SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "two Masters Granier"/1) | (@(roleclean,performerclean) "two Masters Granier")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1908 matches on Performance Title, 1593 matches on Performance Comments, 1328 matches on Event Comments, 25 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Afterpiece: Not acted these two years. [See 7 April 1766.

Performances

Mainpiece Title: Barbarossa

Afterpiece Title: True Blue

Afterpiece Title: The Englishman Return'd from Paris

Event Comment: great applause to the Play (Hopkins Diary). Mainpiece: A tragedy never before acted [by Mrs Celisia]. Prologue (by Whitehead)-Reddish; Epilogue (by Garrick)-Mrs Barry. New Scenes, Dresses and Decorations (Winston MS 10). [The Gentleman's Magazine for Feb. reviewed the mainpiece in great detail, concluding: "A combat between two knights in the days of chivalry and honour, not to determine whether a person accused is innocent or guilty, but whether a person under the infamy of acknowledged guilt shall suffer, is, as the Scotch peasant says emphatically of his pupil, a phenomenon. It is, however, but justice to Mrs Barry, to say, that in performing the part allotted her in this piece, she rises like perfection out of chaos, and therefore those who have not yet seen it represented should by no means be deterred by these strictures on the composition, supposing them to be just."

Performances

Mainpiece Title: Almida

Afterpiece Title: The Lyar

Event Comment: Oratorio, composed by Mr Arnold, not performed these two years

Performances

Mainpiece Title: The Cure Of Saul

Music: As17710220

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Mirabel-Jefferson; Fainall-Reddish; Witwou'd-King; Sir Wilful Witwou'd-Love; Petulant-Baddeley; Waitwell-Parsons; Millamant-Mrs Abington; Lady Wishfort-Mrs Hopkins, first time; Mrs Marwood-Mrs Egerton; Flible-Miss Pope, for that night only; Mrs Fainall-Mrs Reddish; In Act III by Particular Desire will be introduced a French Songaccompanied by two Guittars,-Vernon, Mrs Abington.
Cast
Role: Witwou'd Actor: King
Role: Sir Wilful Witwou'd Actor: Love

Afterpiece Title: High Life below Stairs

Dance: V: Comic Dance, as17701025

Event Comment: Benefit for Cautherly. Mainpiece: Not acted these 5 years. [See 10 Dec. 1762.] Afterpiece: Not acted these two years. [See 7 April 1769.

Performances

Mainpiece Title: The Lady's Last Stake

Afterpiece Title: Florizel and Perdita

Dance: IV: Comic Dance, as17701025

Event Comment: Benefit for Dibdin. Afterpiece: A new Burletta in two Acts by Bickerstaffe. [Adaptation of Pergolesi's La Serva Padrona.] Books of the Burletta to be had at the Theatre

Performances

Mainpiece Title: The Way Of The World

Cast
Role: Witwou'd Actor: King
Role: Sir Wilful Witwou'd Actor: Love

Afterpiece Title: He Would if He Could; or, An Old Fool Worse than Any

Dance: V: A Comic Dance, as17701025

Performances

Mainpiece Title: I Viaggiatori

Performance Comment: Principal Woman, Sga Guglielmi, Two New women singers will make their appearance.

Dance: Mt Lepie, other new dancers will make their first appearance

Event Comment: Afterpiece: Not acted these 2 years. [See 2 Nov. 1770]. [N.B. a different hand appears in the Account Book for two weeks, and off and on thereafter.] Receipts: #136 1s. (Account Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Lethe

Monologue: Entertainment True Blue. As 14 Dec

Event Comment: Afterpiece: By Desire. About this time papers say inside of Foote's theatre with Dressing Room Green Room &c. is entirely pulled down to enlarge the stage which is to be nearly twice the size it was. Woodward is to exhibit two new pantomimes next summer. (Winston MS 10). Paid Printer's Bill #9 6s. (Treasurer's Book). [Treasurer's Book also indicates that this night #30 4s. of Orders were given out.] Paid 2 Clarinets 6 nights (18th incl.) #9 9s. (Treasurer's Book). Receipts: #173 2s. 6d. Ordinary charges #84. Extra for Invasion #10 10s. Profit for Author #78 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Harlequin's Invasion

