SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3243 matches on Event Comments, 2694 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Farnace

Performance Comment: See17590421. But no Mention of the New Dance in Act I%.

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17580920, but Jack Meggot-Cresswick, 1st time; a New Epilogue-Cresswick.
Cast
Role: a New Epilogue Actor: Cresswick.

Afterpiece Title: Lethe

Dance: As17581016

Event Comment: Benefit for Reinhold. 2s. 6d. [Advance notices had promised a new burletta.

Performances

Mainpiece Title: La Strattaggemma

Song: Signora Saratina, Reinhold; will sing several Songs in the Orchestra with a Concerto on the Organ-Reinhold

Dance: I: Comic Dance-Miss Burn, from Opera House; II: Hornpipe-Summers

Event Comment: MMiss Pope in Corrinna (fine) Mr Wilkinson, Mrs Amlet (sad) (Cross). Mainpiece: Not acted in 8 years [but see 3 Jan. 1753]. My mother and I were at Drury Lane to see The Confederacy and Harlequin Ranger, Mrs King, Watson and Miss Pitt sat in our Box, a new actress did Corrinne to perfection, see Schutz Jr, Mr Schutz, Dives and Pigot there (Hailey, 'The Brietzcke Diary," p. 360). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Smith-Burton; Johnson-Palmer; others-Yates, Packer, Philips, Blakes, Mozeen, Clough, Scrase, Bransby, Ackman, Atkins, Marr, Vaughan, Raftor, Johnston, Rooker, Mrs Abington, Mrs Hippisley, Miss Mills, Miss Simson, Moody, Gray; With an Additional Reinforcement of Mr Bayes's New Rais'd Troops-.

Afterpiece Title: Harlequin Ranger

Event Comment: Receipts: #115 3s. [The Weekly Magazine; or, Gentleman and Lady's Polite Companion (1760), pp. 61-63, deplores the lack of new plays and lack of competition for the Patent houses. "Our theatres seem now to aim at glorious opposition: Harlequin is set against Harlequin, one dancing master opposes another; the scene shifters, the singers, and even the drummers figure at each house by turns, and it is to be hoped soon that the mere actor will become useless....The Fair has scarce even pantomime probability...for instance Harlequin should never exercise his magical power without reason, and should never make escapes without being pursued, but here he conjures, leaps, runs and waggles without any apparent design; and the whole seems destitute of plot, a if contrived by a dancing master. Harlequin's Invasion at the other House is still rather more absurd." The author expected a speaking Harlequin, Pantaloon, Pierot, Mezzetin, &c. but found the customary figures banished for the substitution of a "stupid Taylor and his more stupid wife." Regrets the sinking of stage performance to such absurdity.

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Fair

Event Comment: This was Mr Macklin's Night, as Author of the Farce (Cross). Amphitheatre on stage (Winston MS 8). A full house to Mr Macklin's Benefit & his new Farce of Love a la Mode (Hailey, Brietzcke Diary, Vol. 197, p. 69). Receipts: #304 15s. (Cross)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Love a-la-Mode

Event Comment: The Characters New Dressed. Masque not performed these ten years. Nothing under Full Prices. No Money returned after the Curtain is drawn up. Receipts: #180 7s

Performances

Mainpiece Title: Comus

Event Comment: Two Entertainments by Mr Murphy of 3 Acts each (Cross Diary). With new Scenes, Cloaths, and other Decorations. Full Prices

Performances

Mainpiece Title: The Desert Island

Afterpiece Title: The Way to Keep Him

Performance Comment: Actors only in bill, but MacMillan lists: Lovemore-Garrick; Sir Brilliant Fashion-Palmer; William-King; Widow Bellmour-Miss Macklin; Mrs Lovemore-Mrs Yates; Muslin-Mrs Clive; Mignionet-Mrs Bradshaw; Servant-Ackman; Pompey-Miss Mills; A newComic Dance-at the end of Act II.
Event Comment: Was at Drury Lane to see The Desart Island & the Way to Keep Him two new pieces wrote by Mr Murphy, the latter pleas'd me but the first quite the reverse (Hailey, "Brietzcke Diary," Vol. 197, p. 70)

Performances

Mainpiece Title: The Desert Island

Afterpiece Title: The Way to Keep Him

Event Comment: A New Opera. Music by Perez (Public Advertiser), by several Masters (edition of 1760)

Performances

Mainpiece Title: Arminio

Dance: Directed by Gallini. Giovanni Gallini, Mlle Asselin, Maranesi, Signora Provenzale

Event Comment: For the Author. By Command of the Prince of Wales. The Prince of Wales was at Drury Lane to see the new tragedy of Aquileia. I went there at 9, but it was all over and done & met Miss Smith coming from thence with Capt. Johnston. I think it very unnatural for her to be going to plays when her sister is but just laid in the Grave (Hailey, Brietzcke Diary, Vol. 197, p. 142)

Performances

Mainpiece Title: The Siege Of Aquileia

Event Comment: Benefit for Yates. Tickets at the Parrot in Tavistock Street and at the Stage Door, Afterpiece: A new Comedy, never performed before. [Anonymous alteration of Boden's Modish Couple.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Marriage a-la-Mode

Event Comment: A New Opera. Composed by Giardini. Doors to be open at Five O'clock. To begin at Seven O'clock precisely. [Notice repeated.

