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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "ye King"/1) | (@(roleclean,performerclean) "ye King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6325 results for: Keyword - ye King
We found 2738 matches on Performance Comments, 2724 matches on Performance Title, 1942 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

3201
30 March 1792 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Behold! I tell, The trumpet shall sound-Reinhold (The Messiah); Is not the King?, Nn the charmer fondly gazing-Miss Hagley (Arnold); Non vi par-Morelli, Kelly, Mrs Crouch (Sarti); Fair Rosale-Master Welsh (Linley); Softly rise-Dignum; Ye southern breezes-Chorus (Solomon, Boyce); O magnify the Lord-Mrs Crouch; Every day will I give thanks-Incledon (Coronation Anthems); Worthy is the lamb-Chorus (The Messiah).

Song: End II: Mad Bess-Mrs Crouch (Purcell)

3202
26 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (BERENICE). Come ever smiling (JUDAS MACCABAEUS). Tears such as tender (DEBORAH). For unto us a child (THE MESSIAH). Grateful hearts (NABAL). Sweep the strings; Music spread thy Voice (SOLOMON). Every day will I ([CHANDOS] ANTHEMS). For joys so vast; Happy they (JEPHTHA). From the censer (SOLOMO). PART II. Fourth Organ Concerto. Together let us range ([SOLOMON] by Boyce). The trumpet's loud; The double beat (DRYDEN'S ODE). He was eyes [SIROE]. He led tbrm thro' (ISRAEL IN EGYPT). Ye sons of Israel [JOSHUA]. Weep, Israel, weep; Go, baffled coward (SAMSON). For the Lord (THE MESSIAH). PART III. Fifth Grand Concerto. O liberty (JUDAS MACCABAEUS). Let the bright; Awake the trumpets (SAMSON). O beauteous Queen (ESTHER). Mad Bess by Mme Mara (Purcell). How willing (SAMSON). But bright Cecilia; As from; The dead shall live (DRYDEN'S ODE). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part II concerto on the organ by J. Ashley

3203
11 April 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred

Music: Principal Vocal Performers, Leader, Organ as17940307ART I. As17940326but added: He was eyes unto the blind; also O worse than death; Angels ever bright (THEODORA); omitted: Grateful hearts; For joys so vast; Happy they. PART II. As17940326but 6th violin concerto (composed by Giardini) by G. Ashley in place of Fourth Organ Concerto; added: Sweet Bird, accompanied on the violin by G. Ashley (L'ALLEGRO); also He rebuked the Red Sea (ISRAEL IN EGYPT); also In sweetest harmony; O fatal day (SAUL); omitted: He was eyes; He led them thro'; Ye sons of Israel; Weep, Israel, weep. PART III. As17940326but added to O liberty: accompanied on the violoncello by C. Ashley; to Let the bright: accompanied on the trumpet by Sarjant; also Sin not O King (SAUL); also So when the last (DRYDEN'S ODE); omitted: O beauteous Queen; The dead shall live

Performance Comment: As17940326but added: He was eyes unto the blind; also O worse than death; Angels ever bright (THEODORA); omitted: Grateful hearts; For joys so vast; Happy they. PART II. As17940326but 6th violin concerto (composed by Giardini) by G. Ashley in place of Fourth Organ Concerto; added: Sweet Bird, accompanied on the violin by G. Ashley (L'ALLEGRO); also He rebuked the Red Sea (ISRAEL IN EGYPT); also In sweetest harmony; O fatal day (SAUL); omitted: He was eyes; He led them thro'; Ye sons of Israel; Weep, Israel, weep. PART III. As17940326but added to O liberty: accompanied on the violoncello by C. Ashley; to Let the bright: accompanied on the trumpet by Sarjant; also Sin not O King (SAUL); also So when the last (DRYDEN'S ODE); omitted: O beauteous Queen; The dead shall live .

3204
28 April 1795 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Naval Volunteers; or, Britain's Bulwark

Performance Comment: in which: O why to be happy (composed by Shield)-Incledon, Bowden, Linton; Blow high blow low (composed by Dibdin)-Bowden; The Little Sailor Boy-Fawcett; Our Laws Constitiution and King (composed by Shield)-Bowden, Incledon; The Land of Potatoes-Johnstone; The Death of Admiral Benbow-Incledon; Ye Gentlemen of England (composed by Callcott)-Incledon, Townsend, Linton; To conclude with Rule Britannia-.
Cast
Role: Our Laws Constitiution and King Actor: Bowden, Incledon

Afterpiece Title: Catharine and Petruchio

Dance: In 2nd piece: Hornpipe-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I: a Representation of a Ship in Distress, in which The Storm-Incledon; In the course of the Evening: Old Towler [both]-Incledon

3205
20 February 1799 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Ariadne)-; With plaintive notes-Mrs Atkins (Samson); I feel the Deity-Bartleman; Arm arm ye brave, Ee come-Chorus (Judas Maccabaeus); Gentle airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); Mad Bess-Mme Mara (Purcell); Rule Britannia, God save the King-Chorus.
Cast
Role: God save the King Actor: Chorus.

Music: As17990213

3206
15 December 1674 @ Whitehall or St. James's

Performances

Mainpiece Title: Calisto

3207
16 February 1675 @ Whitehall or St. James's

Performances

Mainpiece Title: Calisto

Afterpiece Title: Calisto's Additional performers

3208
22 May 1677 @ Whitehall or St. James's

Performances

3209
10 November 1677 @ Whitehall or St. James's

Performances

3210
08 December 1680 @ Dorset Garden Theatre

Performances

Mainpiece Title: Lucius Junius Brutus, Father Of His Country

3211
18 April 1681 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Soldier's Fortune

3212
31 May 1682 @ Dorset Garden Theatre

Performances

Mainpiece Title: Venice Preserved

3213
09 November 1682 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Souldier's Fortune

3214
25 November 1682 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Cuckolds

3215
01 December 1682 @ Drury Lane Theatre

Performances

Mainpiece Title: The Duke Of Guise

3216
30 December 1682 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham

3217
18 January 1683 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

Mainpiece Title: Othello, Moor Of Venice

3218
08 December 1686 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

3219
21 October 1690 @ Drury Lane Theatre

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

3220
17 November 1690 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Prophetess

3221
13 August 1691 @ no theater listed

Performances

3222
01 October 1691 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

3223
09 February 1692 @ Drury Lane Theatre

Performances

Mainpiece Title: The Orphan

3224
16 February 1693 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Fairy Queen

3225
10 January 1694 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian