SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Bannister Half past six went into ye Pit to see Barry"/1) | (@(roleclean,performerclean) "Bannister Half past six went into ye Pit to see Barry")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4327 matches on Event Comments, 3001 matches on Performance Comments, 405 matches on Performance Title, 4 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Costollo, Mrs Pitt, Stede. Tickets deliver'd by Mrs Stephens will be taken. Mainpiece: Not Acted these 2 Years. [See 9 May 1759.] Afterpiece: Not acted these 6 years. [See 7 May 1756.] Receipts: #54 19s. 6d. plus income from tickets: Stede #36 10s. (Box 20; Pit 120; Gallery 135); Costollo #80 11s. (Box 77; Pit 340; Gallery 103); Mrs Pitt #52 18s. (Box 6; Pit 178; Gallery 247); Mrs Stephens #11 10s. (Box 17; Pit 23; Gallery 38). Total from tickets #181 9s. (Box 120; Pit 661; Gallery 523). [The charges were borne by Stede, Costollo and Mrs Pitt. Mrs Stephens receipts were clear. Of the charges Costollo bore half, and Stede and Mrs Pitt each bore one quarter.] Charges: #63 (Account Book)

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Englishman in Paris

Performance Comment: Buck (this night only)-Foote, in which he will speak a Prologue; Subtle-Costollo; Sir John-Gibson; Mrs Subtle-Mrs Pitt; Classic-Anderson; Lucinda-Miss Macklin; Song on the Guitar-Miss Macklin; Minuet-Miss Macklin, Leppie.
Cast
Role: Mrs Subtle Actor: Mrs Pitt

Dance: III: A Comic Dance-a young Gentleman, a young Gentlewoman (Scholars of Leppie); End: The last new Comic Dance-Maranesi, Mlle Capdeville

Event Comment: Benefit for Yates. Tragedy written by R. Glover. Part of Pit will be laid into Boxes. Send servants by 4 o'clock. Charges #64 19s. Balance to Yates #52 19s. plus #151 3s. from tickets (Box 589; Pit 26) (Account Book). Neville MS Diary: Having places in the Pit at Covent Garden went to see Mrs Yates do Medea in which she is inimitably great. My strong desire to see her in this character was one reason of continuing to town so long. Read her part before the play began. Her husband is truly comic in Tim in the Knights. Receipts; #117 18s. (Account Book)

Performances

Mainpiece Title: Medea

Afterpiece Title: The Knights

Dance: End: The Tartars, as17681004

Event Comment: The King's Company. This performance is known from a document in The Theatrical Inquisitor and Monthly Mirror, July 1816, p. 26, and in Fitzgerald, A New History, I, 145. This document lists the receipts and attendance: The King's box, #1 10s., possibly six persons; Mr Hayles' boxes, #2 16s., possibly 14 persons; Mr Mohun's boxes, #3 16s., possibly 19 persons; Mr Yate's boxes, #1 15s. 6d., possibly 9 persons; James' boxes, #2 4s., possibly 11 persons. Mr Kent's pit, 112 persons; and Mr Britan's pit, 79 persons; a total of 191 persons paying #23 17s. 6d. Mr Bracy's gallery, 100 persons; Mr Johnson's gallery, 44 persons; a total of 144 persons, paying #10 16s. Upper Gallery, 119 persons, paying #5 19s. Mrs Kempton (upper gallery?), 5s. The house rent is listed as #5 14s. The attendance appears to total at least 513 persons. Compare these data with those for 12 Dec. 1677

Performances

Mainpiece Title: The Rival Queens Or Alexander The Great

Performance Comment: See16760317@7.
Event Comment: A New Comic Opera. To begin at six o'clock. Pit and Boxes 1!2 Guinea. Gallery 5s. Gallery open at four; Pit and Boxes at Five (Daily Advertiser). [This information is repeated in each advertisement.

