Event Comment: Afterpiece: Not acted these 6 years. [See 11 May 1772.] [Young gentleman identified by Hopkins MS Notes. Genest, V, 517, also calls attention to the fact that the text lists Douglas as Norval and Old Norval as Stranger (1757) or Prisoner (1768). Webster first named as Douglas on bill for 27 Feb. 1776. Review of Webster's acting appeared in the Westminster Magazine for Jan.: "His person is rather elegant; his voice is full and harmonious, his pronunciation distinct and correct, and his delivery graceful and unembarassed. Those are his excellencies, and considering it was his first performance, he seems to possess them in a degree far superior to the various candidates for theatrical fame which the managers of both houses have brought forward for some years past. On the other hand he is aukward, and in some parts unanimated. His arms are too long, or he flung them about in a very disgusting manner. He seemed to express the sense of his author much better than his own feelings. His voice though full, wants variety and modulation; not but on some occasions he managed it with infinite grace and judgement. But if this want of variety of tones and extent of voice, which is so indispensibly necessary to constitute a first rate actor, be not the effect of Nature, the Public may behold with less anxiety their decayed veterans giving nightly proofs of their increasing infirmities, and quick approaching theatrical dissolution."

Event Comment: Benefit for Brereton. Mainpiece: Not acted these 9 years. [See 26 Nov. 1766. MacMillan's note from Kemble: "A Young Gentleman (Francis Rundell) appeared in Alcanor.-A tall aukward figure-spoke sensibly-and came off with applause," does not appear in Hopkins Diary.] Receipts: #63 6d. Charges: #69 13s. Deficit to Brereton: #6 12s. 6d. (Treasurer's Book)

Event Comment: Benefit for Mrs Pitt and Young

Event Comment: Benefit for Grimaldi & Hurst. Public Advertiser, 21 Apr.: Tickets to be had of Grimaldi, Little Piazza, Covent Garden. [Younger was from the Manchester theatre.] Receipts: #217 0s. 6d. (46.14.0; 17.17.6; 0.0.0; tickets: 152.9.0) (charge: #65 16s. 6d.)

Event Comment: Benefit for Wilson. 1st piece [1st time; prel I (?)]: A Tragical Tragedy, altered [probably by Richard Wilson] from Fielding's Pasquin. In the Tragedy will be introduced the Triumphal Entry of the Queen of Ignorance. 2nd piece: In 3 acts. [This play is by Thomas Baker; it is not TUNBRIDGE Wells; or, A Day's Courtship, by Thomas Rawlins, the younger.] 3rd piece [1st time; M. INT I, author unknown. Words printed complete in Public Advertiser 19 Aug. 1782]

Event Comment: Mainpiece: Never acted here. [The playbill lists R. Palmer as Rodolpho in mainpiece, and as Young Clackit in afterpiece, but he "was prevented appearing either in the tragedy or entertainment, having had the misfortune to break his arm" Chondon Magazine, July 1784, p. 75). For Egan and Riley as his substitutes see 14 July. Miss Woollery is identified on playbill of 24 July. Prologue by George Colman, the elder (Colman, Prose, III, 254). Miss Kemble was from DL.]

Event Comment: Mainpiece: Not acted these 4 years [acted 28 Dec. 1787. Toms is identified in Morning Herald, 22 Sept. 1795: A Mr Toms made a probationary essay last night in the character of Romeo. The bills erroneously announced it as his first appearance on this stage [cg]; for his unsuccessful attempt in Young Norval [i.e. Douglas], about five years ago, on the same boards, is perfectly within our recollection. London Chronicle, 22 Sept. 1795, also refers to Toms as Douglas. European Magazine, Oct. 1790, p. 305, gives the name as Turner, but in Oct. 1795, p. 273, states that Toms performed on one night only "a few years since."]. Afterpiece [1st time; BALL. P 2 (?), by James Byrne, based partly on his Nootka Sound, and in May 1793 agin altered as The Shipwreck; or, French Ingratitude. Not in Larpent MS; not published; synopsis of action in Diary, 5 Oct.]: A Ballet Pantomime, with new Scenes, Dresses, and Decorations. The Overture and Music compiled by Byrne, from Haydn, Rochefort, Pleyel, Gyrowetz, Reeve, Pieltain, Dibdin. The new Music by Shield. On account of some Scenes which are introduced from the Entertainment of Nootka Sound (performed last Season [on 4 June 1790]) Half Price will be taken. [This alludes to the custom of not llowing half-price during the run of entirely new pantomimes.] Paid Brodie, for Stoves for the Theatre, #19 8s. Receipts: #207 8s. 6d. (201.16.0; 5.12.6)

Event Comment: Benefit for Incledon [who had 1st acted Young Meadows at Bath, 24 Oct. 1789]. Oracle, 2 May: Tickets to be had of Incledon, No. 19, Martlet-court, Bow-street. Receipts: #278 0s. 6d. (126.11.0; 3.18.0; tickets: 147.11.6)

Event Comment: Benefit for Miss Chapman. [In 1st piece the Young Lady is identified in Morning Herald, 20 May, only as "Niece to the late Alexander Fordyce, Esq., and a pupil of the veteran Macklin."] Morning Herald, 10 May: Tickets to be had of Miss Chapman, No. 33, Norfolk-street, Strand. Receipts: #199 8s. 6d. (62/4/0; 10/12/6; tickets: 126/12/0)

Event Comment: [In mainpiece the playbill retains Lewis, but "Lewis being indisposed, Knight on Tuesday evening appeared as his substitute in Young Rapid" (True Briton, 19 Jan.).] Receipts: #437 16s. (431.1; 6.15)

Event Comment: [Miss Molini is identified in MS list in Kemble playbills of new performers for this season.] "Mrs Jordan...has taken considerable pains with a young lady of the name of Moline [sic], who, under her tuition, has frequently performed at Richmond theatre" (Monthly Visitor, Feb. 1798, p. 175). Receipts: #209 (120.15.6; 85.1.6; 3.3.0)

Event Comment: [Afterpiece in place of The Honest Thieves, advertised on playbill of 17 Sept.] "The shameful neglect of Whitfield in the etiquette of dress in the character of Hastings must not pass unnoticed. He came on arranged in every point for the drawing-room, although he is supposed to be on his journey, and is informed by his companion Young Marlow that they must change their travelling dresses...An audience must naturally look to the Manager for due observance of stage decorum...and we trust that on future occasions the actor will not be allowed to sport with propriety by any fantastical display of his own, which is in direct oppostion to the character he ought to represent, and to the text with which he must be acquainted" (Times, 20 Sept.). Receipts: #197 1s. 6d. (186.0.6; 11.1.0)

Event Comment: The Duke's Company. For details of the acting by young members of the company, see 21 March

Event Comment: The Duke's Company. Pepys, Diary: I alone out and to the Duke of York's play-house, where unexpectedly I come to see only the young men and women of the house act; they having liberty to act for their own profit on Wednesdays and Fridays this Lent; and the play they did yesterday, being Wednesday, was so well-taken, that they thought fit to venture it publickly to-day; a play of my Lord Falkland's called The Wedding Night, a kind of tragedy, and some things very good in it, but the whole together, I thought, not so. I confess I was well enough pleased with my seeing it: and the people did do better, without the great actors, than I did expect, but yet far short of what they do when they are there, which I was glad to find the difference of

Event Comment: TThe Eunuch of Terence...by the young Gentlemen...under the Care of Mr Pearce.-Daily Post, 23 Nov

Event Comment: Benefit Young