SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Bannister Half past six went into ye Pit to see "/1) | (@(roleclean,performerclean) "Bannister Half past six went into ye Pit to see ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4169 matches on Event Comments, 2324 matches on Performance Comments, 405 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there, the pit being full, sat in a box above, and saw Catiline's Conspiracy, yesterday being the first day: a play of much good sense and words to read, but that do appear the worst upon the stage, I mean, the least diverting, that ever I saw any, though most fine in clothes; and a fine scene of the Senate, and of a fight, that ever I saw in my life. But the play is only to be read, and therefore home, with no pleasure at all, but only in sitting next to Betty Hall, that did belong to this house, and was Sir Philip Howard's mistress, a mighty pretty wench. Evelyn, Diary: I went to see the old play Cataline acted, having ben now forgotten 40 years almost

Performances

Mainpiece Title: Catiline

Performance Comment: See16681218.
Event Comment: The Duke's Company. Pepys, Diary: And my wife being gone abroad with W. Hewer, to see the new play to-day, at the Duke of York's house, Guzman, I dined alone.... I thence presently to the Duke of York's playhouse, and there, in the 18d. seat, did get room to see almost three acts of the play; but it seemed to me but very ordinary. After the play done, I into the pit, and there find my wife and W. Hewer...[and] here I did meet with Shadwell, the poet, who, to my great wonder, do tell me that my Lord of Orrery? did write this play, trying what he could do in comedy, since his heroique plays could do no more wonders. This do trouble me; for it is as mean a thing, and so he says, as hath been upon the stage a great while; and Harris, who hath no part in it, did come to me, and told me in discourse that he was glad of it, it being a play that will not take

Performances

Mainpiece Title: Guzman

Performance Comment: See16690415 .
Event Comment: London Post, 13-16 Dec.: There being a French Scaramouch Dance betwixt the second and third Acts, a certain Person went in a Frolick, Incognito, up into the upper Gallery, and so pelted the Dancers with Oranges, that they were forced to quit the Stage, and the Play-house was all in an Uproar; but some of the Auditory perceiving who threw them, cryed out, fling him down into the Pit, which so startled him, that he was forced to make the best of his way down Stairs; however, a Constable having been sent for in the mean time, he was secured. Preface to Ximena (1719): The Fop's Fortune lagg'd on the Fourth Day and only held up its Head by the Heels of the French Tumblers

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: see17001209.

Dance: End II: a French Scaramouch-

Event Comment: By command of several of the Nobility and Gentry. No Person to go into the Box or Pit, but the Subscribers. The first gallery 3s., the upper gallery 1s. 6d. At 6 p.m

Performances

Mainpiece Title: Concert

Music: English Italian and French Music-John Abell

Event Comment: At the particular Desire of several Persons of Distinction. By the Lilliputian Company of Comedians. At the Tennis-Court, in James-street, in the Hay-Market. 7 P.M. Boxes 3s. Pit 2s. Gallery 1s. N.B. The Company will continue to Play every Monday, Wednesday, and Friday, during the Summer Season. Daily Advertiser, 29 April: I went to see them; upon my entrance I was surpris'd at the Spaciousness and Decencies of the Place; when the Curtain was drawn up, I found the Scenes not inferior to any I had seen, the Stage copious, the Decorations regular, the Actors perfect both in Words and Performance

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Devil to Pay

Event Comment: [Prince of Wales, Duke, and Princess Amelia present.] Daily Advertiser, 30 Jan.: The Opera oF Mithridates was so full on Tuesday Night, that there were above 440 Ladies and Gentlemen in the Pit and Boxes, besides the Subscribers. Above 50 People were oblig'd to go away for want of Room

Performances

Mainpiece Title: Mithridates

Performance Comment: Cast not listed, but see17360124.
Event Comment: At the particular Desire of several Persons of Quality. Daily Advertiser, 25 Jan.: On Wednesday night last a Disturbance happen'd at Drury-Lane Playhouse, occasion'd by one of the principal Dancers not being there to dance at the end of the Entertainment, and after most of the People in the Pit and Galleries were gone, several Gentlemen in the Boxes pull'd up the Seats and Flooring of the same, tore down the Hangings, broke down the Partitions, all the Glasses and Sconces, the King's Arm over the middle front Box was pull'd down and broke to Pieces; they also destroy'd the Harpsichord, Bass Viol, and other Instruments in the Orchestra; the Curtain they cut to pieces with their Swords, forc'd their way into the lesser Green-Room, where they broke the Glasses, &c. and after destroying every thing they could well get asunder, to the amount of about three or four hundred Pounds Damage, left the House in a very ruinous Condition. [See also London Magazine, IX (1740), 47-48, 100.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Fortune Tellers

