SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the King"/1) | (@(roleclean,performerclean) "the King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10005 matches on Roles/Actors, 2634 matches on Performance Title, 2610 matches on Performance Comments, 1593 matches on Event Comments, and 23 matches on Author.
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125: The King & Queene & a Box for ye Maydes of honor. See also Nicoll, Restoration Drama, p. 351. General Patrick Gordon, 6 May 1686: I saw the Scots Batallion exercized in the Hide Park before the King and Queen, and saw the comedy, Rehearsal, acted (Passages from the Diary of General Patrick Gordon of Auckleuchbies [Aberdeen, 1859], p. 133)

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive
Event Comment: Luttrell, A Brief Relation, II, 313, 17 Dec. 1691: Last Tewsday [i.e., Wednesday] a great disorder at the playhouse, where the lord Grey of Ruthin and viscount Longueville were knockt downe, and 2 other lords puncht with the butt ends of muskets; they complained of the affront to his majestie, who referred them to the house of lords, where they made their application yesterday; and the lords thereon desired his majestie would be pleased to command the suspending acting of playes till further order. Newdigate newsletters, 17 Dec. 1691: Last night the Kings play House was shut up upon complaints given in to the King by the Lord Grey Viscount Longville and other Lords that they had received severall Affronts from and were badly used by ye door keepers, and 'tis said the future Acting is suspended till further order (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82). See also HMC, 13th Report, Appendix Five, pp. 464-65

Performances

Event Comment: By Elkanah Settle. Luttrell, A Brief Relation, 29 Oct. 1692: This day the usuall show of lord mayors, where the king and queen dined, most of the nobility, &c., but the prince and princesse were not invited: the feast was at charge of lord mayor and court of alderman: the lord mayor subscribed 300#, each she rife, 150#, and the aldermen 50# apeice: the kings regiment of foot guards was all in new cloths, and the horse guards too: the militia of Middlesex were as a guard in the Strand, and the artillery, with silver and steell headpeices, lined tne streets where the mayor came

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Saturday, Octob. 29th 1692. For the Entertainment of the Right Honourable Sir John Fleet, Kt. Lord Mayor of the City of London. Containing A True Description of the several Pageants w ith the Speeches spoken on each Pageant. All set forth at the proper Costs and Charges of the Worshipful Company of Grocers. Together with An Exact Relation of the most Splendid Entertainments, prepared for the Reception of Their Sacred Majesties.
Event Comment: The United Company. This performance is known by one of the rare playbills extant from this period. It is in HMC, Verney MSS., 7th Report, p. 509, and reproduced opposite page 240 in Lawrence, Elizabethan Playhouse, 2d Series: Never Acted but once. At the Theatre Royal, in Drury-Lane, this present Wensday being the Nineth day of November, will be presented, A New Play called, Henry the Second King of England. No money to be return'd after the curtain is drawn. By their Majesties Servants. Vivant Rex & Regina. Lady Margaret Russell to Katherine Russell, 10 Nov. 1692: You will be surprised that Lady Cavendish has been hindered by a little sore throat from going yesterday to a new play of King Henry and Rosamond, which is much commended (HMC, 12th Report, Appendix, Part V, Rutland MSS., p. 124)

Performances

Mainpiece Title: Henry The Second

Event Comment: The United Company. Constatijn Huygens, 16 Jan. 1692@2 O. S. [translation]: In the afternoon I went with Preswitz to the comedy, by Covent Garden, where there was a play about Henry II, but I could not very well understand the comedians, neither what they said. Mrs Barry played the King's wife and Mrs Bracegirdle his mistress, who let the King be poisoned in her presence. Sayer came and sat with us. The best places were for the English crown (Journaal van Constantijn Huygens, Publication of the Dutch Historical Society, New Series, XXV [Utrecht, 1877], 168)

Performances

Mainpiece Title: Henry The Second

Event Comment: Post Boy, 2-4 Feb. 1696@7: On Monday the King visited the Princess of Denmark and invited her to Whitehall on Saturday next, it being her Royal Highnesses Birth Day, and his Majesty has been pleased to give the Right Honourable the Lord Chamberlaine Orders to have the Play called Love for Love, written by Mr Congreve, Acted there the better to Celebrate the Day. Post Boy, 6-9 Feb. 1696@7: Last Saturday being the Anniversary of her Royal Highness the Princess Ann of Denmark's birth...at night the King was pleased to Entertain her with a fine Comedy, call'd Love for Love, Written by Mr Congreve, Acted by his Majesty's servants at Whitehall, where the Court appeared very gay and splendid, suitable to the occasion. [Somewhat similar references appear also in Luttrell, A Brief Relation, IV, 180, and The Flying Post, 6-9 Feb. 1696@7.

