SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "the Right Hon Garret Lord Mornington"/1) | (@(roleclean,performerclean) "the Right Hon Garret Lord Mornington")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1667 matches on Performance Comments, 649 matches on Event Comments, 118 matches on Performance Title, 43 matches on Author, and 0 matches on Roles/Actors.

Performances

Afterpiece Title: Robinson Crusoe

Dance: As17810203

Performances

Afterpiece Title: Robinson Crusoe

Dance: As17810131

Event Comment: Benefit for Vernon. 2nd piece [1st time; INT I, author unknown. Larpent MS 552; not published. It had reference to the surrender of St. Eustatius by the Dutch to Admiral Rodney, 4 Feb. 1781]. Receipts: #233 19s. (106.18.0; 27.2.6; 0.3.6; tickets: 99.15.0) (charge: #108 0s. 2d.)

Performances

Afterpiece Title: The Conquest of St

Performance Comment: Eustatia. Principal Parts by Vernon, Baddeley, Gaudry, Suett, Burton. [Cast from London Chronicle, 4 Apr.: Sea Officer-Vernon; Van Brugen-Baddeley; Land Officer-Gaudry; Oliver Cant-Wrighten [recte Suett (?)]; Van Spragen-Burton; Frenchman-Lamash; Don Carlos-Norris; Governor-Griffiths.
Cast
Role: Oliver Cant Actor: Wrighten

Afterpiece Title: All the Worlds a Stage

Performances

Mainpiece Title: The Lord Of The Manor

Cast
Role: Peggy Actor: Mrs Wrighten

Afterpiece Title: Henry and Emma

Afterpiece Title: All the Worlds a Stage

Dance: As17810312

Event Comment: Benefit for Miss Prudom. Public Advertiser, 28 Apr.: Tickets to be had of Miss Prudom, No. 8, facing the Green Park, Piccadilly. Receipts: #132 0s. 6d. (57.19.0; 18.2.6; 1.9.0; tickets: 54.10.0) (charge: none listed)

Performances

Afterpiece Title: Bon Ton

Cast
Role: Lord Minikin Actor: Dodd

Dance: End: The Dutch Quaker-Traffieri, Henry, Sga Crespi

Event Comment: [Afterpiece: Prologue by George Colman, the elder.] Receipts: #197 9s. 6d. (141/14/0; 55/1/0; 0/14/6)

Performances

Mainpiece Title: The Lord Of The Manor

Performance Comment: Truemore-Vernon; Le Nippe-Dodd; Sir John Contrast-Parsons; Rashly-Bannister; Rental-Aickin; Capt. Trepan-Baddeley; Huntsman-Du-Bellamy; Serjeant Crimp-R. Palmer; Corporal Snap-Williams; Contrast-Palmer; Moll Flagon-Mr Suett; Annette-Miss Prudom (1st appearance this season); Peggy-Mrs Wrighten; Sophia-Miss Farren .
Cast
Role: Peggy Actor: Mrs Wrighten

Afterpiece Title: Bon Ton or High Life above Stairs

Performance Comment: Sir John Trotley (with the original Prologue)-King; Colonel Tivy-Brereton; Davy-Parsons; Jessamy-Lamash; Lord Minikin-Dodd; Lady Minikin-Miss Pope; Gymp-Miss Simson; Miss Tittup-Miss Farren .
Cast
Role: Lord Minikin Actor: Dodd

Dance: End of mainpiece, as17811004

Event Comment: [Mainpiece in place of Zara, announced on playbill of 9 Oct.] Public Advertiser, 11 Oct.: Mrs Crawford refusing to fulfill her Engagement at this Theatre, Zara cannot be performed. [Throughout this season Mrs Crawford was acting at the Crow Street Theatre, Dublin.] Receipts: #110 6s. 6d. (78/1/0; 31/2/0; 1/3/6)

Performances

Mainpiece Title: The Lord Of The Manor

Cast
Role: Peggy Actor: Mrs Wrighten

Afterpiece Title: Robinson Crusoe

Cast
Role: : Harlequin Actor: Wright
Event Comment: Afterpiece: For the 1st Time in 2 acts [CO 2, altered from the same, probably by the author, John Burgoyne. Text 1st published by R. Baldwin, 1788. For composer see 1 Feb.]. Receipts: #234 3s. (199/19/0; 33/12/6; 0/11/6)

Performances

Mainpiece Title: The Lord Of The Manor

Cast
Role: Peggy Actor: Mrs Wrighten

Afterpiece Title: The Maid of the Oaks

Dance: End of mainpiece the Minuet de la Cour, as17820104; End of Act I of afterpiece New Dance by Zuchelli, Lemcrcier, Miss Armstrong, the Miss Stageldoirs, &c

