SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the young DEgvilles"/1) | (@(roleclean,performerclean) "the young DEgvilles")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3160 matches on Performance Comments, 751 matches on Author, 732 matches on Performance Title, 567 matches on Event Comments, and 9 matches on Roles/Actors.
Event Comment: The Duke's Company. Pepys, Diary: With Creed, my wife, and Mercer to a play at the Duke's, of my Lord Orrery's, called Mustapha, which being not good, made Betterton's part and Ianthe's but ordinary too, so that we were not contented with it at all...All the pleasure of the play was, the King and my Lady Castlemayne wer there; and pretty witty Nell Gwin?, at the King's house, and the younger Rebecca? Marshall sat next us; which pleased me mightily. Downes (p. 26): All the Parts being new Cloath's with new Scenes, Sir William's great Care of having it perfect and exactly perform'd, it produc'd to himself and Company vast Profit

Performances

Mainpiece Title: Mustapha, The Son Of Solyman The Magnificent

Performance Comment: Downes (Roscius Anglicanus, pp. 25-26): Solyman-Betterton; Mustapha-Harris; Zanger-Smith; Rustan-Sandford; Pyrrhus-Richards; Cardinal of Veradium?-Young; Haly-Cademan; Roxolana-Mrs Davenport [presumably an error for Mrs Betterton, who is named for this role in the edition of 1668 and who is referred to (Ianthe) by Pepys on this day]; Queen of Hungaria-Mrs Davies. [Edition of 1668 adds: Achmat-$James Noke; Thuricus-$Medborn; Viche-$Aingel; Zarma-$Mrs Long; Mitza-$Mrs Norris; Cleora-$Mrs Shadwel.
Cast
Role: Cardinal of Veradium? Actor: Young
Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house, thinking as we appointed, to meet my wife there, but she was not; and more, I was vexed to see Young (who is but a bad actor at best) act Macbeth in the room of Betterton, who, poor man! is sick: but, Lord! what a prejudice it wrought in me against the whole play, and everybody else agreed in disliking this fellow. Thence home, and there find my wife gone home; because of this fellow's acting of the part, she went out of the house again

Performances

Mainpiece Title: Macbeth

Performance Comment: [Altered by Sir William Davenant.] Macbeth-Young. But see16641105.
Event Comment: Rich's Company. The date of the premiere is not known, but Cibber (see below) states that it was acted in January; the Dedication was signed 7 Feb. 1695@6, and the play was advertised in the London Gazette, No 3157, 10-13 Feb. 1695@6. Two songs were published separately: Go home, unhappy wench, set by Francks and sung by Mrs Cross and the Boy (in Thesaurus Musicus, The Fifth Book, 1696) and What an ungratefull devil moves you, set by Daniel Purcell (in Deliciae Musicae, The First Book of the Second Volume, 1696). A separately-printed sheet of the second song states that it was sung by "The Boy", Cibber, Apology, I, 212-14: The next Year I produc'd the Comedy of Love's last Shift; yet the Difficulty of getting it to the Stage was not easily surmounted; for, at that time, as little was expected from me, as an Author, as had been from my Pretensions to be an Actor. However, Mr Southern, the Author of Oroonoko, having had the Patience to hear me read it to him, happened to like it so well that he immediately recommended it to the Patentees, and it was accordingly acted in January 1695 [i.e., 1695@6]. In this Play I gave myself the Part of Sir Novelty, which was thought a good Portrait of the Foppery then in fashion. Here, too, Mr Southern, though he had approv'd my approv'd my Play, came into the common Diffidence of me as an Actor: For, when on the first Day of it I was standing, myself, to prompt the Prologue, he took me by the Hand and said, Young Man! I pronounce they Play a good one; I will answer for its Success, if thou dost not spoil it by thy own Action....I succeeded so well in both, that People seem'd at a loss which they should give the Preference to. A Comparison Between the Two Stages (1702), p. 16: Ramble: Ay, marry, that Play was the Philosopher's Stone; I think it did wonders. Sullen: It did so, and very deservedly; there being few Comedies that came up to 't for purity of Plot, Manners and Moral: It's often acted now a daies, and by the help of the Author's own good action, it pleases to this Day

