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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "three eldest Princesses"/1) | (@(roleclean,performerclean) "three eldest Princesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1894 results for: Keyword - three eldest Princesses
We found 1260 matches on Event Comments, 484 matches on Performance Title, 175 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

826
01 October 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: The Virgin Unmask'd

827
07 October 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: The Romp

828
31 October 1791 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: Comus

829
25 September 1792 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: The Liar

830
24 September 1793 @ Haymarket Theatre

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: All the World's a Stage

831
27 September 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband; Or, The Journey To London

Afterpiece Title: Lodoiska

832
01 October 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Lodoiska

833
16 February 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Purse; Or, Benevolent Tar

Afterpiece Title: The Children in the Wood

Afterpiece Title: Lodoiska

Ballet: The Scotch Ghost. As17970105

834
28 February 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Lodoiska

Song: As17970222

Monologue: The Masque of Neptune and Amphitrite. As 22 Feb

835
02 March 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Lodoiska

Ballet: The Scotch Ghost. As17961221

836
13 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Last Of The Family

Afterpiece Title: The Fairy Festival

Afterpiece Title: Lodoiska

Dance: In 2nd piece: Dances incidental to the Piece, composed by Gentili. Principal Dancers-Gentili, Master Menage, Sga Bossi DelCaro, Mrs Wild

837
12 November 1798 @ Covent Garden

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

838
01 January 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Lodoiska

839
14 April 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Lodoiska

840
13 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: Indiscretion

Afterpiece Title: Lodoiska

841
February 1660 @ Middle Temple

Event Comment: 6 Feb. 1659@60: Music, three nights, and acting The Clown #6 (A Calendar of the Middle Temple Records, ed. Hopwood, p. 168)

Performances

Mainpiece Title: The Countryman Or Clown

842
07 August 1660 @ no theater listed

Event Comment: On this date John Rogers petitioned the King concerning his right to keep the peace at the playhouses. In Herbert, Dramatic Records, p. 84, three companies, those at the red bull, cockpit, and salisbury court, are named as currently performing

Performances

843
07 January 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: Tom and I and my wife to the Theatre, and there saw The Silent Woman. The first time that ever I did see it, and it is an excellent play. Among other things here, Kinaston, the boy, had the good turn to appear in three shapes: first, as a poor woman in ordinary clothes, to please Morose; then in fine clothes, as a gallant, and in them was clearly the prettiest woman in the whole house, and lastly, as a man; and then likewise did appear the handsomest man in the house

Performances

Mainpiece Title: The Silent Woman

844
29 January 1661 @ Salisbury Court

Event Comment: The Duke's Company. Pepys, Diary: To Blackfryars [presumably a slip for Whitefriars, Salisbury Court] (the first time I ever was there since plays begun), and there after great patience and little expectation, from so poor beginning, I saw three acts of The Mayd in ye Mill, acted to my great content. But it begin late, I left the play

Performances

Mainpiece Title: The Maid In The Mill

845
26 February 1661 @ Whitehall or St. James's

Event Comment: Edward Gower to Sir R. Leveson, 26 Feb. 1660@1: No more plays at court after this night, and but three days this week at the playhouse (HMC, 5th Report, 1876, p. 202). Boswell (Restoration Court Stage, p. 279) accepts this as evidence that a play was acted at Court on this night. As this was Shrove Tuesday, Gower's statement may well reflect the restrictions upon plays during Lent

Performances

846
22 April 1661 @ no theater listed

Performances

Mainpiece Title: The Cities Loyalty Display'd; Or The Four Famous And Renowned Fabricks

Performance Comment: in the City of London Exactly described in their several Representations, what they are, with their private meanings and perfect Actions at the day of publick View, which is not yet discovered. Together with a true Relation of that high and stately Cedar erected in the Strand bearing five Crowns, a Royal Streamer, three Lanthorns, and a rich Garland.

847
25 October 1661 @ Lincoln's Inn Fields

Event Comment: Pepys, Diary: My wife and I to the Opera, and there saw again Love and Honour, a play so good that it has been acted but three times and I have seen them all, and all in this week; which is too much, and more than I will do again a good while

Performances

Mainpiece Title: Love And Honour

848
02 April 1662 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: My wife and I by water to the Opera, and there saw The Bondman most excellently acted; and though we had seen it so often, yet I never liked it better than to-day, Ianthe [Mrs Saunderson] acting Cleora's part very well now Roxalana [Mrs Hester Davenport] is gone. We are resolved to see no more plays till Whitsuntide, we having been three days together. Met Mr Sanchy, Smithes, Gale, and Edlin at the play, but having no great mind to spend money, I left them there

Performances

Mainpiece Title: The Bondman

849
05 February 1663 @ Theatre in Vere Street

Event Comment: The King's Company. Apparently this was the premiere. Prologue: First Astrol. reads. A Figure of the heavenly Bodies in their several Apartments, Feb. the 5th half an hour after three after Noon, from whence you are to judge the success of a new Play call'd the Wild Gallant. Evelyn, Diary: I saw the Wild Gallant, a Comedy

Performances

Mainpiece Title: The Wild Gallant

850
March 1663 @ no theater listed

Event Comment: In the Prologue to The Cheats (mid-March 1663) are allusions to three plays which apparently were popular on the stage at this time: Jonson's The Silent Woman ("Sir Poll"); Jonson's The Devil is an Ass ("No little Pugge, nor Devil"); and Davenant's The Siege of Rhodes ("No tedious Sieges in the Musick-room")

Performances