SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Capt James Spencer"/1) | (@(roleclean,performerclean) "Capt James Spencer")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2178 matches on Author, 1644 matches on Performance Comments, 395 matches on Event Comments, 23 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. Pepys, Diary: To the Opera, and there saw Romeo and Juliet, the first time it was ever acted; but it is a play of itself the worst that ever I heard in my life, and the worst acted that ever I saw these people do, and I am resolved to go no more to see the first time of acting, for they were all of them out more or less. Downes (p. 22): Note, There being a Fight and Scuffle in this Play, between the House of Capulet, and House of Paris; Mrs Holden Acting his Wife, enter'd in a Hurry, Crying, O my Dear Count! She Inadvertently left out, O, in the pronuntiation of the Word Count! giving it a Vehement Accent, put the House into such a Laughter, that London Bridge at low-water was silence to it. This Tragedy of Romeo and Juliet, was made some time after into a Tragi-comedy, by Mr James Howard, he preserving Romeo and Juliet alive; so that when the Tragedy was Reviv'd again, twas Play'd Alternately, Tragical one Day, and Tragicomical another; for several Days together. [No specific notices are known which would indicate when Howard's version appeared.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Downes (Roscius Anglicanus, p. 22): Romeo-Harris; Mercutio-Betterton; Paris-Price; Fryar-Richards; Sampson-Sandford; Gregory-Underhill; Juliet-Mrs Saunderson; Count Paris' Wife-Mrs Holden. Spencer (Shakespeare Improved, p. 73) thinks that James Nokes acted the Nurse.
Event Comment: Benefit for Williames and Spencer. Gazetteer, 5 May: Tickets to be had of Williames, No. 32, St. Martin's-street, Leicester-fields [Spencer not listed]. 3rd piece: Not acted these 3 years. To conclude with a Waterfall, as it was originally performed. Receipts: #188 5s. 6d. (27/12/0; 12/6/6; 1/14/0; tickets: 146/13/0) (charge: #115 10s.)

Performances

Mainpiece Title: The Lord Of The Manor

Cast
Role: Captain Trepan Actor: Baddeley

Afterpiece Title: Musical Miscellanies

Afterpiece Title: The Elopement

Performance Comment: Principal Characters by Wright, Spencer, Chaplin, Burton, R. Palmer, Alfred, Grimaldi; Miss Simson, Miss Barnes, Miss M. Stageldoir. [Cast adjusted from playbill of 30 Oct. 1780: Harlequin-Wright; Clown-Spencer; Pantaloon-Chaplin; Lover-Burton; Scaramouch-R. Palmer; Drunken Valet-Grimaldi; Country Girls-Miss Simson, Miss Barnes; Colombine-Miss M. Stageldoir. Alfred is unassigned.] vaudeville. In the Course of the Pantomime Spencer will (for that night only) leap through a Tub of Fire . vaudeville. In the Course of the Pantomime Spencer will (for that night only) leap through a Tub of Fire .
Cast
Role: Clown Actor: Spencer
Event Comment: Benefit for James, Stoppelaer, Mrs Bland

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Alphonso-James; Pilgrim-Ryan; Curio-Anderson; Seberto-Storer; Old Pilgrim-Ridout; Lopez-Morgan; 2nd Outlaw-Smith; Porter-Rosco; Roderigo-Bridges; Mad Scholar-Giffard; Stuttering Cook-Cibber; Mad Englishman-Morris; Mad Welchman-Stoppelaer; Mad Priest-Bencraft; Mad Taylor-Collins; Master of Madhouse-Marten; Fool-Miss Ferguson; Alinda-Mrs Hale; Juletta-Mrs Bland; In IV Mad Bess in character-Beard.
Cast
Role: Alphonso Actor: James

Afterpiece Title: Miss in Her Teens

Performance Comment: As17480208, but Biddy-a Young Gentlewoman who never appear'd on any stage; Jasper-_; Sir Simon-_; Capt. Loveit-_; Puff-_.
Cast
Role: Jasper Actor: James.
Role: Capt Loveit Actor: Anderson

Song: I: Go Rose-Miss Faulkner; II: Ellen a Roon-Mrs Storer; III: Se Spuntan Vezzoze-Miss Faulkner; V: Come Ever Smiling Liberty, 'Tis Liberty alone-Miss Faulkner

