SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Bannister Half past six went into ye Pit to see "/1) | (@(roleclean,performerclean) "Bannister Half past six went into ye Pit to see ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4169 matches on Event Comments, 2324 matches on Performance Comments, 405 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: TThe Stratagem not acted for 3 years. Archer not acted by Garrick for 5 years. [See 20 May 1766, and 13 Oct. 1762.] I had not time to dine, Garrick being to play. Tho' I got into the Pit 15 minutes past 4, oblig'd to stand in the well....Scrub very well by Weston....The play was very well performed. The Doctor very well done by Love (Neville MS Diary)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Mock Doctor

Dance: IV: The Gardners Holiday, as17671120

Event Comment: Boxes 8s. Pit 5s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. The two Benches in the Pit to be railed in at the Price of the Boxes. The Boxes upon the Stage half a Guinea

Performances

Mainpiece Title: Almahide

Event Comment: [Text by N. F. Haym. Music by G. F. Handel.] By Command Pit and Boxes at half a guinea. Gallery 5s. At 6:30 p.m. When the Tickets are dispos'd of, No Persons will be admitted for Money. The Diary of Mary Countess Cowper, p. 154: At Night, Radamistus, a fine Opera of Handel's Making. The King there with his Ladies. The Prince in the Stage-box. Great Crowd. Mainwaring, Handel, pp. 98-99: If the persons who are now living, and who were present at that performance may be credited, the applause it received was almost as extravagant as his Agrippina had excited; the crowds and tumults of the house at Venice were hardly equal to those at London. In so splendid and fashionable an assembly of Ladies (to the excellence of their taste we must impute it) there was no shadow of form, or ceremony, scarce inoeed any appearance of order or regularity, politeness, or decency. Many, who had forc'd their way into the house with an impetuosity but ill-suited to their rank and sex, actually Fainted through the heat and closeness of it. Several Gentlemen were turned back, who had offered forty shillings for a seat in the gallery, after having despaired of getting any in the pit or boxes

Performances

Mainpiece Title: Radamistus

Event Comment: Boxes 8s. Pit 5s. Gallery 2s. 6d. Stage Boxes half a guinea. To be admitted on the Stage One Guinea. N.B. The Communication from the Stage to tne Side Boxes on Market-Lane Side being taken off, the Admittance to them will be through the Passage that leads to the Pit on the Left Hand

Performances

Mainpiece Title: Radamistus

Performance Comment: See17200427.
Event Comment: For the Benefit and Increase of a Fund established for the Support of Decayed Musicians and their Families. Boxes half a guinea. Pit 5s. Galleries 3s. and 2s. Each Subscriber's Ticket will admit one into the Boxes or Pit, or two into the Gallery. 6:30 p.m

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: See17391213.

Music: With the two new Concertos-; performed in the same this Season, for several Instruments. Also the last new Ode- of Mr Dryden's; And the Concerto on the Organ, that was by Mr Handel- on the same Occasion this Season

Event Comment: The First Night. By Subscription. An Oratorio [Sung in English (Dean p. 238)]...with a Concerto on the Organ. Pit and Boxes to be put together and no Persons admitted without Tickets, which will be delivered this Day, at the Opera House in the Haymarket, at Half a Guinea each. Gallery 5s. The Gallery will be open'd at Four o'Clock, Pit and Boxes at Five. To begin at 6 p.m. Tickets are delivered to Subscribers at Mr Handel's House in Brooke St., near Hanover Square; at Mr Walsh's in Catherine St., in the Strand; and at White's Chocolate House in St. James St. [Repeated substantially in each ensuing bill.

