SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Children of the late Mr Farquhar"/1) | (@(roleclean,performerclean) "Children of the late Mr Farquhar")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5218 matches on Event Comments, 1411 matches on Performance Comments, 1076 matches on Author, 998 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Johnstone. 3rd piece [1st time; F 2, by Thomas Knight; incidental music by William Reeve]: Partly taken from The Committee [by Sir Robert Howard]. Morning Herald, 21 June 1797: This Day is published [by G. Cawthorn] The Honest Thieves (1s.). True Briton, 25 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden. Receipts: #434 7s. 6d. (210.4.0; 11.18.0; tickets: 212.5.6)

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle-Johnstone; Sir Christopher Curry-Quick; Campley (with additional songs, and for that night only)-Incledon; Medium-Powel; Mate (with an additional song)-Townsend; Trudge-Fawcett; Wowski-Mrs Martyr; Narcissa-Mrs Mountain; Patty-Mrs Fawcett; Yarico (for that Night only, with additional Songs, Hope told a flattering tale, accompanied on the Harp by Weippert)-Mrs Ferguson.
Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: British Fortitude; or, An Escape from France

Afterpiece Title: The Honest Thieves; or, The Faithful Irishman

Performance Comment: Teague (with a Planxty in character, The Tight Irish Boy)-Johnstone; Abel-Knight; Colonel Careless-Macready; Capt. Manly-Middleton; Justice Day-Powel; Mr Story-Claremont; Servant-Abbot; Bailiffs-Wilde, Hawtin [in text: Thompson]; Obadiah-Munden; Coachman-Ledger [added by text]; Ruth-Mrs Knight; Arabella-Miss Mansel; Mrs Day-Mrs Davenport.

Song: In course 2nd piece: I was call'd knowing Joey-Munden; At dawn of Life our Vows were plighted-Mrs Mountain; The Storm-Incledon; The turban'd Turk who scorns the World-; Hospitality; or, The Land of Potatoes-Johnstone; End 2nd piece: Old Towler-Incledon

Performances

Mainpiece Title: British Fortitude

Afterpiece Title: Wives as they Were, and Maids as they Are

Afterpiece Title: The Honest Thieves

Event Comment: Benefit for Delpini. [1st piece in place of The School for Arrogance, advertised on playbill of 8 June.] 2nd piece [1st time; BALL. P 1, author unknown]. 4th piece: To conclude with a View of the Temple of Magic. True Briton, 2 June: Tickets to be had of Delpini, No. 27, Maiden-lane, Southampton-street, Covent-Garden. Receipts: #211 0s. 6d. (105.5.6; 13.11.6; tickets: 92.3.6)

Performances

Mainpiece Title: The Mask'd Friend

Afterpiece Title: The Folly of Age; or, The Accomplished Lady

Afterpiece Title: Barataria

Performance Comment: As17960926, but Duchess-Mrs Watts; Mary the Buxom-Mrs Delpini (1st appearance these 8 years); Taylor-_; Gardener-_; Cryer-_.
Cast
Role: Mary the Buxom Actor: Mrs Delpini

Afterpiece Title: Harlequin's Medley

Performance Comment: Harlequin-Simpson; Pantaloon-Hawtin; Lover-Simmons; Undertaker-Wilde; Anatomist-Abbot; Lover's Servant-Master Webb; Pierrot (1st time these 8 years)-Delpini; Witch-Mrs Castelle; Mother-Mrs Lloyd; Columbine-Mlle St.Amand.
Cast
Role: Mother Actor: Mrs Lloyd

Dance: In 2nd piece: A la Parisot, Le Pas Russe-Delpini

Song: In 2nd piece: La Verginella, My dear Molly@oh! what Folly (composed by Carter)-Delpini

Entertainment: Vaudeville. In 4th piece: The Farm Yard- (from The Rape of Proserpine), with the Birth of Harlequin, and his Emancipation from the Egg Shell; The favorite Scene from Aladin of Pantaloon's Death-, and the Whimsical Lamentation of Pierrot; A Jump through a Hogshead of Fire-; and the celebrated Dying and Skeleton Scenes-

Performance Comment: In 4th piece: The Farm Yard- (from The Rape of Proserpine), with the Birth of Harlequin, and his Emancipation from the Egg Shell; The favorite Scene from Aladin of Pantaloon's Death-, and the Whimsical Lamentation of Pierrot; A Jump through a Hogshead of Fire-; and the celebrated Dying and Skeleton Scenes-.