Dance: V: Minuet-Villeneuve, Miss E. Faulkner

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mock Doctor

Performance Comment: Doctor-Dunstall; Sir Jasper-Massey, 1st appearance that stage; Leander-R. Smith; James-Quick; Harry-Holtom; Charlotte-Miss Helme; Dorcas-Mrs Green.
Cast
Role: James Actor: Quick
Event Comment: Benefit for Fawcett, Spencer & Chaplin. Receipts: #273 2s. (45.9; 11.13; 0.3; tickets: 215.17) (charge: #105)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Fortunatus

Performance Comment: As17800509, but 1st Principal Sailor-Vernon; Spencer, Chaplin, Fawcett. Spencer, Chaplin, Fawcett.

Entertainment: Vaudeville. Jump through a Tub of Fire, as17800509, but _Wright, Spencer

Performance Comment: Jump through a Tub of Fire, as17800509, but _Wright, Spencer.
Event Comment: Mainpiece: Not acted these 4 years. [In mainpiece the playbill assigns Acasto to Murray, but "An apology was made for Murray, who was prevented by illness from playing Acasto, which, at a short notice, was taken by Hull" (True Briton, 14 Oct.).] "This whole of [Mrs Spencer's] performance was marked by such unaffected simplicity that it was almost impossible to consider it as the mere fiction of the scene. This lady is really a great aquisition to the house" (True Briton, ibid). Receipts: #254 6s. 6d. (244.18.6; 9.8.0)

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Performance Comment: Castalio-Pope; Acasto-Hull; Polydore-Clarke; Chaplain-Powel; Ernesto-Thompson; Page-Master Standen; Chamont-Holman; Serina-Miss Mansel; Florella-Miss Leserve; Monimia-Mrs Spencer (from the Theatre Royal, Dublin; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Monimia Actor: Mrs Spencer

Afterpiece Title: A Divertisement

Dance: Ballet, as17971002, but Mrs _Watts

Event Comment: [Murray's 1st appearance as King Lear was at Bath, 21 Feb. 1788; when Miss Campion, Mrs Spencer's as Cordelia was at Dublin, 23 Mar. 1790] Receipts: #192 16s. (190.10; 2.6)

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Murray (1st appearance in that character [in London]); Bastard-Whitfield; Gloster-Hull; Kent-Waddy; Cornwall-Clarke; Albany-Toms; Gentleman Usher-Simmons; Doctor-Davenport; Cornwall's Servant-Thompson; Edger-Holman; Regan-Mrs Litchfield; Goneril-Miss Mansel; Arante-Miss Leserve; Cordelia-Mrs Spencer (1st appearance in that character [in London]).in London]).
Cast
Role: Cordelia Actor: Mrs Spencer

Afterpiece Title: Barataria or Sancho Turned Governor

Event Comment: Benefit for Phillimore, Spencer, Mrs Pulley & Miss Armstrong. Mainpiece: Not acted these 3 years. Receipts: #298 19s. (34/8; 8/10; 0/11; tickets: 255/10) (charge: #115 10s.)

Performances

Mainpiece Title: The Chances

Afterpiece Title: Lincos Travels

Afterpiece Title: Robinson Crusoe

Performance Comment: As17811004, but Mrs Pulley in place of Miss Collett; added: Spencer .

Dance: End of Act III of mainpiece a Hornpipe (for that night only) by Miss Watkins

Event Comment: Benefit for Wells. Public Advertiser, 9 Apr.: Tickets to be had of Mrs Wells, No. 417, Strand. Afterpiece [1st time; F 2, by Edward Topham, with incidental music by James Hook. Prologue-Epilogue by Edward Topham {Public Advertiser, 21 Apr.)]. Morning Herald, 25 Apr. 1786: This Day is published The Fool (1s.)-Receipts: #174 15s. 6d. (45/3/0; 20/14/6; 0/2/0; tickets: 108/16/0) (charge: #108 13s. 9d.)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17840925, but Capt. Macheath-Mrs Wells. A new Occasional Epilogue-Prologue, in the character of Macheath, spoken by Mrs Wells. hathi.