Event Comment: Mainpiece: Not acted these two years. [See 30 Sept. 1769.] Receipts: #217 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Witches

Dance: III: The Sailors Revels, as17711008

Event Comment: [The bill for this night and on subsequent nights specifies the additions "Particularly two views of the Eruptions of Mount Vesuviusv." The Gentleman's Magazine this month contained a four-column review of Nipclose's The Theatres, blasting its contentions.] Receipts: #195 5s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Witches

Event Comment: Mainpiece: By Particular Desire. Afterpiece; We suppose it was reviv'd for the purpose of introducing a new scene, viz. a representation of the wonderful and surprizing feats lately performed at Stockwell in Surrey, by an invisible agent, who, we apprehend is very nearly related to the celebrated Cock-Lane Ghost of famous Memory. [See 28 Jan. 1762.] We cannot help considering it a lucky hit and we hope it will meet with encouragement, as the turning the transactions of the Stockwell Conjurer into ridicule may prevent that mysterious affair making improper impressions on the minds of the ignorant and superstitious. When considered in this light, the additional scene must be acknowledged to have merit, and, we confess, it is extremely well conducted to produce risibility (Theatrical Review, II, p. 85). [See notice of the additional scene 1 Feb. and see An Authentic...Narrative of the Astonishing Transactions at Stockwell...on the 6th and 7th days of January, 1772, containing a series of the most surprising...events that ever happened (London, 1772), with the cryptic comment upon it in the Gentleman's Magazine, Feb., p. 84, A new edition of the Cock-Lane Ghost, altered from the original of Miss Fanny, with additions but no amendments." The Gentleman's Magazine (Historical Chronicle for 6 Jan.) mentions the explosion of two powder-mills on Hounslow Heath: About the time explosion was felt at London, some families at Stockwell were terrified with the ratting and braking of their china, which they attributed to a preternatural cause. A Lady of fortune was so firmly Persuaded that some invisible agent was concerned, that she discharged her maid, whom she suspected of having an intercrouse with the wicked spirit; and when she was gone, as no mischief ensued, consoled herself that she had rid of so dangerous an intimate." See also bill for 8 Feb.] Rec'd from Condell on account of Fruit rent #20. Paid Dall on account of his salary #50 (Account Book). Receipts: #202 8s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Skeleton

Performance Comment: [with Alterations and Two Additional Scenes.]. As17720207, but add Ballad Singer-Dunstall.

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: By the Opera singers and orchestra and other celebrated performers. Part I: Overture to Le Pazzie di Orlando (Guglielmi)-; Songs-Savoi, Sga Boschett; Concerto on the Bassoon-Baumgarten; Song-Morigi (composed by Giordani); Part II: Concerto on German Flute-Tacet; Songs-Savoi, Sga Guglielmi; Solo on Violincello-Duport; Concerto on French Horn-Ponta; Part III: Concerto on Hautboy-Fischer; Songs-Sga Boschetti, Sga Guglielmi; accompanied by German Flute-; Concerto on Violin-Sga Sirmen; Favourite Overture for two Orchestras by Bach-.
Event Comment: Mainpiece: A New Tragedy never performed before. This Tragedy was written by Mr Murphy & has great Merit, it is very carefully got up & well perform'd, & receiv'd uncommon Applause Mrs Barry Display great Tragick powers & receiv'd the vast Applause She merited--She will gain great Reputation in the part (Hopkins Diary). New Scenes, Dresses, Decorations. Theatrical Review, 26 Feb.: Mrs Barry rose beyond herself, if we may be allowed the expression, in the laborious Character of Euphrasia....The scenes and decorations were well adapted to the importance of the piece. The representation of the city of Syracusev, with a view of the sea; and the Temple scene, with the mausoleum, in particular are extremely well executed, and do credit to the theatre, and honor to the artists who designed and painted them. Paid two notes for Mr J. Aickin, per order #12 1s. 8d. (Treasurer's Book). Receipts: #251 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Thomasand Sally

