair Quaker to The Busy Body. Tickets deliver'd for Fair Quaker will be admitted. House charges with candles and extras #65 15s. Balance to Woodward #102 7s. plus #58 5s. for 233 Box tickets (Account Book). [Public Advertiser, 12 Dec. 1767: "Speedily will be published the Battle of the Wigs, an additional canto to Dr Garth's poem The Dispensary. Occasioned by the Disputes between the Fellows and licentiates of the College of Physicians in London. By B. T. and M. B."] Receipts: #168 2s. (Account Book)

Event Comment: Benefit for Dyer. Tickets for the Wonder will be taken. Part of Pit will be laid into the Boxes. [The afterpiece a musical entertainment by Richard Cumberland taken from his The Summer's Tale. See 6 Dec. 1765; 28 April 1768.] Charges #64 15s. Balance to Dyer #10 5s. plus #160 5s. in tickets (Box 471; Pit 198; Gallery 128). (Account Book). Receipts: #75 (Account Book)

Event Comment: Benefit for Gibson. Tickets deliver'd for Othello will be taken. House charges #65 15s. Balance to Gibson #14 3s. 6d. plus #31 5s. in Tickets (Box 53; Pit 120) (Account Book). Receipts: #79 18s. 6d. (Account Book)

Event Comment: Benefit for Fishar (Ballet Master) and Sga Manesiere. Charges #64 10s. Balance due to Dancers #27 1s. 6d. To Fishar #13 10s. 9d. To Sga Manesiere #13 10s. 9d. In Addition Fishar gained #39 18s. from Tickets (47 Box; 105 Pit; 124 Gallery). Sga Manesiere gained #22 3s. from Tickets (45 Box; 44 Pit; 43 Gallery) (Account Book). Receipts: #91 11s. 6d. (Account Book)

Event Comment: Benefit for Clarke. Mainpiece: By Particular Desire. Tickets deliver'd for a Tragedy and Jane Shore will be taken. Charges #66 6s. Balance to Clarke #35 plus #142 13s. in Tickets (Box 274; Pit 401; Gallery 140) (Account Book). Receipts: #101 6s. (Account Book)