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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Bannister Half past six went into ye Pit to see "/1) | (@(roleclean,performerclean) "Bannister Half past six went into ye Pit to see ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6189 results for: Keyword - Bannister</i>.] Half past six went into ye Pit to see $<span class=
We found 4169 matches on Event Comments, 2324 matches on Performance Comments, 405 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.

651
06 March 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); The Captive King-Incledon, Chorus (The Words by Dr Wolcot); Honor and arms-Reynolds (Samson); See the conquering hero comes-Chorus (Judas Maccabaeus); Together let us range-Mrs Crouch, Kelly (Solomon, by Boyce); Then round about-Chorus (Samson); Mad Bess-Mme Mara (Purcell); Gird on thy sword-Grand Chorus (Saul); God save Great our King, To Arms, Britons strike home-Chorus (Purcell).
Cast
Role: See the conquering hero comes Actor: Chorus

Song: In Part III: Captivity-Mrs Crouch [, as17930220

Music: End Part I: concerto on the violoncello-C. Ashley

652
13 March 1795 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: 6th concerto of Giordani on the violin-C. Ashley

653
28 May 1798 @ Covent Garden

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Starboard Watch

Performance Comment: Ye Gentlemen of England (composed by Callcott)-Incledon, Townsend, Linton, Gray; Jack at the Windlass-Fawcett; Young William was a seaman true-Incledon; Brave Betty was a maiden Queen-Johnstone; Saturday Night at Sea-Townsend; Farewell to Old England dear Mary adieu-Incledon; Great Britain still her Charter boasts-Incledon, full Chorus.
Cast
Role: Ye Gentlemen of England Actor: Incledon, Townsend, Linton, Gray

Afterpiece Title: Harlequin and Faustus; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Machinery and Decorations: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Flagetus (designed and executed by Richards; music by Shield), in which scene is introduced The Serpentv (invented by Rich). Pillardoc-Clarke; Asmodous-Gray; Lucifer-Dyke; Orchus-Blurton; Belial-Linton; Ades-Street; II. The Study of Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-Simmons; III. Landscape and Water-Mill (painted by Walmsley). Harlequin-Simpson; Pierrot-Follett; Miller-Hawtin; Miller's Wife-Miss Leserve; Colombine-Mlle St.Amand; Philidel (the Celestial Spirit)-Miss Wheatley. IV. A View of a Country Inn. Trick Bull and Dog. V. View of Smithfield on a Market Day. VI. The Garden of Faustus (painted by Pugh). Festoons of Flowers ascend. A Dance of Statues. VII. A Street. Two Trick Sedan Chairs (invented by Hodgins). VIII. A Farm Yard, which changes to a Chinese Bridge, in which will be introduced the celebrated Piece of Machinery, The Peacockv (conducted by Sloper). IX. A Tobacco Warehouse, which changes to a Golden Equestrian Figure (by Roubiliac). X. The Infernal Regions, and a Shower of Fire. XI. The Temple of Glory.
Cast
Role: Belial Actor: Linton

Song: In course: The High Mettled Racer (composed by Dibdin)-Incledon; Patents all the Rage-Munden; The Beggar, as17980525; Duetto-Mrs Martyr, Mrs Mountain; The Wind blew fresh and fair-Townsend

Music: In course of Evening: solo on the Union Pipes-Murphy; accompanied on the Harp-Weippert

Entertainment: Vaudeville.In 3rd piece: [By Permission of the Proprietors of the Royal Circus [Charles Dibdin and Charles Hughes] [the celebrated Smith will ge thro' his wonderful Performances on the Slack Rope-Smith

654
15 February 1799 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: Bach's concertante for violin oboe viola and violoncello-Messrs [G., R. and C.] Ashley, W. Parke

655
28 November 1751 @ Drury Lane Theatre

Event Comment: Went off well--Dexter Hip :--Mossop-Ths ; Pritchard Phaedra ; Bellamy Ismena (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: Phaedra And Hippolitus

Ballet: SSavoyard Travellers. As17511105

656
18 February 1752 @ Drury Lane Theatre

Event Comment: Went off very dull, & great hissing &c. when over (Cross). Receipts: #160 (Cross)

Performances

Mainpiece Title: Eugenia

657
12 February 1754 @ Drury Lane Theatre

Event Comment: Went off well (Cross). The Non-Juror oblig'd to be deferr'd on account of Mrs Pritchard's Indisposition. This day publish'd the Second edition of Boadicia, a Tragedy, as it is now acted at Drury Lane. By Mr Glover (Public Advertiser). Receipts: #80 (Cross)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Knights

658
07 October 1755 @ Drury Lane Theatre

Event Comment: Went off pretty well (Cross). Comedy reviv'd. Not acted these 30 years. Characters new Dress'd. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: The King and the Miller

659
01 February 1759 @ Drury Lane Theatre

Event Comment: went off very Dent off very Dull (Cross); Mainpiece: not acted in 30 years. Receipts: #130 (Cross); #148 15s. (Winston MS 8)

Performances

Mainpiece Title: The Ambitious Step Mother

Afterpiece Title: The Virgin Unmask'd

660
31 December 1759 @ Drury Lane Theatre

Event Comment: Went off with applause (Cross). Afterpiece: a New Pantomime after the Manner of the Italian Comedy, with New Scenes, Habits, Decorations. Nothing under Full Prices will be taken. No Gentleman can possibly be admitted behind the Scenes or into the Orchestra, on account of the Machinery and Music. The Music composed by Dr Boyce. The Songs will be printed, and deliver'd at the doors. Receipts: #200 (Cross)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: Harlequin's Invasion; or, A ChristmasGambol