Event Comment: Paid Mr Chapman for horsekeeping [for Jubilee] #12 6s. (Treasurer's Book). [Published this month A Letter to David Garrick, Esq. on his conduct as Principal Manager and Actor at Drury Lane. Printed for S. Bladon. Accuses Garrick of controlling the press, save for two papers, and thus getting more favourbale treatment than his position and actions deserve. "You are a mere actor. You affect to feel where you do not, and imitate tones, looks and gestures, while your heart is at ease. This should heighten our opinion of you as an artist, whatever we might think of you as a man. I believe you are not generally judged of in this manner. It is not difficult to impose on the world." The author (David Williams?) deprecates Garrick's supposed handling of the actors of his company, and desires to see more Shakespeare. Suggests Garricks' acting perfection lies in the extreme, in exaggerated gesture, and sudden bursts of passion." Suggests he is getting old and should try his hand at Shylock.] Receipts: #271 (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Wit's Last Stake

Event Comment: [This New Comedy (by Mrs Elizabeth Griffith) seems not to have been performed this night, according to the author's Preface to her Edition of 1772. Shuter had been unattentive and absent from many rehearsals]: At length though late [in the season] a day was appointed for the representation, and on that morning Mr Shuter appeared at rehearsal, pretty much in the same state as before, and confessed himself incapable of performing his part, that night. Upon which the play was oblig'd to be further postponed, and handbills were sent about at noon, to advertise town of the disappointment....A further final day was afterwards determined on, but the audience being out of humour at their former disappointment, called Mr Shuter to account for it, on his first appearance; which threw him into such confusion, that he was not able to get the better of it, throughtout the whole performance...in the hurry of his spirits the actor not only forgot his part, the deficiency of which he endeavoured to supply with his own dialect, but also seemed to lose all idea of the character he was to perform; and made the Governor appear in a light which the author never intended: that of a mean, ridiculous buffoon. [Mrs Griffith concluded her preface by relating how her friends stood by the piece, but two or three in the gallery, when it was given out again objected and threw an apple at the chandeliers, which so perturbed the management that the play was withdrawn. She therefore published it by subscription, prefixing the names of about 440 subscribers, persons of the first quality, including James Boswell, Edmund Burke, Col. Burgoyne, the Duke of Devonshire, David Garrick, Mrs Montague, William Richardson, and a host of writers, players, and people of fashion. This list provides a pretty good roster of those who filled the boxes and part of the pit of both theatres at the time.] Paid Younger #2 2s. for the license for A Wife in the Right (Account Book). Receipts: #218 12s. (Account Book)

Performances

Mainpiece Title: A Wife In The Right

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Mainpiece: By Desire. Into afterpiece two views of Mt Vesuviusv Introduc'd Desire. [See 26 Dec. 1771.] Paid Printer's Bill #8 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: Harlequin's Invasion

Event Comment: By Command of their Majesties. [See Town and Country Magazine this month (pp. 171-72) for two columns on theatrical amusements in England: The English stage is as elegant and well conducted as any theatre in Europe, whether we consider the music, the actors, or the decorations."

Performances

Mainpiece Title: Judas Maccabaeus

Music: As17720325

Event Comment: Benefit for Mr Love. Afterpiece: By Particular Desire. Paid half year's Poor's Rate for St Martin's to Xmas last #28 5s.; Two extra hautboys 2 nights #1 (Treasurer's Book). Receipts: #187 10s. Charges: #64 11s. Profits to Love: #122 19s. (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: High Life below Stairs

Dance: III: The Sailors Revels, as17711008

Entertainment: I: (by Particular Desire) A Comic Paraphrase of Shakespeare's Seven Ages-King

Monologue: End: By particular Desire Linco's Travels. As 24 March

Event Comment: Benefit for Weston. [See Comment 24 April.] Afterpiece: A Comedy of Two Acts altered from Ben Jonson's Alchemist, by Francis Gentleman. Receipts: #242 12s. 6d. Charges: #64 13s. Profits to Weston: #177 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Tobacconist

