SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "ye King"/1) | (@(roleclean,performerclean) "ye King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2738 matches on Performance Comments, 2724 matches on Performance Title, 1942 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Containing the Distresses and Death of King Henry VI; the Artful acquisition of the Crown by King Richardv; the Murder of young King Edward V, and his brother in the Tower; The landing of the Earl of Richmond, and the death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. With many other Historical passages. [This descriptive passage accompanies all notices of the play this season and will not be recorded here further.

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-Garrick; Richmond-Havard; King Henry-Berry; Buckingham-Mills; Duke of York-Miss Cibber; Queen-Mrs Roberts; Lady Anne-Mrs Mills; Duchess of York-Miss Bennett; Stanley-Winstone; Lord Mayor-Taswell; King Edward V-Mrs Ridout; Tressel-Turbutt; Ratcliff-Woodburn; Norfolk-Blakes; Catesby-Marr; Lieutenant-Ray; Oxford-Green; Tirrel-Vaughan; Forest-Gray; Dighton-Wright; Blunt-Raftor.
Cast
Role: King Henry Actor: Berry
Role: Buckingham Actor: Mills
Role: King Edward V Actor: Mrs Ridout

Song: II: Song-Beard

Music: IV: Concerto-Veracini

Dance: V: Grand Serious Ballet, as17421005

Event Comment: Benefit for Havard. Fairy Tale deferr'd, Miss Wright ill. This morning Mr Obrien was married to Lady Susan Strangeways. Mr Powell made an Apology & Mr King play'd his part in the Farce. N.B. This Night Mrs Yates sent me word She could play no more this Season (Hopkins). Mr Obrien married, cou'd not come. Mr King play'd his Part Mr I. Palmer King's (Cross Diary). Mr O'Brien being married this morning to Lady Susan Strangeways [sic] after the Play Mr Powell made apology that Mr O'Brien had sent word he was not able to do his part [Lovel], and that Mr King had undertaken it at every short warning, and hoped for their indulgence.-Mr J. Palmer did Mr King's part [Sir Harry's Servant]. This Night Mrs Yates gave notice she could play no more this season (Hopkins Diary-MacMillan). Receipts: #214 2s. (MacMillan); charges: #64 4s. [Profit to Havard: #149 18s.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: High Life below Stairs

Performance Comment: As17631029, but Lovel-King; Sir Harry's Servt-J. Palmer. [See note below.]See note below.]
Cast
Role: Lovel Actor: King
Role: Sir Harry's Servant Actor: King

Dance: End: The Irish Lilt, as17630922

Event Comment: Benefit for King. The Play was very Imperfect. Bon Ton is a Comedy in Two Acts. Written 15 or 16 years ago Mr G. out of Friendship for Mr King gave it him to get up for his Benefit-It was verY well perform'd & receiv'd with the highest Applause (Hopkins Diary). Mainpiece: Not acted these 16 years. [See 29 Jan. 1759.] Part of Pit laid into boxes. Paid 4 days salary, list #377 4s.; J. French on acct #5 5s.; Mr Carter in full for Music for Rival Candidates #42 (Treasurer's Book). [Rather unfavorable review of Bon Ton in Westminster Magazine for March. Ascribes it to Burgoyne, with touches form Garrick.] Receipts: #291 2s. 6d. Charges: #66 7s. 6d. Profits to King: #224 15s. (Treasurer's Book)

Performances

Mainpiece Title: Measure For Measure

Performance Comment: Duke-Smith; Claudio-Reddish; Angelo-Palmer; Escalus-J. Aickin; Clown-Parsons; Provost-Davies; Friar Peter-Usher; Elbow-Wright; Barnardine-Keen; Abhorson-Carpenter; Lucio-King; Mariana-Miss Hopkins; Juliet-Miss Platt; Mistress Overdone-Mrs Bradshaw; Francisca-Mrs Johnson; Isabella-Mrs Yates.
Cast
Role: Lucio Actor: King

Afterpiece Title: Bon Ton; or, High Life Above Stairs

Performance Comment: Parts by King, Dodd, Parsons, Baddeley, Burton, Brereton, Lamash, Wheeler, Miss Pope, Miss Platt, Mrs Abington, Prologue-King; Sir John Trotley-King; Lord Minikin-Dodd; Davy-Parsons; Col. Tivy-Brereton; Jessamy-Lamash; Mignon-Burton; Lady Minikin-Miss Pope; Gymp-Miss Platt; Miss Titup-Mrs Abington; Riffle-Baddeley; Whisp-Wheeler (the parts of Riffle and Whisp removed after 1st performance) (Genest, V, 449).
Cast
Role: Prologue Actor: King
Role: Sir John Trotley Actor: King
Event Comment: Benefit for Palmer [whose 1st recorded appearance as King Richard was at Canterbury, 8 Mar. 1780]. Morning Herald, 26 Aug.: Tickets to be had of Palmer, No. 39, Great Pultney-street, Golden-square