Performances

Mainpiece Title: The Lord Of The Manor

Cast
Role: Peggy Actor: Mrs Wrighten

Afterpiece Title: The Maid of the Oaks

Cast
Role: : Shepherdess Actor: Miss Wright

Dance: As17820121

Event Comment: [The afterpiece was perhaps changed to The Apprentice, which is listed in the Account-Book; if so, see 22 Oct. 1781. But corroboration is lacking.] Receipts: #87 6s. (57/8; 29/14; 0/4)

Performances

Mainpiece Title: The Lord Of The Manor

Cast
Role: Peggy Actor: Mrs Wrighten

Afterpiece Title: The Citizen

Cast
Role: Sir Jasper Actor: Wright

Dance: As17811117

Performances

Mainpiece Title: The Lord Of The Manor

Cast
Role: Peggy Actor: Mrs Wrighten

Afterpiece Title: Lincos Travels

Cast
Role: Surly Actor: Wrighten

Afterpiece Title: Bon Ton

Cast
Role: Lord Minikin Actor: Dodd

Dance: End of 2nd piece the Minuet de la Cour, as17820104

Event Comment: Benefit for Fawcett and Butler. Morning Herald, 27 Apr.: Tickets to be had of Fawcett, Craven-buildings, Drury-lane; of Butler, next door to the stage-door, Little Russel-street, Covent-garden. Receipts: #281 16s. 6d. (43/0/0; 8/1/6; 0/8/0; tickets: 230/7/0) (charge: #109 2s. 6d.)

Performances

Mainpiece Title: The Lord Of The Manor

Cast
Role: Peggy Actor: Mrs Wrighten

Afterpiece Title: Lincos Travels

Afterpiece Title: The Divorce

Cast
Role: Biddy Actor: Mrs Wrighten

Dance: End of Act I of mainpiece a Hornpipe by Master Butler (Scholar of Miller)

Event Comment: Mainpiece: Not acted these 2 years. Afterpiece: Never performed here. Receipts: #100 10s. (76/9/0; 20/2/6; 0/1/0; tickets not come in: 3/17/6)

Performances

Mainpiece Title: The Lord Of The Manor

Performance Comment: Truemore (1st time)-Barrymore; Le Nippe-Dodd; Sir John Contrast (1st time)-Waldron; Rashly (1st time)-Chapman; Rental-Aickin; Captain Trepan-Baddeley; Huntsman-Williames; Serjeant Crimp-R. Palmer; Corporal Snap-Phillimore; Contrast-Palmer; Moll Flagon-Mr Suett; Annette-Miss George (1st appearance in that character); Peggy-Mrs Wrighten; Sophia (with additional songs)-Miss Phillips (1st appearance in that character) .
Cast
Role: Peggy Actor: Mrs Wrighten

Afterpiece Title: The Deaf Lover

Performance Comment: Meadows-[Lee] Lewes; Canteen-Suett; Young Wrongward-Phillimore; John-R. Palmer; William-Burton; Groom-Fawcett; Sternhold-Wrighten; Cook-Chaplin; Old Wrongward-Baddeley; Sophia-Miss Wheeler; Chambermaid-Miss Barnes; Betsy Blossom (with songs)-Mrs Wilson .
Cast
Role: Sternhold Actor: Wrighten
Event Comment: Benefit for Williames and Spencer. Gazetteer, 5 May: Tickets to be had of Williames, No. 32, St. Martin's-street, Leicester-fields [Spencer not listed]. 3rd piece: Not acted these 3 years. To conclude with a Waterfall, as it was originally performed. Receipts: #188 5s. 6d. (27/12/0; 12/6/6; 1/14/0; tickets: 146/13/0) (charge: #115 10s.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: Musical Miscellanies

Performance Comment: Scene 1. A Grove and water-piece. As Scene IV, 3 May. Scene II. As scene III, 26 Apr. Scene III. A Pastoral Piece. The Highland Laddie by Miss George. To conclude with The Sportsmen's Return, as17840311athi .