Performances

Mainpiece Title: A Mogul Tale

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Lord Edmund-Davies; Count Fripon-Waldron Jun.; Trap-Caulfield; Touch-Ledger; Father Frank-Abbot; Phelim-Lyons; Landlord-Usher; Jack Connor-Wathen; Dowdle-Munden; Rachel-Mrs Harlowe; Adelaide-Miss DeCamp; Landlady-Mrs Hale; Mary-Mrs Gibbs.
Cast
Role: Father Frank Actor: Abbot
Role: Jack Connor Actor: Wathen

Afterpiece Title: Bannian Day

Performance Comment: Captain Macgallagher-Johnstone; Bobby Notice-Suett; Jack Hawser-Wathen; Mr Goodwill-Davies; Lieut. Goodwill-Trueman; Batch-Fawcett; Polly-Mrs Bland; Maid-Mrs Jones; Mrs Goodwill-Miss Andrews.
Cast
Role: Jack Hawser Actor: Wathen
Event Comment: Afterpiece: Altered from the Comedy of The Committee; or, The Faithful Irishman [by Sir Robert Howard]. Never acted here

Performances

Mainpiece Title: Inkle And Yarico

Cast
Role: Medium Actor: Wathen
Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: The Honest Thieves

Performance Comment: Teague-Johnstone;(with a Planxty in character, composed by Reeve, called The Tight Irish Boy-Johnstone; Abel-Suett; Colonel Careless-C. Kemble; Captain Manly-Palmer Jun.; Justice Day-Davenport; Mr Story-Trueman; Obadiah-Munden; Ruth-Mrs Gibbs; Arabella-Miss Heard; Mrs Day-Mrs Davenport.
Event Comment: [Mrs Walcot's 1st appearance in London was at the hay, 26 Apr. 1785.] Account-Book: Paid Soldiers 17s. 6d. [this paid nightly]. Receipts: #316 2s. 6d. (201.17.6; 112.18.0; 1.7.0)

Performances

Mainpiece Title: The Will

Performance Comment: Sir Solomon Cynic-King; Mandeville-Wroughton; Howard-Bannister Jun.; Veritas-R. Palmer; Realize-Suett; Robert-Russell; Copsley-Maddocks; Albina Mandeville-Mrs Jordan; Mrs Rigid-Mrs Walcot (from the Theatre Royal Edinburgh; 1st appearance on this stage); Cicely Copsley-Miss Mellon; Deborah-Mrs Maddocks.

Afterpiece Title: The Prize; or, 2, 5, 3, 8

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Honest Thieves

Performance Comment: Teague (with The Tight Irish Boy)-Johnstone; Colonel Careless-Knight; Captain Manly-Toms; Justice Day-Powel; Mr Story-Claremont; Abel-Simmons; Servant-Abbot; Bailiffs-Wilde, Hawtin; Obadiah-Munden; Ruth-Mrs Knight; Arabella-Miss Mansel; Mrs Day-Mrs Davenport.

Performances

Mainpiece Title: Cheap Living

Afterpiece Title: The Old Maid

Performance Comment: Clermont-C. Kemble; Captain Cape-King; Mr Harlow-Holland; Mrs Harlow-Mrs Goodall; Miss Harlow-Mrs Sparks (from the Theatre Royal Edinburgh; 1st appearance on this stage); Trifle-Mrs Roffey.

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: England's Glory

Dance: End II: Les Delassemens Militaires, as17971021; End: Cupid and Psyche (composed by Noverre)-Mrs Wild, Mme Rose, Mme Hilligsberg, Didelot, Fialon, The Graces by Mlle St.Amand, Mme D'Egville, Mlle Philips

