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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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12591 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $Mr C. <span class=
We found 9641 matches on Event Comments, 3145 matches on Performance Comments, 1214 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.

851
14 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for Baddeley. 3rd piece [1st time; F 2 (?), author unknown. Public Advertiser, 16 Apr. has synopsis of plot; assigns Toby Todman-This piece has reference to a prize-fight, on which thousands of pounds were said to have been wagered, which took place at Odiham, Hants, on 9 Jan.]. Public Advertiser, 25 Mar.: Tickets to be had of $Baddeley">R. Palmer; Billy Dibley-$Bannister Jun.; and lists, unassigned: Mr Stockfield, Sir William Matchem, Mr Harland, Lucetta. Not in Larpent MS; not published. This piece has reference to a prize-fight, on which thousands of pounds were said to have been wagered, which took place at Odiham, Hants, on 9 Jan.]. Public Advertiser, 25 Mar.: Tickets to be had of $Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #323 11s. [107.6.0; 10.2.6; 0.13.6; tickets: 205.9.0) (charge: #109 4s. 2ds.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: (End of Act I of mainpiece) Jewish Education

Afterpiece Title: 'Tis an Ill Wind Blows Nobody Good; or, The Road to Odiham

Dance: End: a Minuet-Master D'Egville, Miss Blanchet

852
08 May 1767 @ Drury Lane Theatre

Event Comment: Benefit for Aickin and Mrs Lee. House Charges #33 8s. Rec'd stopages #2 13s. (Treasurer's Book). Tickets deliver'd by Sg Giorgi and Miss Berkley will be admitted. Neville MS Diary: Went to ye Pit to see 2nd part of Henry IV. [Comments on performances of individual characters in general.] Falstaff very well by Love. This last uses his eyes with great propriety in this and many other characters....Pistol by Baddeley (King should have played it)

Performances

Mainpiece Title: King Henry Iv, Part Ii

Performance Comment: King-Powell; Prince of Wales-Aickin, 1st time; Prince John-J. Palmer; Moldy-Moody; Pistol-King; Gloster-J. Burton; Doll Tearsheet-Mrs Lee; Achbp York-Havard; Clarence-Mas. Cape; Chief Justice-Bransby; Westmorland-Burton; Hastings-Ackman; Lord Bardolph-Fawcett; Feeble-Weston; Justice Shallow-Yates; Justice Silence-Rooker; Poins-Packer; Page-Miss Rogers; Hostess-Mrs Bradshaw; Falstaff-Love [Public Advertiser assigns Pistol-$Baddeley.]
Cast
Role: Hastings Actor: Ackman
Role: Public Advertiser assigns Pistol Actor: Baddeley.

Afterpiece Title: The Capricious Lovers

Dance: End: A Minuet-Miss Giorgi, Miss Collett Scholars to Sg Giorgi; End I of the Farce: Hearts of Oak, as17670212, but-Grimaldi, Mrs King

853
02 March 1799 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Edward Morris. Prologue by Charles Morris; Epilogue by George Colman, ynger (see text)]: With new Dresses and Decorations. Morning Chronicle, 14 Mar. 1799: This Day is published The Secret (2s.). Receipts: #371 18s. 6d. (319.17.0; 49.14.6; 2.7.0)

Performances

Mainpiece Title: The Secret

Performance Comment: Characters-R. Palmer, Barrymore, Dowton, C. Kemble, Suett, Bannister Jun., Wathen, Archer, Maddocks, Fisher, Evans, Ryder, Webb, Hollingsworth, Mrs Powell, Mrs Jordan, Miss Pope. [Cast from text (T. Cadell Jun. and W. Davies [1799]), and playbill of 16 Nov. 1799: Sir Harry Fleetly-R. Palmer; Mr Dorville-Barrymore; Mr Torrid-Dowton; Henry Torrid-C. Kemble; Lizard-Suett; Jack Lizard-Bannister Jun.; Ralph-Wathen; Frank-Archer; Steward-Maddocks; Servants-Fisher, Evans, Ryder, Webb; Bailiff-Hollingsworth; Lady Esther Dorville-Mrs Powell; Rosa-Mrs Jordan; Susannah Lizard-Miss Pope; Prologue-C. Kemble; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at the 1st 9 performerces only (see17990327] .These were spoken, as here assigned, at the 1st 9 performerces only (see17990327] .