Performances

Mainpiece Title: Deborah

Event Comment: [The Public Advertiser for 15 Feb. noted the following concerning this night's performance: Whereas several complaints, by letter and otherwise, have been lately made to the Managers of Drury Lane Theatre, of the ill Behavior of some persons in the Upper Gallery, who throw down Apples, Potatoes, and other things into the Pit.: This is therefore to assure the Ladies and Gentlemen that the Managers will take all imaginable care to discover and prosecute any person or persons, who shall, disturb, or insult them for the future. If any person will discover who it was that flung a hard piece of cheese, of near half a Pound Weight, from one of the Galleries last Tuesday Night [11 Feb.] and greatly hurt a young Lady in the Pit, shall receive Ten Guineas from Mr Pritchard, the Treasurer of the Theatre."] Receipts: #190 (Cross)

Performances

Mainpiece Title: Barbarossa

Event Comment: A new opera. [Edition of 1758: Musick by Signor Galuppi and directed by Gioacchino Cocchi.] Pit and Boxes together at half a guinea. Gallery 5s. By His Majesty's Command, No Persons whatsoever to be admitted behind the Scenes. 6:30 p.m. [For an additional five guineas, subscribers may secure 15 pit tickets, good on Tuesday.

Performances

Mainpiece Title: Attalo

Dance: With New Dances-; Edition of 1758: Ballerini-Giovanni Gallini, Sga Rosa Carlini, Giuseppe Forti, Sga Giac. Bonomi

Event Comment: A new Comic Opera, music by several celebrated Composers. With new Cloaths, new Decorations, and new Dances. Pit and Boxes put together, and no Persons to be admitted without Tickets, which will be delivered that Day, at half a Guinea each. Gallery 5s. By Their Majesties Command no Persons whatsoever to be admitted behind the Scenes, nor into the Orchestra. Gallery, Pit and Boxes will be opened at Five; To begin at 6:30. [Prices, terms of admission, and time repeated in subsequent bills.] Subscription Money to be paid to Andrew Drummond and Co. Bankers, or to Mr Crawford, Treasurer, for Silver t ickets. Signor Giardini the principal serious singer has arrived, and serious opera will begin as soon as possible (Public Advertiser). [Signora Mattei was again the promoter of Operas this season; Crawford the Treasurer.

Performances

Mainpiece Title: Il Tutore E La Pupilla

Event Comment: Benefit for Increase of a Fund established for the support of Decayed musicians and their families. An Oratorio from the Works of the Late Mr Handel, performed but once. The Governors of the Fund spent #628 18s. 6d. last year. Pit and Boxes Half a Guinea. First Gallery 5s. Upper Gallery 3s. 6d. Galleries open at 4, Pit and Boxes at 5. To begin at 6:30 p.m

Performances

Mainpiece Title: Israel In Babylon

Entertainment: I: Solo on the Violincello-Parton; II: Solo on Violin by permission of Lord Tyrawley, -Fisher

Event Comment: By Command of their Majesties. A new serious Opera. Pit and Boxes put together and no Persons to be admitted without Tickets, which will be delivered this Day, at the Office, at Half a Guinea each. Gallery 5s. By their Majesties Command no Persons whatsoever to be admitted behind the Scenes or in the Orchestra. Gallery, Pit and Boxes to be opened at Five. 6:30 p.m. [Repeated in the subsequent bills.] Messrs Crawford, Vincent, and Gordon most humbly request that the Nobility and Gentry, Subscribers to the Operas for the ensuing Season, will please send their Subssciptions to Andrew Drummond and Co., Bankers at Charing Cross; or to Crawford, at the theatre, where attendance will be given every day from Ten to Two, to receive Subscriptions, and the names of the Subscribers who are pleased to honor the Managers with their Protection to enable them to get the Tickets engraved before the Operas begin (Public Advertiser through October and November)