Afterpiece Title: The Fool

Related Works
Related Work: The Fortune-Hunters; or, Two Fools Well Met Author(s): James Carlile
Related Work: An Hospital for Fools Author(s): James Miller

Dance: End of mainpiece, as17850307athi

Event Comment: This Play is alter'd by Capt. Thompson and a New Sea Character introduc'd which was well perform'd by Mr Weston. the Play Concludes very properly with a Representation of the Grand Naval Review the same as was introduc'd in Alfred--the whole was receiv'd with very great Applause (Hopkins Diary). Paid Housekeeper's Bill #3 10s. (Treasurer's Book). Mainpiece a Reviv'd Comedy, with Alterations and Additions, and a New Medley Overture of Favourite Sea Tunes (playbill). Receipts: #245 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Quaker Or Humours Of The Navy

Performance Comment: Commodore Flip-Moody; Capt. Mizen-Dodd; Capt. Worthy-Jefferson; Sir Charles Peasant-Brereton; Rovewell-Diamond; Cribbage-Davies; Lt. Easy-Norris; a New Sea Character-Weston; Cockswain-Ackman; Purser Indent-Griffith; Sailors-Wright, W. Palmer, Fawcett, Kear, Jacobs, Master Cape; Hatchway (with song)-Bannister; Arabelia Zeal-Mrs Greville (The gentlewoman who performed the Irish Widow); Belinda-Miss Hopkins; Jiltup-Mrs Bradshaw; Jenny Private-Miss Platt; Bar@maid-Mrs Davies; Dorcas Zeal-Miss Pope; Concluding with Grand Naval Review-; in which is introduced a Dance of Sailors-Atkins, Mrs Sutton; the favourite song Rule Britannia-Vernon, others.

Afterpiece Title: The Lyar

Cast
Role: Sir James Eliot Actor: J. Aickin
Event Comment: Benefit for Mrs Martyr. By Special Desire of the Turkish Ambassador [Yussuf Adijah Effendi]. 2nd piece [1st time; M. INT 1, probably by William Pearce. Text (Glindon and Co., 1795)]: The Music composed by Shield, Reeve, &c. The Dance and Procession by Byrn. With a Naval Medley Overture composed by Dr Arnold. In the course of the Piece will be represented the Engagement in which the brave Captain Robert? Faulknor fell [in an action off Guadeloupe on 5 Jan. 1795] between the English Frigate the Blanche and the French Frigate La Pique. To conclude with the Funeral Procession of Capt. Faulknor (composed by Byrn), accompanied by a new Dead March (composed by Shield). Morning Chronicle, 21 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent-garden. Receipts: #402 10s. (201.0; 5.19; tickets: 195.11)

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor or British Heroism

Performance Comment: Lieut. Steady-Incledon; Pounce-Munden; Lieut. Oakly-Bowden; Capt. Faulknor-Claremont; Capt. O'Cutter-Johnstone; Boatswain-Thompson [added by text]; Mora (a Negro Girl)-Mrs Martyr.

Afterpiece Title: Tom Thumb

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

Event Comment: This Comedy written by Mr Kelly was brought on the Stage by Capt. Addington as his own was well perform'd & receiv'd with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #24 12s. 6d.; Paid salary list #529 2s.; Mr King's extra salary #3; Miss Brooker, 8 weeks not on list #8. (Treasurer's Book). [Mainpiece reviewed favorably by the Westminster Magazine: "He that cannot relish such a pleasing picture of Manners with such powerful Sentiments, so interesting a Fable, and so striking a Moral, must be a churl indeed."] Receipts: #244 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Wives

Performance Comment: Parts by: King, Reddish, Moody, Brereton, W. Palmer, Mas Cape, Mrs Hopkins, Miss Jarratt, Weston, Palmer, Baddeley, Griffith, Miss Younge, Mrs Greville, Mrs Millidge, and Mrs Abington. With Prologues and an Epilogue. Gen Savage-King; Belville-Reddish; Torrington-Weston; Connoly-Moody; Leeson-Palmer; Capt. Savage-Brereton; Spruce-Baddeley; Ghastly-W. Palmer; Servants (?)-Griffith, Mas. Cape; Mrs Bellville-Miss Younge; Miss Walsingham-Mrs Abington; Lady Rachel Mildew-Mrs Hopkins; Mrs Tempest-Mrs Greville; Miss Leeson-Miss Jarratt; Maid-Mrs Millidge; With Prologue-King; Epilogue-Mrs Abington (Edition of 1774).