Performances

Mainpiece Title: The School Of Shakespeare; Or, Humours And Passions

Performance Comment: Given in a regular representation of several of his most favourite and capital Scenes. With Scenery and Dresses suited to the Characters and their situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify in the strongest colours of our immortal Bard, Cruelty, Vanity, Ambition, Rusticity, Tyranny-; [Act I. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Palmer; Anthonio-Aickin; Bassanio-C. Kemble; Gratiano-R. Palmer; Portia-Mrs Kemble; [Act II. Vanity, in the First Part of Henry IV [parts of II. iv]. Sir John Falstaff-Fawcett; Prince of Wales-Palmer Jun.; Francis (for that night only)-Bannister Jun.; [Act III. Ambition, in King Henry the Eighth [parts of III. ii]. Cardinal Wolsey (1st time)-Palmer; King Henry-R. Palmer; [Act IV. Rusticity, in As You Like it [III. iii]. Touchstone-Bannister Jun.; Audrey-Mrs Harlowe; [Act V. Tyranny, in King Richard the Third [parts of I. ii; II. ii; and V]. King Richard (1st time)-Palmer; King Henry-Aickin; Richmond (1st time)-Palmer Jun.; Lady Anne-Miss Logan.
Cast
Role: King Henry Actor: R. Palmer
Role: King Richard Actor: Palmer
Role: King Henry Actor: Aickin

Afterpiece Title: The Hodge Podge; or, A Receipt to make a Benefit

Afterpiece Title: The Son-in-Law

Song: In 2nd piece: Mad Bess (in character)-Miss Leak; a Welch Song (in character)-Mrs Bland; The Waiter-Fawcett

Entertainment: In 2nd piece: Imitations-Caulfield

Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Performance Comment: Downes (Roscius Anglicanus, p.24): King-Betterton; Wolsey-Harris; Duke of Buckingham-Smith; Norfolk-Nokes; Suffolk-Lilliston; Cardinal Campeius, Cranmur-Medburn; Bishop Gardiner-Underhill; Earl of Surry-Young; Lord Sands-Price; Queen Catherine-Mrs Betterton.
Cast
Role: King Actor: Betterton
Role: Duke of Buckingham Actor: Smith
Event Comment: Mainpiece: Not acted these Six years [8 April 1735]. Containing the Distresses and Death of King Henry VIv. The artful acquisition of the Crown by King Richardv. The Murder of Young King Edward Vv and his Brother, in the Tower. The Landing of the Earl of Richmondv, and the Death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. [This customary description appears in all subsequent notices.

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-Ryan; King Henry-Bridgwater; Richmond-Hale; Buckingham-Cashell; Prince Edward-Mrs Vincent; Duke of York-Miss Morrison; Tressel-Chapman; Stanley-Rosco; Norfolk-Stephens; Lord Mayor-Marten; Lieut. of Tower-Stevens; Catesby-Gibson; Ratcliff-Harrington; Oxford-Bencraft; Blunt-Clark; Tyrrel-Stoppelaer; Forrest-Vaughan; Queen Elizabeth-Mrs Pritchard; Lady Anne-Mrs Horton; Duchess of York-Mrs Mullart.
Cast
Role: King Henry Actor: Bridgwater
Role: Buckingham Actor: Cashell

Afterpiece Title: The Necromancer

Event Comment: Benefit for Powell. Ladies send Servants by 3 o'clock (playbill). Othello (for first time) Mr Powell. This Night there was the greatest over flow ever known. the Crowd was so great it prevented the Ladies from coming into the Boxes till near Seven o clock at half past Six begun the play. As the Ladies were not come into the Boxes, being prevented by passage being Stopt up by the Crowd the Gentlemen Cry'd out. off off &c. Mr King & Mr Havard remaind on the Stage some time but the Noise increasing. Mr King address'd the Audience & told them it would be equally agreeable to the performers to stay half an hour longer, upon which there was a great Clap & the Curtain was drop'd & a quarter before Seven begun the play again. N.B. The Farce was hiss'd all thro'(Hopkins). This night one of the greatest overflows that ever was known. The crowd was so great it preventdd the ladies from coming to their places in the boxes till near seven o'clock-At half past six the play began, and in the first scene they cried Off, off.' Mr King and Mr Havard remained on the Stage some time; but the noise increasing, Mr King went forward and said, It would be equally agreeable to the performers to stay half an hour longer, before they began-upon which there was a great clap, and the curtain was dropped; and in about a Quarter of an hour began the play again (Hopkins Diary-MacMillan). Receipts: #268 11s. (MacMillan). charges. #64 9s. [Profit to Powell: #204 2s.