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Performance Comment: Edition of 1696: Prologue By a Friend-Mr Verbruggen; Epilogue-Miss Cross who Sung Cupid; Sir Will Wisewoud-Johnson; Loveless-Verbruggen; Sir Novelty Fashion-Cibber; Elder Worthy-Williams; Young Worthy-Horden; Snap-Penkethman; Sly-Bullock; Lawyer-Mills; Amanda-Mrs Rogers; Narcissa-Mrs Verbruggen; Hillaria-Mrs Cibber; Flareit-Mrs Kent; Woman to Amanda-Mrs Lucas.
Cast
Role: Young Worthy Actor: Horden
Event Comment: [By Theophilus Cibber.] Alter'd from Shakespear. Containing the Marriages of King Edward the Fourth , and young Prince Edward , with Lady Gray , and Lady Anne . The Distresses of Queen Margaret . The Deposing King Henry the Sixth . The Battles Fought at St. Albans, Wakefield, Mortimer's-Cross, and Tewkesbury. The Deaths of Lord Clifford of Cumberland , and his Son, the Duke of York , his Steward. And many other True Historical Passages

Performances

Mainpiece Title: An Historical Tragedy Of The Civil Wars Between The Houses Of York And Lancaster In The Reign Of King Henry The Vith

Performance Comment: Cast not listed in edition of 1723, but edition of 1724 lists: King Henry-Roberts; Prince Edward-Cibber Jr; Old Clifford-Boman; Young Clifford-Wilks Jr; York-Savage; Edward-Oates; George-Parlour; Richard-Wilson; Warwick-Bridgwater; Queen Margaret-Mrs Campbell; Lady Grey-Mrs Seal; Lady Elizabeth-Mrs Davison; Lady Anne-Mrs Brett; Prologue-Th. Cibber.
Cast
Role: Young Clifford Actor: Wilks Jr
Event Comment: [Author unknown. Apparently not pubhished.] Benefit a Young Author

Performances

Mainpiece Title: The Town Airs

Performance Comment: All the Parts-young Gentlemen , who never appear'd on any Stage before; With a Prologue-; Epilogue-.

Music: Between the Acts: Select Pieces-

Event Comment: Benefit Mrs Younger. Afterpiece: At the Request of several Ladies of Quality. Never Acted there before. Written by the Author of the Beggar's Opera. Receipts: money #81 14s.; tickets #101 3s

Performances

Mainpiece Title: The Country Wife

Cast
Role: Country Wife Actor: Mrs Younger
Role: Alithea Actor: Mrs Berriman.

Afterpiece Title: The What D'ye Call It

Performance Comment: Kitty-Mrs Younger.
Cast
Role: Kitty Actor: Mrs Younger.

Dance: PPierrots-Salle, Pelling; Scottish Dance-Mrs Bullock; Grand Dance-Salle, DuPre, Moreau, Pelling, Newhouse, Mrs Laguerre, Mrs Pelling, Mrs Bullock, Mrs Ogden, Miss LaTour

Event Comment: [Sometime during last week'] the Tragedy of Junius Brutus, written by Voltaire, was acted in French by the young Gentlemen educated at the Academy in Soho Square. -Daily Advertiser, 8 Nov

Performances

Mainpiece Title: Junius Brutus

Performance Comment: Parts-Young Gentlemen.
Cast
Role: Parts Actor: Young Gentlemen.
Event Comment: Benefit Milward. For the Entertainment of the Grand Master and the Antient and Honourable Society of Free and Accepted Masons. At the Desire of the Brethren, four Rows of the Pit will be railed, at the Price of the Boxes, and kept for Masons only. Those Brethren who design to attend the Grand Master, are desired to meet by 5 o'clock, at farthest, at the Bear and Harrow in the Butcher-Row, and to come Cloath'd. Receipts: money #39 3s. 6d.; tickets #95 19s. [The Epilogue (spoken by Mrs Younger) is in Daily Post, 29 April.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Balance-Quin; Silvia-Mrs Younger; Worthy-Walker; Plume-Ryan; Brazen-Chapman; Kite-Hall; Bullock-Bullock; Recruits-Hippisley, Smith; Melinda-Mrs Bullock; Rose-Miss Holliday; Lucy-Mrs Egleton; Collier-Hippisley; Prologue-; Epilogue (suitable to the Occasion)-.
Cast
Role: Silvia Actor: Mrs Younger