Afterpiece Title: Polly Honeycomb

Event Comment: Afterpiece: A New Masque [by Capt. Edward Thompson] never perform'd. With New Music, Dresses, Scenery, and Decorations. The Music composed by Fisher. The Scenes painted by Dall and Carver. Books of the songs to be had at the Theatre. [The Westminster Magazine for March also lists Boreas -Reinhold; Carlos -DuBellamy; Traverse -Mahon; Druid -L'Estrange, and tells the story of the play. The reviewer did not approve of the piece, since for him it lacked unbounded fire of fancy, originality of idea, language, and character. He approved of Fisher's music.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Syrens

Performance Comment: The principal characters by: Mattocks, DuBellamy, Reinhold, Lee Lewes, Wilson, Mas. Harrison, Mahon, Wewitzer, L'Estrange, Baker, Quick, Mrs Pitt, Miss Barsanti, Miss Dayes, and Mrs Mattocks. Capt. Grenade-Mattocks; Lieutenant Pendant-Lee Lewes; Gale-Quick; Forecastle-Wilson; Parthenope-Mrs Mattocks; Doris-Miss Barsanti; Margery-Mrs Pitt (Genest, V, 518); Larpent MS 404 confirms these names and adds the following parts: Carlos-; Tom Traverse-; Sam Snivel-; Zephyr-; Libs-; Boreas-(Winds); Flos-(a Fairy); Tadpole-(a Witch); Spirit of a Druid-; Cornelia-.
Event Comment: [Palmer's 1st appearance as Capt. Duretete was at Liverpool, 18 Aug. 1773. As afterpiece the playbill announces The Prize, but "The Public are respectfully informed that on Account of the sudden Indisposition of Bannister Jun. The Prize cannot be performed. This Evening will be presented Tit for Tat" (printed slip attached to Kemble playbill). In it "Barrymore being Ill, Benson play'd Villamour" (Powell).] Powell: New Ballet rehearsed at 12. Receipts: #117 12s. (71.0.6; 41.13.6; 4.18.0)

Performances

Mainpiece Title: The Inconstant Or The Way To Win Him

Performance Comment: Old Mirable-Aickin; Young Mirable-Wroughton; Capt. Duretete-Palmer (1st appearance in that character [in London]); Dugard-Whitfield; Petit-R. Palmer; Bravoes-Phillimore, Maddocks, Caulfield, Webb; Oriana-Mrs Goodall; Bisarre-Miss Farren; Lamorce-Miss Tidswell.

Afterpiece Title: Tit for Tat

Event Comment: "...Richard III, which I saw performed at Drury-lane theatre at the beginning of the present season...The dresses of the characters which here make their appearance are in the usual half-and-half mode, made up from portraits of Charles I's reign, and from unrestrained fancy. Richard's habit, indeed, shews a faint hint, at the costume of his day; but how modernized! A fancy cap and feather,with a milliner's white-ribband rose, sewed thereon. A deep ruff, of that make not known until the reign of James I From the neck depends a ribband With the George: this decoration never seen in paintings till about the fashions of the abovementioned monarch's court. On his legs and feet, white silk stockings, white shoes, and red roses. These latter ornaments unknown before Elizabeth or James I's modes of dress prevailed; at any rate, they should have been white ones to have accorded with the party-badge in his cap." Writer signing himself "An Artist and an Antiquary" in Gentleman's Magazine, Apr. 1800, p. 319. Receipts: #225 16s. 6d. (178.3.6; 47.12.0; 0.1.0)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Aickin; Prince of Wales-Miss Wentworth; Duke of York-Master Chatterley; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-C. Kemble; Duke of Norfolk-Holland; Sir Richard Ratcliff-Maddocks; Sir William Catesby-Caulfield; Tressel-Surmont; Earl of Oxford-Sparks; Sir Robert Brackenbury-Trueman; Lord Stanley-Packer; Sir James Blount-Wentworth; Sir James Tyrrel-Webb; Lord Mayor-Hollingsworth; Queen Elizabeth-Mrs Powell; Lady Anne-Miss Biggs; Dutchess of York-Miss Tidswell.
Cast
Role: Sir James Blount Actor: Wentworth
Role: Sir James Tyrrel Actor: Webb