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Powell (first time); Iago-Havard; Cassio-Palmer; Roderigo-King (first time); Desdemona-Mrs Yates (first time); Emelia-Mrs Hopkins; Ludovico-Packer; Montano-Mozeen; Gratiano-Parsons; Messenger-Ackman; Brabantio-Burton; Duke-Bransby.
Cast
Role: Roderigo Actor: King

Afterpiece Title: Thomasand Sally

Dance: The Irish Lilt, as17630922

Event Comment: New Scenes, Dresses, Machinery and other Decorations. Book of the Entertainment to be had at 1s. 6d. at Theatre. A Dramatic Romance by David Garrick, Music composed by Michael Arne. Gave King's Footmen and Chairmen #4 4s.; Queen's ditto; Dukes of York and Gloucester ditto (Treasurer's Book). [A memorandum dated 22 August 1766 (Folger Library, Garrick Album, 520 MS, Cage) explains that Michael Arne was to compose the Music for Cymon, and as compensation shall be intitled to and receive one third part of the profits of the three first nights which the author shall take for his own Benefits." Zachariah Stephens was witness. See 15 Jan. 1767.] Receipts: #196 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Performance Comment: Parts by King, Bensley, Parsons, Champness, Fawcett, Fox, Vernon, Mrs Abington, Mrs Baddeley, Miss Plym, Miss Reynolds, Mrs Bradshaw, Mrs Dorman, Mrs Arne. Prologue and Epilogue. The Dances-Grimaldi, Guidetti, Duquesney, Giorgi, Mrs King, Sga Giorgi, Miss Rogers, Miss Ford, Miss Collet; Cymon-Vernon; Linco-King; Merlin (Enchanter)-Bensley; Dorus-Parsons; Damon and Dorilas-Fawcett, Fox; Demon of Revenge-Champness; Sylvia-Mrs Arne; Urganda (Enchantress)-Mrs Baddeley; Fatima-Mrs Abington; Dorcas-Mrs Bradshaw; 1st shepherdess-Miss Reynolds; 2nd Shepherdess-Miss Plym; Cupid-Miss Rogers; Parts-Mrs Dorman; Prologue for New Year's Day-King; Epilogue (by George Keate)-Mrs Abington (Edition of 1767).
Event Comment: Benefit for King. Part of Pit laid into the Boxes. Mainpiece: Not performed for 10 years. [See 14 Oct. 1761. The Wishing Cap is Larpent MS 350. It discusses Fortunatus' Cap as King conceived several people would use it--the miser, the cit, the adolescent maid, the gossip, Hodge, &c.: "Thus in several spheres of life we find@Wishing appears the madness of Mankind." He closes with the Cap on his head wishing for applause.] Receipts: #207 6s. Charges: #64 9s. Profits to King: #142 15s. (Treasurer's Book)

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Maskwell-Reddish; Sir Paul Plyant-King; Careless-Palmer; Brisk-Dodd; Lord Froth-Parsons; Mellefont-Brereton; Lord Touchwood-Packer; Lady Touchwood-Mrs Hopkins; Lady Froth-Mrs Abington; Lady Plyant-Miss Younge; Saygrace-Wright; Cynthia-Miss Platt; By way of Epilogue a little piece of Descriptive Poetry (First Time) call'd The Wishing Cap-King.
Cast
Role: Sir Paul Plyant Actor: King
Role: call'd The Wishing Cap Actor: King.

