SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3243 matches on Event Comments, 2694 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: I Went With Mallet to breakfast with Garrick; and from thence to Drury-Lane house, where I assisted at a very Private rehearsal, in the Green-room, of a new tragedy of Mallet's, called Elvira. As I have since seen it acted, I shall defer my opinion of it till then; but I can't help mentioning here the surprising versatility of Mrs Pritchard's talents, who rehearsed, almost at the same time, the part of a furious Queen in the Green-room, and that of a Coquette on the stage; and passed several times from one to the other with the utmost ease and happiness. I dined with Darrel, saw The Way of the World afterward (Edward Gibbon's Journal, ed. D. M. Lowe (New York, n.d.) pp. 185-86). [Apparently Mrs Pritchard rehearsed Millamant in the morning.

Performances

Mainpiece Title: The Way Of Ye World

Afterpiece Title: The Witches

Song: III: A Cantata-Miss Young

Event Comment: Benefit for Mrs Goodall. [Epilogue by John Burgoyne.] Oracle, 15 Apr.: Tickets to be had of Mrs Goodall, No. 16, Villers-street, York-Buildings. Receipts: #262 15s. (102.18.0; 27.1.6; 3.7.6; tickets: 129.8.0) (charge: #112 0s. 3d.)

Performances

Mainpiece Title: The Tempest

Performance Comment: As17901124, but The new Epilogue-Miss Farren.

Afterpiece Title: The Island of St

Song: As17901124, but Vocal Parts-Mrs Bland

Event Comment: It is not certain that this performance was given by the King's Company, but because it first produced the play, it has been assigned to Drury Lane. Pepys, Diary: Tuesday January the 27th...comeing home at night (after I had carryed my Cozen Winn Houblon home from a Play (shee would if she could). [Mornamont MS II, folio 1192, Cambridge University Library.] See also Arthur Bryant, Samuel Pepys: Years of Peril (New York, 1935), p. 314

Performances

Mainpiece Title: She Would If She Could

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performance Comment: A copy of the 1690 quarto (New York Public Library) has the following MS cast which may well pertain to this season: Alexander-Mountfort; Lysimachus-Williams; Hephestion-Bowman; Cassander-Powell; Statira-Mrs Bracegirdle; Roxana-Mrs Barry.
Event Comment: Benefit of Miss Mozart of eleven, and Master Mozart of seven Years of Age, Prodigies of Nature. At the Great Room, Spring Garden, St James's Park. Tickets at half a guinea each. By Permission of the Lord Chamberlain. [For Wolfgang Amadeus Mozart and his sister. Their father had brought them to visit London in May. See hay 21 Feb. 1765. They remained through July 1765. See also Grove's Dictionary of Music and Musicians, III, p. 539 (3rd edn. New York, 1947).

Performances

Mainpiece Title: A Concert Of Vocal And Instrumental Musick

Music: FFirst Violin solo-Barthelemon; Violincello Concerto-Ciri; Harpsichord and Organ-Miss Mozart, Master Mozart

Event Comment: [C$Colman published in the Public Advertiser this day extracts from the Oxonian in Town showing what favorable things were said of the Irish in it. He apparently did so to forstall a predicted riot by Irishmen who feared their nation was slandered because the scoundrels in the play were Irish. See E. R. Page, George Colman, The Elder (New York, 1935), p. 168. Monitor No V (21 Nov. 1767) includes a letter from Timothy Calfskin requesting refund of 4 shillings since his wife was frightened by the noise of the "wild Irish" and ran from the playhouse.] Receipts: #191 4s. (Account Book)

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Oxonian in Town

Dance: End: The Irish Lilt, as17670921

Event Comment: Mainpiece: A new Comedy [by Francis Gentleman, first perform'd at Chester, 1760 (Biographia Dramatica)]. By Permission. Benefit for Mrs Williams. Note: For performances at dl and cg 18 and 20 September, see Season of 1773-1774, p. 1745

Performances

Mainpiece Title: The Modish Wife; Or, Love In A Puzzle

Performance Comment: Parts-Cresswick (from York), Follett, Davies, Fearon, Lloyd, Burton, Williams, Mrs Greville (from Theatre Royal in Richmond), a Young Lady, first time; Mrs Roche, Miss Atkins, Mrs Williams; With a Prologue-.

