SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ambassador from Tripoli"/1) | (@(roleclean,performerclean) "Ambassador from Tripoli")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 81 matches on Event Comments, 56 matches on Performance Comments, 2 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Humorous Lieutenant

Performance Comment: Demetrius-Smith, 1st time; King-Ridout; Seleucus-Anderson; Ptolomy-Wignel; Lysimachus-Gibbs; Timon-Stoppelaer; Lieutenant-Shuter; Cerinthus-Bencraft; 1st Ambassador-R. Smith; 2d-Holtom; Physician-Redman; 1st Gentlemen-Bennet; 2d Gentlemen-Perry; Host-Marten; Leontius-Sparks; Gentleman Ushers-Collins, Dunstall; Magician-Baker; with the Incantation Song-Baker; Singing Spirits-Mrs Lampe, Miss Young; Leucippe-Mrs Pitt; Caelia-Miss Nossiter, 1st time; Old Woman-Miss Ferguson; Phoebe-Miss Allen.
Cast
Role: 1st Ambassador Actor: R. Smith

Afterpiece Title: Florizel and Perdita

Dance: [Unspecified in the bill]

Event Comment: Benefit for the Composer. Afterpiece: Written by Congreve and set to Music by Dr Arne. Receipts: #206 19s. [cash], plus #51 18s. from tickets (Boxes 148; Pit 74; Gallery 38). Total income #258 17s. 6d

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Performance Comment: Diocles-Ross; Maximinian-Smith; Charinus-Sparks; Cosroe-Clarke; Aper-Gibson; Niger-Ridout; Camurius-Anderson; Persian Ambassador-Davis; Suitors-Collins; Costollo, Blakey; Countrymen-Dunstall, Barrington; Geta-Shuter; Aurelia-Mrs Vincent; Drusilla-Mrs Baker; Cassana-Mrs Stephens; Delphia-Mrs Hamilton; Original Dances-Poitier, Mlle Capdeville, Miss Hilliard; The Vocal Parts-Lowe, Mattocks, Legg, Baker, Mrs Lampe, Miss Young.
Cast
Role: Persian Ambassador Actor: Davis

Afterpiece Title: To conclude with the Masque ofThe Sultan

Afterpiece Title: The Judgment of Paris

Music: II: A Concerto on the Violin-Hay; End Opera: A Concerto on the Haut@Bois-Simson

Performances

Mainpiece Title: King Henry V, With Conquest Over French At Agincourt

Performance Comment: King Henry-Smith; Exeter-Tindal; Achbp Canterbury-Sparks; Fluellin-Shuter; Gower-Anderson; French Ambassador-White; Mountjoy-Baker; French Soldier-Holtom; MacMorris-Barrington; Jamy-Dunstall; Pistol-Dyer; Bardolph-Marten; Hostess-Mrs Pitt; Williams-Buck; French King-Gibson; Burgundy-Bennet; Dauphin-Davis; Constable-Clarke; Isabel-Mrs Stephens; Catherine-Miss Hallam.
Cast
Role: French Ambassador Actor: White

