Event Comment: Benefit for Villeneuve. Charges #30. Deficiency to Villeneuve #4 12s. 6d., covered by #111 11s. from tickets. N.B. Mr Villeneuve has been robb'd of a number of tickets, therefore none sold at the Doors of the theatre will be taken. By desire of several Ladies of Quality. Receipts: #26 7s. 6d

Event Comment: By Command of the Prince and Princess of Wales, Benefit for Mr Pritchard, Treasurer. Tickets at Stage Door. Rec'd cash #116 2s., plus #91 5s. from tickets. Total #207 17s. Paid window tax at Winsors 16s. 3d.; Paid 6 chorus #1 10s. (Treasurer's Book). Receipts: #210 (Cross); charges, #63 (Treasurer's Book)

Event Comment: Benefit for Liviez (Ballet Master) and Taswell. Paid young Cross for dancing 5s., and same to young Shawford. Allowed Leviez for tickets as per agreement #15; Norton 3 chorus last night 6 this #2 5s. (Treasurer's Book). Afterpiece: By Desire. Tickets deliver'd out by Taswell will be taken. Receipts: #150 (Cross). [Income missing from Treasurer's Book.

Event Comment: Benefit for Stede, Redman, Mrs Bambridge, Miss Minors, Miss Ferguson and Miss Morrison. Tickets deliver'd also by Goodall, Rawlings, Miss Allen, Widow Dupre, Mrs Hitchcock. No charges made, but House receiv'd 1!2 value of all income. Receipts: #16 14s. 6d. @Tickets Box Pit Gallery Value 1!2 Value@Stede 7 74 81 #20 19s. #10 9s. 6d.@Redman 8 71 38 #16 9s. #8 4s. 6d.@Goodall .. 46 34 #14 16s. #7 8s.@Mr Rawlings 16 57 65 #19 1s. #9 10s. 6d.@Miss Minors 17 71 26 #17 10s. #8 15s.@Mrs Ferguson 8 73 91 #22 1s. #11 6d.@Mrs Allen .. 25 19 #5 13s. #2 16s.@Morrison 26 41 55 #18 3s. #9 1s. 6d.@Dupre 10 44 57 #14 16s. #7 8s.@Hitchcock 23 67 34 #19 4s. [Seems to have rec'd full value #77 6s. 6d.]@Total 115 614 530 #173 17s.

Event Comment: Benefit for Messrs Desse and Froment. Charges #60. Deficit to the dancers, #19 16s. 3d. each, covered by income from tickets: Desse #47 14s.; Froment #35 2s. Mainpiece: At the desire of several Persons of Quality. Tickets sold at doors will not be admitted. Receipts: #20 7s. 6d

Event Comment: Benefit [Wright, Barrisford, Tomlinson, Foley, Costin] for Boxkeepers (Cross). The Play is oblig'd to be changed on account of Mr Havard's Indisposition, and tickets deliver'd out for Comus will be taken to the Beggar's Opera. Tickets sold at the door will not be admitted. Receipts: #160 (Cross)

Event Comment: Benefit for Miss Charlotte Skinner. Tickets to be had at Miss Skinner's Lodgings, No 4, Angel Court, Windmill St., Haymarket (Daily Advertiser). A Concert. As no money can be taken, only those given tickets by Miss Skinner can be admitted. As this Advertisement was sent too late to be altered in the Daily Advertiser, it is hoped that the Advertisement inserted in that Paper for this Entertainment will not be regarded, as to any Money being taken for places. To begin at 6 p.m

Event Comment: A Physician's Daughter in Distress had some Tickets (Cross). The Tickets deliver'd out by the Physician's daughter in distress will be taken (General Advertiser). Receipts: #130 (Cross)

Event Comment: MMr Griffith had #25 of Tickets (Cross). Tickets deliver'd out for this play will be taken. Afterpiece: By Desire. Receipts: #60 (Cross)

Event Comment: Mainpiece: By Desire. Tickets deliver'd out by Mr Oswald will be taken (General Advertiser). Mr Oswald ye Music had some Tickets (Cross). [Queen Mab played thirty-two times consecutively at full prices.] A. Betson, Miscellaneous Dissertations: Historical, Critical, and Moral, on the Origin and Antiquity of Masquerades, Plays, Poetry, and several other heathenish customs. Printed. (Register of Books, Gentleman's Magazine, Feb. 1751, p. 95). Receipts: #140 (Cross)