Ballet: AA Voyage to the Land of Cytherea. As17400115

Event Comment: A concert, etc. Benefit Mrs Careless. The Parts to be perform'd by Persons who intend to play as well as they can, tho' perhaps not so well as they wou'd. Boxes 3s. Pit 2s. Gallery 1s. 6:30 p.m. N.B. Mrs Careless hopes her Friends will favor her according to their Promise, to relieve her from the terrible fits of the Vapours, preceding from Bad Dreams, tho' the Comfort is, they generally go by contraries

Performances

Mainpiece Title: The Beggar's Opera

Song: II: The Life of a Beau-Hills

Dance: V: Minuet-Mrs Careless

Event Comment: Benefit Raftor, Mrs Clive's brother (Winston MS.). Bayes attempted by Mrs Clive, instigated to it by Cibber (as an) act of envy to Garrick, but he missed his aim, for she did it most wretchedly. It was believed she would not have gone through the part. A great house. If she had succeeded she meant to repeat it for her own Benefit. (Winston MS. from Dyer MS.) Mrs Clive did Bayes at the Desire of Several Ladies of Quality. Three rows of the Pit rail'd into the Boxes, where servants may keep places as well as on the stage. To prevent Mistakes in places already taken, it is desir'd that those Gentleman and Ladies, in whose names they are set down, would please to send for Tickets to Hobson at the stage door

Performances

Mainpiece Title: The Rehearsal

Song: I: Beard; III: Lowe; IV: Miss Edwards

Dance: II: Serious Dance, as17430504; V: Tyrolean Dance, as17421129

Event Comment: Whereas Great Disorders were committed on Tuesday Night at the Theatre, by Numbers of persons violently forcing their way into the House, particularly into the Boxes, knocking down the door-keepers, and obliging the servants who kept places to go out, to the great prejudice of the Manager, who lost all the Money for the said Places, as they not only refus'd to pay for the Boxes, but likewise forc'd into the Pit without paying, he thinks it incumbent on him to gide Public notice That an Office will for the Future be kept at the Boxes, to prevent persons from going in the same tumultuous manner, and hopes no Gentlemen will be displeas'd in being first desir'd to take a ticket at the said Office. Last night the Play of the Rehearsal was perform'd at the Theatre Royal in Drury Lane; when, upon Mr Garrick's making a proper apology to the Town he was receiv'd with the greatest marks of Approbation; and the Play was acted with the utmost Decency and Order

Performances

Mainpiece Title: The Rehearsal

Event Comment: CCross: Miss Pit went to play in the Beg. Opera for Mr Usher at Richmond & was deliver'd of a fine Girl--N.B.: She was Virgin

Performances

Mainpiece Title: None

Event Comment: Benefit for Mrs Clive. Afterpiece [written by Mrs Clive]: A new farce partly singing, part speakg. Went off well (Cross). Music by Dr Boyce. Five rows of Pit &c. [Stage arranged as on 10 March. The framework for financial analysis of receipts appears in Treasurer's Book, but the figures are missing. The parts for The Rehearsal, according to the Larpent MS 86, were: Mrs Hazard, Nelly, Tom, Witling, Mr Cross; Miranda-$Miss Norris; Corydon-$Beard; Marcella, Miss Giggle, Sir Albany Odelove, Miss Sidell, Miss Daudle.] Receipts: #240 (Cross); charges, #60 (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Rehearsal; or, Bayes in Petticoats

Dance: Grandchamps, Mlle Auretti

Event Comment: MMr Barry flew from his articles & engag'd with Rich; Mrs Cibber (who did not play last season) is also engag'd there--Y: King went to Ireland--Macklin and Wife came from thence to Mr Rich (Cross). Passage open'd from Russel St. into the boxes where Ladies and Gentlemen may be set down from their coaches, and there is likewise a better accommodation made for Chairs to come up to the House, and be kept in waiting, at the end of the Passage from Bridges St. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the stage door of the Theatre. [The notice about the Passage was continued through 20 Sept. The notice about prices was customary throughout the season. Neither will be repeated further here.] Receipts: #110 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Virgin Unmask'd

Event Comment: A Concert, etc. At the Desire of several Gentlemen and Ladies. For One Night Only. For the Benefit of Mr Phillips. At the New Playhouse, Bowling Green, Southwark. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. Sylvius went to see Hamlet but was distracted by a beautiful woman nearby (Daily Advertiser and Literary Gazette, 20 Sept.)

