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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Bannister Half past six went into ye Pit to see Barry"/1) | (@(roleclean,performerclean) "Bannister Half past six went into ye Pit to see Barry")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6843 results for: Keyword - Bannister</i>.] Half past six went into ye Pit to see $Barry
We found 4327 matches on Event Comments, 3001 matches on Performance Comments, 405 matches on Performance Title, 4 matches on Author, and 0 matches on Roles/Actors.

776
07 November 1722 @ King's Theatre

Event Comment: Pit and Boxes together at half a guinea each ticket [not to exceed 350 tickets). Gallery 5s. At 6 p.m

Performances

Mainpiece Title: Mutius Scaevola

777
03 November 1730 @ King's Theatre

Event Comment: Pit and Boxes together by ticket at half a guineas. Gallery 5s. [customary charges]. [The Royal Family present.] Universal Spectator, 7 Nov.: On Tuesday Night...at...Scipio...there was 208l. in the House exclusive of the Subscribers

Performances

Mainpiece Title: Scipio

778
13 November 1731 @ King's Theatre

Event Comment: Pit and Boxes put together at half a guinea. Gallery 5s. [Their Majesties, the Prince, three eldest Princesses, Duke of Lorrain, and Count Kinski present.

Performances

Mainpiece Title: Tamerlane

779
08 December 1739 @ Haymarket Theatre

Event Comment: Pit and Boxes half a guinea. Upper Front Boxes 5s

Performances

Mainpiece Title: Diana And Endymion

780
15 December 1739 @ Haymarket Theatre

Event Comment: Pit and Boxes half a guinea. Upper Front Boxes 5s. 6:30 p.m

Performances

Mainpiece Title: Concerto

Music: Several Concertos for several Instruments-; Intermix'd with a Variety of Chosen Airs of the best Masters in Italy-; The Whole divided into Three Parts To which (by Desire) will be added, The Famous Salve Regina-Sig Hasse, Sig Carestini

781
11 December 1756 @ King's Theatre

Event Comment: Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be delivered this Day, at the said Office at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Person will be admitted behind the Scenes. To begin at 6:30 p.m. Great care is taken to keep the House warm. [Repeated in the subesquent bills. Signora Mingotti appears to be the promoter this year.

Performances

Mainpiece Title: Alessandro Nell Indie

Dance: With Dances

782
31 October 1775 @ King's Theatre

Event Comment: Pit and Boxes Half a Guinea. Gallery 5s. Second Gallery 3s. To begin at 7:00 p.m. Director-Vento; Ballet Master-Bouqueton, A New Comic Opera. Music by the most celebrated masters. [The Public Advertiser on 13 Sept. (notice dated 9 Sept.) had inserted a plea from the managers of the Opera to the Nobility and Gentry to enter their names at the office for season subscriptions in order that their names might be engraved. The singers and dancers who had been engaged for the season: Serious Opera. First Man-Venanzio Rauzzini; First Woman-Caterina Gabrielli; Tenor-Onofrio; Second Man-Manzoletto; Second Woman-Francesca Gabrielli; Last Man-Vincenzo Sestini. Comic Opera: First buffo-Trebbi; First buffa-Sga Sestini; Serious Man-Manzoletto; Serious Woman-Francesca Gabrielli; Second buffo-Fochetti; Second buffa-Sga Cardarelli; Third buffo-Vincenzio Sestini; Ballet Master: Bouqueton. Dancers: Fierville, Palladini, Helm, Mlle Escoelil, Sga Tinti, Mlle Sophie. Managers: Mrs Yates and Mrs Brook; Treasurer-Crawford.

Performances

Mainpiece Title: La Sposa Fedele

Dance: I: New Pantomime Ballet, Apollon e Daphne-Helm, Mlle Sophie; with new Pastoral Entree-Sga Tinti; End Opera: New Grand Pantomime Ballet, PigmalionAmoureuse de La Statue-Fierville, Helm, Mlle Baccelli, Sga Tinti, Mlle Sophie

Ballet: II: Le Triomphe D'Euthime sur Le Genie de Liba. Euthime-Fierville; La Victime-Baccelli; L'Ombre-Helm; with Pas de Deux-Henery, Mlle Sophie

783
16 November 1752 @ Drury Lane Theatre

Event Comment: Ye Inspector had put a Letter saying Mr Woodward's words to Fitzpatrick were--I have notic'd you & shall see you another time. In Answer to wch Mr Woodward made an Affidavid & publish'd it in the Gen. Advertiser--that he said no more than I thank you, Sir,--Mr Fitzpatrick had in ye Inspector put in an advertism[en]t upon his Honour, Woodward said the other Words. Receipts: #120 (Cross)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: See17521014, but Polly Peachum-Mrs Davies, first time.