Performances

Mainpiece Title: Madame Ciana

Event Comment: The King's Company. Pepys, Diary: My wife and Mercer and I away to the King's play-house, to see the Scornfull Lady; but it being now three o'clock there was not one soul in the pit; whereupon, for shame, we would not go in....[After attending lif] to the King's house, upon a wager of mine with my wife, that there would be no acting there to-day, there being no company: so I went in and found a pretty good company there, and saw their dance at the end of the play

Performances

Mainpiece Title: The Scornful Lady

Performance Comment: For a previous cast, see16661227.
Event Comment: Benefit Mrs Horton. Davies (Dramatic Miscellanies, I, 103-4): Upon Mrs Younger's quitting Drury-lane for a more advantageous income at Lincoln's-inn-fields, [Mrs Horton] was called upon by Wilks to act the part of Phillis in the Conscious Lovers. Younger had given the public so much entertainment in that part, that Mrs Horton met with very uncandid treatment from the audience; who so far forgot what was due to merit and the handsomest woman on the stage, that they endeavoured to discourage her by frequent hissing. She bore this treatment with patience for some time. At last, she advanced to the front of the stage, and boldly addressed the pit: "Gentlemen, what do you mean?What displeases you; my acting or my person?' This shew of spirit recovered the spectators into good humor, and they cried out, as with one voice, No, no, Mrs Horton; we are not displeased; go on, go on.

Performances

Mainpiece Title: The Conscious Lovers

Dance: Thurmond, Mrs Booth, Mrs Tenoe, Young Rainton, Miss Robinson

Event Comment: By Command of their Majesties. When the play began there was a very great Noise the performers were oblig'd to Stop and go off the Stage Mr Reddish went on and desir'd to Know their pleasure they said they wanted the Pit door be open'd to let out some of the people for so many had Crowded in that they could not Sit down-the door was open'd and in a little time after all was quiet and the Play was begun once more at a quarter after Seven. During this time the King Sent Two Messages to Mr G. to desire that he would not let this Noise disconcert him and his Majesty would take care that all should be quiet before the play began (Hopkins Diary). [MacMillan's note from Kemble: "I cannot say enough of Mr Garrick's Performance tonight." Kemble further notes that Garrick's fatigue led them to abandon further performances until Saturday 8 June.] Paid Mr Heard extra allowance #3; Ditto on note #5 5s.; Mr Carpenter's salary 15s.; Mr Martini a grautity #10 10s.; Wallis salary in full 13s. 4d. Receipts: #293 5s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Bon Ton

Event Comment: Tickets deliver'd out for a Clergyman in distress and Mr Boval, will be taken this night. The Rev. Mr Smith sold 21 Box tickets, for which he receiv'd half value: #2 12s. 6d.; Mr Boval sold (Boxes 54; Pit 89; Gallery 47) #31 11s. His half value came to #15 15s. 6d. (Account Book). Bot by Ledley 20 Doz. Wax Candles at 31s. per: #31. (Account Book). Receipts: #128 19s. plus half value of tickets #18 8s. (Account Book)

Performances

Mainpiece Title: King John

Afterpiece Title: Thomasand Sally

Event Comment: Benefit for Squibb. Mainpiece: By Particular Desire. Charges #65 2s. [Profit to Squibb #13 10s. plus #85 10s. from tickets (Box 137; Pit 205; Gallery 205).] Paid half year's land tax for theatre #37 10s., and for House in Bow Passage #2 1s. 8d.; Paid half year's window lights tax for theatre #6 10s., for House in Bow Passage 15s.; half year's Scavanger's rate for theatre #2 1s. 8d., for House, 2s. 1d. (Account Book). Receipts: #78 12s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17670407 but Macheath-Squibb; Polly-Mrs Pinto; Hornpipe-Miss Twist; Player-Gardner.
Cast
Role: Polly Actor: Mrs Pinto

Afterpiece Title: The Upholsterer

Dance: II: The Female Archer, as17661215

Song: End: two favourite songs in the Italian Manner-Squibb

Performances

Mainpiece Title: The Spanish Wives

Event Comment: James Brydges, Diary: I went to him [Brydges' father] setting my Uncle Lake down at ye playhouse (Huntington MS St 26)

Performances

Event Comment: FFrench Company--open'd at ye Haymarket Little House--several strove to pelt 'em off--but some Lords and officers drawing their Swords in their Defence, they went on & many people were wounded--a small opposition on Wed and Fry: following but without effect (Cross). Paid Blandford (Tallow Chandler) #19 2s. (Treasurer's Book). Receipts: #100 (Cross); #104 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Alchemist

Cast
Role: Dame Pliant Actor: Mrs Pit

Song: Master Mattocks

Ballet: SSavoyard Travellers. As17491110

Event Comment: MMrs Green went to Bath to play & left us-O fool. Mr Mossop from Ireland play'd Richd -the House was crowded in ten Minutes, he was receiv'd with great Applause but happening to crack towards the end a few hiss'd. but were overpower'd by the Claps--he is very young has been upon ye Irish Stage but two years--his performance was so well, that we cou'd find no want but--Garrick (Cross). Receipts: #210 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The King and Miller of Mansfield