Afterpiece Title: Coronation

Event Comment: Mainpiece: Never acted before. Characters new dressed &c. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 67-74: Bless us what a sweet consistent piece of business is a modern Tragedy." See Boswell's account of his attendance that night with two friends, With oaken cudgels in our hands and shrill sounding catcalls in our pockets," ready prepared to damn the play (London Journal), p. 154 ff.).] Critical Strictures on the New Tragedy of Elvira, published this month (Gentleman's Magazine). I then undressed for the Play. My father and I went to the Rose, in the Passage of the Playhouse, where we found Mallet, with about thirty friends. We dined together, and went from thence into the Pitt, where we took our places in a body, ready to silence all opposition. However, we had no occasion to exert ourselves. Not withstanding the malice of a party, Mallet's nation, connections and indeed imprudence, we heard nothing but applause. I think it was deserved. The play was borrowed from de la Motte, but the details and language have great merit. A fine Vein of dramatick poetry runs thro' the piece. The Scenes between the father and son awaken almost every sensation of the human breast; and the Council would have equally moved, but for the inconvenience unavoidable upon all Theatres, that of entrusting fine Speeches to indifferent Actors. The perplexity of the Catastrophe is much, and I believe justly, critisized. But another defect made a strong impression upon me. When a Poet ventures upon the dreadful situation of a father who condemns his son to death; there is no medium; the father must either be monster or a Hero. His obligations of justice, of the publick good, must be as binding, as apparent as perhaps those of the first Brutus. The cruel necessity consecrates his actions, and leaves no room for repentance. The thought is shocking, if not carried into action. In the execution of Brutus's sons I am sensible of that fatal necessity. Without such an example, the unsettled liberty of Romev would have perished the instant after its birth. But Alonzo might have pardoned his son for a rash attempt, the cause of which was a private injury, and whose consequences could never have disturbed an established government. He might have pardoned such a crime in any other subject; and the laws could exact only a equal rigor for a son; a Vain appetite for glory, and a mad affectation of Heroism, could only influence him to exert an unequal & superior severity (Gibbon's Journal, ed. D. M. Low [New York, n.d.], pp. 202-4)

Performances

Mainpiece Title: Elvira

Performance Comment: Principal parts by: Garrick, Holland, Love, Packer, Burton, Ackman, Castle, Fox, Mrs Pritchard, Miss Bride, Mrs Cibber, Prologue and Epilogue. Don Alonzo-Garrick; Don Pedro-Holland; Don Alvarez-Love; Don Roderigo-Packer; Elvira-Mrs Cibber; Queen-Mrs Pritchard; Almayda-Miss Bride; Ambassador (?)-Burton; Ramirez-Ackman; Mendozo-Castle; Courtier-Fox; Prologue-Holland; Epilogue (writ by Garrick)-Mrs Cibber (Edition of 1763).
Cast
Role: Ambassador Actor: Burton

Afterpiece Title: The Male Coquette

Performances

Mainpiece Title: King Henry V; With Conquest Of French At Agincourt

Performance Comment: King-Smith; Exeter-Tindal; Achbp. Canterbury-Sparks; Fluellin-Shuter; Pistol-Dyer; Williams-Buck; French King-Gibson; Constable-Clarke; Isabel-Mrs Stephens; Catherine-Miss Hallam; Westmoreland-White; Gower-Anderson; Bardolph-Marten; Hostess-Mrs Pitt; MacMorris-Barrington; Jamy-Dunstall; Ambassador-White; Burgandy-Bennet; Dauphin-Davis.
Cast
Role: Ambassador Actor: White

Afterpiece Title: Perseus and Andromeda and the Arcadian Nuptials

Event Comment: Benefit for Mrs Lessingham. Mainpiece: A Tragedy altered from Dryden [Aureng-Zebe] by Mr W. Addington, never performed before. Afterpiece: Not acted these 4 years. [See 16 May 1770.] Charges #71 2s. Profit to Mrs Lessingham #38 7s. 6d., plus #92 12s. from tickets (Box 186; Pit 146; Gallery 242). Paid Cooper (printer) #36 2s.; Paid Mrs Witaker for a woman's white & silver flower'd suit #10 10s.; Paid John Doe for sticking black bills #6 6s. Receipts: #109 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Prince Of Agra

Performance Comment: Principal Characters-Bensley, Lewis, Wroughton, Gardner, Owenson, Thompson, Fox, Davis, R. Smith, Mrs Mattocks, Miss Dayes, Miss Pearce, Mrs Lessingham; with a Prologue-; Epilogue-. [Larpent MS 370 lists parts: Emperor; Aureng-Zebe; Morat; Arimant; Asaph Chan; Mirza; Abos; Ambassador; Fazel Chan; Solyman; Diamet; Soldier; Indamora; Nourmahal; Melisinda; Zaida.] Morat; Arimant; Asaph Chan; Mirza; Abos; Ambassador; Fazel Chan; Solyman; Diamet; Soldier; Indamora; Nourmahal; Melisinda; Zaida.]