Afterpiece Title: Harlequin Ranger

Dance: II: L'Entree de Flore, as17521106, but Piettro, Miss +Rayner, Mad Auretti; III: A +Hornpipe-Mathews

784
09 March 1792 @ Covent Garden

Performances

Mainpiece Title: A Second Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); O sing praises-Harrison (1st time); accompanied on the violoncello-C. Ashley (Admetur); See the conquering hero comes-Chorus with March (Judas Maccabaeus); Honour and arms-Champness (Samson); 'Tis done, Heart the seat-Mrs Billington; Galatea dry thy tears-Chorus (Acis and Galatea); Ye men of Gaza-Mrs Second (Samson); But bright Cecilia, As from the power of sacred lays-Mrs Billington; accompanied on the trumpet-Sarjant; The dead shall live-Chorus (Dryden's Ode).
Cast
Role: See the conquering hero comes Actor: Chorus with March

785
20 December 1751 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Shepherds Lottery

Cast
Role: To conclude with a Pastoral Dance Actor: Harvey, Sg and Sga Piettero, Mad Janeton Auretti, etc.

Dance: III: Les Caprices de la Dance, as17511212; IV: Will be introduced a Comic Dance-Harvey, Sga Piettero

786
03 March 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Intriguing Chambermaid

787
18 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption 0 Triumph Of Truth 0

Performance Comment: See17890311but 1st Violin As17890227-Shaw.

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: As17890311

788
26 February 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption A Sacred Oratorio Selected From The Great And Favourite Works Of handel That Were Performed At His Commemoration In westminster abbey And At The pantheon On 26 And 27 May 1784 0 Messiah

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: As17900219

789
22 February 1793 @ King's Theatre

Performances

Mainpiece Title: Redemption Grand Selection 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Song: As17930220

Music: End Part II: concerto on the Piano Forte-Dussek

790
06 March 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); The Captive King-Incledon, Chorus (The Words by Dr Wolcot); Honor and arms-Reynolds (Samson); See the conquering hero comes-Chorus (Judas Maccabaeus); Together let us range-Mrs Crouch, Kelly (Solomon, by Boyce); Then round about-Chorus (Samson); Mad Bess-Mme Mara (Purcell); Gird on thy sword-Grand Chorus (Saul); God save Great our King, To Arms, Britons strike home-Chorus (Purcell).
Cast
Role: See the conquering hero comes Actor: Chorus

Song: In Part III: Captivity-Mrs Crouch [, as17930220

Music: End Part I: concerto on the violoncello-C. Ashley

791
13 March 1795 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: 6th concerto of Giordani on the violin-C. Ashley

792
28 May 1798 @ Covent Garden

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Starboard Watch

Performance Comment: Ye Gentlemen of England (composed by Callcott)-Incledon, Townsend, Linton, Gray; Jack at the Windlass-Fawcett; Young William was a seaman true-Incledon; Brave Betty was a maiden Queen-Johnstone; Saturday Night at Sea-Townsend; Farewell to Old England dear Mary adieu-Incledon; Great Britain still her Charter boasts-Incledon, full Chorus.
Cast
Role: Ye Gentlemen of England Actor: Incledon, Townsend, Linton, Gray

Afterpiece Title: Harlequin and Faustus or The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Machinery and Decorations: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Flagetus (designed and executed by Richards; music by Shield), in which scene is introduced The Serpentv (invented by Rich). Pillardoc-Clarke; Asmodous-Gray; Lucifer-Dyke; Orchus-Blurton; Belial-Linton; Ades-Street; II. The Study of Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-Simmons; III. Landscape and Water-Mill (painted by Walmsley). Harlequin-Simpson; Pierrot-Follett; Miller-Hawtin; Miller's Wife-Miss Leserve; Colombine-Mlle St.Amand; Philidel (the Celestial Spirit)-Miss Wheatley. IV. A View of a Country Inn. Trick Bull and Dog. V. View of Smithfield on a Market Day. VI. The Garden of Faustus (painted by Pugh). Festoons of Flowers ascend. A Dance of Statues. VII. A Street. Two Trick Sedan Chairs (invented by Hodgins). VIII. A Farm Yard, which changes to a Chinese Bridge, in which will be introduced the celebrated Piece of Machinery, The Peacockv (conducted by Sloper). IX. A Tobacco Warehouse, which changes to a Golden Equestrian Figure (by Roubiliac). X. The Infernal Regions, and a Shower of Fire. XI. The Temple of Glory.
Cast
Role: Belial Actor: Linton

Song: In course: The High Mettled Racer (composed by Dibdin)-Incledon; Patents all the Rage-Munden; The Beggar, as17980525; Duetto-Mrs Martyr, Mrs Mountain; The Wind blew fresh and fair-Townsend

Music: In course of Evening: solo on the Union Pipes-Murphy; accompanied on the Harp-Weippert

Entertainment: Vaudeville.In 3rd piece: [By Permission of the Proprietors of the Royal Circus [Charles Dibdin and Charles Hughes] [the celebrated Smith will ge thro' his wonderful Performances on the Slack Rope-Smith

793
15 February 1799 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: Bach's concertante for violin oboe viola and violoncello-Messrs [G., R. and C.] Ashley, W. Parke

794
28 November 1751 @ Drury Lane Theatre

Event Comment: Went off well--Dexter Hip :--Mossop-Ths ; Pritchard Phaedra ; Bellamy Ismena (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: Phaedra And Hippolitus

Ballet: SSavoyard Travellers. As17511105

795
18 February 1752 @ Drury Lane Theatre

Event Comment: Went off very dull, & great hissing &c. when over (Cross). Receipts: #160 (Cross)

Performances

Mainpiece Title: Eugenia

796
12 February 1754 @ Drury Lane Theatre

Event Comment: Went off well (Cross). The Non-Juror oblig'd to be deferr'd on account of Mrs Pritchard's Indisposition. This day publish'd the Second edition of Boadicia, a Tragedy, as it is now acted at Drury Lane. By Mr Glover (Public Advertiser). Receipts: #80 (Cross)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Knights

797
07 October 1755 @ Drury Lane Theatre

Event Comment: Went off pretty well (Cross). Comedy reviv'd. Not acted these 30 years. Characters new Dress'd. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: The King and the Miller

798
01 February 1759 @ Drury Lane Theatre

Event Comment: went off very Dent off very Dull (Cross); Mainpiece: not acted in 30 years. Receipts: #130 (Cross); #148 15s. (Winston MS 8)

Performances

Mainpiece Title: The Ambitious Step Mother

Afterpiece Title: The Virgin Unmaskd

799
31 December 1759 @ Drury Lane Theatre

Event Comment: Went off with applause (Cross). Afterpiece: a New Pantomime after the Manner of the Italian Comedy, with New Scenes, Habits, Decorations. Nothing under Full Prices will be taken. No Gentleman can possibly be admitted behind the Scenes or into the Orchestra, on account of the Machinery and Music. The Music composed by Dr Boyce. The Songs will be printed, and deliver'd at the doors. Receipts: #200 (Cross)

Performances

Mainpiece Title: The London Merchant Or The History Of George Barnwell

Afterpiece Title: Harlequins Invasion or A ChristmasGambol

800
05 November 1767 @ Drury Lane Theatre

Event Comment: Went into the Pit...to see Tamerlane. Havard is too old and wants power for the character of Tamerlane, Moneses by Reddish, Dervis by Bransby. Holland excels in Bajazet and was the only character in proper dress. It hurt me to see Tartars in ancient Greek dresses with ridiculous modern periwigs, and Greek christians in English habits. Mrs Dancer as Arpasia, was as great (particularly in the last scene) as in any character in which I ever saw her and received that distinguished applause she deserved. The Entertainment was Harlequin's Invasion (Neville MS Diary)

Performances

Mainpiece Title: Tamerlane

Cast
Role: Selima Actor: Mrs Barry

Afterpiece Title: Harlequins Invasion