Event Comment: 2nd piece [1st time; M. INT 1, by Andrew Franklin. It refers to the King's departure from Greenwich on the Royal Charlotte yacht, 30 Oct. 1797, to visit Lord Duncan's fleet at the Nore. The visit was subsequently cancelled because of inclement weather]: With new Scenery, and Machinery. The Music partly new [by William Linley] and partly compiled; with an introductory Full Piece. In the course of the Piece a View of Greenwich Hospital, and an exact Representation of the Departure of the Royal Yatch [sic]. To conclude with a View of the British Fleet, and the Dutch Prizes [taken at Camperdown. 11 Oct.]. [These were included in all subsequent performances.] Books of the Songs to be had in the Theatre. Morning Herald, 16 Nov. 1797: This day is published A Trip to the Nore (1s.). Receipts: #317 5s. 6d. (234.8.6; 76.10.6; 6.6.6)

Performances

Mainpiece Title: The London Merchant; Or, George Barnwell

Afterpiece Title: A Trip to the Nore

Afterpiece Title: The Virgin Unmask'd

Dance: In 2nd piece: Dance of Sailors-; Hornpipe-Sga Bossi DelCaro

Event Comment: Mme Mara is prevented by a Severe Hoarseness from appearing this Evening; but will perform in Love in a Village [advertised on playbill of 8 Nov.] on Wednesday next. [2nd piece in place of Catherine and Petruchio, advertised as above.] Receipts: #193 6s. 6d. (185.6.6; 8.0.0)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: England's Glory

Dance: In 2nd piece: Ballet, as17971013; In V 3rd piece: a Triple Hornpipe, as17971018

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Catherine and Petruchio

Performance Comment: Petruchio-Lewis; Baptista-Thompson; Hortensio-Claremont; Biondello-Davenport; Pedro-Abbot; Taylor-Simmons; Music@master-Rees; Grumio-Quick; Bianca-Miss Leserve; Curtis-Mrs Platt; Catherine-Mrs Mattocks.
Cast
Role: Catherine Actor: Mrs Mattocks.

Dance: End I: The Statute Dance- [performers not listed]

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Honest Thieves

Dance: As17971115

Performances

Mainpiece Title: A Bold Stroke For A Wife

Cast
Role: Tradelove Actor: Wathen

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Guillot Actor: Wathen
Role: Matthew Actor: Maddocks

Afterpiece Title: A Trip to the Nore

Cast
Role: Sir Matthew Medley Actor: Maddocks

Performances

Mainpiece Title: The Jew

Afterpiece Title: Blue-Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Performances

Mainpiece Title: The Double Gallant; Or, A Sick Lady's Cure

Afterpiece Title: The Farmer

Event Comment: "Incledon is no longer under any engagement at Covent-garden Theatre; having shewn a good deal of restiveness at being obliged to sing in the after-piece of Joan of Arc, he applied to Mr Harris on Friday [16 Feb.] to deliver him up his articles, which was instantly complied with" (Times, 19 Feb.). [On 22 Feb. and 15 Mar. Incledon acted, by Command; but not again until 14 Apr.] Receipts: #256 18s. 6d. (239.10.6; 17.8.0)

Performances

Mainpiece Title: He's Much To Blame

Cast
Role: Master of the Hotel Actor: Thompson

Afterpiece Title: Joan of Arc

Music: In afterpiece: The Harp-Weippert

Performances

Mainpiece Title: First Love

Afterpiece Title: Blue-Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger
Event Comment: Mainpiece [1st time; D 5, by Benjamin Thompson, altered from Menschenhass und Reue, by August Friedrich Ferdinand von Kotzebue. Prologue by William Linley; Epilogue by Matthew Gregory Lewis (European Magazine, Mar. 1798, p. 260)]: With new Scenes, Dresses, &c. With Musick [by Thomas Shaw]. "Mrs Siddons was succesful in all the impassioned parts; but she cannot sustain a mixed character. She is the Muse of Tragedy herself, and when she descends from her lofty state to the level of familiar dialogue, she instantly ceases to astonish and we to admire" (Monthly Mirror, Apr. 1798, p. 234). "The dialogue must be considerably abridged, as well for the purpose of preserving the interest of the piece, as for shortening the time of representation, which is at least an hour too long, it being half past ten before the curtain dropt" [see 26 Mar.] (Morning Herald, 26 Mar.). Receipts: #420 7s. 6d. (378.11.6; 40.18.0; 1.8.0)

