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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cordal Powel"/1) | (@(roleclean,performerclean) "Cordal Powel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 547 matches on Performance Comments, 364 matches on Event Comments, 1 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Receipts: #160 (Cross); #144 7s. 6d. (Powel)

Performances

Mainpiece Title: The Foundling

Event Comment: CCross: Benefit for ye Author. Mr Garrick order'd ye foundling to be given out for Sat: & as you like it for Mon: But ye Pit rose, & insisted ye Foundling shou'd be given out again for Monday, wch was done, tho; ye Lords who oppos'd it were in ye House. [Horace Walpole's account of the affair Foundling to Sir Horace Mann, in a letter of 11 March 1748 (ed. Cunningham, II, 106) runs as follows: "There has been a new comedy call'd The Foundling; far from good, but it took. Lord Hobart and some young men made a party to damn it, merely for the love of damnation. The Templars espoused the play, and went aamed with syringes charg'd with stinking oil, and with sticking plaisters for Bubby's fair hair; but it did not come to action. Garrick was impertinent, and the pretty men gave over their plot the moment they grew to be in the right."] Receipts: #170 (Cross); house charges #63 (Powel); cash #168 10s. 6d.; tickets #18 5s. (Clay MS)

Performances

Mainpiece Title: The Foundling

Event Comment: CCross: The Foundling--a little Hissing but nothing to signifie. Receipts: #180 (Cross); #182 2s. (Powel)

Performances

Mainpiece Title: The Foundling

Dance: Cooke, Anne Auretti

Event Comment: CCross: Great Threatning being among ye Lords the managers to prevent tumult gave out as follows. [They gave out King Lear to be the next performance.] Receipts: #174 13s. (Powel)

Performances

Mainpiece Title: The Foundling

Dance: As17480227

Event Comment: [The notice of 1 March concerning The Foundling is repeated.] Receipts: #70 (Cross); #108 10s. 6d. (Powel)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Double Disappointment

Dance: II: Tambourine-Anne Auretti; V: Dutch Dance, as17471128

Event Comment: Monday next Venice Preserved, for the Benefit of Mrs Cibber. N.B.: As many inconveniencies have arisen, from receiving Box Tickets in the Galleries, no Tickets will be admitted but in the Boxes, Pit and upon the Stage (General Advertiser). [The inconveniencies would seem to be connected with an overflow into the galleries of gentlemen with an animus towards The Foundling. Garrick was making an early managerial effort to control the house and render it quiet.] Receipts: #160 (Cross); #169 2s. 6d. (Powel)

Performances

Mainpiece Title: The Foundling

Dance: Cooke, Anne Auretti

Event Comment: Cross: Mr Garrick taken ill, wch prevented ye Foundling being done as design'd. Receipts: #50 (Cross); #62 4s. (Powel)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Virgin Unmask'd

Dance: I: Tambourine-Anne Auretti; III: Savoyards, as17471215; V: Dutch Dance, as17471128

Event Comment: Benefit for Barry. Pit and Boxes laid together, and Stage, for better accommodation of the Ladies, will be form'd into Front and Side Boxes. Tickets to be had of Barry at the corner of Bow St., and of Hobson at the Stage Door. [This month was printd The Town, a Satire by Wm. Kenrick, with especial attack upon Garrick and Garrick's plays. In Miss in her Teens, he boasts the strange pretense, To satire Coxcombs, while he murders sense." Kenrick is one of the few who criticizes Garrick (p. 21) for playing a low character Abel Drugger, rather than a king. He yields indirect praise to Janeton Auretti by blaming the town for cheering her dance, while neglecting the players: @Yet if Janeton shakes her slender feet@How loud the thunder clatters through the Pit.@ Prologue intended to have been spoken on the Revival of The Distress'd Mother, for the Benefit of Mr Barry, but omitted through some misunderstanding. Written by Mr Rolt, printed in Gentleman's Magazine, March 1748, p. 134.] Receipts: #270 (Cross); house charges, #60 (Powel); cash, #80 3s. 6d.; tickets, #118 5s. (Clay MS)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Miss in Her Teens

Dance: Cooke, Anne Auretti

Event Comment: Benefit for Mrs Woffington. As ye Curtain was rising for ye farce a Gentleman's sword was taken out of ye Scabbard & carry'd up with ye Curtain & there Hung to ye terror of those under it (least it shou'd fall) & ye Mirth of ye rest of ye Audience--a Scene man fetch'd it down (Cross). Four rows of the Pit will be rail'd into the Boxes; and the stage form'd into front and side boxes. Tickets and places of Hobson at the stage door. Receipts: #240 (Cross); house charges, #50 (Powel).This was also in her agreement to pay no more than the above sum (Powel). Cash, #84 19s. 6d.; tickets, #100 3s. (Clay MS)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Tambourine-Anne Auretti; IV: New Comic Dance-Matthews, Mrs Addison; V: Dutch Dance, as17471128

Event Comment: Benefit for Mr Delane. He did not publish a Bill 'till after Mr Barry's Day [see 10 March] (Cross). Tickets and places to be had of Delane, in Broad Court, the upper end of Bow St., Covent Garden, and of Hobson, at the stage Door. On Thursday next, by Particular Desire, the last new comedy call'd The Foundling. Receipts: #156 (Cross); house charges, #60 (Powel); cash, #91 14s.; tickets, #62 15s. (Clay MS)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Miss in Her Teens

Event Comment: By particular Desire. Receipts: #170 (Cross); #163 6s. (Powel)

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Dragon of Wantly

Dance: Cooke, Anne Auretti

Event Comment: Mainpiece: As written by Shakespear. Receipts: #200 (Cross); #188 13s. (Powel)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Benefit for Mrs Clive, Mainpiece: At the Desire of Several Ladies of Quality. Part of Pit rail'd into Boxes. Stage form'd into front and side Boxes. Send servants by 3. Tickets and places of Mrs Clive in Great Queen St., Lincolns Inn Fields, and of Hobson at the Stage Door. Cross: Ned Thompson dy'd. Receipts: #220 (Cross); house charges, #60 (Powel); cash #78; tickets, #94 10s. (Clay MS)

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The What D'ye Call It

Song: By Particular Desire, the Irish Song, Ellen a Roon-Mrs Clive

Event Comment: Benefit for Macklin. Afterpiece: A Farce in 2 Acts taken [by Macklin] from Le Legataire Universel of Mons Regnard. Tickets of Macklin at his house in Bow Street, and of Hobson at the Stage Door. Stage will be form'd into front and side boxes. Receipts: #200 (Cross); house charges, #60 (Powel)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: A Will and No Will; or, A New Case for the Lawyers

Dance: End: Savoyards, as17471215

Event Comment: Benefit for Anne Auretti. Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales. Seven rows of Pit will be rail'd into the Boxes. Stage to be form'd into front and side Boxes. Receipts: #270 (Cross); house charges, #50 (Powel)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Devil to Pay

Dance: I: Le Charactere de la Dance-Anne Auretti; III: The Savage Dance-Cooke, Matthews, Anne Auretti; IV: Dutch Dance, as17471128; V: Hymen's Temple-Cooke, Janeton Auretti; End of Farce: a Minuet, Louvre-Cooke, Anne Auretti

Event Comment: Benefit for Cooke. Part of Pit laid into Boxes. Stage form'd into front and side Boxes. Tickets and Places to be had of Cooke at Mr Clark's, an Upholsterer, in James Street, Covent Garden; and of Hobson at the Stage Door. Receipts: #200 (Cross); house charges, #60 (Powel); cash, #55 17s.; tickets,124 3s. (Clay MS)

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Lying Valet

Dance: I: Polish Dance, as17471109; III: Dutch Dance, as17471128; IV: Pastoral Dance-Cooke, Janeton Auretti; V: A Ball Dance, call'd The Louvre-; concluding with: a Minuet-Cooke, Anne Auretti

Event Comment: Benefit for Yates. Stage form'd into Front and Side Boxes. Tickets to be had of Yates next door to Mr Walsh's in Catherine St., Strand. Last time of acting the mainpiece this season. Jack Laguerre dy'd (Cross). Receipts #160 (Cross); house charges, #60 (Powel); cash, #72 19s.; tickets, #66 19s. (Clay MS)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: A Will and No Will

Song: II: Mrs Mozeen

Dance: III: Savoyards, as17471215; IV: Dance-Cooke, Janeton Auretti

Event Comment: Benefit for Havard and Mrs Havard. Tickets and places of Hobson at the stage door. Being the last time but one of Acting till the Holidays. [The following financial analysis appears in the page reproduced from the Clay MS, in the Oct. 1926 issue of the Connoisseur, p. 93.] @Cash #101 17s.@Tickets #61 6s.@#163 3s.@Stage #15 17s.@#3 1s. 6d.@#18 18s. 6d.@ Receipts: #170 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: A Will and No Will