Afterpiece Title: Feudal Times

854
11 November 1775 @ Drury Lane Theatre

Event Comment: Queen Mab is reviv'd with Alterations and Additions particularly Grand New Scene with a Representation of a Regatta very well executed but is too much like The Naval Review (Hopkins Diary). [MacMillan's note from Hopkins differs slightly. He also adds from the Public Advertiser, 13 Nov., The last grand scene is a Representation of the whole Regatta sailing by Ranelagh. That and the Red House were invented and drawn by Mr deLoutherberg, and painted by Messrs French, deRoy, Greenwood, and others."] Rec'd stopages #11 12s. 6d. Paid Salary list #626 16s. 6d. Receipts: #152 12s. (Treasurer's Book). [Fuller descriptions of the Regatta scene appeared in the Westminster Magazine for Nov.: The Scene affords a picturesque view of the Thames on the Surry Side to Ranelagh Gardens representing the procession of barges etc., of the different squadrons, previous to their landing the company. The effect produced by this united scenery and machinery was very pleasing; every barge appeared to be rowed to the time of the band of music which is supposed to be upon the water, and evepy man and oar keeps a regular stroke: the sky, flat behind, was finely designed and executed for the general relief, and disposition of the men and boats near shore, in the foreground, was beautiful and did the painter great credit. The whole concluded with a Tar 's song in character, by Mr Bannister, and a dance by sailors and their doxies.'

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Queen Mab

855
18 April 1776 @ Drury Lane Theatre

Event Comment: House (Hopkins Diary). Afterpiece: For the last time this season. [Public Advertiser, 20 April: The following Accident happened at Drury Lane on Thursday in the Entertainment of the Jubilee. As Mr Hurst and Mr Palmer were representing the characters of Posthumus and Iachimo in the Fighting Scene where they were engag'd with extreme violence, the former narrowly escaped losing his eye from a severe wound in the temple."] Paid Richard Barnard for detecting a pickpocket 10s. 3 extra trumpets #1 2s. 6d. Receipts: #121 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Jubilee

856
19 December 1757 @ Covent Garden

Event Comment: Benefit for a Family Under Misfortunes (Public Advertiser). Benefit for Mrs Lewis. Receipts: #54 3s. 6d. Income from Tickets #82 17s. (boxes 195; pit 146; gallery 122). Charges #84. Paid Hardgreaves (Smith) for grates, &c. for the dancing room, #6 11s. 6d. (Account Book)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Englishman Returned from Paris

Dance: FFingalian Dance, as17571013

857
27 December 1776 @ Covent Garden

Event Comment: Mainpiece: Never Performed There. On account of the Additional Airs, contracted into 3 Acts. [Public Advertiser, 30 Dec., notes that the principal omission was the conspiracy of Alonzo, Antonio, &c., and that the Masque in Act IV was removed to the concluding scene of the play.] With New Dresses, Scenery and Decorations. The Music by Purcell, John Christopher? Smith, Dr Arne and Fisher. [In afterpiece the playbill retains Delpini as Pierrot, but "[Hull] made an apology for the illness of Delpini, telling the audience that the Signor had hurt himself so much the preceding evening in performing the part of Pierrot that he could not come out of his room; the managers therefore hoped that the audience would accept of Wewitzer in the character" (Morning Chronicle, 28 Dec.). The playbill also adds Wewitzer as the Gardener; this part was perhaps omitted.] Paid Enderby, Oil Merchant, #258 17s. Receipts: #245 18s. (244.15; 1.3)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Hull; Ferdinand-Mattocks; Stephano-Wilson; Trincalo-Quick; Caliban-Dunstall; Gonzalo-Fearon; Alonzo-L'Estrange; Sebastian-Robson; Antonio-Booth; Master-Thompson; Boatswain-Bates; Miranda-Miss Brown; Juno-Miss Dayes; Ceres-Miss Valois; Ariel-Mrs Farrell.
Cast
Role: Juno Actor: Miss Dayes