Afterpiece Title: The Deuce Is in Him

Performance Comment: Mlle Florival-Miss Ambrose; Bell-Mrs Egerton; Emily-Miss Pope; Prattle-King; Col. Tamper-Palmer; Belford-Packer.
Cast
Role: Prattle Actor: King

Dance: V: Comic Dance, as17720922

Event Comment: Benefit for King. 1st piece: Altered [by MacNamara Morgan] from The Winter's Tale. 2nd piece [1st time; C 3, by Thomas King. Not in Larpent MS; not published]: An Alteration, never yet performed, of Sir John Vanburgh's [sic] Mistake. Public Advertiser, 10 Feb.: Tickets to be had of King, at his house in Gerrard-street. Receipts: #321 2s. 6d. (249.14.0; 4.8:6; tickets: 67.0.0)

Performances

Mainpiece Title: The Sheep Shearing; Or, Florizel And Perdita

Performance Comment: Florizel-Holman; Polixines-Aickin; Antigonus-Hull; Camillo-Powel; Clown-Cubitt; Autolicus (the Ballad@singing Pedler)-King; Dorcas-Miss Rowson; Mopsa-Mrs Byrne; Perdita-Miss Brunton.
Cast
Role: Autolicus Actor: King

Afterpiece Title: Lovers' Quarrels

Performance Comment: Principal Characters-King, Holman, Ryder, Farren, Rock, Thompson, Miss Chapman, Mrs Bernard, Mrs Mattocks, Mrs Pope. [Cast from playbills of 12 May and 15 Oct. 1790: Sancho-King; Don Carlos-Holman; Lopez-Ryder; Don Lorenzo-Farren; Don Alvarez-Rock; Don Felix-Thompson; Angelina-Miss Chapman; Isabella-Mrs Bernard; Jacintha-Mrs Mattocks; Leonora-Mrs Pope.]

Afterpiece Title: Bon Ton

Cast
Role: Sir John Trotley Actor: King

Dance: End 1st piece: Tamborine Dance, as17891021

Song: In II 1st piece: Come come my good Shepherds-; and trio, Get you hence!-

Entertainment: Monologue. After dancing: A Paraphrase of Shakespeare's Seven Ages (Written by the late George Alexander Stevens)-King

Performance Comment: After dancing: A Paraphrase of Shakespeare's Seven Ages (Written by the late George Alexander Stevens)-King.
Event Comment: Charles II to Madame, 10 Dec. 1663: I am just now going to see a new play (C. H. Hartmann, Charles II and Madame[1934], p. 89). The Duke's Company. W. J. Lawrence, in a review of Boswell, The Restoration Court Stage, in Modern Language Review, XXVIII (1933), 103, suggests that it was The Step-Mother which was given on this occasion. The edition of 1664 lists: The Prologue to the King at the Cockpit at White-Hall. The Epilogue to the King

Performances

Mainpiece Title: The Step Mother

Performance Comment: . Sylvanus-Sandford?; Filamor-Bettertun?; Adolph-Young?; Tetrick-Underhill?; Fromund-Price?; Crispus-Smith?; Capito-Metborn?; Gracchus-Lovell?; Sergius-Rob. Noke?; Pontia-Mrs Williams?; Caesarina-Mrs Bettertun?; Violinda-Mrs Davies?; Brianella-Mrs Long?; The Prologue to the King-; The Prologue to the Stage-; The Epilogue to the House-the Step-Mother?; The Epilogue to the King-; Instrumental Vocal Recitative Musick by Mr Lock-.
Cast
Role: The Prologue to the King Actor:
Role: The Epilogue to the King Actor:
Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Cast
Role: King Henry the Fifth Actor: Harris
Event Comment: Mainpiece containing the Distresses and death of King Henry VIv; The Artful Acquistion of the Crown by King Richardv; The Murder of Prince Edward and his Brother in the Towerv; the Landing of the Earl of Richmondv, and Death of King Richardv in the memorable Battle of Bosworth Fieldv, being the last that was fought between the houses of York and Lancaster

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-Ryan; King Henry-Hale; Richmond-Cibber; Buckingham-Cashell; Tressel-Chapman; Stanley-Rosco; Norfolk-Ridout; Catesby-Gibson; Tyrrel-Carr; Lord Mayor-Marten; Ratcliff-Anderson; Lieut-Arthur; Oxford-Bencraft; Prince Edward-Miss Hippisley; Duke of York-Miss Morrison; Duchess of York-Mrs James; Lady Anne-Mrs Horton; Queen Elizabeth-Mrs Pritchard.
Cast
Role: King Henry Actor: Hale
Role: Buckingham Actor: Cashell