Dance: I: Two Pierrots-Salle, Pelling; III: Hornpipe-Jones, Mrs Ogden; V: The Baulk-

Song: II: Laguerre; IV: Salway

Event Comment: Benefit: The Deceas'd Author's Friend or The Author [the bills vary]. A new Tragedy. [By William Bond. For a discussion of the play, see a letter from Hill to Victor, in Victor, History of the Theatres, II, 196-97. Hill states that the youth who speaks the Prologue is Harvey, a young man of eighteen or nineteen.

Performances

Mainpiece Title: The Tuscan Treaty; Or, Tarquin's Overthrow

Performance Comment: Edition of 1733 lists: Porsenna-Walker; Tarquin-Mullart; Aruns-Mrs Mullart , in Men's Clothes; Palmenio-Cole; Quintus-Lyon; Scaevola-Giles; Vario-Hale; Valeria-Mrs Bullock; Clelia-Mrs Cantrell; Drusilla-Mrs Norsa; Prologue by Aaron Hill to be spoken-a young Gentleman, a Student, at the particular Desire of the Person who brings out the Tragedy; Ephlogue-.

Afterpiece Title: The Stage-Mutineers

Dance: As17330814

Event Comment: Preface to edition of 1734: The Fourth Night a Set of about eight or ten young Fellows went to the Bedford Coffee-House ... and declared publickly that they came purposely to damn the Play, and would not leave the Play-House till they had compassed their Ends. . . . Accordingly Mr Ryan coming on to speak the Prologue, they began their Uproar, but were soon silenced, and the Prologue was heard with Applause. The Play beginning, they began again, and were so loud that Mr Ryan acquainted them, that as he could not imagine there was anything in the Play they could except against, he was apprehensive he had the Misfortune to displease them. Mr Quin then came on, and told them he found the House was divided, and as the Majority was for hearing the Play, he hop'd those who were not, would go out. The House on that were unanimous, and cry'd, Turn them out, Turn them out, but they saved the Audience the Trouble of doing it, and retired under the general Hiss of every Person then present

Performances

Mainpiece Title: The Lady's Revenge

Performance Comment: As17340109 Epilogue spoken by Mrs Younger .
Cast
Role: Betty Actor: Mrs Younger

Dance: By Malter and Mlle Salle

Event Comment: Benefit Arne and Young Master Arne. At the particular Desire of several Persons of Quality. Afterpiece: a new Masque. Alter'd from the Serenata made on the Joyous Occasion of the Royal Nuptials: With Additions. [See Love and Glory, DL, 21 March, by Phillips and Arne.] Tickets for Tench at othello taken this night

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Britannia; or, Love and Glory

Performance Comment: Britannia-Mrs Barbier; Venus-Mrs Cibber (late Miss Arne); Mars-Waltz; Mercury-Master Arne; Pallas-Miss Jones; Graces-Mrs Mason, Miss Young, Miss Oates; Shepherds-Roberts, Snider, Mountier; Followers of Mars-Kelly, Rainton, Topham; Revellers-Essex, Miss Latour; Peasants-S. Lally, Holt; Peasant Women-Mrs D'Lorme, Miss Mann; With Grand Dance in Momus: Sailor-Nivelon; Lively Lass-Miss Mann; Swains-S. Lally, Davenport, Holt; Nymphs-Miss Latour, Mrs Delorme, Mrs Davenport .

Music: Select Pieces. IV: By particular Desire, Mons Charle will perform a Solo on the French Horn, the first time of his Appearance on this Stage, and the last of his Performance in Publick during his Stay in England

Performance Comment: IV: By particular Desire, Mons Charle will perform a Solo on the French Horn, the first time of his Appearance on this Stage, and the last of his Performance in Publick during his Stay in England .