Afterpiece Title: The Elopement

Performance Comment: Principal Characters by Wright, Spencer, Chaplin, Burton, R. Palmer, Alfred, Grimaldi; Miss Simson, Miss Barnes, Miss M. Stageldoir. [Cast adjusted from playbill of 30 Oct. 1780: Harlequin-Wright; Clown-Spencer; Pantaloon-Chaplin; Lover-Burton; Scaramouch-R. Palmer; Drunken Valet-Grimaldi; Country Girls-Miss Simson, Miss Barnes; Colombine-Miss M. Stageldoir. Alfred is unassigned.] vaudeville. In the Course of the Pantomime Spencer will (for that night only) leap through a Tub of Fire . vaudeville. In the Course of the Pantomime Spencer will (for that night only) leap through a Tub of Fire .
Cast
Role: : Harlequin Actor: Wright
Event Comment: [Afterpiece: Prologue by George Colman, the elder.] Receipts: #282 3s. 6d. (253/3/0; 26/6/6; 1/11/6; tickets not come in: 1/2/6)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Bon Ton or Colonel Tivy Barrymore Davy Parsons Jessamy Burton Lord Minikin Dodd Lady Minikin Miss Pope Gymp Miss Tidswell Miss Tittup Miss Farren

Event Comment: Benefit for Bannister. 1st piece: Not acted these 2 years. Morning Herald, 11 Mar.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. Receipts: #316 4s. 6d. (123/16/0; 10/16/0; 1/7/6; tickets: 180/5/0) (charge: #111 15s. 9d.)

Performances

Mainpiece Title: The Lord Of The Manor

Performance Comment: Rashly-Bannister; Sir John Contrast-Parsons; Le Nippe-Dodd; Rental-Aickin; Truemore-Barry more; Captain Trapan-Baddeley; Huntsman-Williames; Crimp-R. Palmer; Snap-Phillimore; Contrast-Palmer; Moll Flaggon-Mr Suett; Annette-Miss George; Peggy-Mrs Wrighten; Sophia-Mrs Crouch .
Cast
Role: Peggy Actor: Mrs Wrighten

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Romp

Song: In 2nd piece several capital Catches and Glees, selected from the most eminent Masters; The celebrated Anacreontic Song by Bannister; an Imitative Song by Bannister Jun

Performances

Mainpiece Title: The Lord Of The Manor

Cast
Role: Peggy Actor: Mrs Wrighten

Afterpiece Title: The Romp

Dance: End of mainpiece The Sailors' Revels, as17860424

Song: In the course of the evening Collin cur'd of roving; End of Dancing Mad Bess (in character), both by Miss George

Event Comment: Benefit for Fawcett and the Widow Butler. Morning Chronicle, 17 May: Tickets to be had of Fawcett, Craven Buildings; of Mrs Butler, next door to the theatre. Receipts: #235 1s. (21/17/0; 16/16/6; 0/6/6; tickets: 196/1/0) (charge: #108 18s. 4d.)

Performances

Mainpiece Title: The Lord Of The Manor

Cast
Role: Peggy Actor: Mrs Wrighten

Afterpiece Title: The Humourist

Cast
Role: Sir Anthony Halfwit Actor: Parsons
Related Works
Related Work: The Humourists Author(s): Theophilus Cibber

Dance: As17860522

Event Comment: Benefit for Mrs Crouch. Public Advertiser, 30 Mar.: Tickets to be had of Mrs Crouch, No. 56, Tichfield-street, Oxford-street. Mainpiece: Not acted these 3 years.The original Music composed by William? Jackson, and several additional songs. Afterpiece: Not acted these 3 years [not acted since 14 May 1783]. Receipts: #226 9s. 6d. (76.14.0; 24.9.0; 2.11.6; tickets: 122.15:0) (charge: #109 12s. 5d.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Divorce

Performances

Mainpiece Title: A Grand Concerto Spirituale 0

Afterpiece Title: Grand Concerto Spirituale 1

Performance Comment: As pants the Hart-[Chandos Anthems]; Overture-; Quartetto and Chorus-Miss Hagley, Miss Lockhart, Dignum, Reinhold; Tears are my daily Food-Mrs Ambrose; Now when I think thee upon-Kelly; For I went with the Multitude-Chorus; My God my soul is vexed-Reinhold; Put thy Trust in God-Chorus; Why so full of grief-Mrs Crouch, Miss Hagley; Hallelujah Chorus [The Messiah]-.

Afterpiece Title: Grand Concerto Spirituale 2

Performance Comment: Honor and Arms-Reinhold (Samson); New concerto hautboy-W. Parke; On the Charmer fondly gazing-Miss Hagley (Dr Arnold); Concerto bassoon-Parkinson; Let me wander not unseen-Mrs Ambrose (L'Allegro); Concerto violoncello (1st time)-Mason; Why does the God of Israel sleep?-Kelly (Samson); Farewell ye limpid springs-Mrs Crouch (Jephtha); Quest' alma sventurata-Mrs Ambrose (Sacchini); Coronation Anthem, God save the King-.