Performances

Mainpiece Title: Love For Love

Event Comment: Rich's Company. Post Boy, No 496, 7-9 July 1698: This day is acted Oroonoko, at the King's Playhouse, for the particular Entertainment of some Persons of the highest Quality, with the Italian Shades, as they were perform'd with great Applause, before their Excellencies the Russian and Morocco Ambassadors, in the Reign of King Charles II. And an Entertainment after the manner of the Carnaval at Rome. With several Grotesque Dances

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne
Event Comment: Benefit Laguerre, Prisoner in the King's Bench. [Tickets of Laguerre at John's Coffee-House, next door the King's-Bench, Southwark. In the London Daily Post and General Advertiser, 22 April, Laguerre expressed his thanks to Giffard for giving him this benefit and added that, it being term-time, he had "by the common Licence of a Day Rule," liberty to act on 23 April.

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Flora

Event Comment: Benefit the Author. Tickets as before. Regulus publish'd. As it is acted by his Majesties Servants at the Theatre Royal in Drury Lane, by Mr Havard, Author of King Charles the First. Inter omnes suos laudabiles & Virtutum insignibus illustres Viros, non preferunt Romani meliorem; quem neque Felicitas corruperit, nam in tanta Victoria, mansit pauperrimus; Nec Infelicitas fregerit, nam ad tanta Exitia revertit intrepidus. (St. Aust. de Regulo. Lib I. de Civitat. Dei.) Printed for H. Woodfall, Jr. in Little Britain, by Paul Vaillant facing Southampton Street in the Strand. J. Watts and B. Dodd also advertised King Charles the First, an Historical Tragedy, written in imitation of Shakespear, and Scanderbeg, a Tragedy. Both written by Mr Havard, author of Regulus

Performances

Mainpiece Title: Regulus

Afterpiece Title: The Amorous Goddess

Event Comment: The Proprietor of Drury Lane Theatre having receiv'd letters from several Gentlemen pressing him to revive the Tragedy of King John; to comply with this request (as he shall always make it his business to oblige the Publick) he immediately put the play in rehearsal; but upon information that the author of a Play on the same subject, had insinuated that this was calculated only to prejudice him, the Revival was intended to be deferr'd till the run of his play should be over; but upon perusal of the Bills he finds this is no Alteration, as was thought, but a new Tragedy founded only upon that plan; therefore in compliance with the above request, and at the same time to take off all imputation of an injury to this author, the Proprietor has deferr'd the bringing it on till Tuesday next, the day after the author's benefit, when will be exhibited the Historical Play of King John, as written by Shakespear

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Dragon of Wantley

Event Comment: A historical note about the patent for May Fair by Edward Shepherd. Daily Advertiser, 1 May: Whereas a Patent was granted by King Charles the First, and confirm'd by King James II, to the Proprietor of Great and Little Brookfield, then in the Parish of St. Martin in the Fields, now in the Parish of St. George, Hanover Square, to hold a Fair during the Space of fifteen Days, to begin the 1st Day of May next, and every May Day forever: the present Proprietor thinks it proper to apprize the Publick thereof, that it may not be thought that he attempts to do any thing but by Virtue of the said Patent, and no Ways to disturb the Publick Peace, or act in Contradiction to the Laws of the Realm. [Alluded to in 2 May news of the Daily Advertiser, as being proclaimed by Edward Shepherd.

Performances

Event Comment: The Late Wells, the bottom of Lemon St., Goodman's Fields. A Concert of Vocal and Instrumental Musick. Divided into two Parts. The Concert to conclude with the Chorus of Long Live the King. Boxes 2s. 6d. Pit or First Gallery 1s. 6d. Upper Gallery 1s. Between the two Parts of the Concert will be exhibited Gratis, and not acted these 50 years, an Historical Play...written by the celebrated Mr Lee. And founded on Facts which happened in France, in the Reign of Queen Elizabeth. Shewing the unparalleled Dissimulations, Imprecations, and Perjuries of Charles the 9th of France, the Queen Mother, and Cardinal Lorrain, to draw the Hugonot Party into their snares, by which means the Death of the Queen Navarre was effected by Poison, and most of the Protestant Princes of the Blood destroyed. Chastillon, the famous Admiral of France, with his Wife, Children, Commanders, and Followers, all put to Death, with the King's Consent, bx the cruel and Revengeful Duke of Guise, and his Adherents. After which the Massacre becoming general over the Kingdom, near near 100,000 Protestants were destroyed in the most barbarous and inhuman manner. The Concert will begin every Evening Positively at Six of the Clock, and the Whole be concluded by Half an Hour after Nine, the Wdlls being appointed (after the Entertainment is over) for the Main Guard of the Militia of the Tower Hamlets