Dance: I: The Pierrots by Poitier and Nivelon. II: English Maggot by S. Lally and Mrs Walter. III: Drunken Peasant by Le Brun

Event Comment: Benefit Mrs Lampe and Miss Young

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Walker; Polly-Mrs Lampe; Lucy-Miss Young (being the first time of their attempting to speak on the stage).
Cast
Role: Lucy Actor: Miss Young

Afterpiece Title: Margery

Cast
Role: Margery Mauxalinda Actor: Miss Esther? Young

Dance: Dancing, as17390305 but Miss _Norman

Event Comment: Benefit Mrs Lampe and Miss Young. Afterpiece: Set to Musick by Mr Lampe. [Tickets at Lampe's House, Brownlow Street.

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Opera of Operas; or, Tom Thumb the Great

Performance Comment: Tom Thumb-Mrs Lampe; Queen Dollalolla-Miss Young; King Arthur-Parry; Huncamunca-Salway; Grizzle-Waltz; Giantess-Bencraft; Noodle-Roberts; Doodle-Thompson; Merlin-Leveridge.
Cast
Role: Queen Dollalolla Actor: Miss Young

Dance: In Afterpiece: A new dance-the French Boy and Girl; Scotch Dance-Glover, Mlle Roland

Event Comment: Benefit Mrs Lampe and Miss Young. Afterpiece: A new Comic-Masque of Speaking, Singing, and Dancing. The Musick composed by Mr Lampe. Receipts: money #39 8s. 6d.; seals #69 16s. (Account Book); #130 (Rylands MS.)

Performances

Mainpiece Title: The Careless Husband

Performance Comment: As17401219, but Foppington-Cibber; Edging-Miss Young.
Cast
Role: Edging Actor: Miss Young.

Afterpiece Title: The Sham Conjurer

Performance Comment: Dick Shamwell-Leveridge; Tom Dingle-Salway; Jamey Dingle-Bencraft; Innkeeper-Mullart; Bell Banter-Mrs Lampe; With Chorus of Singers-; Dancers-; in the Masque Les Matelots-Mechell, Mlle Mechell; Concluding with a new Country Dance-.
Event Comment: Afterpiece Intermixed with a pantomime in Grotesque Characters. [The Young Gentlewoman presumably Miss Faulkner; see 20 March 1746. Yet there may be some question about the identification; see 5 April 1746.

Performances

Mainpiece Title: The Silent Woman

Related Works
Related Work: Epicœne; or, The Silent Woman Author(s): George Colman, the elder

Afterpiece Title: Orpheus and Eurydice

Performance Comment: Orpheus-Beard; Rhodope-Mrs Lampe; Eurydice-A Young Gentlewoman who never appeared on any stage before; 1st Nymph, follower of Eurydice-Sga Campioni; Harlequin-Woodward; Colombine-Mrs Havard; Pantaloon-Arthur; Squire Gawky-Bencraft; Mrs Mannerly-Mrs Martin; Goody Gurton-Marten; Drudge (servant to Pantaloon)-Hippisley; Woman Dwarf-a French Boy; Country Lads-Villeneuve, Destrade, Delagarde, Dupre; Country Lasses-Mrs Duval, Mrs Phillips, Mrs LeBrun; Mrs Gondau; Rural Swain-Cooke; Nymph-Sga Campioni.
Event Comment: This comedy was wrote by Mr Moor, & except ye part of Faddle meet with Universal Applause (ye Author's first play) (Cross). New Scenes and Cloaths (General Advertiser). This C. was written by Moore--it is a good play--it was acted 11 times successively--Garrick's peculiar qualifications and happy use of them, added amazing spirit to the piece, and gave more consequence to Young Belmont than can well be imagined--Macklin, who never had in voice, figure or features much capacity for the fop cast, yet struck out some things in Faddle, that have not been since equalled, particularly in marking the obsequious knave throughout--Barry in the fourth act supported his character with emphatic dignity and in the last with melting tenderness--the part of Rosetta was undoubtedly conceived for Mrs Woffington, and she did it particular justice--the elegance, the notions of love, and the vanity of admiration, which are united in Rosetta, were natural to Mrs Woffington, so that she had the advantage of looking and speaking in her own character--the softness and pathos, which distinguished Fidelia sat with much ease on Mrs Cibber (Dramatic Censor, II, 206). [For contemporary account of plot and discussion of the play, see Gentleman's Magazine Feb. 1748, pp. 51-54; March 1748, pp. 114-17; May 1748, pp. 207-9; June 1748, pp. 257-59. See also G. Stayley, An Answer to an unjust criticism on the Foundling, listed in Register of Books, Gentleman's Magazine, May 1748, p. 240; A Criticism of the Foundling, in a letter to the author, listed in Register of Books, Gentleman's Magazine, March 1748, p. 144. The Larpent MS indicates many revisions. The substitution of Rake for Whoremaster, &c. Some Suggestive passages marked for excision. "The Disapprobation, which the Character of Faddle met with the first Night, made it necessary for me to shorten it in almost every Scene" (Dedication to 1st Edition).] Receipts: #200 (Cross); #200 5s. (Powel)