Event Comment: Benefit for ye Author (no more Noise) (Cross). Tickets as of 5 Feb. Tickets deliver'd out for the third and sixth Nights will be taken. Receipts: #140 (Cross). Gentleman's Magazine, Feb. 1751, pp. 77-78, concerning Gil Blas: To animadvert upon a piece which is almost universally condemned is unneccessary, and to defend this is impossible. There is not one elegant expression or moral sentiment in the dialogue; nor indeed one character in the drama, from which either could be expected. It is however, to be wished that the Town, which opposed this play with so much zeal, would exclude from the theatre every other in which there is not more merit; for partiality and prejudice will be suspected in the treatment of new plays, while such pieces as the London Cuckolds, and the City Wives Confederacy, are suffered to waste time and debauch the morals of society....Upon the whole the Author appears to have intended rather entertainment than instruction, and to have disgusted the Pit by adapting his comedy to the taste of the Galleries....Perhaps the ill success of this comedy is chiefly the effect of the author's having so widely mistaken the character of Gil Blas whom he has degraded from a man of sense, discernment, true humor, and great knowledge of mankind...to an impertinent silly, conceited coxcomb, a mere Lying Valet, with all the affectation of a Fop, and all the insolence of a coward. [Thomas Gray wrote to Horace Walpole 3 March 1751, "Gil Blas is the Lying Valet in five acts. The fine lady has half-a-dozen good lines dispersed in it."

Event Comment: Benefit for Mrs Ward. Tickets to be had of Mrs Ward, next door to the Chapel, in Little Wild St., and of Hobson at the stage door. Tickets deliver'd out for Jane Shore will be taken. A Pamphlet having lately appeared in Ridicule of the late performance of Othello at Drury Lane, to which was subjoined an Advertisement in my name,from whence Occasion has been taken to assert, that I was the publisher, the Publick may be assured that advertisement was inserted without my knowledge or consent, that I am entirely ignorant of the Author, nor am the least concerned in that mean invidious affair. F. Stamper (General Advertiser). [Stamper possibly refers to A satirical Dialogue Humbly address'd to the Gentlemen who deformed the play of Othello; with a Prologue and Epilogue, much more suitable to the occasion than their own. London: River, 1751, listed in the Register of Books, Gentleman's Magazine, March 1751, p. 142. Stamper may also be alluding in some way to a Modern Character introduced in the Scenes of Vanbrugh's Aesop as it was acted at a late private representation of King Henry IV, performed gratis at the Little Opera House in the Haymarket, 3rd edn. 1751, written by F. Stamper. It was published because the farce was hissed off the stage. The Character is a Spouter who tries to instruct Aesop in heroics.] Receipts: #210 (Cross)

Event Comment: Benefit for Beard. No part of pit will be rail'd into the Boxes. Servants allow'd to keep Places on the stage. Tickets and Places to be had of Beard at his House in North St., Red-Lion Square, and at the Sta ge Door. Tickets deliver'd out for the 21st of March will be taken. Last time of performing the mainpiece this season. Receipts: #200 (Cross)

Event Comment: Benefit for Mad Auretti. Pit and Boxes laid together. Tickets of Mad Auretti at second House on the left hand, the Corner of Panton Street, Leicester Square, and of Hobson at the Stage Door. Tickets deliver'd out for 23 March will be taken. Receipts: #230 (Cross)

Event Comment: Benefit for Yates. Tickets and places to be had of Yates, next door to Mr Walsh's Music Shop, in Catherine St. in the Strand, and of Hobson at the Stage Door. Tickets deliver'd for the 25th of March will be taken. Receipts: #200 (Cross)

Event Comment: Benefit for Berry. Tickets at Popes Perke maker Russell St., and at the Stage Door. Tickets deliver'd out for 26 March will be taken. At Punch's Theatre in James St., near the Haymarket, this, and every Evening this week, the Town will be entertained with Yeates's inimitable dexterity of Hand; likewise by Mr Punch's Company of performers will be exhibited the play of Jane Shore. To conclude with a New Grand Machine, representing the Temple of the Sunv, at Mexico, in North America, which has given universal satisfaction to the Nobility and Gentry (General Advertiser). Receipts: #212 (Cross)