Dance: Cooke, Anne Auretti

Event Comment: Benefit for Mrs Elmy. Tickets and Places of Mrs Elmy at the corner of Tavistock St. next Southampton St., Covent Garden; and of Hobson at the stage door. Being the last time of acting till the Holidays. Cash, #92 12s.; tickets, #56 8s.; total, #149 (Clay MS page reproduced in Oct. 1926 issue of Connoisseur, p. 93). A few days ago arriv'd in Town Mr Sheridan, Manager of the Theatre Royal in Dublin, and we hear as his stay is to be but short, he intends to perform only once, for the benefit of the poor sufferers by the late Fire (General Advertiser). [The fire happened the 25th in "Exchange alley (London) and in the space of 10 hours consumed a great number of houses occupied by persons in middling circumstances and with large families." Subscriptions were raised and distributed by a committee of ten bankers. See General Advertiser.] Receipts: #160 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Intriguing Chambermaid

Dance: Cooke, Anne and Janeton Auretti

Event Comment: Receipts: #130 (Cross); #112 3s. [Powel)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: A Will and No Will

Event Comment: Benefit for Blakes. Tickets and places of Blakes at his house in Cranbourne Alley, Leicester Fields, and of Hobson at the stage door. Les Messieurs & Dames peuvent laisser Diner leurs Domestiques car a quatre Heur sera assez a bonne heur de les Envoyer pour Gardez les places dans les loges. M. Fanfaron (General Advertiser). [The General Advertiser this day also included the first announcement of Mrs Macklin's benefit to be held on 22 April, at which would be perform'd the Lover's Melancholy, "Not acted these Hundred years," together with a new farce (never acted) called The Club of Fortune Hunters. The notice ran again several times, followed by the letters to the author of the General Advertiser noted on 19 and 23 April.] Receipts: #111 (Cross); house charges, #63 (Powel); cash, #58 6s.; tickets, #52 15s. (Clay MS)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Double Disappointment

Dance: II: Dutch Dance, as17471128; IV: Savoyards, as17471215; V: Pastoral Dance, as17480326 Sailor's Rendezvous, as17471117

Song: SSailor's Rendezvous, as17471117

Event Comment: Benefit for Neale and Winstone. By Particular Desire. Tickets at the Kings Arms Tavern in Bond St., and of Hobson at the Stage Door where Places may be taken for the Boxes. Mainpiece: By Particular Desire, as well as Afterpiece. Dawson &-fought in long Field ye first kill'd on ye spot (Cross). Receipts: #160 (Cross); house charges, #63 (Powel); cash, #48 6s.; tickets, #109 5s. (Clay MS)

Performances

Mainpiece Title: Albumazar

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Savoyards, as17471215

Event Comment: Benefit for Lee and Matthews. Tickets and places to be had of Lee at Mr Oliphant's Exeter St., and of Matthews, at the Golden Ball in Duke's, late Earl's Court, Drury Lane. Receipts: #150 (Cross); house charges, #63 (Powel); cash, #77 2s.; tickets, #82 7s. (Clay MS)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The School Boy

Dance: I: Tambourine-Anne Auretti; II: New Dance-Matthews, Mrs Addison; III: Dutch Dance, as17471128; IV: Savoyards, as17471215; V: Hornpipe (By Desire)-Matthews

Event Comment: Benefit for Leviez and Sullivan. Stage form'd into Front and Side Boxes. Receipts: #213 (Cross); house charges, #63 (Powel); cash, #63 0s. 6d.; tickets, #150 14s. (Clay MS)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Damon and Phillida

Song: II: Powerful Guardians from Alexander Balus-Sullivan; III: With Ravish'd Ears-Sullivan; V: a Favourite song in the Opera Artamene-Sullivan

Dance: I: Savoyards, as17471215; IV: Louvre, Minuet-Leviez, Anne Auretti; V: Shepherd's Dance-Cooke, Janeton Auretti

Event Comment: Receipts: #120 (Cross); #118 11s. (Powel)

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Dragon of Wantly

Dance: II: Tambourine-Anne Auretti; III: Comic Dance, as17480314 V: Dutch Dance, as17471128