Afterpiece Title: Pyramus and Thisbe

Event Comment: Benefit for Mrs Arne. Afterpiece: By Desire. House Charges #68 16s. 6d. [Profits to Mrs Arne #150 18s. 6d.] Tickets deliver'd for The Beggar's Opera will be admitted. Dido oblig'd to be defer'd a few days. Paid 1 year's Watch for St Martin's #10 2s.; Reynolds Oil bill #46 4s.; Carpue (silk dyer) #7 9s. 6d.; Jennings (glover) #13 12s.; Vernon on note #21; Chorus 1 night #2 5s. 6d.; Hautboy 5s.; Salary list #294 2s. 8d. [Treasurer's Book). Receipts: #219 14s. (Treasurer's Book). At 4 dined at the Chop House in St Clements. At 5 went to Drury Lane to see the Tempest for the benefit of Mrs Arne the prettiest performer at the house...She has a sweet little voice...A grand Dance of Fantastic Spirits in different shapes. At the end of the play a Double Hornpipe by Mr Walker and Miss Tatley. We had the entertainment of Daphne and Amintor with dancing by Sg and Sga George, Sg Tessoni, Miss King, &c. Having a seat in the third row of the Pit, was much pleased as all the principal characters were well played and the scenery is very fine. Had I been later in going, I should not have got in (Neville MS Diary)

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Havard; Ferdinand (with proper songs)-Vernon; Stephano-King; Trincalo-Yates; Caliban-Love; Ariel, 1st time (with additional songs, composed by Dr Arne)-Mrs Arne; Hymen-Kear; Ceres-Mrs Vincent; Miranda-Mrs Palmer; Grand Dance of Fantastic Spirits-; The other dances-Giorgi, Mrs King. (playbill), but Public Advertiser lists Miss Baker in place of Mrs King.
Cast
Role: Stephano Actor: King
Role: The other dances Actor: Giorgi, Mrs King.

Afterpiece Title: Daphne and Amintor

Cast
Role: Dancing Actor: Miss _Reynolds, Mrs King.

Dance: End: A Double Hornpipe-Walker, Miss Tetley

Event Comment: Doors opened at 6 o'clock. To Begin (By Particular Desire) exactly at Seven. Mainpiece: By Particular Desire. King of Denmark. Lusignan-Mr Garrick (Cross Diary). For the King of Denmark.--At a Quarter after seven, an Apology was made by Mr Holland--viz.--"The King, being detained longer than he expected, sent word to desire the play might begin as he would not by any means make the publick wait, and he would come as soon as he possibly could,--and he [Holland] desired to know the audience's pleasure whether it should begin before he came."--A great clap and cry'd "No,"--not begin till he comes"--At thirty-five minutes after seven he came, and the play began (Hopkins Diary)

Performances

Mainpiece Title: Zara

Afterpiece Title: Queen Mab

Performance Comment: Harlequin-Rooker; Pantaloon-Grimaldi; Silvio-Baddeley; Clod-Ackman; Watchman-Moody; Fairy-Miss Rogers; Maigre-Keen; Puck-Master West; Cook-Johnston; Maid-Mrs Bradshaw; Queen Mab-Miss Collett; Colombine-Mrs King.
Cast
Role: Colombine Actor: Mrs King.
Event Comment: Gave King's Footmen (by Ferry) #2 2s.; Queen's Footmen (By Rumford) #2 2s.; King's Chairmen (by Jupp) #2 2s.; Queen's Chairmen (by Webster) #2 2s. (Account Book). Receipts: #217 19s. 6d. (Account Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Smith; King-Gibson; Ghost-Bensley; Laertes-Davis; Horatio-Hull; Polonius-Shuter; Rosencraus-R. Smith; Pl. King-Redman; Guildenstern-Perry; Lucianus-Cushing; Ostrick-Dyer; Gravediggers-Dunstall, Stoppelaer; Ophelia-Miss Macklin; Queen-Mrs Ward.
Cast
Role: King Actor: Gibson
Role: King Actor: Redman

Afterpiece Title: Apollo and Daphne

Event Comment: This Comedy written by Mr Kelly was brought on the Stage by Capt. Addington as his own was well perform'd & receiv'd with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #24 12s. 6d.; Paid salary list #529 2s.; Mr King's extra salary #3; Miss Brooker, 8 weeks not on list #8. (Treasurer's Book). [Mainpiece reviewed favorably by the Westminster Magazine: "He that cannot relish such a pleasing picture of Manners with such powerful Sentiments, so interesting a Fable, and so striking a Moral, must be a churl indeed."] Receipts: #244 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Wives

