Event Comment: Benefit for Haymes. The Last Night of the Company's performing this Season. Account-Book, 28 June: Received for his Majesty's Box 13 nights #130; for the Princess's Box #65; 1 Aug.: Paid half a year's Land, Commutations, Window & House Taxes #193 19s. True Briton 1 June: Tickets to be had of Haymes, No. 8, Duke-street, St. James's. Receipts: #228 18s. 6d. (109.19.0; after-money not listed; tickets: 118.19.6)

Event Comment: [Mainpiece in place of The Castle of Andalusia; afterpiece of The Honest Thieves, both advertised on playbill of 25 Sept.] Receipts: #236 (226.4.6; 9.15.6)

Event Comment: In consequence of Mme Hilligsberg not being sufficiently recovered from her late Accident, the Dances intended to have been performed this Evening [A Divertisement (i.e. Les Delassemens Militaires) and Cupid and Psyche, both advertised on playbill of 26 Oct.] are unavoidably obliged to be postponed till Tuesday. "Towards the conclusion of Peggy's Love on Tuesday Madame Hilligsberg fell upon the stage, and was so much stunned that she was obliged to be carried off by Didelot" (True Briton, 28 Oct.). Receipts: #252 14s. 6d. (249.3.6; 3.11.0)

Event Comment: Benefit for Holman. 2nd piece [1st time; D 5, by Joseph Trapp, adapted from Siri Brahe; oder, Die Neugierigen, by J. A. Gruttschreiber, itself a translation of Siri Brahe, by Gustavus III. Larpent MS 1206; not published. Prologue and Epilogue by John Taylor (Poems, I, 56-57)]: Written by the Late King of Sweden. Times, 28 Mar.: Tickets to be had of Holman, No. 73, New-street, Hanover-square. Receipts: #231 16s. (138.12.0; 4.10.6; tickets: 88.13.6)

Event Comment: Benefit for Mrs Clendining. 1st piece: Not acted these 2 years. 2nd piece: In one Act. Morning Herald, 22 May: Tickets to be had of Mrs Clendining, No. 22, Southampton-street, Covent-Garden. Receipts: #127 5s. (31.3.6; 6.2.6; tickets: 89.19.0)

Event Comment: Afterpiece [1st time; CO 2, by Thomas Knight]: With new Music, new Scenes and Dresses. The Music composed by Mazzinghi and Reeve. The Scenes painted by Richards and Phillips. Books of the Songs to be had in the Theatre. Account-Book, 5 Feb. 1800: Paid Knight for Turnpike Gate #125; Reeve and Mazzinghi for music in same #50. Morning Chronicle, 29 Nov. 1799: This day is published The Turnpike Gate (1s. 6d.). Receipts: #288 17s. (281.2.6; 7.14.6)

Event Comment: Benefit for Mrs Martyr. [In 1st piece the playbill retains Mrs Martyr as Dolly, but "Dolly was undertaken at a short notice, by Mrs Chapman, upon the sudden indisposition of Mrs Martyr" (Monthly Mirror, June 1800, p. 366). "In consequence of Mrs Martyr's accouchement...the part of Dolly was sustained by Miss Sims" (Dramatic Censor, II, 140).] 2nd piece [1st time; M. INT 1, author unknown. Not in Larpent MS; not published]: To conclude with a Representation of the Storming the City of Acrev by the French [17 Mar.-20 May 1799], and the Heroic Defence made by the Turkish Troops led on by the British Sailors [under the command of Sir Sidney Smith]. Morning Chronicle, 23 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent Garden. Receipts: #333 4s. 6d. (118.3.6; 11.16.6; tickets: 203.4.6)

Event Comment: The Duke's Company. Pepys, Diary: So resolved to take my wife to a play at court to-night, and the rather because it is my birthday....While my wife dressed herself, Creed and I walked out to see what play was acted to-day, and we find it The Slighted Mayde. But, Lord! to see that though I did know myself to be out of danger, yet I durst not go through the street, but round by the garden into Tower Street. By and by took coach, and to the Duke's house, where we saw it well acted, thought the play hath little good in it, being most pleased to see the little girl [Moll Davis] dance in boy's apparel, she having very fine legs, only bends in the hams, as I perceive all women do

Event Comment: The Duke's Company. The play was licensed on 26 Dec. 1663, but the date of the premiere is uncertain. The Prologue and Epilogue refer to the end of the Long Vacation, and the beginning of Michaelmas Term on 9 Oct. 1663 suggests a performance in October

Event Comment: Benefit Hallam, Robert Williams, and Peplow. Mainpiece: As it was alter'd from Shakespeare by Sir Wm D'Avenant and Mr Dryden

Event Comment: Not Acted these Ten Years

Event Comment: The Letter Sign'd J. K. was receiv'd by Mr Giffard, and the Request shall be comply'd with if the Person thinks fit to make himself known

Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Event Comment: Benefit of the New Building of the City of London Lying In Hospital, in the City Road, Old Street. Paid Weston's note to Mr Curtis #5; Mrs Bolter for 25 yds. white and silver silk, #28 15s.; 8 extra Trumpets 4 nights (13th inst. incl.) #12 (Treasurer's Book). This day published The Theatres; a poetical dissection by Sir Nicholas Nipclose (Gazetteer and New Daily Advertiser). [It is packed with embittered comments on managerial policy and upon theatrical personalities.] Receipts: #228 18s. 6d. Charges: #84; Profit to Hospital #144 18s. 6d. (Treasurer's Book)

Event Comment: Afterpiece [1st time; co 2, by Henry Bate (later Sir Henry Bate Dudley). Music by William Shield]. Books for both Pieces to be had at the Theatre. Public Advertiser, 15 June 1779: This Day is published The Flitch of Bacon (1s.)

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@145, p. 120. See also Nicoll, Restoration Drama, p. 349. There is no certainty that this is the first performance, but a licensing date of 28 Jan. 1677@8 and Mrs Behn's statement in the Preface that she hurried the play into print suggest a premiere not far from this date. Edition of 1678: To the Reader: I Printed this Play with all the impatient haste one ought to do, who would be vindicated from the most unjust and silly aspersion, Woman could invent to cast on Woman; and which only my being a Woman has procured me, That it was Bawdy, the least and most Excusable fault in the Men Writers, to whose Plays they all crowd, as if they came to no other end then to hear what they condemn in this: but from a Woman it was unnaturall. One song, Sitting by yonder river side, with music by Thomas? Farmer, is in Choice Ayres and Songs, The Second Book, 1679

Event Comment: For the Relief of an Ancient Gentleman, who has been long under Confinement for Debt. Written by the late Mr Dryden