Afterpiece Title: The Embarkation

Event Comment: [The King's Company. The date of the first performance is not known, but a letter--see 2 Jan. 1670@1--indicates that the first part had been acted before that date and that Part II was to be shortly staged. The point of the Prologue spoken by Ellen Gwyn seems to have derived from an incident at Dover (see Downes, Roscius Anglicanus, p. 20) in May 1670, when James Nokes attired himself in a ridiculous fashion, including "Broad wast Belts." The speakers of the Epilogue and the Prologue to the Second Part are mentioned in Sir William Haward's MS (Bodl. MS Don. b., pp. 248-49); see The Poems of John Dryden, ed. James Kinsley (Oxford, 1958), IV, 1848-49. In Part I a song Beneath a myrtle shade, with music by John Bannister, is in Choice Songs and Ayres, First Book, 1673. Another, Wherever I am, with music by Alphonso Marsh, is in the same collection, as is also How unhappy a lover am I, the music by Nicholas Staggins. Mrs John Evelyn to Mr Bohun, ca. Jan. 1670@1: Since my last to you I have seen The Siege of Grenada, a play so full of ideas that the most refined romance I ever read is not to compare with it; love is made so pure, and valour so nice, that one would image it designed for an Utopia rather than our stage. I do not quarrel with the poet, but admire one born in the decline of morality should be able to feign such exact virtue; and as poetic fiction has been instructive in former ages, I wish this the same event in ours. As to the strict law of comedy I dare not pretend to judge: some think the division of the story is not so well if it could all have been comprehended in the day's actions (The Diary and Correspondence of John Evelyn, ed. William Bray, IV, 25). According to John Evelyn--see 9 Feb. 1670@1--Robert Streeter did some of the scenes for this play. In the Preface to The Fatal Discovery, ca. February 1697@8, George Powell, in discussing revivals of Dryden's plays, stated: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun could not prop

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards

Performance Comment: Almanzor and Almahide; or, The Conquest of Granada. The Second Part. Edition of 1672: Prologue to the First Part-Mrs Ellen Gwyn in a broad brim'd hat, and was belt; Mahomet Boabdelin-Kynaston; Prince Abdalla-Lydall; Abdelmelech-Mohun; Zulema-Harris; Abenamar-Cartwright; Selin-Wintershall; Ozmyn-Beeston; Hamet-Watson; Gomel-Powell; Almanzor-Hart; Ferdinand-Littlewood; Duke of Arcos-Bell; Almahide-Mrs Ellen Gwyn; Lyndaraxa-Mrs Marshall; Benzayda-Mrs Bowtell; Esperanza-Mrs Reeve; Halyma-Mrs Eastland; Isabella-Mrs James; Epilogue-Charles Hart?; Prologue to the Second Part of the Conquest of Granada-Michael Mohun?; Epilogue to the Second Part-.
Cast
Role: Isabella Actor: Mrs James
Event Comment: Benefit Boaman, James, Mrs James.Mainpiece: Written by Shakespear

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17370324 but Slender-James; Mrs Quickly-Mrs James; Host-Boaman.
Cast
Role: Slender Actor: James
Role: Mrs Quickly Actor: Mrs James

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: Chambermaid-Mrs James; Valentine-Salway; Goodall-Boaman; Bluff-James.
Cast
Role: Chambermaid Actor: Mrs James
Role: Bluff Actor: James.

Dance: II: Comic Dance-Nivelon, Lalauze, Mrs Laguerre, Mrs LeBrun; IV: Grecian Sailors-Glover

Song: III: The Lady's Lamentation, as17370326 V: Beard

Event Comment: Benefit James and Dupre

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Teague-James; Elder Woudbe-Hallam; Young Woudbe-Bridgwater; Trueman-Cibber; Richmore-Hale; Alderman-Hippisley; Subtleman-Rosco; Fairbank-Roberts; Balderdash-Mullart; Clearaccount-Arthur; Jack-Bencraft; Poet-Gibson; Constance-Mrs Vincent; Aurelia-Mrs Bellamy; Mrs Clearaccount-Mrs James; Mother Midnight-Stoppelaer.
Cast
Role: Teague Actor: James
Role: Mrs Clearaccount Actor: Mrs James

Afterpiece Title: The Parting Lovers

Afterpiece Title: The School Boy

Performance Comment: As17400320 but Major Rakish-Hippisley; Young Rakish-Hale; Friendly-Gibson; Benedict-James; Manlove-Mrs Martin.
Cast
Role: Benedict Actor: James