Performance Comment: Parts by: King, Reddish, Moody, Brereton, W. Palmer, Mas Cape, Mrs Hopkins, Miss Jarratt, Weston, Palmer, Baddeley, Griffith, Miss Younge, Mrs Greville, Mrs Millidge, and Mrs Abington. With Prologues and an Epilogue. Gen Savage-King; Belville-Reddish; Torrington-Weston; Connoly-Moody; Leeson-Palmer; Capt. Savage-Brereton; Spruce-Baddeley; Ghastly-W. Palmer; Servants (?)-Griffith, Mas. Cape; Mrs Bellville-Miss Younge; Miss Walsingham-Mrs Abington; Lady Rachel Mildew-Mrs Hopkins; Mrs Tempest-Mrs Greville; Miss Leeson-Miss Jarratt; Maid-Mrs Millidge; With Prologue-King; Epilogue-Mrs Abington (Edition of 1774).
Cast
Role: Gen Savage Actor: King
Role: With Prologue Actor: King

Afterpiece Title: Polly Honeycomb

Event Comment: Paid 3 day's salary at #100 12s. 6d. per diem #301 17s. 6d. Salaries short-paid last week #168 8s. 6d.; Tabor and Pipe #3 13s. 6d. Louchre [Lauchery] #8 8s. Mr Abington #2; Mr King #3; (Treasurer's Book). [The payment to King was the first of 37 similar ones for extra salary amounting to #111. That to Mrs Abington was the first of weekly payments for her clothes account, amounting to #60 for the season. No further mention will be made of these items.] Receipts: #265 9s. 6d. (Treasurer's Book). [From the Middlesex Journal (7-9 Oct.) quoted by Hampden, Eighteenth Century Journal: "The Way of the World, though confessedly replete with wit and character, is not the most entertaining play in representation. It is so full of plot and intrigue, that it demands an Unusual degree of attention in the performers and audience to excite admiration. On Saturday they seemed averse to assist the author. Mr King in Witwou'd was as entertaining and full of spirits as usual. Mr Jefferson in the gay admired Mirabel (independent of the antique mode of his wig, and formal cut of his clothes, which surely were both uncharacteristic) seemed in attempting to be quite natural, to keep the entire plot of the play in his own bosom, looked more like the father than the Mirabel of Congreve. Mr Reddish was a contrast to his friend Mirabel; he seemed attentive nervous, and played the latter part of his character well....Mrs Abington's person, manner and dress were fashionable and elegant; but though the character was certainly a fine one, there was a want of that spirit best calculated to call her powers into action: her delivery was tediously formal; and had the audience been deprived of their sight they would conclude that Capt. Bobadill had got into petticoats. Her dress was no more decent than Madam Hidou's was on her first appearance last year; stays so low cut before puts modesty to the blush; and will not be countenanced by an English audience, though made after the French fashion....Mrs Greville, to convince the town that she could keep a secret, whispered it to only a few friends in the Pit....her indifference is intolerable, and should be noticed by her employer."

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Fainall-Reddish; Mirabel-Jefferson; Petulant-Baddeley; Sir Wilful-Yates; Witwou'd-King; Waitwell-Parsons; Lady Wishfort-Mrs Hopkins; Mrs Marwood-Miss Sherry; Mrs Fainall-Mrs Greville; Foible-Mrs Davies; Mincing-Miss Platt; Millamant-Mrs Abington; in Act III, a Cantata-Mrs Scott.
Cast
Role: Witwou'd Actor: King

Afterpiece Title: The Theatrical Candidates

Cast
Role: King Actor: J. Aickin

Afterpiece Title: The Deserter

Event Comment: Mainpiece: Not acted these 20 years. [See 11 Nov. 1752.] Characters New Dressed in the Habits of the Times. This play is alter'd by Mr Colman and receiv'd with Some Applause, but it don't seem to hit the present Taste a few hisses at the End (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid salary list #630 1s. 6d.; Widow Hunter #2 2s.; King's glass bill #3 17s. 6d. (Treasurer's Book). [Mainpiece reviewed and contrasted with the original in the Westminster Magazine for Jan.: "Upon the whole we cannot esteem this a striking comedy, even with the assistance it has now received,--the fine manner in which it is got up, and the great expence which the managers have been at in habiting the whole dramatis personae in splendid and characteristic Old English dresses. All the actors except Mr King and Mr Parsons performed but indifferently. Bensley is the worst Old Man we ever saw. He presents the countenace of a sickly old woman; and the uniform goggle of his eye, by which he means to express infirmity and distress is the look of a man in anguish from the colic. Mr Palmer, Mr Brereton, and Mr Davis have a bloated vulgarity about them, which should ever deter the manager from assigning them the parts of cavaliers or men of fashion. Baddeley, as usual, overdid his part, and Mr Yates, as usual, was not very perfect in his."] Receipts: #192 11s. (Treasurer's Book)