Performances

Mainpiece Title: Eumene

Dance: NNew Dances-

Event Comment: New Dances, new Clothes, new Decorations. A new serious Opera; music by several celebrated Composers. Pit and Boxes put together and no Persons to be admitted without Tickets, which will be delivered this Day, at Half a Guinea each; First Gallery 5s. Second Gallery 3s. Gallery, Pit, and Boxes open at Five. By their Majesties Command, no Person whatsoever to be admitted behind the Scenes or into the Orchestra. 6:30 p.m. Vivant Rex et Regina. [Notice repeated in the bills.] [Messrs. Vincent and Gordon, Managers of the Operas had noted (Public Advertiser, 9 Sept.) their engagement of singers: For the Serious Opera: Guarducci, first Man; Signora Campolini, first Woman; Savoi, second Man; Signora Querzioli, second Woman; Signora Piatti, third Woman; Michelli The Comic Opera: Lovattini, first Man; Signora Guadagni, first Woman; Savoi, serious Man; Signora Querzoli, serious Woman; Moriggi (Bass); Signora Piatti, third Woman; Michelli. Also engaged: Guglielmi and Alessandri, Composers; Pugniani, first Violin; Signora Coradini a new Dancer.

Performances

Mainpiece Title: Tigrane

Event Comment: Benefit for T. Smith, Furkins, Roffe [sic], Miss Stede, Mrs Hartle. Tickets deliver'd by Morgan, Stephenson, Claridge, Bagg, Wilkinson, Whatley, Pullin, Miss Brown, Mrs Griffiths, and Mrs Walters will be taken. No charges. House received 1!2 value of Tickets and the Receipts. @Tickets Box Pit Gallery Value 1!2 Value @T. Smith 10 48 75 #17 4s. #8 12s. @Furkins 10 20 24 #7 18s. #3 19s. @Rose 27 48 29 #6 17s. #8 8s. 6d. @Miss Stede 6 13 50 #8 9s. #4 4s. 6d. @Morgan 3 10 35 #5 15s. #2 17s. 6d. @Mrs Hartle 40 69 104 #30 15s. #15 7s. 6d. @Stephenson 21 66 129 #28 1s. #14 6d. @Claridge 15 16 19 #8 1s. #4 6d. @Bagg 3 4 9 #2 5s. #1 2s. 6d. @Wilkinson 30 13 5 #9 19s. #4 19s. 6d. @Whatley -- 4 33 #3 18s. #1 19s. @Pullen 2 41 64 #13 1s. #6 10s. 6d. @Miss Brown 11 37 31 #11 8s. #5 14s. @Mrs Griffiths -- 25 21 #5 17s. #2 18s. 6d. @Mrs Walters 2 19 83 #11 13s. #5 16s. 6d. @Money Value #48 5s. 6d. @Box 180 Pit 433 Gallery 711 Total House Value #229 6s. 6d. 1!2 Value #90 10s. 6d.@ [The house made no charges, but received the half value from each beneficiary as listed above (Account Book). About 1,324 Tickets given out. Capacity of the house must have been about 1,700 at this time. See 14 April.

Performances

Mainpiece Title: The Miser

Afterpiece Title: Harlequin Dr Faustus

Dance: III: A Hornpipe-Miss Stede, scholar to Fishar

Event Comment: Benefit for Ansell and Green (Box-keepers). Tickets sold at Doors will not be admitted. Charges #82 17s. Deficit to each #29 5s. 9d., covered by income from tickets: Ansell #117 12s. (Box 355; Pit 173; Gallery 29); Green #132 12s. (Box 436; Pit 128; Gallery 44); Deficiencies and half value paid up by Wild, Potter, Mrs Lampe & Mrs Jones, Mrs Paddick and Sharratt (Account Book). Receipts: #24 5s. 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Spanish Lady

Dance: IV: The Whim, as17691123

Event Comment: A new comic Opera. The music by Several Composers. With new Dances, new Cloaths, new Decorations. Pit and Boxes together and no persons to be admitted without Tickets, which will be delivered at the Office of the Theatre at Half a Guinea. First Gallery 5s. Second Gallery 3s. By their Majesties Command, no Persons whomsoever to be admitted behind the Scenes or into the Orchestra. The Galleries, Pit, and Boxes to be opened at Five. To begin at 6:30 p.m. Vivant Rex et Regina