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Lying Valet

Dance: Phillips

Song: Platt, Master Phillips

Event Comment: Benefit for Macklin. Afterpiece: A Comedy in 2 acts written by Foote, with Prologue and Epilogue by him. Miss Macklin did Calista and a part in the farce,-all went well (Cross). A Comedy in answer to the French Farce A Frenchman in London, with a Dialogue Prologue, spoken by Macklin & his wife. Epilogue spoken by Miss Macklin. All by Foote. Part of Pit laid into the boxes, with an amphitheatre on stage, all at 5s. Full Prices (Winston MS 8). The Englishman at Paris has been better recev'd that I expected. Garrick, &c., &c....say kinder things of it than modesty will permit me to repeat. Upon the whole it was damnably acted, Macklin miserably imperfect in the words and in the character (a stain to Comedy). You might have seen what I meant,--an English Buck, by the power of dulness instantaneously transformed into an Irish chairman. Miss Roach, accompany'd by some frippery French woman occupy'd, to the no small scandal of the whole house, the Prince's box, whilst the duchess of Bedford &c., &c. were oblig'd to take up with seats upon the stage. The piece will be printed the 25th instant, which I will enclose to you (Samuel Foote to Mr Delaval, MS in Folger Shakespeare Library, written either 24 March, or, perhaps more likely, 24 April, since Foote states later in the letter he is leaving for foreign parts the first of May)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Englishman in Paris

Event Comment: DDrury Lane Theatre open'd Sat: Sept 13th. The House new Gilt, Painted & ornamented wth Festoons &c. Mr Mossop left us. Mr Wilder discharg'd. Mrs Mills is gone to end her Days in Wales, wth an Allowance of #20 per An: from the Managers (Cross). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money returned after the Curtain is up. No Persons to be admitted behind the Scenes. Places for Boxes to be had of Mr Varney at the Stage Door. [Notice customarily repeated and will not be further noted.] Receipts: #109 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Anatomist

Event Comment: Written by Mr Murphy, for His Benefit-went off well (Cross). Part of Pit will be laid into the Boxes. Ladies send servants by 3 o'clock. Tickets and places to be had of Mr Varney at the Stage Door. Receipts: #240 (Cross)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Englishman from Paris

Event Comment: Benefit for Mossop. Mainpiece: By Particular Desire. Farce wrote by Mr Murphy. Went off Indiff (Cross). [It was sent to Licenser one year before, 16 March 1757 (Larpent MS 131).] Garrick first announced for Ghost [Hamlet] which he afterwards declined having new part in the farce. Part of Pit into Boxes. Amphitheatre on stage (Winston MS 9). Receipts: #280 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Upholsterer

Event Comment: N.B. We have engag'd Mr King; & Miss Baker from Ireland, one Mr Moody, a Stroler,-Mr Beard is gone to Covent Garden, 'tis said to be manager Mr Mossop to Ireland. Receipts: #120 (Cross). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places from Mr Varney at the Stage Door. No admittance behind scenes. [The customary note about prices and admittance will not be noted further here.] [At the opening of the theatres this season appeared an essay in Goldsmith's Bee, giving close observations upon actors, and deploring the relative stiffness and formality of English actors in comparison with the French. Advised English actors to travel abroad. Yet (Vol. 1759, p. 12) commented on the magnificnece of "our theatres as far superior to any others in Europe where plays only are acted. The great care our performers take in painting for a part, their exactness in all minutiae of dress, and other little scenical proprieties has been taken notice of by Riccoboni." Complains of the convention of laying a rug before a dying scene and of the vacant expressions of mutes on stage.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Full Prices. Afterpiece: A Pantomimic dance by Love (Biographia Dramatica). Much followed and brought several crowded houses, and the success chiefly owing to the reports our newspapers were, at that time, daily filled with, of the French wild Beast that was devouring (and yet pursued by) children. This wild beast was happily introduced in this pantomime, pursued by boys led on by a Frenchman. At last the Beast made his Re-entry, and ran across the stage with the poor Frenchman in his mouth, to the great joy of the Pit, Box and Galleries (Victor, History of Theatres, III, 72). Dorilas for the first time by Mr Cautherly--very decent, but wanted spirit. This pantomime is fathered by Mr Lowe [?]--went off with applause, --Mr Garrick made most of the Business to it, which is very good (Hopkins Diary). [Letter from C. V. Theatricus on ladies' removing their hats in the theatre. A Gentleman had requested it and a debate ensued in the Public Advertiser, as to whether he wished to see the play better or to gaze more audaciously on many pretty faces. Long letter also from G. F. Theatricus to the Public Advertiser, commenting on the excellence of Powell, Mrs Yates, Holland, the Palmers, Cautherly and Bensley for their performance in Venice Preserved, Romeo and Juliet, and Mahomet respectively.