Afterpiece Title: The Irish Widow

Entertainment: End of Play: A Comic Medley-Cresswick; and a Variety of Imitations-Hutton

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Event Comment: [In mainpiece the playbill assigns Frederick to Murray, but on the playbill in the New York Public Library Theatre Collection his name is deleted and a MS annotation substitutes Francis's.] Boxes 3s. Pit 2s. Gallery 1s. To begin precisely at 7:00. The Public are respectfully informed that the Company will perform here but four or five Weeks longer, being engaged elsewhere. The Theatre is not only very commodious, but also remarkably cool. The Days of performing will be regularly Mondays, Wednesdays and Fridays

Performances

Mainpiece Title: The Wonder: A Woman Keeps A Secret

Performance Comment: Don Felix-Benson; Colonel Briton-Payne; Lissardo-Banister; Don Lopez-Wellman; Don Pedro-Wright; Frederick-Francis; Vasquez-Stevenson; Alguazil-Newbold; Soldier-Oldmeadow; Servant-Master Payne; Gibby-Waldron; Flora-Mrs Benson; Isabella-Mrs Wellman; Inis-Miss Cranford; Violante-Miss Francis .
Cast
Role: Alguazil Actor: Newbold

Afterpiece Title: The Lying Valet

Song: After the Monologue, by Miss Cranford

Monologue: 1785 06 17 End of mainpiece an Occasional Address to the Audience by Wright

Event Comment: Benefit for Mrs Henderson. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. [Prologue by Arthur Murphy {Works, 1786, VII, 369).] Morning Herald, 14 Feb.: Tickets to be had at the house of the late Mr Henderson [see 8 Nov. 1785], Buckingham-street, York Buildings. "The poetical address delivered by Mrs Siddons before the play was written by Murphy, and was so very dull that we will charitably suppose his feelings obstructed the operation of his fancy" (General Advertiser, 27 Feb.). Receipts: #141 9s. 6d. (140/15/0; 0/14/6; tickets: none listed) (charge: free)

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Pope; Priuli-Hull; Renault-Fearon; Bedamar-Davies; Duke-Thompson; Spinosa-Cubitt; Elliot-Palmer; Officer-Booth; Pierre-Aickin; Belvidera-Mrs Siddons (of DL). New Occasional Prologue spoken by Mrs Siddons .

Afterpiece Title: Three Weeks after Marriage

Event Comment: Mainpiece: Not acted these Six years [8 April 1735]. Containing the Distresses and Death of King Henry VIv. The artful acquisition of the Crown by King Richardv. The Murder of Young King Edward Vv and his Brother, in the Tower. The Landing of the Earl of Richmondv, and the Death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. [This customary description appears in all subsequent notices.

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-Ryan; King Henry-Bridgwater; Richmond-Hale; Buckingham-Cashell; Prince Edward-Mrs Vincent; Duke of York-Miss Morrison; Tressel-Chapman; Stanley-Rosco; Norfolk-Stephens; Lord Mayor-Marten; Lieut. of Tower-Stevens; Catesby-Gibson; Ratcliff-Harrington; Oxford-Bencraft; Blunt-Clark; Tyrrel-Stoppelaer; Forrest-Vaughan; Queen Elizabeth-Mrs Pritchard; Lady Anne-Mrs Horton; Duchess of York-Mrs Mullart.

Afterpiece Title: The Necromancer

Event Comment: Mainpiece: Containing the Distresses and Death of King Henry VI; the Artful acquisition of the Crown by King Richardv; the Murder of young King Edward V, and his brother in the Tower; The landing of the Earl of Richmond, and the death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. With many other Historical passages. [This descriptive passage accompanies all notices of the play this season and will not be recorded here further.

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-Garrick; Richmond-Havard; King Henry-Berry; Buckingham-Mills; Duke of York-Miss Cibber; Queen-Mrs Roberts; Lady Anne-Mrs Mills; Duchess of York-Miss Bennett; Stanley-Winstone; Lord Mayor-Taswell; King Edward V-Mrs Ridout; Tressel-Turbutt; Ratcliff-Woodburn; Norfolk-Blakes; Catesby-Marr; Lieutenant-Ray; Oxford-Green; Tirrel-Vaughan; Forest-Gray; Dighton-Wright; Blunt-Raftor.

Song: II: Song-Beard

Music: IV: Concerto-Veracini

Dance: V: Grand Serious Ballet, as17421005

Event Comment: Containing the Distresses and death of King Henry the Sixth; the Artful acquisition of the Crownv by King Richard; the Murder of Young King Edward V and his Brother in the Tower. The Landing of the Earl of Richmond, and the death of King Richard in the memorable battle of Bosworth Field, being the last that was fought between the Houses of York and Lancaster. [This notice accompanies subsequent performances of Richard III, but will not be recorded here further.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Ryan; King Henry-Bridgwater; Richmond-Hale; Tressel-Chapman; Prince Edward-Miss Hippisley; Duchess of York-Mrs Woodward; Lady Anne-Mrs Hale; Buckingham-Cashell; Stanley-Rosco; Norfolk-Stevens; Catesby-Gibson; Tyrrel-Carr; Lord Mayor-Marten; Ratcliff-Anderson; Lieut-Ridout; Oxford-Bencraft; Duke of York-Miss Morrison; Queen Elizabeth-Mrs Horton.
Event Comment: Play containing the distresses and death of King Henry the Sixth; the Artful acquisition of the Crown by King Richard; the cruel murder of Young King Edward the fifth and his brother in the Tower; the landing of the Earl of Richmond; and the death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the houses of York & Lancaster

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Performance Comment: King Richard-Quin; King Henry-Bridgwater; Richmond-Hale; Buckingham-Cashell; Tressel-Chapman; Prince Edward-Miss Hippisley; Duke of York-Miss Morrison; Duchess of York-Mrs James; Lady Anne-Mrs Hale; Stanley-Rosco; Norfolk-Ridout; Catesby-Gibson; Tyrrel-Carr; Lord Mayor-Marten; Ratcliff-Anderson; Lieutenant-Arthur; Oxford-Bencraft; Queen Elizabeth-Mrs Pritchard.
Event Comment: Mainpiece containing the Distresses and death of King Henry VIv; The Artful Acquistion of the Crown by King Richardv; The Murder of Prince Edward and his Brother in the Towerv; the Landing of the Earl of Richmondv, and Death of King Richardv in the memorable Battle of Bosworth Fieldv, being the last that was fought between the houses of York and Lancaster

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-Ryan; King Henry-Hale; Richmond-Cibber; Buckingham-Cashell; Tressel-Chapman; Stanley-Rosco; Norfolk-Ridout; Catesby-Gibson; Tyrrel-Carr; Lord Mayor-Marten; Ratcliff-Anderson; Lieut-Arthur; Oxford-Bencraft; Prince Edward-Miss Hippisley; Duke of York-Miss Morrison; Duchess of York-Mrs James; Lady Anne-Mrs Horton; Queen Elizabeth-Mrs Pritchard.

Afterpiece Title: Pyramus and Thisbe

Event Comment: Mainpiece Containing the Distresses and Death of King Henry the Sixth; the Artful Acquisition of the Crown by King Richard; The Cruel Murder of Prince Edward and his Brother in the Tower; the Landing of the Earl of Richmond, and the death of King Richard in the Memorable battle of Bosworth Fieldv; being the last that was fought between the Houses of York and Lancaster. Receipts: #160 19s

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Quin; King Henry-Bridgwater; Richmond-Havard; Buckingham-Cashell; Tressel-Chapman; Prince Edward-Miss Hippisley; Duke of York-Miss Morrison; Duchess of York-Mrs James; Stanley-Davies; Norfolk-Ridout; Catesby-Gibson; Tyrrel-Carr; Lord Mayor-Marten; Ratcliff-Anderson; Lieutenant-Arthur; Oxford-Bencraft; Lady Anne-Mrs Horton; Queen Elizabeth-Mrs Pritchard.

Afterpiece Title: The Virgin Unmasked

Event Comment: Mainpiece: Containing the Distresses and Death of King Henry the Sixthv; the Artful Acquistion of the Crown by King Richardv; the Cruel Murder of Prince Edwardv and his Brother in the Tower; the Landing of the Earl of Richmondv, and the death of King Richard in the Memorable Battle of Bosworth Fieldv; being the last that was faught between the Houses of York and Lancasterv. [A customary elaboration of the title, appearing at subsequent performances this season, but not repeated here.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard III-Ryan; King Henry-Bridgwater; Richmond-Giffard; Buckingham-Bridges; Tressel-Ridout; Stanley-Rosco; Blunt-Kennedy; Catesby-Gibson; Tyrrel-Stoppelaer; Lord Mayor-Dunstall; Ratcliff-Anderson; Lieutenant-Storer; Oxford-Bencraft; Prince Edward-Miss Morrison; Duke of York-Miss Mullart; Duchess of York-Mrs James; Lady Anne-Mrs Hale; Queen Elizabeth-Mrs Horton.
Cast
Role: Duke of York Actor: Miss Mullart
Role: Duchess of York Actor: Mrs James

Afterpiece Title: The Royal Chace

Event Comment: Mainpiece: Not acted these 3 years. [See 29 Feb. 1748.] Containing the distresses and death of King Henry VIv; the Artful acquisition of the Crown by King Richardv; The cruel Murder of Prince Edward and his brother in the Towerv; the landing of the Earl of Richmond, and the death of King Richardv in the Memorable battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. [Customary advertisement for this play this season. It will not be repeated further.] This month was published Characters in Dancing; with a Rhapsody (Gentleman's Magazine). Receipts: #164 13s

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Quin; King Henry-Delane; Richmond-Ridout; Buckingham-Sparkes; Stanley-Redman; Oxford-Bencraft; Catesby-Gibson; Ratcliff-Anderson; Tressel-Cushing; Norfolk-Bransby; Lord Mayor-Marten; Tirrel-Dunstall; Lieut-Oates; Blunt-Holtham; Prince Edward-Miss Morrison; Duke of York-Miss Mullart; Queen-Mrs Horton; Dutchess of York-Mrs Bambridge; Lady Anne-Mrs Woffington.

Afterpiece Title: Phoebe

Event Comment: Containing the Distresses and Death of King Henry VIv; the Artful acquisition of the Crown by King Richardv; the cruel murder of Prince Edwardv and his brother in the tower; the Landing of the Earl of Richmondv, and the death of King Richardv in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Quin; King Henry-Ryan; Richmond-Ridout; Buckingham-Sparks; Stanley-Redman; Oxford-Elrington; Catesby-Gibson; Ratcliff-Anderson; Tressel-Lacey; Norfolk-Bransby; Lord Mayor-Marten; Tirrel-Dunstall; Lieut-Usher; Blunt-Holtham; Prince Edward-Miss Morrison; Duke of York-Miss Mullart; Lady Anne-Mrs Vincent; Duchess of York-Mrs Bambridge; Queen-Mrs Cibber first time.
Event Comment: Mainpiece: Containing the Distresses and Death of King Henry VIv ; the Artful Acquisition of the Crown by Richardv ; the Cruel Murder of the young King Edward Vv and his brother in the Tower; the Landing of the Earl of Richmondv ; and the Death of Richard in the memorable Battle of Bosworth Fieldv ; being the last that was fought between the Houses of York and Lancasterv ; with many other historical passages [a regular notice appearing with performances of this play]. Receipts: #118 18s. 6d. [Paid to] Lee one third of the surplus of this night's receipts over the charge of #100, #3 19s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Lee, 1st time on that stage in 5 years; Henry-Ryan; Richmond-Ridout; Stanley-Anderson; Norfolk-Gibson; Ratcliff-Bennet; Catesby-White; Buckingham-Sparks; Tressel-Dyer; Lord Mayor-Marten; Lieutenant of Tower-Cushing; Oxford-Bencraft; Blunt-Redman; Prince Edward-Miss Mullart; Duke of York-Miss Hallam; Brandon-Wignel; Tyrrel-Dunstall; Forrest-Holtom; Dighton-R. Smith; Lady Anne-Mrs Vincent; Duchess of York-Mrs Elmy; Queen-Mrs Hamilton.
Cast
Role: Duke of York Actor: Miss Hallam
Role: Duchess of York Actor: Mrs Elmy

Afterpiece Title: The Contrivances

Dance: Lucas, Miss Hilliard

Event Comment: [Duke of York-$Miss Besford in Public Advertiser.] Afterpiece: By Particular Desire

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Smith; King Henry-Gibson; Richmond-Clarke; Buckingham-Hull; Catesby-Fox; Ratcliff-Lewes; Norfolk-Wignell; Stanley-Gardner; Lieutenant-R. Smith; Tyrrel-Bates; Prince Edward-Mas. Harris; Duke of York-Miss Cockayne; Tressel-Dyer; Lady Anne-Mrs Vincent; Duchess of York-Mrs Barrington; Queen-Mrs Ward (playbill).