Performances

Mainpiece Title: La Vicende Della Sorte; Or, The Turns Of Fortune

Event Comment: Benefit for Yates. Part of Pit laid into Boxes (playbill). Charges #64 5s. Profit to Yates #82 3s. 6d., plus #102 11s. from tickets: (Box 367; Pit 72). Paid half year's Poor's rate for the theatre due Ladyday last #20 8s. 4d.; and for House in Bow Passage 14s. 7d. (Account Book). Receipts: #146 8s. 6d. (Account Book)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Performance Comment: Biron-Smith; Villeroy-Bensley; Carlos-Gardner; Baldwin-Clarke; Belford-Perry; Sampson-Dunstall; Child-Miss Doe; Nurse-Mrs Pitt; Isabella-Mrs Yates, 1st time; With the Epithalamium-Mattocks, Mrs Baker.

Afterpiece Title: The Choice; or Merit before Mnney

Dance: End: The Lilt, as17720326

Event Comment: Benefit for Gardner and R. Smith. Mrs Gardner's Indisposition preventing her from performing this evening, she hopes she shall be excused by her friends. [She was to have played Catherine in Afterpiece according to advance notice of 4 May.] Charges #64 10s. Deficit to each benefiticiary #15 6s. 6d., cover'd by income from tickets: Gardner, #61 1s. (Box 118; Pit 101; Gallery 164); Smith, #64 19s. (Box 35; Pit 264; Gallery 166). Paid half year's Land Tax for the Theatre due Lady day last, #61 5s.; paid ditto for window lights, #6 10s. 6d.; Paid ditto for House in Bow Passage #2 3s. 9d. and for its window lights 15s. Receipts: #33 17s. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Catherine and Petruchio

Dance: III: Comic Dance, as17711031; IV: A Tambourine, as17720501

Event Comment: Benefit for Miss Catley, being the last time, but one, of her performing this season. Box, Pit and Gallery Tickets to be had of Mr Sarjant at the Stage Door. Charges #65 6s. Profit to Miss Catley #136 5s.; plus #67 11s. from tickets (Box 232; Pit 49; Gallery 22). Paid one year's Rector's Rate for theatre due Xmas last #8 15s., Watch rate #14 11s. 8d., and half year's paving rate due Mich. last #26 5s. Paid Recor's rate (one year's due Xmas last) for House in Bow Passage, 6s. 3d, and watch rate for ditto 10s. 8d. Receipts: #201 5s. 6d. (Account Book)

Performances

Mainpiece Title: Love In A Village

Cast
Role: Deborah Actor: Mrs Pitt

Afterpiece Title: The Padlock

Dance: II: The Corsican Sailors-Fishar, Miss Twist, Mas. Blurton, Miss Besford, as17731013

Event Comment: Benefit for Mrs Pitt and Stoppelaer. Charges #67 15s. Deficit to each #4 6s. 9d., cover'd by income from tickets: Mrs Pitt #53 7s. (Box 48; Pit 185; Gallery 136); Stopplear, #86 5s. (Box 112; Pit 271; Gallery 176). Paid Bates for performing 4 nights in the Sorcerer to 11 Oct. last 10s., 5 nights in Henry VIII to 14 Feb. last #1 5s., and 5 nights in the Fair to 13 Nov. last 5s. Paid half year's Poor's rate for the theatre due Lady day last, #24 15s. 10d., and ditto for House in Bow Passage 17s. 9d. Receipts: #59 1s. 6d. (Account Book)