Event Comment: KKing there--but not in ye Bills sent Word at 3 o'clock--Play went off well (Cross). We hear there are two more plays reviving at Drury Lane, which are intended to be played alternately, and that a new Pantomime Entertainment call'd Harlequin Ranger is preparing for the holydays. Receipts: #200 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Shepherds Lottery

Event Comment: Afterpiece: Not acted these 4 years. Full prices. [See 10 March 1750.] Mr Maddox ye Ballance Master perform'd [on the rope] in it. Great Expectations not answer'd (Cross). [See ridicule of this afterpiece at dl 6 Nov. and the summary account of the disturbance it produced, as recorded in the Gentleman's Magazine (Nov. 1752, p. 535): The Town had been allured to Covent Garden by a wire dancer and some strange animals, which the manager brought together from Sadler's Wells and the Fair. Mr Garrick ridiculed this perversion of theatrical entertainment, by exhibiting a mock entertainment of the same kind. At this the town was offened, and a party went one evening determind to damn it; a person of some distinction [Fitzpatrick] who was very busy in this laudable attempt threw an apple at Woodward and hit him. Woodward resented the blow by some words, which, by the gentleman's account, implied a challenge, but by Woodward's no such thing. Woodward's account is confirm'd by the affidavits of many; that of the gentleman only by his own, though the box in which he sat was full. The Inspector espoused the cause of the Gentleman; and the Covent Garden Journalist of the comedian.'

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Fair

Event Comment: Written by Dr Young-the Profits of ye Author for a Charity-Went off wth Great Applause, only a little Laughin, at Simson (Dymas) for his Dress, or manner, I cant tell (Cross). Mainpiece: Never Acted Before. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Brothers

Event Comment: Wrote by one Mr Crisp. A Gentlewoman, who never appear'd upon ye Stage before did Marcia (Mrs Graham) & had deservidly great applause, the whole play went off, with General Approbation. Mr Carey had his fiddle broke by an apple playing the first Music--the Prologue & Epilogue much lik'd--both wrote by Garrick (Cross). Gentlewoman-Mrs Graham, afterwards Mrs Yates (Winston MS 8). Tuner Letter the 2nd pub. at 6d.--29 pages

Performances

Mainpiece Title: Virginia

Event Comment: Pantomime (stole from ye Wells) for Saunderson Machinist went off well (Cross). Receipts: #140 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Harlequin Mountebank

Event Comment: [Pantomime new by Woodward] Went off with great Applause. ye Cyclops Dance encored (Cross). New Habits, Scenes, and Decorations. Full Prices. As the performance greatly depends upon the Music and Machinery, no gentleman can possibly be admitted into the Orchestra or behind the Scenes. [This prohibition repeated in all subsequent performances, will not be further noted here.] N.B. The Play of the Revenge oblig'd to be deferred on account of Mossop's indisposition. Receipts: #210 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Mercury Harlequin

Performances

Mainpiece Title: She Stoops To Conquer Or The Mistakes Of A Night

Afterpiece Title: Bon Ton or High Life above Stairs

Entertainment: Monologue. Entertainments: An Epilogue describing the Furor Dramatica, Epilogue to The Lying Valet [by David Garrick], Paul Prigg's Description of his Journey thro' Gravesend Rochester Boulogne Amiens and Chantilly, Prologue to Bon Ton [describing the Folly and Fashions of the Times by George Colman elder], Bucks have at Ye all, An Occasional Address of Thanks to the Ladies and Gentlemen [by Marriot, Johnny Gilpin's Account of his Journey thro' Stoke Newington Edmonton to Ware shewing how he went farther than he intended and arrived safe Home at last-Marriot

Performance Comment: Entertainments: An Epilogue describing the Furor Dramatica, Epilogue to The Lying Valet [by David Garrick], Paul Prigg's Description of his Journey thro' Gravesend Rochester Boulogne Amiens and Chantilly, Prologue to Bon Ton [describing the Folly and Fashions of the Times by George Colman elder], Bucks have at Ye all, An Occasional Address of Thanks to the Ladies and Gentlemen [by Marriot, Johnny Gilpin's Account of his Journey thro' Stoke Newington Edmonton to Ware shewing how he went farther than he intended and arrived safe Home at last-Marriot.