Song: I: Roberts; In III: Arra my Judy-a Gentleman

Dance: II: Faithful Lovers-Desse, Miss Oates; III: Je ne scay quoy-Villeneuve, Richardson, Miss Oates; IV: By Desire, The Britain (Ball Dance), Minuet-Dupre, Mrs Ozanne; V: Grand Ballet-Glover, Mlle Roland

Event Comment: Benefit James, Mrs James, Goodall. Afterpiece: By Desire

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: As17420127, but Don Lewis alias Don Choleric, Snap-shorto-de Testy,-James; Sancho-Goodall; Antonio-Stoppelaer; Charino-Smith; Governor-_; Jacques-_; Honoria-_.
Cast
Role: Snap Actor: shorto-de Testy,-James
Role: shorto Actor: de Testy,-James
Role: de Testy, Actor: James

Afterpiece Title: The Honest Yorkshireman

Related Works
Related Work: Ramah Droog; or, Wine does Wonders Author(s): James Cobb

Dance: III: Comic Dance, as17420430 V: Pantaloon and Enamorata, as17420420

Song: II: Under the Greenwood Tree-Roberts; End Farce: a Gregorean Song-Stoppelaer

Entertainment: IV: Cries of London-Salway

Event Comment: 2 Benefit James and Rosco

Performances

Mainpiece Title: 2 Henry Iv

Performance Comment: As17440111, but Pistol-James; Hostess-Mrs James.
Cast
Role: Pistol Actor: James
Role: Hostess Actor: Mrs James.

Afterpiece Title: 2 The Virgin Unmaskd

Dance: 2 BBallet-Cooke; Scotch Dance, as17431124

Event Comment: Benefit for James and Mathews. No tickets bought at the door will be admitted. Receipts: #190 (Cross); house charges, #63. (Powel)

Performances

Mainpiece Title: The Alchemist

Performance Comment: As17481107, but Doll Common-Mrs James; Tribulation-James.
Cast
Role: Doll Common Actor: Mrs James
Role: Tribulation Actor: James.

Afterpiece Title: The Devil to Pay

Dance: Mathews, Cooke, Anne Auretti, Mrs Addison; particularly the Sailors Revels- in which will be introduc'd a; Hornpipe-a scholar of Mathews a child five years of age

Event Comment: Benefit for James, Winstone and Burton, Tickets of James, at Mr Dale's Watchmaker in Little Wild St.; or Winstone at the Queen's Head, in Duke's Court, near Bow St., Covent Garden; and of Burton at the Lock and Key, in Brownlow St. near Long-Acre, and at the Stage Door. As Mr Burton is confin'd with a violent cold, he hopes his friends will excuse his not having waited on them and be so kind as to send for tickets to his lodgings as above. Receipts: #190 (Cross)

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: Lethe

Performance Comment: As17510423 but Poet-_; Aesop-Winstone; Old Man-James.
Cast
Role: Old Man Actor: James.

Dance: Devisse, Mad Auretti, Little Swiss

Event Comment: Benefit Woolley and Mrs James. Mainpiece: Written by the late Mr Gay. Afterpiece: By particular Desire

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Mock Doctor

Performance Comment: Dorcas-Mrs Pullen; Dumb Lady-Mrs James the first time of her appearing on any stage.

Dance: HHornpipe-R. Jones , from gf

Event Comment: Benefit Jenkins and James. At the Particular Desire of several Persons of Quality. Mainpiece: Written by the late Mr Congreve

Performances

Mainpiece Title: Love For Love

Performance Comment: As17330120, but Tattle-Jenkins; Jeremy-James; Trapland-Norris; Nurse-Mrs Wetherilt; Prue-Mrs Hamilton; Ben-Rosco; A Comic Epilogue-Penkethman on an Ass.
Cast
Role: Jeremy Actor: James

Afterpiece Title: The Devil to Pay

Dance: DDutch Skipper-Mynheer Vanfleet, the first time of his appearing on any stage; Friendly Lasses-Miss Wherrit, Miss Sandham

Event Comment: Benefit James. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: As17331109, but Fryar-Bullock; Gomez-James; Queen-Mrs Hallam; Teresa-Mrs Stevens .
Cast
Role: Gomez Actor: James

Afterpiece Title: The Strollers

Cast
Role: Jeremy Actor: James

Dance: Tambourine, as17340504. Swedish Dal Karl by Delagarde and Mrs Ogden. Grand Dance in Momus; as17340506

Song: A Dialogue by Leveridge and Mrs Wright