Performances

Mainpiece Title: Love For Love

Cast
Role: Nurse Actor: Mrs Pitt

Afterpiece Title: The Dragon of Wantly

Dance: End: The Frolick, as17740416

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 16. Whether this is the premiere is not known. A song, Amintas that true-hearted swain, with music by John Bannister, is in Choice Ayres, Songs, and Dialogues, 2d. Ed., 1675. Downes, Roscius Anglicanus, p. 34: The Jealous Bridegroom, Wrote by Mrs Bhen, a good Play and lasted six Days; but this made its Exit too, to give Room for a greater. The Tempest. Note, In this Play, Mr Otway the Poet having an Inclination to turn Actor; Mrs Bhen gave him the King in the Play, for a Probation Part, but he being not us'd to the Stage; the full House put him to such a Sweat and Tremendous, Agony, being dash't, spoilt him for an Actor

Performances

Mainpiece Title: The Forc'd Marriage; Or, The Jealous Bridegroom

Event Comment: London Gazette, No. 1045, 22-25 Nov. 1675: At Mr John Bannister's house in Chandois-street, Covent-garden, called the Musick-School, will be variety of Musick every Evening, beginning this present Thursday at six of the Clock

Performances

Mainpiece Title: Concert

Event Comment: London Gazette, No 1371, 6-9 Jan. 1678@9: At the Musick School in Essex Buildings near St Clements Church in the Strand, will be continued a Consort of Vocal and Instrumental Musick; beginning at six of the clock every evening. Composed by Mr John Bannister

Performances

Mainpiece Title: Concert

Event Comment: Mainpiece: By Particular Desire. Paid 3 day's salary list at #81 19s. 3d. per diem,-#245 17s. 9d.; Advanc'd Miss Mansell & Mr Dimon 5 guineas each, #10 10s.; Mr S. French, six days, #1 10s. J. Stevens on note, #3 3s.; Mt Byrne, Mt Bannister, Mt Lamercier, Miss Wilkinson, Miss Rolt, & Mrs Brathwaite salary short-paid, #6 4s.; Mr D. Garrick in full of last season #260 8s. 4d. (Treasruer's Book). Receipts: #199 5s. (Treasurer's Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Institution of the Garter

Event Comment: By Command of Her Majesty. [This was the first time that members of the royal family had appeared in public since the beginning of the King's illness (his first attack of insanity) in November 1788. See also 21, 24 Apr.] The drop curtain with the King's arms on it shown when the front curtain first rose was the "original curtain exhibited on the opening of Lincoln's Inn Fields theatre [in 1714]...It has lain by in the scene-room of Covent-Garden theatre nearly seventy years, but was rescued from oblivion, retouched, and the appropriate ornaments added for the occasion" (Public Advertiser, 16 Apr.). On the Queen's entrance "the house called for God save the King, and the theatre being prepared, the song was immediately sung by Bannister, Johnstone, and Darley, the house joining in the chorus. It was encored...At the end of the play [it] was again called for, and again sung twice. At the end of the pantomime it was again called for; and the theatre not sending forward the performers, the audience cheerfully sung it for themselves; and having sung, they encored themselves; so that altogether it was sung six times in the course of the evening. Her Majesty had a bandeau of black velvet, on which were set in diamonds the words 'Long live the king.' The princesses had bandeaus of white satin, and 'Long live the king' in gold" (Universal Magazine, Apr. 1789, p. 218). Receipts: #388 16s. 6d. (385.12.0; 3.4.6)

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: Aladin

Cast
Role: Mrs Prim Actor: Mrs Pitt
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 17. There is no indication as to whether this is the premiere. The play was licensed 6 March 1670 [1671]. Downes (Roscius Anglicanus, p. 27) refers to it as being the first "new Play" acted at Dorset Garden in 1666, an error as to both place and time of presentation. Downes adds: All the other Parts, being perfectly well Acted, Succeeded six Days with a full Audience. It seems unlikely that Cambyses was given six days consecutively at this time. A performance of The Forc'd Marriage on Monday 9 Jan. 1670@1 and one of The Humorists on Saturday 14 Jan. 1670@1 do not permit six uninterrupted days for Cambyses at this time

Performances

Mainpiece Title: Cambyses, King Of Persia