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Music: End of Part II concerto on the organ by J. Ashley

Event Comment: Benefit for Quick, Fox, Hamilton and Bates. Tickets sold at the doors will not be admitted. Charges #65 14s. 6d. Deficit to each actor #5 9s. 1 1!2d., covered by income from tickets: Quick #45 13s. (Box 40; Pit 169; Gallery 103); Fox #54 13s. (Box 60; Pit 219; Gallery 68); Hamilton #28 12s. (Box 40; Pit 72; Gallery 78); Bates #27 3s. (Box 28; Pit 69; Gallery 98). Paid Mr Osborne the Balance due for Benefit of New General Lying in Hospital the 22d Dec. last #10 17s. 6d. Half values from tickets receiv'd from Rose, Wilkinson, Mrs Griffiths, Flight, Roberts, Robson, Norbury, Fransdorf, Miller, and Walker (Account Book). Receipts: #43 18s

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Catharine and Petruchio

Dance: End: The Merry Sailors, as17691018

Event Comment: Paid Tallow Chandler's 4th Bill #41 6s. 5d.; Spermacetti Candles, #132 18s. Mr Tomlinson for Men's cloaths #11 11s.; Mr J. French on acct #20; Miss Hopkins, 15 nights (19th Dec. incl.) #3 15s. (Treasurer's Book). [The sixth edition of Wm. Law's Absolute Unlawfulness of Stage Representations was published this year (1st. edn. 1726) This day was published the Preliminary Number of the Westminster Magazine, which, monthly, included a section called The English Theatre, which observed generally on the state of the Stage, and commented specifically on new plays. Its view of the stage in general was not as sanguine as had been that of the writer for the Town and Country Magazine (1 April 1772). "We are of opinion, that the English Theatre is now in its decline. Whether it is that the stores of Dramatic Subjects or of Dramatic Genius are exhausted, is not immediately obvious; but there is a fault somewhere....We have seen the Morning star of Wit--the Noon too is past; we have now arriv'd at its evening...There is in Arts, as in Empires, a progress which leads to Refinement; and this refinement leads to Ruin." According to the writer the meridian glory of the English stage was during the reign of Queen Anne. Reviewer damns the Irish Widow, refuses to discuss the Gamesters (revived), damns the Rose and praises the Garrick alteration of Hamlet. This year also appeard Granny's Prediction, a 53-page pamphlet attack on Mrs Barry, condemning her on moral grounds (polygamy) and on aesthetic grounds, commenting on each of her characters. By a spiteful female relative Elizabeth Franchetti.] Receipts: #142 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Sheridan (being his first appearance in this Kingdom these six Years); King-Bannister; Laertes-Aickin; Horatio-DuBellamy; Rosencrantz-Strange; Marcellus-Wheeler; Bernardo-Jacobs; Ghost-Sowdon; Gravediggers-Sparks, Castle; Polonius-Arthur; Ostrick-Hamilton; Guildenstern-Kearny; Player King-Vandermere; Priest-Sharpless; Lucianus-Summers; Queen-Mrs DuBellamy; Player Queen-Mrs White; Ophelia-Mr Jewell.
Cast
Role: King Actor: Bannister

Afterpiece Title: Tom Thumb

Performance Comment: Tom Thumb-Miss Rose; King-Bannister; Noodle-Hamilton; Foodle-Wheeler; Bailiff-Vandermere; Grizzle-Arthur; Ghost-DuBellamy; Doodle-Summers; Follower-Jacobs; Queen of the Giants-Sparks; Huncamunca-Mrs DuBellamy; Queen-Mrs Gardner.
Cast
Role: King Actor: Bannister
Event Comment: Mainpiece: that celebrated and diverting Comedy. Afterpiece: that so much admir'd Farce written by Monsieur Molliere, and translated by the Ingenious Mr Otway. For the Entertainment of several Foreign Ministers of State. With other Entertainments too long to be incerted here. All which will be perform'd without Omission. Note, We shall not dismiss, let the Audience be what it will, and to begin punctually at half an hour after six at the furthest

Performances

Mainpiece Title: Don Quixote

Afterpiece Title: The Cheats of Scapin

Song: Mrs Hodgson, Cook, Mrs Clark

Dance: Blousabella-Prince, Mrs Clark; Scotch Whim, Irish Trot-Mrs Evans