Afterpiece Title: Harlequin's Frolicks

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

858
05 June 1781 @ King's Theatre

Event Comment: Opera [1st time; Past 3, author unknown]. The music [to Part I] composed by Giovanni Battista? Bianchi, [to Part II by] Rauzzini, [to Part III by] Giordani. With Grand Chorusses. With new Decorations devised and painted by Novosielski, and new Dresses. The Side-boards, with a cold Collation and all sorts of Wines, at 12 o'clock. The Performance under the direction of Vestris Sen., and to conclude with a Ball. Tickets, at 2 Guineas each, are ready to be delivered at the Office in Union-court, where Boxes may be taken. No Masks will be admitted. The Doors will be opened at 9:00, and the Performance to begin at 10:00. Books of the Performance will be given out (gratis) at the Theatre. Morning Herald, 7 June: The Omaggio, or homage paid by the vassals and tenants to their Lord, is naturally calculated to give free scope to lively, and sentimental music. In the former stile Bianchi and Giardini [sic] were equally succesful; and in the latter Rauzzini was surprisingly great, both as composer and performer...Slingsby would, in our opinion, have come out with as great a share of applause as the best of them, having to go through an English dance in his own stile, but by some unaccountable accident...the music-band stopped short when he was in the very climax of his exertions. The scenes are in the rural stile, with the addition of natural trees, flowering shrubs, &c., set in the neatest order...The company did not begin to move till about four, and by five the rooms were cleared. Public Advertiser, 7 June: The Vestris' gave incontrovertible proof of the variety of their powers...They did more, they shewed what this country had never seen-the possibility of presenting to the eye a large and extensive stage filled with dancers all in motion at the same time

Performances

Mainpiece Title: L'omaggio

Dance: Incident to the piece: Ballets by Vestris Sen.-Vestris Sen., Vestris Jun., Simonet, Slingsby, Traffieri, Zuchelli, Henry, Mme Simonet, Mlle Baccelli, Sga Crespi, Sga Zuchelli, Miss Stageldoir, Miss Armstrong

859
09 November 1771 @ Drury Lane Theatre

Event Comment: Rec'd Stopages #18 14s. Paid Salary list--#496 18s. 6d; Mrs Abington on cloaths acct #2; Paid balance of Mr D. Garrick's Night 2nd inst. #118 14s. 6d. (Treasurer's Book). Receipts: #183 7s. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Cautherly; Polonius-Baddeley; Laertes-Brereton; Claudius-Jefferson; Ghost-Bransby; Horatio-Packer; Osric-Dodd; Rosencrans-J. Aickin; Guildenstern-Fawcett; Marcellus-Ackman; Player King-Keen; Lucianus-Hartry; Gravediggers-Parsons, Waldron; Player Queen-Mrs Johnston; Ophelia-Mrs Morland; Gertrude-Mrs Hopkins.
Cast
Role: Marcellus Actor: Ackman