Entertainment: Interlude. All up at Stockwell; or, The Ghost no Conjuror, a New Interlude-Characters-Weston, Bannister

Dance: After Interlude: The Sailors Revels, as17711008

Event Comment: Benefit for Miss Macklin. Mainpiece: Not acted these 3 years. [See 27 Jan. 1770.] Afterpiece: For this night only this season (playbill). Charges #64 5s. Profit to Miss Macklin #19 4s., plus #43 from 172 Box tickets. Paid Whitefield one fourth year's salary due Lady Day last #25. Paid Mr Barber for a suit of regimentals embroider'd with gold, #12 12s. Paid Lowe and Lucas (linnen drapers) #13 19s.; Paid Evans for Spermecita candles as per bill #12. Paid Barrett (wax chandler) #3 4s. (Account Book). [Miss Macklin considered this a poor benefit, and on 6 May 1772 wrote to her father about the troubles she met in getting it underway. Woodward would not play in the farce since it did not belong to the theatre and since he had not be asked before she put his name in the bills. Kniveton labored hard and did quite well as Sir Archy. Ann Pitt so ill she could not do Lady Wrangle, but Mrs Hull sat up two nights, learned the part and acted it creditably (Harvard, Memoirs of Charles Macklin, Vol. II, pt. 2, after p. 55).] Receipts: #83 9s. (Account Book)

Performances

Mainpiece Title: The Refusal; Or, The Lady's Philosophy

Afterpiece Title: Love a-la-Mode

Dance: End: A Dance in which will be an Allemande,-Hamoir, Miss Hamoir

Event Comment: Benefit for Condell, Potter and Evans (box-keepers). Charges #81 5s. Deficit to the Box Keepers #14 7s. 6d. apiece, cover'd by income from tickets: Condell #67 3s. (Box 169; Pit 116; Gallery 75); Potter #56 (Box 116; Pit 102; Gallery 117); Evans #83 13s. (Box 151; Pit 228; Gallery 117). Paid Cooper (printer) #33 10s. 6d.; Paid Richards (painter) as per bill #6 16s. 6d.; Paid Dr Arne for composing two songs one in Comus, the other in Twelfth Night #6 6s. (Account Book). Receipts: #38 2s. 6d. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Upholsterer

Dance: IV: The Lilt, as17720326

Event Comment: Afterpiece: By the Author of the Register Office [Reed]. By Permission and Particular Desire. The tragedy was originally written in Italian by Sg Fonidoso Dellarundo, of Civita Vecchia, and bequeathed by him, at his Decease, to an English Gentleman, with whom he had contracted an intimate Acquaintance. It was translated into English by the celebrated Mr Rone, and (considering the difference of the idiom between the two languages) it is thought equal at last, if not superior to the original (Public Advertiser)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Madrigal and Trulletta

Performance Comment: Parts-Davis, Griffiths, Lings, Parsons, Farrel, Vowell, Pierce, Dancer, Miss Morrison, Miss Wentworth (with songs in character), Mrs Parsons.

Entertainment: IV: Imitations Rhetorical and Vocal-Bannister; Scrub's Trip to the Jubilee-Weston

Event Comment: Afterpiece: With alterations and additions, particularly Two Views of the Eruption of Mt Vesuviusv. [See 26 Dec. 1771.] Garrick has withdrawn his motion, King's Bench (Winston MS 10). [See 2 July 1772.] Paid Mrs Abington's cloaths, 2 weeks, #2; Paid Messrs Baddeley, Jacobs, Lings & Mrs Egerton, salary short-paid last week, 18s. 6d.; Paid Mr Weston's note to Mr Spencer #10 10s. [Mrs Abington's contract seems to have included #60 for clothes which she provided for herself. The amount was paid to her in 26 weekly payments of #2 each and 10 payments of #1 each throughout the season. No further listing of this expenditure will be made.] Paid 3 days salary list at #80 16s. 1d. per diem, #242 8s. 3d.; Mr S. French, 6 days, #1 10s. (Treasurer's Book). Receipts: #162 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Witches; or, A Trip to Naples