Afterpiece Title: The Dragon of Wantly

Dance: End: The Irish Lilt, as17731005

Event Comment: Mainpiece [1st time; D 5]: Altered from Massinger [by John Philip Kemble. Prologue by the Hon. Henry Phipps (London Chronicle, 28 Jan.). Epilogue by George Colman, the elder (ibid). MS: Larpent 687; not published]. "This piece is considerably altered from the original; passages are expunged, and others added, in every scene; and several incidents transposed from the order in which they formerly stood. Some scenes are also introduced from the Maid's Tragedy of Beaumont and Fletcher" (London Magazine, Feb. 1785, p. 137). Receipts: #269 9s. (240/10/0; 27/6/6; 1/12/6)

Performances

Mainpiece Title: Maid Of Honour

Performance Comment: Principal Characters by Palmer, Aickin, Packer, Suett, Barrymore, Staunton, R. Palmer, Williames, Wrighten, Fawcett, Wilson, Kemble; Mrs Ward, Miss Tidswell, Mrs Siddons. [Cast from London Chronicle, 28 Jan.: Bertoldo-Palmer; Gonzaga-Aickin; Astutio-Packer; Gaspare-Suett; Fulgentio-Barrymore; Roberto-Staunton; Antonio-R. Palmer; Rodorigo-Williames; Ambassador-Wrighten; Iacomo-Fawcett; Ferdinand-Wilson; Adorni-Kemble; Aurelia-Mrs Ward; Clarinda-Miss Tidswell; Camiola-Mrs Siddons.] Prologue spoken by Kemble. Epilogue spoken by Mrs Siddons . Prologue spoken by Kemble. Epilogue spoken by Mrs Siddons .
Cast
Role: Ambassador Actor: Wrighten

Afterpiece Title: The Padlock

Event Comment: Benefit for Edwin. Mainpiece: Altered from Wycherly; Never performed there [acted 24 Jan. 1743]. Afterpiece: Not acted these 15 years [acted 27 Nov. 1776]. Morning Herald, 11 Apr.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden. Receipts: #353 (226/15/6; 2/12/6; tickets: 123/12/0) (charge: #105)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin-Edwin; Lavinio-Palmer; Barbarino-Booth; Alberto-Thompson; Mago-Fearon; Brunetto-Kennedy; Ambassador-Cubitt; Officer-Helme; Puritan-Wewitzer; Duchess-Miss Platt; Prudentia-Miss Brangin; Flametta-Miss Stuart .
Cast
Role: Ambassador Actor: Cubitt

Song: End of Act II of mainpiece Hogarth's March to Finchley; In Act I of afterpiece Four-and-Twenty Fidlers all on a Row, both by Edwin

Monologue: 1786 04 18 End of mainpiece Peeping Tom of Coventry's Peep into London by Edwin

Event Comment: Benefit for Quick. Mainpiece: Altered from Shirley. Never acted here. With proper Scenes, Dresses, and Decorations. [Epilogue by Edward Topham (European Magazine, May 1786, p. 368).] Afterpiece: In 2 Acts; written by Addison. Public Advertiser, 29 Mar.: Tickets to be had of Quick, No. 99, High Holborn. Receipts: #281 17s. 6d. (153/14/6; 4/4/0; tickets: 123/19/0) (charge: #105)

Performances

Mainpiece Title: The Bird In A Cage; Or, Money Works Wonders

Performance Comment: Philenzo-Wroughton; Duke of Mantua-Hull; Fulvio-Gardner; Ambassador-Helme; Grutti-Wewitzer; Dondolo-Palmer; Perenotto-Cubitt; Carlo-Swords; Orpiano-Thompson; Guards-Stevens, Bates, Painter, &c; Morello-Edwin; Bonamico-Quick; Donella (with singing')-Mrs Martyr; Cassiana-Miss Platt; Katherina-Miss Stuart; Mardona-Mrs Swords; Fidelia-Miss Rowson; Eugenia-Mrs Wells. New Occasional Epilogue spoken by Mrs Wells .
Cast
Role: Ambassador Actor: Helme