Afterpiece Title: The Institution of the Garter

860
20 December 1790 @ Covent Garden

Event Comment: [Fennell had acted Douglas at Edinburgh on 5 July 1788, and perhaps Previously.] Afterpiece [1st time: P 2, by Charles Bonnor and Robert Merry. Larpent MS 886; not published. Synopsis of action in Universal Magazine, Dec. 1790, pp. 321-23. Author of Prologue unknown]: Interspersed with Dialogue, Airs, Duettos, Chorusses, Dances, &c. &c. &c. The Scenery, Machinery, and Decorations entirely new, and painted by Richards, Carver, Hodgins, Pugh, Malton, with many Assistants [including W. Hamilton (European Magazine, Dec. 1790, p. 468]. Among others will be exhibited the following Scenes taken from accurate Drawings made on the Spot: The Jacobines Convent, Rue St. Honorie; Places de Greve; Inside of the Hotel de Ville; View of the New Bridge called Pont Louis Seize; Fountain des Innocens; Palais Bourbon; View of the Champ de Mars, with the Grand Pavillion preparatory to the Festival; A Grand Assembly; View of the Triumphal Arch, prepared for the Procession to the Champ de Mars; Perspective View of the Champ de Mars, with the Bridge of Boats. With an exact Representation of the Banners, Oriflammes, &c. &c. in the Grand Procession to the Champ de Mars. The Whole to conclude with a Representation of the Grand Illuminated Platform, as prepared by the City of Paris, on the Ruins of the Bastille, for the Entertainment of the Provincial Deputies, and the Public. [The above has reference to the "Grand National Fete" held in Paris, 14 July 1790, in commemoration of the first anniversary of the fall of the Bastille. It is included in all subsequent playbills.] The Dances [composed] by Byrn. The Music composed and compiled [from Reeve and Naumann] by Shield. The Dresses all Characteristically French and New. Books of the Songs, &c. with a short Description of the Performance [T. Cadell, 1790] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 11 Jan. 1791: Paid Bonnor #200. Receipts: #316 16s. (296.14; 20.2)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

861
20 December 1793 @ Covent Garden

Event Comment: [Fennell had acted Douglas at Edinburgh on 5 July 1788, and perhaps Previously.] Afterpiece [1st time: P 2, by Charles Bonnor and Robert Merry. Larpent MS 886; not published. Synopsis of action in Universal Magazine, Dec. 1790, pp. 321-23. Author of Prologue unknown]: Interspersed with Dialogue, Airs, Duettos, Chorusses, Dances, &c. &c. &c. The Scenery, Machinery, and Decorations entirely new, and painted by Richards, Carver, Hodgins, Pugh, Malton, with many Assistants [including W. Hamilton (European Magazine, Dec. 1790, p. 468]. Among others will be exhibited the following Scenes taken from accurate Drawings made on the Spot: The Jacobines Convent, Rue St. Honorie; Places de Greve; Inside of the Hotel de Ville; View of the New Bridge called Pont Louis Seize; Fountain des Innocens; Palais Bourbon; View of the Champ de Mars, with the Grand Pavillion preparatory to the Festival; A Grand Assembly; View of the Triumphal Arch, prepared for the Procession to the Champ de Mars; Perspective View of the Champ de Mars, with the Bridge of Boats. With an exact Representation of the Banners, Oriflammes, &c. &c. in the Grand Procession to the Champ de Mars. The Whole to conclude with a Representation of the Grand Illuminated Platform, as prepared by the City of Paris, on the Ruins of the Bastille, for the Entertainment of the Provincial Deputies, and the Public. [The above has reference to the "Grand National Fete" held in Paris, 14 July 1790, in commemoration of the first anniversary of the fall of the Bastille. It is included in all subsequent playbills.] The Dances [composed] by Byrn. The Music composed and compiled [from Reeve and Naumann] by Shield. The Dresses all Characteristically French and New. Books of the Songs, &c. with a short Description of the Performance [T. Cadell, 1790] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 11 Jan. 1791: Paid Bonnor #200. Receipts: #316 16s. (296.14; 20.2)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

862
15 December 1757 @ Covent Garden

Event Comment: Benefit for the Lying In Hospital, Aldersgate St. Receipts: #76 15s. Income from Tickets #80 11s. (boxes 114; pit 273; gallery 111). Charges #84 (Account Book). Tomorrow the First Part of King Henry IV. [A long plea for attendance at this performance appeared in the Public Advertiser: "It affords me the greatest satisfaction when I peruse your paper, and find so many advertisements for charitable Benefits at the Theatres; which must greatly add to the Entertainment of the Stage, when we are sensible that the profits are to be appropriated towards the relief and support of the Indigent and distress'd; for the refief of whom, it must (at the same time it gives us secret pleasure) raise the astonishment of foreigners to see so many charitable piles raise their benevolent roofs in and about this great Metroplis. Amongst which I must beg leave to recommend to the Public, the City of London Lying In Hospital in Aldersgate Street (for the Benefit of which the Play of the Conscious Lovers will be performed this evening at Covent Garden); whose charitable doors have been opened for the relief of a much greater Number since the late dearth of Provisions, than its Annual Income (being supported by voluntary contributions) can possibly support, without further aid from the Public." The plea continues by emphasizing the need for expert and tender care for pregnant women, and by pointing out the satisfaction British sailors will have in knowing their wives may be delivered in this hospital.] [The Occasional Prologue (Written by Mr Lockman, Secretary to the Society of Free British Fisheries) was published in the Public Advertiser on 16 Dec.: @"Not sweeter Joy the wond'ring Indian feels,@When his far dazzling Glory Sol reveals@Than warms my heart at this auspicious Sight,@The splendid Audience of this cheerful night."@ Much emphasis on the misery of child-bearing, yet the need for a large population "to a commercial land." Also included was the Epilogue, by Lockman, "Intended for Mrs Hamilton," ending, "May each youth, here, breathe Bevil's gen'rous flame@Each virgin merit Indiana's fame."

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lethe

Dance: FFingalian Dance, by Desire, as17571013

863
18 September 1773 @ Drury Lane Theatre

Event Comment: Doors open at 5 o'clock. Play to begin at 6 o'clock. Prices: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places to be had of Mr Johnston at the Stage door. [Customary note, repeated.] Rec'd Mrs Groath's one year's rent to Xmas last #3; Paid Renters #8 (Treasurer's Book). This regular expenditure was made nightly for the 189 acting nights of the season, as well as for the 11 nights on which Oratorio's were given in the Spring. The total amount came to #1600. No further note will be made of this item this season. The Westminster Magazine this month, reiterated its doleful cry "that the stage is on its decline." In a long article on "Stage Effect, or Dramatic Cookery," it concluded that our "Theatrical managers and even our Theatrical Critics seem to have resolved all the merit of dramatic composition into stage trick, and rest their criterion of Dramatic Genius on the knowledge of what they are pleased to call Stage effect." The "Theatre" article for the month remarked upon the boldness of Garrick's opening with the Beggar's Opera, "notwithstanding he was requested by the Bench of Justices at Bow-Street, to suppress it, as they were of opinion it had done a great deal of mischief among the low class of people." Lloyd's Evening Post, 17 Sept., included extracts from letters against playing the Beggar's Opera, "because every performance makes from one two twenty thieves." Sir John Fielding and his associates had addressed a letter to Garrick requesting him not to perform the opera for the same reason. The Morning Chronicle, 23 Sept., praised Garrick for not complying with the Justices' request. Wm Augustus Miles published a Letter to Sir John Fielding occasioned by his extraordinary Request to Mr Garrick for the suppression of the Beggar's Opera (44 pp.). In this he vindicated the moral effect of the opera.] Receipts: #158 (Treasurer's Book). [Note: For perform ance at hay 18 and 20 September, see Season of 1772-1773, p. 1740

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Vernon; Peachum-Moody; Ben Budge-Ackman; Lockit-Bransby; Filch-Parsons; Beggar-Waldron; Player-Wheeler; Lucy-Mrs Wrighten; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Bradshaw; Polly-Mrs Smith; In III, a Hornpipe-Atkins; To Conclude with a Country Dance-.
Cast
Role: Ben Budge Actor: Ackman

Afterpiece Title: High Life below Stairs

Performance Comment: Sir Harry's Serv't-Parsons; Duke's Serv't-Palmer; Young Lovel-Cautherly; Philip-Baddeley; Freeman-Fawcett; Kitty-Miss Pope; Robert-Ackman.
Cast
Role: Robert Actor: Ackman.