Performances

Mainpiece Title: Antigona

Dance: Director of the Ballet: Giovanni Gallini. Dancer: Gallini, Mlle Asselin, Maranesi, Signora Provenzale

Event Comment: A New Opera. The Music by several Celebrated Composers

Performances

Mainpiece Title: Antigona

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Tamer Tam'd

Performance Comment: Parts-Palmer, Burton, Yates, Packer, Vaughan, Ackman, Mrs Bennet, Miss Pritchard; with a New Epilogue address'd to the Ladies and spoken in character-Miss Pritchard.
Event Comment: The last Night of the Subscription. A New Opera. Music by Cocchi. N.B. The opera will be continued for a few nights more for the benefit of actors and actresses. [The opera next season to be under Signora Mattei.

Performances

Mainpiece Title: Erginda Regina Di Livadia

Dance: Gallini, Mlle Asselin, Maranesi, Sga Provenzale

Event Comment: By Desire. [A new advertisement for good delights by Mr Truster, repeated in subsequent bills.

Performances

Mainpiece Title: La Serva Padrona

Event Comment: [Sga Mattei announced her undertaking direction of Italian Serious Operas and Burlettas for the ensuing winter, promised the performance of them for the best advantage of the public, and listed the members of the company she had engaged: For Serious Operas: herself, Philippo Elisi (the first singer in Italy), Gaetano Quilice (tenor), Angiola Calori (second woman), Giovanni Sorbelloni (second man), and a new singer for the lowest character. For the Burlettas: Sga Paganini (the first female character and the foremost in Italy), Gaetano Quilice (the first man), Sga Eleardi (second woman), Paganini (second man), Signor N. N. (third man), Angiola Calori and Sorbelloni (to perform the serious parts in the Burlettas). Dancers: Mlle Asselin (first woman dancer), Gheradi (first dancer of the men, and ballet master), famed both in the serious and comic as well as for his invention as for exercises in dancing. There will also be other comic dancers, and figures both for the serious operas and burlettas.

Performances

Event Comment: At Shuter's Booth, George Yard. At Shuter's Warehouse [in advance notices]; At Shuter's Theatrical Microcosm. [The English Mirror is not the name of a play.] Mr Shuter begs leave to acquaint the Public that his English Mirror is highly polished, and he hopes it will give the greatest Satisfaction, especially as it is the true English Manufacture reflecting the most striking Views of Modern Times and National Glory. He would be very far from imposing upon the Inhabitants of this great Metropolis, and, unconscious of a Puff, he takes upon him to say that the Gay and Learned will find his Piece ornamented with a Festoon of Flowers gathered by an admitted Genius on the Banks of Avon and enriched with Wreaths twined by the Fingers of the Muses. Here it may be said Pomona has given the Apple Wit, in which every agreeable Flavour is combined, and Bacchusr has sent a Store of genuine Falernian from a Receipt which anciently belonged to Homer, and has lately been discovered with the Ruins of Herculaneum. In fact we shall give a new Exhiliration to Mirth, and dilate the Sides of Laughter, make Vice bleed under the corrective Lash, and give a Lecture that shall stimulate Virtue to pursue the Road of Happiness. [Repeated.

Performances

Mainpiece Title: The English Mirror; Or, Fun At The Fair

Performances

Mainpiece Title: A Concert

Performance Comment: In which will be introduced the Original Orations for (this night only) by Mrs Midnight. With a New Dish of Sweet Cream. Prologue-Mrs Midnight; The Echo of Anacreon-Gaudry; Scots Songs-Lauder; A Concerto-La Spoonatissiana; Singing-young Gentlewoman; Mock Italian Air-Sga Mimicottiaccompanied by Mynheer Broomsticado; Concerto on Violincello-Clogget; Advice to the Criticswith a specimen of ancient and modern acting-Mrs Midnight.

Afterpiece Title: Britannia's Triumph

Event Comment: We are well informed that Mr Shuter intends to entertain the Town, at his Great Tiled Booth on the Bowling Green, Southwark, during the Time of the Fair, which begins on Thursday next, with a New Entertainment of Wit and Humour. Many wagers are depending among the Theatrical Geniuses upon the Merit and Execution of this Piece: and the Odds are it is the best that ever appeared in this Way. The knowing Ones say, those who take the Odds will be fairly taken in: for Mr Shuter will start in fine Order, to win this Plate, in such a handsome manner as shall give entire Satisfaction to all the Spectators. A sufficient number of Theatrical Racers are already entered, and two remarkable Spanish Courcers will enter at the Post, so that excellent Sport may be depended upon (Public Advertiser)

Performances

Mainpiece Title: Advertisement

Event Comment: At Shuter's Great Theatrical Tiled Booth on the Bowling Green. Scenes and Habits entirely new. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each day at twelve o'clock. An excellent band of music is provided, consisting of Violins, Hautboys, Trumpets, Kettle Drums, &c

Performances

Mainpiece Title: Don Quixote In England

Performances

Mainpiece Title: Merope

Afterpiece Title: Harlequin's Invasion, with Additions and Alterations

Performance Comment: Harlequin-King; Others-Yates, Bransby, Moody, Blakes, Burton, Clough, Packer, Vaughan, Mrs Bennet, Miss Pope; The Vocal Parts-Champnes, Fawcett, Miss Young; The Dances-Sig Grimaldi, Sig Giorgi, Miss Baker; and a New Hornpipe-Miss Dawson.
Event Comment: Afterpiece: A New Musical Entertainment never perform'd before. The Music composed by Dr Arne. Full Prices. Boxes #53 (Account Book). [About 212 persons in Boxes. A profitable and popular afterpiece for Rich, but it cost him each night this season 10s. 6d. for Mr Wrexell for the Clarinet, and 5s. to Dell for the French Horn.] Receipts. #181 8s. (Account Book)

Performances

Mainpiece Title: The Minor

Afterpiece Title: Thomasand Sally; or, The Sailor's Return