Event Comment: Benefit for Devisse. Tickets to be had of Devisse at the Distiller's, the corner of the little Piazza, Covent Garden, and at the Stage Door. Tickets deliver'd for the 28th of March will be taken. Being positively the last time of performing the mainpiece this season. Receipts: #80 (Cross)

Event Comment: Benefit for Miss Norris. Tickets of Miss Norris at Mr Jackson's Habit warehouse Tavistock St., and of Hobson at the Stage Door. Tickets deliver'd out for 30 March will be taken. [Advance publicity for Havard's Benefit, Inspector No 29: I have said in a former paper, that those who have not seen Alfred, have yet to see Mr Garrick in a character in which he excells everything that has been attempted in one of the noblest Roads of Tragedy. I shall add to it on this occaison, that those who have not yet seen Alfred will have a pleasure from it greater than they can receive from the best dramatic performance they are already acquainted with' (London Advertiser and Literary Gazette).] Receipts: #180 (Cross)

Event Comment: Benefit for Mrs Green-This House was hurt by Mr Handel's Music at ye Foundling Hospt (Cross). Tickets of Mrs Green at Broad Court, Bow St., Covent Garden and at Stage Door. Tickets deliver'd for the 10th will be taken. Last time of acting the mainpiece this season. Receipts: #130 (Cross)

Event Comment: Benefit for Havard. Mainpiece: By particular desire. No building on the stage on account of the machinery for the Masque. Tho' Mr Havard's long and severe indisposition has prevented his personal solicitation, yet he hopes it will not deprive him of the preference of those Persons of Quality, &c. who used to favour his Benefits. N.B. Those ladies and gentlemen who applied for places and were disappointed the last time the Masque was performed, may have them for this night, by sending to Mr Hobson at the stage door, by whom tickets will be deliver'd; As also at the Bedford Coffee House, and at Mr Havard's in Broad Court, the upper end of Bow St., Covent Garden. Tickets hitherto deliver'd will be taken. Receipts: #200 (Cross)

Event Comment: Benefit for Ridout and Barrington. On Wednesday 24 April for the Benefit of Leveridge, The City Wives Confederacy: @To all generous Britons I sound this endeavour,@To beg that this season my play you ll promote,@By granting as usual your bountiful favour,@Which by Old Silenus shall ne'er be forgot.@Whilst Life I'm enjoying, and health do inherit,@With grateful Remembrance all thanks I'll renew@Still raising my voice to the Heighth of my Spirit,@Then swan-like will sing out my final adieu. tickets fbr the play, with the Musical note printed on them may had of Leveridge at his Lodging over against the Red Lion in Brownlow St., by Drury Lane, and of Mr Page at the Stage Door. Tickets for the 17th will be taken

Event Comment: Benefit for Blakes & Bridges. Tickets and places of Blakes at his house in Cranbourn Alley, near Leicester Fields; of Bridges in York St., Covent Garden, and Hobson at the Stage Door. Tickets for the 12th will be taken. No Persons admitted on Stage. Receipts: #200 (Cross)

Event Comment: Benefit for Lee. Tickets to be had at Mr Prince's, Linnen Draper, the Golden Artichoke, in Great Queen St., near Lincoln's Inn Fields; of Mr Calcroft at the Ship in Ivy Lane, Newgate St., and at the Stage Door. Tickets deliver'd for the 22nd will be taken. No building on stage. Receipts: #130 (Cross)

Event Comment: Benefit for Leviez (Ballet Master). Tickets of Leviez, the corner of Marlet Court, Bow St., Covent Garden, and of Hobson at the Stage Door. Tickets for 17 April will be taken. Receipts: #200 (Cross)

Event Comment: Benefit for Cross (Wilder and Mattocks had Tickets) and Mrs Cross. N.B. The tickets are printed for Jane Shore for the 18th and will be taken this night. [Note the doubling of parts by Mozeen (Don Pedro and Conrade).] Receipts: #164 (Cross)