Performances

Mainpiece Title: The Foundling

Performance Comment: Garrick, Barry, Macklin, Havard, Yates, Sparks, Mrs Woffington, Mrs Cibber. Young Belmont-Garrick; Sir Charles Raymond-Barry; Faddle-Macklin; Col. Raymond-Havard; Sir Roger Belmont-Yates; Villiard-Sparks; Rosetta-Mrs Woffington; Fidelia-Mrs Cibber; Prologue [by Mr Brooke-Mrs Pritchard; Epilogue [by Garrick-Mrs Cibber [(edition of 1748, but listed in the order in which the actors' names appear in General Advertiser; General Advertiser omits notice of Prologue and Epilogue).](edition of 1748, but listed in the order in which the actors' names appear in General Advertiser; General Advertiser omits notice of Prologue and Epilogue).]
Cast
Role: Young Belmont Actor: Garrick
Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber
Event Comment: Paid to young Cross for 61 nights at 2s. 6d. per night #7 12s. 6d.; Paid Blandford (Tallow Chandler) #22 5s. (Treasurer's Book). [Four extra French Horns were used in the performances of Acis & Galatea, according to the Treasurer's Book.] Receipts: #50 (Cross); #61 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Myrtle-Palmer; Indiana-Mrs Elmy; Humphrey-Blakes; Phyllis-Mrs Clive; Isabella-Mrs Bennet; Young Bevil-Barry; Sir John-Winstone; Sealand-Berry; Cimberton-Taswell; Tom-Woodward; Daniel-Vaughan; Lucinda-Miss Cole; Mrs Sealand-Mrs Cross; In II Singing-Master Mattocks.
Cast
Role: Young Bevil Actor: Barry

Afterpiece Title: Acis and Galatea

Cast
Role: Savages Actor: Matthews, Mrs Addison
Event Comment: Benefit for Mrs Arne and Miss Young. Mainpiece: Acted there but twice. Afterpiece: A reviv'd Burlesque Opera not performed these 16 years. Set to Music by Mr Arne. Nothing under Full Price will be taken. Tickets sold at the Doors will not be admitted

Performances

Mainpiece Title: Zara

Afterpiece Title: Tom Thumb the Great

Performance Comment: Tom-Master Arne; Arthur-Baker; Grizzle-Waltz; Noodle-Roberts; Doodle-Atkins; Merlin-Collins; Dollalolla-Miss Young; Giantess-Bencraft; Cleora-Miss Mullart; Mustacha-Miss Allen; Huncamunca-Mrs Arne.
Cast
Role: Dollalolla Actor: Miss Young
Event Comment: Benefit for Widow Lampe and Miss Young. Afterpiece: Being Positively the last time of performing it this season

Performances

Mainpiece Title: Theodosius

Performance Comment: As17530331 but add With the Original Music by Mr Arne, the vocal parts-Lowe, Howard, Baker, Legg, Mrs Chambers, Miss Davis, others; The Two Nuns-Mrs Lampe, Miss Young.
Related Works
Related Work: The Weathercock Author(s): Theodosius Forrest

Afterpiece Title: The Oracle

Dance: III: Two Pierrots, as17530501; V: Grand Scots Ballet, as17521216

Event Comment: A new Woman (one Gregory) did Hermione , -Great Applause (Cross). [See Gray's Inn Journal (folio) No 16 for Murphy's praise of her, and Public Advertiser 19 Jan.: Verses on the Young Lady who acted Hermione.'