Performances

Mainpiece Title: Epicoene; Or, The Silent Woman

Performance Comment: Parts by: King, Bensley, Palmer, Parsons, Brereton, Baddeley, Davies, Yates, Mrs Hopkins, Miss Sherry, Mrs Davies, Miss Platt, Mrs Millidge, and Mrs Siddons. With a New Occasional Prologue-Palmer; Morose-Bensley; Truewit-Palmer; Sir Amorous-King; Capt. Otter-Yates; Sir John Daw-Parsons; Cutbeard-Baddeley; Dauphine-Brereton; Clerimont-Davies; Mrs Otter-Mrs Hopkins; Lady Haughty-Miss Sherry; Centaur-Mrs Davies; Mavis-Miss Platt; Trusty-Mrs Millidge; Epicoene-Mrs Siddons (Genest, V, 484).
Cast
Role: Sir Amorous Actor: King

Afterpiece Title: The Jubilee

Event Comment: Mainpiece [1st time; C 5, by Richard Brinsley Sheridan. Prologue by David Garrick. Epilogue by George Colman elder (London Chronicle, 9 May). Text 1st published (unauthorized), Dublin, 1780]: With New Scenes and Dresses. "No modern theatrical piece ever met with a fuller success, nor deserved it more... The performers deserve every sort of commendation for their spirited exertion in supporting the respective characters, especially Smith, King and the incomparable Mrs Abington" (Gazetteer, 9 May). "To my great astonishment there were more parts performed admirably in The School for Scandal than I almost ever saw in any play. Mrs Abington was equal to the first of her profession, Yates (the husband), Parsons, Miss Pope, and Palmer, all shone. It seemed a marvellous resurrection of the stage. Indeed, the play had as much merit as the actors. I have seen no comedy that comes near it since The Provoked Husband" (Walpole [13 July 1777], X, 82). Receipts: #224 10s. (215.12.0; 8.14.6; 0.3.6)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Principal Characters by King, Yates, Dodd, Palmer, Parsons, Baddeley, Aickin, Packer, Farren, Lamash, Gaudry, R. Palmer, Norris, Chaplin, Smith, Miss Pope,Miss P. Hopkins, Miss Sherry, Mrs Abington. [Cast from Public Advertiser, 9 May: Sir Peter Teazle-King; Sir Oliver Surface-Yates; Sir Benjamin Backbite-Dodd; Joseph Surface-Palmer; Crabtree-Parsons; Moses-Baddeley; Rowley-Aickin; Snake-Packer; Careless-Farren; Trip-Lamash; Sir Harry Bumper-Gaudry; Gentlemen-R. Palmer, Norris, Chaplin; Charles Surface-Smith; Mrs Candour-Miss Pope; Maria-Miss P. Hopkins; Lady Sneerwell-Miss Sherry; Lady Teazle-Mrs Abington; Prologue-King; Epilogue-Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Sir Peter Teazle Actor: King
Role: Prologue Actor: King

Afterpiece Title: The Mayor of Garratt

Event Comment: Benefit for Edwin. Afterpiece: With the Triumphal Entryv of King Chrononhotonthologos into Queerumania attended with Drums, Trumpets, Fiddles, Flutes, Fifes, Flagellets, Lutes, Bagpipes, Tabours and Pipes, Marrow-Bones and Cleavers, Post-Horns, French Horns, Cows Horns, Salt-Boxes, Broom-stickado's. The different Instruments will be played after the Manner of the Queen's Band at Queerum. The most comical Tragedy that ever was Tragedized by any comical Company of Tragedians. Public Advertiser, 23 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent-Garden

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Chrononhotonthologos

Performance Comment: Chrononhotonthologos (King of Queerumania)-Edwin; Bombardinian (his General)-Bannister Jun.; Aldiborontiphoscophornio-Moss; Ridgum@Funidos-Wewitzer; Herald-Gardner; Captain of the Guards-Phillimore; Cook-Barrett; Doctor-Ledger; King of the Fiddlers-Johnson; King of the Antipodes-Smith; Fadladinida (Queen of Queerumania)-Mrs Edwin; Tatlanthe (Favourite to the Queen)-Miss Collett; Maids of Honour-Miss Francis, Miss Palmer; Venus-Mr Mathews; Cupid-Mr Painter.