Afterpiece Title: Midas

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performance Comment: Edition of 1695: A Prologue for the opening of the New Play-House-Mrs Bracegirdle in Man's Cloaths; Sent from an unknown Hand; Prologue Spoken at the opening of the New House-Mr Betterton; Epilogue Spoken at the opening of the New House-Mrs Bracegirdle; Sir Sampson Legend-Underhill; Valentine-Betterton; Scandal-Smith; Tattle-Boman; Ben-Dogget; Foresight-Sanford; Jeremy-Bowen; Trapland-Triffusis; Buckram-Freeman; Angelica-Mrs Bracegirdle; Mrs Foresight-Mrs Bowman; Mrs Frail-Mrs Barry; Miss Prue-Mrs Ayliff; Nurse-Mrs Leigh; Jenny-Mrs Lawson.
Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. MS: Larpent 1000]: The greatest part entirely new, with a few Select Scenes from the most approv'd Compositions. With new Scenery, Machinery, Dresses and Decorations. The Dresses entirely new. The new Music composed by Shield, the rest selected from Harington, Dr Arne, Eley, Reeve, Pepusch, Galliard, George Ware, Hook, &c. The Scenery and Machinery entirely new painted by Richards, Hodgins, Walmsley, Lupino, Pugh, Phillips and Malton. The Dances entirely new, composed by Byrn. Account-Book, 23 Apr. 1795: Paid James Wild in full for Dr Faustus #40. European Magazine, Jan. 1794, p. 49: Dr Faustus has afforded entertainment to three if not four generations. It was first produced at Drury-lane in 1723, by Mr Thurmond, a dancing-master, and was afterwards succeeded at Lincoln's inn-fields, in the same year, by Mr Rich's more splendid performance [entitled The Necromancer; or, Harlequin Doctor Faustus], which received improvement at different revivals of it. At the latter end of 1766 [at Covent Garden] Mr Woodward made some alterations, and it was revived with great success. It is again brought forward with applause, and recalls to the remembrance of those who formerly saw it with delight, the recollection of the most enchanting period of life. The opening scene of Tartarus . . . was first introduced in the speaking pantomime of The Mirror [at Covent Garden, 30 Nov. 1779). Receipts: #352 13s. 6d. (324/13/6; 28/0/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Business and Characters: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas, &c. &c. (design'd and executed by Richards; music by Shield). Lucifer-Cubitt; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Bclial-Linton; Ades-Street. II. The Study of Dr Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-West. III. A Landscape and Water Mill (painted by Walmsley). Harlequin-Boyce; Pierrot-Follett; Miller-Hawtin; Taylor-Simmons; Bridemen-Cranfield, Ratchford, Blurton, Wilde, Rayner, Jackson, &c.//Miller's Wife-Miss Leserve; Bridemaids-Mrs Follett, Mrs Watts, Mrs Ratchford, Mrs Cranfield, Mrs Crowe, Mrs Lloyd, &c.; Colombine-Mme Rossi; Philidel (the Celestial Spirit)-Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog (The Machinery invented by Hodgins). Landlady (with a song in character)-Mrs Henley. V. A Representation of tht Scaffolding prepared for erecting the New Theatre-Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne) by Blanchard, Bernard, Davies, Linton, Street, Spofforth, &c. VI. A View of Smithfield on a Market-Day (painted by Hodgins and Phillips). A New Glee (composed by Shield [singers not listed]). VII. The Garden of Faustus (painted by Pugh). Zephyrus-Byrn//Flora-Mlle St. Amand. VIII. A Tobacco Warehouse, which changes to an Equestrian Figure by Roubiliac. IX. A Street, in which is introduced two Irish Sedan Chairs (designed by Hodgins). Harington's Stammering Glee by Blanchard, Townsend, Cubitt. X. A View of a Garden and Tent, which changes to a Canal, in which will be introduced the celebrated piece of machinery, The Peacock. XI. A Farm Yard, which changes to a Chinese Bridge. XII. The Infernal Regiom, with a Shower of Fire. XIII. The Temple of Glory (designed and executed by Hodgins). Aerial Spirits-Byrn, Holland, Mlle St. Amand, Cranfield, Ratchford, King, Blurton, Wilde, Mrs Castelle, Miss Kirton, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Blurton .

Performances

Mainpiece Title: Concert

Music: New Bizzaria's on all the New Gusto's of Italy-Mr Corbett for all Instruments and; Pieces on the Viol d'Amore-; Pieces on the two new Instruments call'd, The Chamber@Horns- (never heard in Publick)

Event Comment: The Dr New Dress'd & in a New Manner with a Prologue by ye old Dr to introduce the New by the Author of the Hilliad. The Prologue was forbid by the Licencer, & struck out of the bills, but by Mistake was left in ye News; a great noise for it, Woodward said; as he had face to study, he had not time to do it--more Noise--I went on--& told 'em the Prologue was forbid--Noise still--Woodward went on & said it was forbid by L@or@d Chamberlain--it cool'd a little but when he came on dress'd like Dr Hill, it began again, & so ye farce ended (Cross). Benefit for Mr Woodward. Part of Pit laid into Boxes, and Stage commodiously built in form of an Amphitheatre. Boxes and Stage 5s. Ladies send servants by 3. Tickets to be had of Woodward in Great Piazza, Covent Garden; and at Stage Door. This day publish'd The Chaplet at 6d. a Musical entertainment as performed at Drury Lane. Receipts: #330 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Mock Doctor

Performance Comment: The Doctor-Woodward (New Dress'd and in a new Manner); Dorcas-Mrs Clive; with an Occasional Prologue-.

Dance: Devisse, Ferrere, Mlle Auretti