Dance: II: The Irish Fair-Atkins, Mrs Sutton

864
30 October 1773 @ Drury Lane Theatre

Event Comment: Rec'd Stopages #29 10s. 6d.; Paid salary list #522 18s.; Mr King 29 nights additional salary (29th inst. incl.) #14 10s.; Mr Loutherbourg's draft #120. Receipts: #241 15s. 6d. (Treaurer's Book)

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John Brute-Garrick; Heartfree-Aickin; Constant-Cautherly; Razor-Baddeley; Lady Fanciful-Mrs Abington; Lord Rake-Ackman; Belinda-Mrs Robinson, first time; Lady Brute-Miss Younge; Col. Bully (with a Song)-Vernon; Justice-Bransby; Mademoiselle-Mrs Bradshaw.
Cast
Role: Lord Rake Actor: Ackman

Afterpiece Title: A Trip to Scotland

865
02 February 1774 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted in 7 years. [See 20 Feb. 1767.] Mr Barry being ill Mr Palmer play'd the Bastard--with applause $Mrs Barry not so well in Constance as was expected (Hopkins Diary). Paid properties #2 8d. Receipts: #162 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King John

Performance Comment: King John-Reddish; Hubert-Aickin; Pembroke-Brereton; Essex-J. Bannister; Prince Henry-Everard; Faulconbridge-W. Palmer; Bastard-Palmer; King Philip-J. Aickin; Dauphin-Diamond; Prince Arthur-Master Blanchard; Chatillon-Davies; Duke of Austria-Keen; Citizen-Hurst; Heralds-Ackman, Wright; Queen Eleanor-Miss Sherry; Blanch of Spain-Miss Jarratt; Lady Faulconbridge-Mrs Johnston; Constance-Mrs Barry; Pandulph-Bransby; Salisbury-Packer.
Cast
Role: Heralds Actor: Ackman, Wright

Afterpiece Title: The Male Coquette

Performance Comment: Daffodil-Dodd; Dizzy-Waldron; Spinner-Everard; Tukely-Davies; Lord Racket-Wrighten; Sir William Wright; Sir Tan Tivy-Wheeler; Rustle-Burton; Harry-Jacobs; Waiters-Ackman, W. Palmer; Mrs Dotteral-Mrs Davies; Widow Damply-Mrs Johnston; Lady Pewit-Mrs Bradshaw; Sophia-Mrs Greville, first time; Arabella-Miss Hopkins.
Cast
Role: Waiters Actor: Ackman, W. Palmer

866
04 October 1774 @ Drury Lane Theatre

Event Comment: Introductory Interlude played By Particular Desire. Hamlet Mr Smith B[ad] (Hopkins Diary). [Kemble's note "Mr Smith Hamlet-very dull and heavy" (Hopkins MS Notes).] Paid Madlle Hidou on Acct #63. Receipts: #135 5s. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Meeting of the Company

Performance Comment: As17740917, but Parts-Wrighten, _Hurst, +Griffiths, _Ackman.
Cast
Role: Parts Actor:
Role: Prompter Actor: Ackman

Afterpiece Title: The Elopement

Cast
Role: Parts Actor: King, Weston, Parsons, Aickin, Hurst, Bransby, Wright, Ackman, Miss Platt. Bayes-King
Role: Prompter Actor: Ackman

867
21 January 1764 @ King's Theatre

Event Comment: By Command of their Majesties. The great concourse of people at this theatre before the usual time of opening the doors, having been so great as to overpower the persons who were placed to receive the tickets; and as many were forced into the Theatre without an opportunity of paying for their admittance, Mr Giardini is under the greatest concern lest offence should be taken by those not being able to get in, who had sent for tickets to this office. He has given orders that those tickets shall be admitted tomorrow, as the opera of Siroe (by particular desire) is to be performed (Public Advertiser, 23 Jan.). [Pickpockets, including one former soldier, took three diamond earrings, and one hair-ornament set with brilliants, from members of the audience on this night (Daily Advertiser). Found, a new Silver Sword in the Opera House Lobby on S. 21 Jan.; the Owner, by describing the Sword-Knot, may, on applying to the Orange-Woman at the House, have it restored (Daily Advertiser, 24 Jan.).] Lost on going to the Opera a Brilliant Diamond Cross composed of nine brilliants, by Lord Conyngham. Reward of 10 Guineas for Return (Public Advertiser, 23 Jan.)