Afterpiece Title: The Drummer; or, The Haunted House

Dance: In Act III of mainpiece a Grand Dana of Ladies [performers not listed]; End of mainpiece The Drunken Sailor Reclaim'd [performers not listed, but see17860304

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin-Edwin; Lavinio-Macready; Barbarino-Booth; Alberto-Thompson; Mago-Fearon; Brunetto-Kennedy; Ambassador-Cubitt; Officer-Helme; Puritan-Wewitzer; Duchess-Miss Platt; Prudentia-Miss Brangin; Flametta-Miss Stuart.
Cast
Role: Ambassador Actor: Cubitt

Dance: As17870131

Performances

Mainpiece Title: The Highland Reel

Afterpiece Title: Duke and No Duke

Performance Comment: Trapolin-Edwin; Lavinio-Macready; Barbarino-Gardner; Alberto-Thompson; Mago-Fearon; Brunetto-Evatt; Ambassador-Cubitt; Officer-Helme; Puritan-Wewitzer; Duchess-Mrs Platt; Prudentia-Miss Brangin; Flametta-Miss Stuart.
Cast
Role: Ambassador Actor: Cubitt

Dance: As17881107

Event Comment: Benefit for Hull, Mrs Litchfield & Waddy. 1st piece [1st time; C 5, by Thomas Hull. Larpent MS 1215; not published]: Altered from [The Bashful Lover, by] Massinger. [In it the playbill assigns Hortensio to Pope, but he was ill, and in his "stead Johnston read the part of Hortensio" (European Magazine, June 1798, p. 396). Prologue by John Taylor Poems (I, 60).] Morning Herald, 29 May: Tickets to be had of Hull, Duke's Court, Dean's-yard, Westminster; of Mrs Litchfield, James-street, Covent-Garden; of Waddy, No. 214, opposite Southampton-street, High Holborn. Receipts: #261 2s. 6d. (53.9.6; 4.16.6; tickets: 202.16.6; of which Hull took #72 7s.; Mrs Litchfield #60 17s., Waddy #69 12s. 6d.)

Performances

Mainpiece Title: Disinterested Love

Performance Comment: Hortensio-read by Johnston; Gonzaga (Duke of Mantua)-Murray; Uberti (Prince of Parma)-Toms; Alonzo-Whitfield; Bellario-Clarke; Octavio-Hull; Manfroy-Davenport; Ambassador-Powel; Alberto-Claremont; Bernardo-Thompson; Lorenzo (Duke of Tuscany)-Holman; Ascanio-Mrs Litchfield; Beatrice-Mrs Platt; Gentlewoman-Miss Leserve; Matilda (Princess of Mantua)-Mrs Pope.
Cast
Role: Ambassador Actor: Powel

Afterpiece Title: Starboard Watch

Afterpiece Title: The Highland Reel

Entertainment: Monologue.Preceding 1st piece: a new Occasional Prologue-Holman

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text: T. N. Longman and O. Rees, 1800. Miss Waters is identified in the Songs]: The Scenes, Music, Machinery, Dresses, and Decorations are all entirely new. The Music composed by Mazzinghi and Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, Backmore, &c. [based on drawings of Indian scenery by Thomas Daniell]. The Machinery and Decorations by Cresswell, Sloper, Goostree, &c. The Dresses by Dick and Mrs Egan. Books of the Songs, also describing the Scenes and Spectacle of the Return from the Tiger Hunt, to be had at the Theatre, price six pence. "The whole [forms] an exhibition of the utmost grandeur...The expense attending the decoration must have been immense...The dailogue is certainly not of the first description of writing, but it forms, on the whole, a very safe vehicle for some of the best music the English stage has for some time been able to boast"(Morning Herald, 13 Nov.). Account-Book, 27 Dec.: Paid Cuthbert for Wheels, &c. for the Elephants #13 18s. Receipts: #364 7s. 6d. (363.19.6; 0.8.0)