Performances

Mainpiece Title: The Distrest Mother

Performance Comment: Andromache-Miss Bellamy; Pyrrhus-Sparks; Pylades-Ridout; Phenix-Anderson; Orestes-Barry; Cephisa-Mrs Barrington; Cleone-Mrs Baker; Hermione-Young Gentlewoman; who never appeared on any stage before. Occasional Prologue-Smith.
Cast
Role: Hermione Actor: Young Gentlewoman

Afterpiece Title: Harlequin Skeleton

Dance: GGipsey Tambourine, as17531012

Event Comment: Benefit for Barrington and Miss Young. Books of the opera will be sold at the theatre, at 6d

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Dragon of Wantley

Performance Comment: Moore-Lowe; Margery-Mrs Lampe; Mauxalinda-Miss Young; Dragon-Stoppelaer; Gubbins-Howard.
Cast
Role: Mauxalinda Actor: Miss Young

Dance: HHornpipe-Poitier (by Particular Desire); Comic Dance-Granier and Mrs Granier

Event Comment: [The Young Gentlewoman possibly Miss Pond. See 19 Dec., but she was listed as for her second appearance on stage. Possibly Miss Philips. See 5 Feb. 1756.

Performances

Mainpiece Title: Zara

Performance Comment: As17551030, but Osman-Clarke; Zara-a Young Gentlewoman, who never appeared on any stage.

Afterpiece Title: The Lying Valet

Dance: As17551114

Event Comment: Compos'd by Mr Smith--the Introduction, which was a Dialogue in Prose, between Mr Havard & Yates, Much hiss'd & dislik'd. The Opera had great Applause. Miss Young recover'd (Cross). The Opera never performed before with songs from Shakespear, Dryden, &c. The Music by Mr Smith. [The Bill lists no cast or actors. The cast has been retrieved by Hogan from the 1756 ed. plus the musical score published by J. Walsh. Note some parts were doubled. See "Shakespeare's Tempest at Drury Lane During Garrick's Management", G. W. Stone Jr, Shakespeare Quarterly, Winter 1956.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Tempest

Performance Comment: Alonso-Atkins; Prospero-Beard; Antonio-G. Burton; Ferdinand-Curioni; Gonzalo-; Caliban-Champnes; Stephano-Rooker; Ventoso-Abington; Trincalo-Beard; Mustacho-Champness; Ariel-Miss Young; Miranda-Mrs Vernon; With an Introductory Dialogue by way of Prologue-.
Cast
Role: Ariel Actor: Miss Young
Event Comment: [The young Gentlewoman was Mrs Stot afterwards Mrs Lessingham. (Genest, IV, 496).

Performances

Mainpiece Title: Othello

Performance Comment: As17561011, but Brabantio-Gibson; Desdemona-a Young Gentlewoman her 1st appearance on any stage.

Afterpiece Title: The Cheats of Scapin

Dance: As17561023

Event Comment: MMrs Vernon & Young. Tickets (Cross). Mainpiece: Not acted these 3 years. [See 15 May 1754.] Receipts: #130 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Yates; Portia-Mrs Clive; Antonio-Berry; Bassanio-Havard; Gratiano-Palmer; Duke-Bransby; Lorenzo (with songs in character)-Beard; Morochius-Burton; Jessica-Miss Minors; Nerissa-Mrs Bennet; With Singing-Miss Young.
Cast
Role: With Singing Actor: Miss Young.

Afterpiece Title: Mercury Harlequin