Performances

Mainpiece Title: Leucippo

Dance: As17640114

868
12 May 1795 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue and Epilogue by the author (Knapp, 269, 221)]: With new Dresses, &c. Morning Chronicle, 12 Oct. 1795: This Day is published First Love (2s.). Receipts: #266 7s. 6d. (205.4.0; 52.2.0; 9.1.6)

Performances

Mainpiece Title: First Love

Afterpiece Title: The Adopted Child

869
21 December 1771 @ Drury Lane Theatre

Event Comment: For the Benefit of the British Lying In-Hospital for Married Women in Brownlow Street, Long Acre (Hopkins). Paid Salary list #501 13s. 6d.; Mrs Abington cloaths acct #2; Mrs S. French, 6 days #1 10s.; Mrs Weston 29 nights at 2s. 6d. per night #3 12s. 6d. Rec'd stopages #10 10s. (Treasurer's Book). Receipts: #180 10s. 6d. Charges #84. Profit to hospital #96 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest

Cast
Role: Caliban Actor: Ackman

Afterpiece Title: The Register Office

Performance Comment: As17711209, but to avoid confusion full cast listed: Irishman-Moody; LeBrush-Palmer; Gulwell-Packer; Harwood-J. Aickin; Williams-Ackman; Brilliant-Fawcett; Frankly-Davies; Frenchman-Baddeley; Scotsman-Love; Marjorie Moorpout-Mrs Love; New Character-Miss Pope.
Cast
Role: Williams Actor: Ackman

870
12 May 1772 @ Drury Lane Theatre

Event Comment: Benefit for Jefferson. Mainpiece: Not played in 12 Years. [See 16 May 1760.] Paid half year's cleansing & Lighting to Lady Day Last for St Martin's #10 2s. (Treasurer's Book). Receipts: #116. Charges: #64 4s. Profit to Jefferson: #51 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Quaker Of Deal; Or, The Humours Of The Navy

Performance Comment: Mizen-King; Worthy-Reddish; Flip-Jefferson; Rovewell-a Young Gentleman; Cribbage-Keen; Easy-Ackman; Sir Charles-Palmer; Indent-Griffith; Drawer-Burton,[J.]; Cockswain (song)-Bannister; Sailors-Waldron, Jacobs, Fawcett, Wright, Hartry, W. Palmer; Dorcas Zeal-Miss Young; Belinda-Miss Rogers; Jenny Private-Miss Platt; Arabella Zeal-Mrs Abington; Sir Charles-Palmer; Jiltup-Mrs Bradshaw.
Cast
Role: Easy Actor: Ackman

Afterpiece Title: The Register Office

Cast
Role: Williams Actor: Ackman

871
27 April 1773 @ Drury Lane Theatre

Event Comment: Benefit for Palmer. Mainpiece: Not acted these 3 years. [See 21 Nov. 1769.] Paid half year's land and window tax for St Martin's to Lady Day last #38 4s. 4d. (Treasurer's Book). Receipts: #157 6s. 6d. Charges: #67 19s. 6d. Profits to J. Palmer: #89 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Earl of Essex-Barry; Southampton-Palmer; Queen-Mrs Hopkins; Rutland-Mrs Barry; Nottingham-Mrs Egerton; Burleigh-Packer; Raleigh-Hurst; Lieutenant-Ackman.
Cast
Role: Lieutenant Actor: Ackman.