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Performance Comment: Europeans- Incledon, Johnstone, Bologna Jun., Claremont, Clarke, Wilde, Gray, Curties, Whitmore, Blurton, Silvester,Little, Fairclough, Linton Jun., Smith, Hitchcock, Sawyer, Master Little, Master Ramage, Master Bernard, Master Platt [Miss Mitchell, Mrs Mills; Indians- [H. Johnson, Munden, Townsend, Emery, Hill, Farley, Klanert, Abbot, Thompson, Street, Russel, Tett, Linton, Everett, Oddwell, ThomasKenrick, Master Sawyer, Master Speare, Master Slape, Master Goodwin, Master Standen [Mrs Chapman, Miss Sims, Miss Gray, Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton, A Young Lady (1st appearance on any stage [Miss Waters]); [Cast from Songs (T. Rickaby, 1798), and playbill of 24 Oct. 1799: [Europeans. Sidney-Incledon; Liffey-Johnstone; Officers-Bologna Jun., Clarke, Curties, Whitmore, Blurton, Silvester; English Prisoners-Claremont, Wilde, Gray; Eliza-Miss Mitchell; Margaret-Mrs Mills; [Indians. Zemaun-H. Johnston; Chellingoe-Munden; Holkar-Townsend; Rajah-Emery; Govinda-Hill; Officer-Farley; Guards and Attendants-Klanert, Abbot, Thompson; Soldiers-Street, Russel, Tett, Everett, Oddwell, Thomas; Indian Officer-Linton; Alminah-Mrs Chapman; Agra-Miss Sims; Orsana-Miss Gray; Women of the Zenana-Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton; Zelma-Miss Waters. [Little-Master Platt, Kenrick-Master Standen are unassigned.]

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Performance Comment: End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.]This was included in all subsequent performances.]

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: A Gallimaufry

Afterpiece Title: The Princess of Georgia

Performance Comment: Principal Characters by Incledon, Munden, Fawcett, H. Johnston, Townsend, Simmons, Clarke, Miss Waters, Mrs Chapman, Miss Sims, Mrs H. Johnston. [Cast from Larpent MS: Giobar-Incledon; Morad-Munden; Acba-Fawcett; Daracardin-H. Johnston; Iskouriah-Townsend; Nainda-Miss Waters [in MS: Mrs Atkins]; Zara-Miss Sims; Illidia-Mrs H. Johnston [in MS: Mrs Pope]; unassigned-Simmons, Clarke, Mrs Chapman; Ambassadors and Suite from Armenia-Dyke, Hawtin, Abbot, Wilde, Blurton, Street, L. Bologna; Ladies of the Harem-Ms Gilbert, Ms Leserve, Ms Norton, Ms Masters, Ms Lloyd, Ms Burnett, Ms Walcup, Ms Blurton.
Event Comment: The King's Company. For the identification of this play and details of its performance, see W. J. Lawrence, "Foreign Singers and Musicians at the Court of Charles II," Musical Quarterly, IX (1923), 217-25, and James G. McManaway, "Entertainment for the Grand Duke of Tuscany," Theatre Notebook, XVI (1961), 20-21. The Travels of Cosmo the Third [Monday 3 June 1669 NS; Monday 24 May 1669 OS]: In the afternoon his highness left home earlier than usual to make his visits, that he might be at the King's Theatre in time for the comedy, and a ballet set on foot and got up in honor of his highness by my Lord Stafford, uncle of the Duke of Norfolk. On arriving at the theatre, which was sufficiently lighted on the stage and on the walls to enable the spectators to see the scenes and the performances, his highness seated himself in a front box, where, besides enjoying the pleasure of the spectacle, he passed the evening in conversation with the Venetian ambassador, the Duke of Norfolk, Lord Stafford, and other noblemen. To the story of Psyche, the daughter of Apollo, which abounded with beautiful incidents, all of them adapted to the performers and calculated to express the force of love, was joined a well-arranged ballet, regulated by the sound of various instruments, with new and fanciful dances after the English manner, in which different actions were counterfeited, the performers passing gracefully from one to another, so as to render intelligible, by their movements, the acts they were representing. This spectacle was highly agreeable to his highness from its novelty and ingenuity; and all parts of it were likewise equally praised by the ladies and gentlemen, who crouded in great numbers to the theatre, to fill the boxes, with which it is entirely surrounded, and the pit, and to enjoy the performance, which was protracted to a late hour of the night (pp. 347-48). In BM Add. Mss. 10117, folio 230, Rugge's Diurnall states that towards the end of May 1669 Cosmo, Prince of Tuscany had several plays acted for him