Performances

Mainpiece Title: Merope

Performance Comment: Dorilas-Cautherley; Polyphontes-Havard; Euricles-Lee; Erox-Burton; High Priest-Bransby; Narbas-Packer; Ismene-Miss Plym; Merope-Mrs Pritchard; Procession-; Sacrifice-. [See17601205.]See17601205.]

Afterpiece Title: The Hermit; or, Harlequin at Rhodes

Event Comment: Paid Cooper (printer) as per bill, #41 9s. (Account Book). Went to Covent Garden-could not get into either Pit or Gallery, so came home (Neville MS Diary). Receipts: #230 18s. 6d. (Account Book)
Event Comment: BB. Johnson's Head Bill 11s. (Treasurer's Book). Drank tea with my Landlady and went with her husband and two gentlemen to see the new Play...as I did not care to refuse. Could not get into the Pit, at which I was not displeased. I fancy this comedy will take, tho it had nothing else to support it but the character of Freeport, which is played by Yates...We had a Prologue written by the author of the play and spoken by King; and an Interlude by way of Epilogue written by Garrick and spoken by King and Mrs Abington. A concerto on the Harpsichord by Burney Jr and dance. The play is taken from L'Ecosseisse of Voltaire (Neville MS Diary). Receipts: #193 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Music: After Interlude: The New Concerto on Harpsichord, as17670212

Dance: HHearts of Oak, as17670212

Event Comment: Mainpiece: By Particular Desire. Afterpiece: By Desire. Benefit for Holland. Part of Pit laid into Boxes. House Charges #67 1s. 6d. [Profit to Holland #201 8s. 6d.] Tragedy (never performed) written in the manner of Shakespeare [by Joseph Reed]. Rec'd stopages 16s. 6d. Paid salary list #294 2s. 8d.; Chorus singers 1 night #2 5s. 6d. (Treasurer's Book). Receipts: #268 10s. (Treasurer's Book). To see Dido, a Tragedy in Shakespere's style, performed for the first time, with Daphne and Amintor. This piece is the production of a Ropemaker of Chadwick, and being refused by the managers, was given to Holland to be played for his benefit. It went off with considerable applause and is by desire to be performed again. Powel and Yates were good in Aeneas and Dido. Holland played Narbel, Havard Bilias, and Bensley Anchises. We had a prologue spoken by King and an Epilogue spoken by Mrs Abington. Before the play began, by the light of my wax taper read No. 1564 of the London Chronicle, in which was Night' a pretty good ode (Neville MS Diary)

Performances

Mainpiece Title: Dido

Afterpiece Title: Daphne and Amintor

Cast
Role: Amintor Actor: Vernon
Event Comment: Benefit for Mrs Arne. Afterpiece: By Desire. House Charges #68 16s. 6d. [Profits to Mrs Arne #150 18s. 6d.] Tickets deliver'd for The Beggar's Opera will be admitted. Dido oblig'd to be defer'd a few days. Paid 1 year's Watch for St Martin's #10 2s.; Reynolds Oil bill #46 4s.; Carpue (silk dyer) #7 9s. 6d.; Jennings (glover) #13 12s.; Vernon on note #21; Chorus 1 night #2 5s. 6d.; Hautboy 5s.; Salary list #294 2s. 8d. [Treasurer's Book). Receipts: #219 14s. (Treasurer's Book). At 4 dined at the Chop House in St Clements. At 5 went to Drury Lane to see the Tempest for the benefit of Mrs Arne the prettiest performer at the house...She has a sweet little voice...A grand Dance of Fantastic Spirits in different shapes. At the end of the play a Double Hornpipe by Mr Walker and Miss Tatley. We had the entertainment of Daphne and Amintor with dancing by Sg and Sga George, Sg Tessoni, Miss King, &c. Having a seat in the third row of the Pit, was much pleased as all the principal characters were well played and the scenery is very fine. Had I been later in going, I should not have got in (Neville MS Diary)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Daphne and Amintor

Cast
Role: Amintor Actor: Vernon

Dance: End: A Double Hornpipe-Walker, Miss Tetley

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money taken at Stage Door. No Money returned after Curtain is drawn up. [Customary note on subsequent bills.] Yates and Mrs Yates not engag'd. They went to Covent Garden Theatre. Mr Barry and Mrs Dancer engag'd (Winston MS 10). For performances at HAY and MARLY, 12-21 September, see close of Season 1766-1767, pp. 1264-65

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Daphne and Amintor

Performance Comment: Amintor-Vernon; Daphne-Mrs Arne; Mindora-Miss Young; Dances-Sg and Sga Giorgi, Tassoni, Mrs King, Miss Tetley, Miss Rogers.
Cast
Role: Amintor Actor: Vernon