Afterpiece Title: Harlequin's Invasion

Cast
Role: Forge Actor: Ackman

Dance: IV: A Comic Dance, as17730325

Entertainment: End: Bucks have at ye all-Palmer

872
03 October 1759 @ Haymarket Theatre

Event Comment: To the Printer of the Public Advertiser: Sir, On seeing the Burletta of Galligantus at the little theatre in the Haymarket, I was agreeably surprised to see a performance of the kind carried on in so genteel a manner, no way inferior to any opera; and after the nicest inspection of the whole performance, I have the pleasure to inform the Nobility, Gentry, &c., I found all the performers were English, their Dresses very completely adapted, their voices excellent, and their actions quite genteel and comic, their music charming and set without the assistance of any Foreigner, it being composed by Mr J@@D@@, a Native of Ireland, whose excellency in that art needs no encomium. I am, yours A True Briton

Performances

873
30 October 1766 @ King's Theatre

Event Comment: VViscomica to the Printer of the Public Advertiser: As burlettas have been laid aside some years, and they are a species of entertainment I am particularly fond of, as there is vivacity in the music, and great humour and satire in the performance, I was much pleased with the thoughts of being as well entertained as I had heretofore been; and more so when I found I could gain admittance to so good a place for hearing, for the trifling sum of three shillings; a place in which I never dared to shew my face before, not being on a footing with the riotous company that used to be admitted there, to attend their several masters' call; a nuisance, from which I rejoice the managers have at length, after so many hints and solcitations, found out a method to deliver their audience. I remember to have seen a darkish way down a flight of steps to a dismal winding staircase, which I was told led to the footman's gallery, and, supposing that the road I was to take on this occasion, was very agreeably undeceived by being shewn up about halfway to the five shilling gallery, and by a turn through an arch introduced to a new and convenient staircase leading to this region of the gods, where I was surprised to find myself arrived before I thought I was half-way up. The managers have indeed made this place very neat and commodious, by rendering the descent much less steep, lowering and matting the benches, painting and lighting the whole place; so that I found myself as much at my ease there, as in any other part of the house, and much better situated than I had expected; likewise, by their following Mr Garrick's example, in removing the pendant lustres, and lighting after the foreign manner, you have a full view of the whole stage; by which the magnificance appears greatly increased. The performance was beyond my expectations, as I think the performers excel any in their way which have appeared in this country; but I need not expatiates upon a subject the town in general have been, or I dare say will be, as good judges of as yours, &c

Performances

874
02 July 1772 @ Mary-le-Bone Gardens

Event Comment: Proprietor of Marlebone Gardens, Mr Arnold, summoned to Bow St. to pay penalty of #5 for causing Fireworks to be made contrary to the Act of 9th and 10th of William III. Opinion of the Bench he was not fineable (Public Advertiser). Letter to Garrick in consequence of his moving the Court of the King's Bench for leave to file an information against author of Love in the Suds &c. will shortly be publish'd by D. Kendk. Was publish'd 7 July Folio 2s. 6d. an quarto 1s. 6d. 2nd edn. (Winston MS 10, from Burney News Clippings.

Performances

875
14 March 1780 @ Covent Garden

Event Comment: Benefit for Henderson. Ode: With the Songs, Chorusses, &c. The Music by Dr Arne. "When I recited Mr Garrick's Ode in a private room, I felt what I said, and I believe gave it some effect. Very different was it upon the stage. My feelings were weakened and confounded by the band, my voice lost its scale, and was overpowered by the music in the orchestra" (Ireland, p. 47). Public Advertiser, 26 Feb.: Tickets to be had of Henderson at his house, Great Buckingham-street, York Buildings. [His 1st appearance as Sir John Brute was at Bath, 1 Jan. 1774.] Receipts: #234 13s. 6d. (charge:#105). Account-Book notes that Henderson sold 319 tickets for the boxes and 85 for the pit, together worth #92 10s., and that tickets sold at the doors were worth #142 3s. 6d

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: An Ode by Garrick

Dance: As17790922