Performances

Mainpiece Title: The Stranger

Performance Comment: Characters-Kemble, Barrymore, Palmer, Wewitzer, Suett, R. Palmer; Aickin, Webb, Evans, Fisher, Mrs Siddons, Mrs Goodall, Miss Stuart. Cast from text (T. N. Longman and O. Rees, 1802): The Stranger-Kemble; +Count Wintersen-Barrymore; +Baron Steinfort-Palmer; +Mr Solomon-Wewitzer; +Peter-Suett; +Francis-R. Palmer; +Tobias-Aickin; +George-Webb; +Count's Son-$Master Wells; Stranger's Son-$Master Tokely; Mrs Haller-Mrs Siddons; +Countess Wintersen-Mrs Goodall; +Charlotte-Miss Stuart; +Annette-$Mrs Bland; Savoyard-$Miss Leak; Maid-$Mrs Jones; Stranger's Daughter-$Miss Beton; unassigned-Evans, Fisher; Prologee-Barrymore; Epilogue-Suett. [These were spoken, as here assigned, at the 1st 9 performances only (see17980416), except Epilogue again on 15 May.]These were spoken, as here assigned, at the 1st 9 performances only (see17980416), except Epilogue again on 15 May.]
Cast
Role: The Stranger Actor: Kemble

Afterpiece Title: The Prize

Song: Incidental: Vocal Parts-Mrs Bland, Miss Leak their songs; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Incidental to mainpiece: Principal Dancer-Sga Bossi DelCaro. [These were the same in all subsequent performances, except on 5 May.

Performance Comment: [These were the same in all subsequent performances, except on 5 May.]
Event Comment: Benefit for Johnston. [He had 1st acted Hamlet at Edinburgh, 9 July 1794: Egerton's 1st appearance at cg was on 5 June 1797.] 2nd piece [1st time at this theatre; M. PAST 1, author unknown. Larpent MS 1207; not published. 1st acted at Sadler's Wells, 28 May 1787, when the playbill gives the 2nd title as "The Highland Laddie", and adds "The Words of the Airs selected from Allan Ramsay"]. Times, 13 Apr.: Tickets to be had of Johnston, No. 31, King-street, Covent-garden. Receipts: #230 19s. 6d. (110.2.6; 1.14.0; tickets: 119.3.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Hooly and Fairly; or, The Highland Lad and Lowland Lass

Performance Comment: Donald-Gray; Jockey-Clarke; Kate-Miss Wheatley; Old Woman-Mr Graham (from the Theatre Royal Edinburgh, 1st appearance on this stage).

Dance: 2nd piece to conclude with: Highland Reel-; In 3rd piece: Ballet, as17971013

Song: In V 1st piece: a Dirge, as17970925; In 2nd piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie- [recte Oggy]; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; The Little Farthing Rushlight-Graham

Performances

Mainpiece Title: Every Man In His Humour

Cast
Role: Master Matthew Actor: Simmons

Afterpiece Title: Reformed in Time

Cast
Role: The Argument Actor: .
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: her sword and shield break to pieces Actor: she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant

Song: In course of Evening: The Bells of Aberdovy-Townsend; accompanied on the harp-Weippert; The Mid Watch-Incledon; The Beggar, in character,-Townsend; The Pledge of Love, as17980515; a favorite Comic Song-Fawcett

Entertainment: Imitations.An Exhibition of Theatrical Portraits-Townsend

Performance Comment: An Exhibition of Theatrical Portraits-Townsend.
Event Comment: Benefit for R. Palmer, Russell & Dowton. 1st piece [1st time; B 1, by Edward Henry Iliff. The title-page has "by Edmund Spenser, Ynger." On his copy, now in Huntington Library, J. P. Kemble has written, "Iliffe [sic] is the real Name of the Authour"; he has made a similar notation on the playbill]: Founded on the 17th Number of The Spectator. 3rd piece [1st time; MF 1. Larpent MS 1219; not published. The characters are all taken from previous plays by John O'Keeffe, as follows: Sadboy (The Young Quaker); Signor Arionelli and Bowkitt (The Son-in-Law); Motley (The Dead Alive); Tully (The London Hermit); Lingo and Cowslip (The Agreeable Surprise); Ephraim Smooth (Wild Oats); Nipperkin (Sprigs of Laurel); Jemmy Jumps and Betty Blackberry (The Farmer); Mrs Casey (Fontainbleau)]: Written by Mr O'Keeffe. Times, 4 June: Tickets to be had of R. Palmer, No. 2, Queen's-row, Pimlico; of Russell, No. 19, Martlet-court, Bow-street; of Dowton, No. 5, Strand-lane, Surry-street, Strand. Receipts: #413 11s. 6d. (76.17.6; 37.7.0; 1.0.0 tickets: 298.7.0) (charge: #215 10s. 5d.)