661
05 November 1767 @ Drury Lane Theatre

Event Comment: Went into the Pit...to see Tamerlane. Havard is too old and wants power for the character of Tamerlane, Moneses by Reddish, Dervis by Bransby. Holland excels in Bajazet and was the only character in proper dress. It hurt me to see Tartars in ancient Greek dresses with ridiculous modern periwigs, and Greek christians in English habits. Mrs Dancer as Arpasia, was as great (particularly in the last scene) as in any character in which I ever saw her and received that distinguished applause she deserved. The Entertainment was Harlequin's Invasion (Neville MS Diary)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Harlequin's Invasion

662
22 May 1766 @ Drury Lane Theatre

Event Comment: Pit and Boxes laid together. No admittance to Pit but through the boxes and with tickets. Towards raising a fund for the relief of those who from their infirmities shall be oblig'd to retire from the stage. This fund having been begun by a voluntary contribution among the performers improved by a proportionable weekly deduction on their salaries and intended as a reciprocal provision for them, their widows and children in sickness and infirmity, it is humbly hoped an appeal to the generosity of the public will not be taken amiss &c. (Winston MS 9)

Performances

Mainpiece Title: Every Man In His Humor

Afterpiece Title: The Devil to Pay

663
02 August 1721 @ Haymarket Theatre

Event Comment: Pit and Boxes at 5s. Gallery 2s. 6d. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Vocal Music-a young Woman that never sung in Publick before; Solos-Matthew Dubourg, Kytch

664
29 March 1732 @ Haymarket Theatre

Event Comment: Pit and Boxes together at 5s. Gallery 2s. 6d. The Subscriptions being out

Performances

Mainpiece Title: Amelia

Performance Comment: See17320324.

665
15 January 1733 @ Haymarket Theatre

Event Comment: Pit and Boxes 4s. Gallery 2s. 6d

Performances

Mainpiece Title: Concert

666
01 June 1768 @ Haymarket Theatre

Event Comment: Pit and Galleries will be opened at 5 p.m. [Note repeated on bills.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Thomasand Sally

Performance Comment: See17680627 .

Dance: As17680530

667
16 February 1775 @ Haymarket Theatre

Event Comment: Pit and Boxes 5s. First Gallery 2s. Upper Gallery 1s. Alter'd from Fielding, in 2 Acts. To begin at 7:00 p.m. Singing and music for The Sot under the direction of Dr Arne. Program Desired by many Persons of Quality

Performances

Mainpiece Title: The Sot

Song: Catches and Glees-; Diana's Chace-Miss Jameson

Music: After Comic piece: two Ariettas on the Octave Flute in the Polonese taste-a new performer from that country; After Part II Catches and Glees: Concerto on Clarinet with variations on the Wanton God-Mahon

668
16 September 1789 @ King's Head Inn, Borough High Street, Southwark

Event Comment: Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. The Doors to be opened at 6:00. To begin precisely at 7:00. Tickets to be had at the Eagle, Ram, White Horse, Antelope and King's Head. Geoghegan, printer, No. 3, Kent-Street, Borough, Southwark

Performances

Mainpiece Title: Inkle And Yarico

Entertainment: Vaudeville End Opera: [The Last new Squeeze for St. Paul's [i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous

669
11 May 1792 @ Covent Garden

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Irishman in London

Afterpiece Title: The Golden Pippin

Performance Comment: Mercury-Incledon; Paris-Marshall; Jupiter-Darley; Momus-Fawcett; Venus-Mrs Mountain; Iris-Mrs Harlowe; Pallas-Mrs Arnold; Juno-Mrs Martyr.
Cast
Role: Jupiter Actor: Darley

Song: In 2nd piece: As17920421; End II: a Selection of the most favourite Catches and Glees from Harrison and Knyvett's Vocal Concert-; O let the merry peal go on-(Danby); When Arthur first in Court began-(Callcott); Tweedside What beauties does Flora-(Corfe); Come let us all a Maying go-(Hilton)

670
06 March 1671 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 18: The New Utopia. There is no indication as to whether this performance was the premiere. The Preface refers to malice against the plays, and the edition of 1671 has a poem: To the Author of the New Utopia. On the Miscarriage of his Play in Acting

Performances

Mainpiece Title: The Six Days' Adventure; Or, The New Utopia

671
15 February 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maid's Tragedy

Music: As17040203 A Sonata-Gasperini

Dance: A new Entry compos'd-Monsieur Cherrier and perform'd by him, six others; a new Dance-Mrs Mayers; And also several Dances-the Devonshire Girl, a young Gentlewoman who never appear'd on the Stage before

672
02 June 1710 @ Drury Lane Theatre

Event Comment: Benefit Commodore Leigh and Coxen Burkhead. [For a detailed account of this performance, especially of the dancing, see London in 1710, pp. 30-31.

Performances

Mainpiece Title: The Fair Quaker Of Deal

Dance: Between the Acts: Six several Entertainments of Comical Dancing-

673
01 March 1712 @ Queen's Theatre

Performances

Mainpiece Title: Hamlet

Performance Comment: See17120227.

Dance: Several Entertainments-six new Dancers

674
01 January 1715 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Unhappy Favourite

Dance: delaGarde who has not appear'd these Six Years

675
01 February 1715 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Confederacy

Performance Comment: See17150108.

Afterpiece Title: The Country House

Dance: duPre, Moreau, Bovil, Sandham, Miss Russel, Miss Schoolding, Shaw who has not appear'd upon the Stage these Six Years