Song: End III: Four@and@twenty Perriwigs all on a Row-Edwin

Entertainment: Monologue. End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

Event Comment: Benefit for King. 2nd piece: Not acted for more than 20 years [acted 14 May 1782]. The Dialogue by Garrick and King. The Music by Michael Arne and Vernon. Tickets delivered for Friday May 5 [for which day the benefit was first announcedP will be admitted. True Briton, 6 May: Tickets to be had of King, No. 56, New Store-street, Bedford-Square. Receipts: #290 9s. 6d. (111.5.6; 58.4.6; 4.16.0; tickets: 116.3.6) (charge: #211 18s.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Performance Comment: Don Manuel-King (1st appearance in that character); Don Philip-Barrymore; Octavio-C. Kemble; Trappanti-Bannister Jun.; Soto-R. Palmer; Hippolita-Mrs Jordan; Rosara-Miss Heard; Flora-Mrs Goodall; Viletta-Miss Pope.
Cast
Role: Don Manuel Actor: King

Afterpiece Title: Linco's Travels

Performance Comment: Linco-King; Dorcas-Mrs Maddocks; Arcadians-Maddocks, Cooke, Evans, Phillimore, Welsh, Trueman, Wentworth, Ms Arne, Ms Wentworth, Ms Granger, Ms Butler, Ms Hale, Ms Stuart.
Cast
Role: Linco Actor: King

Afterpiece Title: The Smugglers

Entertainment: Monologue. End I: Kitty Conolly and Jack the Painter (Very lately Versified, and never before presented to the Public)-King

Performance Comment: End I: Kitty Conolly and Jack the Painter (Very lately Versified, and never before presented to the Public)-King.
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where two acts were almost done when I come in; and there I sat with my cloak about my face, and saw the remainder of The Mayd's Tragedy; a good play, and well acted, especially by the younger Marshall, who is become a pretty good actor, and is the first play I have seen in either of the houses since before the great plague, they having acted now about fourteen days publickly. But I was in Mighty pain lest I should be seen by any body to be at a play. Elegy on that Worthy and Famous Actor, Mr Charles Hart, who departed this Life Thursday August the 18th., 1683: @Such Pow'r He had o'r the Spectators gain'd,@As forc'd a Real passion from a Feign'd.@For when they saw Amintor bleed, straight all@The House, for every Drop, a Tear let fall;@And when Arbaces wept by sympathy,@A glowing Tide of Wo gush'd from each Eye.@ [Reprinted in Thorn-Drury, A Little Ark, pp. 47ff; Sprague, Beaumont and Fletcher, p.38.

Performances

Mainpiece Title: The Maid's Tragedy

Performance Comment: Pepys: Evadne?-Rebecca Marshall; [Downes (Roscius Anglicanus, p. 5): King-Wintersel; Melantius-Mohun; Amintor-Hart; Calianas-Shatterel; Aspatia-Mrs Boutel? [but she probably did not come on the stage until 1670]. [See also 17 Nov. 1660.but she probably did not come on the stage until 1670]. [See also 17 Nov. 1660.
Cast
Role: King Actor: Wintersel
Event Comment: The King's Company. Pepys, Diary: My wife and Willett and I to the King's playhouse, and there saw Henry the Fourth; and contrary to expectation, was pleased in nothing more than in Cartwright's speaking of Falstaffe's speech about "What is Honour?" The house full of Parliamentmen, it being holyday with them: and it was observable how a gentleman of good habit, sitting just before us, eating of some fruit in the midst of the play, did drop down as dead, being choked; but with much ado Orange Moll did thrust her finger down his throat, and brought him to life again

Performances

Mainpiece Title: Henry The Fourth

Performance Comment: [Part I] Downes (Roscius Anglicanus, p. 7): King-Wintersel; Prince-Burt; Hotspur-Hart; Falstaff-Cartwright; Poyns-Shotterel [See also 8 Dec. 1666.See also 8 Dec. 1666.
Cast
Role: King Actor: Wintersel
Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham
Event Comment: The King's Company. This performance is on the L. C. list, 5@12, p. 17: King & Queene. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Performance Comment: Edition of 1669: King-Kenniston [Kynaston]; Armusia-Hart; Rudyas-Moon [Mohun]; Christophero-Bell; Emanuel-Beeston; Soza-Burt; Pyniero-Shotterel; Pedro-Harris; Governour-Cartrite; Bakam-Watson; Syana-Grayden; Captain of Guard-Lydall; Quisara-Mrs Marshall; Quisana-Mrs Corey; Panura-Mrs Hughs.
Cast
Role: King Actor: Kenniston