Performances

Mainpiece Title: Psyche; Or, Love's Mistress

Event Comment: Lady Anne Howe to the Countess of Rutland, [18 Dec. 1681]: I have seene but one play since I came, but I must goe to one to see [the Russian Ambassador] sure he cannot live long, for he makes noe thing of a pint of brandie at a draught with a spoonful of white pepper in it (HMC, Rutland MSS., Report XII, Appendix, Part V, p. 63)

Performances

Event Comment: Luttrell, A Brief Relation, I, 157. The 10th, the Moscovite ambassador had his audience of leave of his majestie, and during his stay here he has been severall times at the playhouses

Performances

Event Comment: The Duke's Company. CSPD, Charles II, 1682, p. 24: Jan. 12. By the Russian? ambassador's particular command a play called the Tempest was played yesterday, at which he was present

Performances

Mainpiece Title: The Tempest

Event Comment: The King's Company. CSPD, Charles II, 1682, p. 24: 12 Jan. 1681@2: On Friday the second part of the Siege of Jerusalem is acted by his [Russian ambassador's] particular command and on Monday he goes home

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian, Part Ii

Event Comment: [The King's Company. CSPD, Charles II, 1682, p. 28: 14 Jan. 1681@2. This evening the Morocco ambassador with all his attendants will be treated at the King's playhouse with a play that has relation to that country, viz., Caius Martius with dancing and volting

Performances

Mainpiece Title: The Ingratitude Of A Common-wealth

Event Comment: The King's Company. The date of the premiere is not certain. This performance is known from an entry in the Newdigate newsletters, which also states that Rollo was to be acted on the following Monday. If this statement is accurate, the performance of The Loyal Brother on 4 Feb. 1681@2 may be the third night rather than the opening performance. Newdigate newsletters, 4 Feb. 1681@2: On Monday morn [the Moorish Ambassador] & ye Comers meet to conclude ye treaty and in ye afternoon goes to see Rollo D. of Normandy at ye Ks playhouse wre ye K was this afternoon to see ye new play calld ye Loyall brothr (Wilson, More Theater Notes from the Newdigate Newsletters, p. 59). The Prologue and Epilogue were printed separately and have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 70-72. Luttrell acquired his copies (Huntington Library) on 7 Feb. 1681@2. In The Life of John Dryden (Chapel Hill, 1961), Charles E. Ward believes (pp. 166, 355) that The Loyal Brother was first acted in the autumn of 1681; but the entry in the Newdigate newsletters seems to make February 1682 the more probable time

Performances

Mainpiece Title: The Loyal Brother; Or, The Persian Prince

Event Comment: The King's Company. Newdigate newsletters, 4 Feb. 1681@2: On Monday morn [the Moorish Ambassador] & ye Comers meet to conclude ye treapy & in ye Afternoon goes to see Rollo D. of Normandy at ye Ks playhouse (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: Rollo, Duke Of Normandy

Event Comment: The Duke's Company. True Protestant Mercury, 17-20 May 1682: On Thursday the Ambassador from the King of Bantam was entertained with a play called the Libertine Destroyed at the Duke's Theatre. [See also Luttrell, A Brief Relation, I, 187, and Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59

Performances

Mainpiece Title: The Libertine Destroyed

Event Comment: BM Egerton 1628, Diary of Edward Southwell: Saw the Morocco Ambassador at the Play

Performances

Mainpiece Title: Omment

Event Comment: Newsletter, 24 Nov. 1691: This afternoon the Morocco ambassador was present at the acting of a play called The Emperor of the Moon (HMC, Hastings MSS. [1930], II, 332)

Performances

Mainpiece Title: The Emperor Of The Moon