Afterpiece Title: Grand Concerto Spirituale 3

Performance Comment: Dixit Dominus, the Music by Pergolesi-; The Lord said unto the Lord-Chorus; The Lord shall send-Kelly; Be Thou Ruler-Chorus; In the Day of Thy Power-Mrs Crouch; The Day of Thy Birth-Miss Hagley; The Lord swear and will not repent-Chorus; The Lord upon Thy Right Hand-Miss Hagley, Miss Lockhart, Reinhold, Dignum, Semi-Chorus; Glory be to the Father-Kelly, Reinhold; As it was in the Beginning-Chorus; To conclude with God save Great George our King-.

Music: As17890311

Performances

Mainpiece Title: Redemption selected From The Great And Favourite Works Of Handel That Were Performed At His Commemorations In Westminster Abbey And At The Pantheon on 26 And 27 May 1784

Performance Comment: Vocal Parts as17860303but Negus in place of Carter. 1st Violin by Shaw. Morning Chronicle, 16 Mar., lists the selections as follows: Overture to Occasional Oratorio. Oh! First Created Beam (Samson) Nasce al bosco (Eatius [i.e. Ezio]). When his loud voice by Chorus (Jephtha) Lord, what is man (Semele). How excellent by Chorus (Saul). Dite che fa (Tolomeo). Would custom bid (Susanna). Jehovah is my Shield (Occasional Oratorio). Blest be the man by Chorus (Joseph). He gave them hail-stones by Chorus; The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus . The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus .
Event Comment: A Comparison Between the Two Stages (1702), commenting upon Betterton's success with I Henry IV (see 9 Jan. 1699@1700) pictures Betterton entering his Closet and praying to Shakespeare for further assistance (p. 25), with the result that "tho' some of those Plays that Batterton Acted were Historical, and consequently highly irregular, yet they never fail'd to please" (p. 26). Sullen adds: Well, this lucky hit of Batterton's put D. Lane in a non-plus! Shakespear's Ghost was rais'd at the New-house, and he seem'd to inhabit it for ever: What's to be done then? Oh, says Rich I'll pray as well as he-What? Shall a Heathen Player have more Religion than a Lawyer? No, it shall never be said--with that Mr R@@ goes up to the Garret (a pair of Stairs higher than his own Apartment) and taking Ben Johnson's Picture with him, he implores. This work implies that Betterton presented Henry VIII in addition to I Henry IV and that Rich revived Volpone, The Alchymist, and The Silent Woman, which had, according to the author of this work, lain unacted for twenty years (p. 26)

Performances

Performances

Mainpiece Title: Londons Great Jubilee

Performance Comment: Restor'd and Perform'd On Tuesday, October the 29th 1689. For the Entertainment of the Right Honourable Sir ThomasPilkington Kt. Lord Mayor of the City of London. Containing a Description of the several Pageants and Speeches together with a Song for the Entertainment of Their Majesties, who with their Royal Highnesses the Prince and Princess of Denmark, the whole Court, and both Houses of Parliament, Honour His Lordship this Year with their Presence. All set forth at the Proper Cost and Charges of the Right Worshipful Company of Skinners. [By Matthew Taubman.]
Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman
Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: Love a la Mode

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Performances

Mainpiece Title: Redemption 0 Triumph Of Truth 0

Afterpiece Title: Redemption 1

Performance Comment: Overture-(Occasional Oratorio); O first created beam-Chorus (Samson); Nasce al bosco-Reinhold (Ezio); When his loud voice-Chorus (Jephtha); Where e'er you walk-Mrs Crouch (Semele); How excellent thy name-Chorus (Saul); Speak ye who best can tell-Kelly (Ptolomy); Abraham enough-Mrs Crouch (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the man-Chorus (Joseph); Pious Orgies-Mrs Ambrose (Judas Maccabaeus); He gave them Hailstones-Double Chorus; The Lord is a man of war-Reinhold, Dignum; Moses and the Children of Israel-Chorus; Sing ye to the Lord-Mrs Ambrose; The horse and his rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Performance Comment: Ye Sons of Israel-Chorus; O had I Jubal's Lyre-Mrs Ambrose (Joshua); Jehovah crowned-Miss Lockhart; He comes!-Chorus (Esther); Angels ever bright and fair-Mrs Ambrose (Theodora); Welcome mighty King-Chorus (Saul); March-(Judas Maccabaeus); In sweetest harmony-Mrs Crouch (Saul); Their bodies are buried in peace-Chorus (Funeral Anthem); Dead March-(Saul); Lord remember David-Kelly (Sosarmes); The sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Mrs Crouch (Alcina); There beneath a lowly shade-Miss Hagley (Alexander Balus); He was eyes unto the blind-Kelly (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Ambrose (Rodelinda); Glory be to the Father-Chorus (Jubilate); God save Great George our King-.

Music: As17890311