Performances

Mainpiece Title: The Ugly Club

Performance Comment: Characters by Palmer, Russell, Holland, Wewitzer, Wathen, Dignum, Hollingsworth, Dowton, R. Palmer, Maddocks, Mrs Walcot, Miss Tidswell, Mrs Bland.Cast from text (George Cawthorn, 1798): Tonnage-Palmer; Diaphanous-Russell; Spondee-Holland; Hugh Goblin-Wewitzer; Crank-Wathen; Limp-Dignum; Crasis-Hollingsworth; Shin-Dowton; Gibbous-R. Palmer; Landlork-Maddocks; Nell Trot-Mrs Walcot; Luce-Miss Tidswell; Miss Mary-Mrs Bland.
Cast
Role: Crank Actor: Wathen

Afterpiece Title: The Castle-Spectre

Cast
Role: Sir Matthew Medley Actor: Maddocks
Related Works
Related Work: The Castle-Spectre Author(s): Matthew Gregory Lewis

Afterpiece Title: A Nosegay of Weeds; or, Old Servants in New Places

Performance Comment: Sadboy-Palmer; Signor Arionelli-Miss DeCamp; Motley-Hollingsworth; Tully-R. Palmer; Lingo-Dowton; Ephraim Smooth-Wewitzer; Nipperkin-Wathen; Jemmy Jumps-Russell; Bowkitt-Bannister Jun.; Mrs Casey-Mrs Sparks; Betty Blackberry-Miss Mellon; Cowslip-Mrs Bland.
Cast
Role: Nipperkin Actor: Wathen
Event Comment: Benefit for Caulfield, Trueman and Johnston. 1st piece: Never [previously] acted at this Theatre. Receipts: #489 (36.12; 35.0; 1.3; tickets: 416.5) (charge: #232 6s. 6d.)

Performances

Mainpiece Title: Ways And Means

Performance Comment: Sir David Dunder-Bannister Jun.; Old Random-Aickin; Young Random-Palmer; Scruple-Caulfield; Roundfee-Suett; Quirk-Wewitzer; Tiptoe-Wathen; Carney-Hollingsworth; Paul Peery-Sparks; Lady Dunder-Mrs Walcot; Harriet-Miss Heard; Kitty-Miss Mellon; Mrs Peery-Miss Tidswell.
Cast
Role: Tiptoe Actor: Wathen
Related Works
Related Work: Ways and Means; or, A Trip to Dover Author(s): George Colman, the younger

Afterpiece Title: The Wedding Day

Cast
Role: Sir Matthew Medley Actor: Maddocks

Afterpiece Title: Blue-Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Song: In course: Fal Lal , from The Cherokee,-Mrs Bland

Entertainment: End 2nd piece: a variety of Imitations (for that night only)-Caulfield

Event Comment: 2nd piece: Not acted these 6 years. [Miss Griffiths is identified in European Magazine, June 1798, p. 397, and in playbill of 19 June.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The Beggar's Opera

Performance Comment: Macheath-Kelly (By Permission of the Proprietors of the Theatre-Royal Drury-Lane); Peachum-Davenport; Lockit-R. Palmer; Mat o'th' Mint-Trueman; Wat Dreary-Chippendale; Harry Paddington-Lyons; Ben Budge-Abbot; Jailor-Ledger; Drawer-Waldron Jun.; Filch-Suett; Mrs Peachum-Mrs Davenport; Lucy-Miss DeCamp; Jenny Diver-Mrs Edward; Mrs Coaxer-Mrs Jones; Mrs Vixen-Mrs Benson; Mrs Slammekin-Mrs Cuyler; Sukey Tawdry-Mrs Hale; Molly Brazen-Mrs Haskey; Polly-A Young Gentlewoman (1st appearance on any stage [Miss Griffiths]).Miss Griffiths]).

Afterpiece Title: Blue Devils

Related Works
Related Work: Blue Devils Author(s): George Colman, the younger