Performances

Mainpiece Title: Massacre At Paris

Performance Comment: Charles IX-Cushing; Chastellion-Furnival; Cardinal-L. Hallam; Duke of Guise-Paget; Navarre-Shepherd; Conde-Lee; Anjou-Blakey; Alberto-Julian; Rochfacault-Burt; Langoiran-Blogg; Columbiere-Barlow; Chavagnes-Dove; Queen Mother-Mrs Bambridge; Antramont-Mrs Hallam; Queen of Navarre-Mrs Williamson; Margaret-Gentlewoman; the two last never appear'd on the stage before. With the Prologue-; Epilogue- written at the late happy Revolution.

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Song: Blogg, Barlow, Waters, Mrs Phillips, Mrs Williamson, Mrs Cushing

Dance: the two Mhe two Masters, Miss Granier

Event Comment: Afterpiece An Historical Dramatic Piece of on act (taken from Shakespear) with a representation of the Trials of the Lords for High Treason, in the Reign of King Henry V. The Characters dress'd in the Habits of the times. With proper Scenes and Decorations. On account of the Extraordinary Scenery, &c, and to prevent any interruption in the performance, it's desired no persons will take it ill that they cannot admitted behind the Scenes.--General Advertiser. [This adaption most certainly occasioned by the trial, which began in Westminster Hall on 28 July of Lord Kilmarnock, Lord Cromarty, and Lord Balmerino for participation in the Rebellion of '45! (Hogan, Shakespeare in the Theatre, p. 199).] An Historical Dramatic Piece of one act, taken from Shakespear, will be perform'd, after a play, at Drury Lane; it will be a Representation of the trials of Lord Cambridge, Lord Scroopv, &c for High Treason, in the reign of King Henry the Fifth. The Characters are to [be] dress'd in rich antique Habits of the times.--Daily Advertiser, 31 July. Last night the Dramatick Piece call'd The Conspiracy Discover'd; or French Policy Defeated, with a representation of the Trials of the Lords for High Treason, was acted at dl, with great applause, and will be performed again tomorrow night at the desire of several persons of Distinction.--General Advertiser, 5 Aug

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Conspiracy Discovered; or, French Policy Defeated

Event Comment: GGeneral Advertiser: On Wednesday next at Drury Lane will be reviv'd the Historical Play of King Henry the Fifth, written by Shakespear, the Part of King Henry to be performed by Mr Barry; and the Chorus to be spoken by Mr Garrick. Receipts. #130 (Cross); #132 5s. (Powel)

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Hornpipe Actor: Mathews

Afterpiece Title: The Anatomist

Dance: II: New Comic Dance call'd The Savoyards-Matthews

Performances

Mainpiece Title: Alexander Balus

Performance Comment: Parts were: Alexander Balus (King of Syria)-; Ptolomee (King of Egypt)-; Jonathan (Chief of the Jews)-; Cleopatra (Daughter of Ptolomee)-; Aspasia (her friend and companion)-; Chorus of Israelites-; +Chorus of Asiatics-. Alexander Balus-Signora Galli (mezzo-soprano); Ptolomee-Reinhold (bass); Jonathan-Lowe (tenor); Cleopatra-Signora Cassarini (soprano); Aspasia-Signora Sibilla (soprano) (+Deutsch, Handel, p. 648, from word book).
Event Comment: Benefit for Will Hill. Mainpiece: By Particular Desire of his friends. N.B. The Gentlemen are desired to meet Mr Hill after the Play at the Rose Tavern, Temple Bar. [He had advertised since 15 April that "Gentlemen and Ladies who intend to honour him with their presence," should take tickets at: the Thatched House, St. James's St; Jack Bridell's, the One Tun in the Strand; Half moon in Holborn; Rose, Temple Bar; King's Head, in the Poultry; Castle, Lombard St; Bell, East cheap; King's Head, Tower Hill, Rummer, Bishopsgate St; West India and Jerusalem Coffee Houses near the Royal Exchange; Chapman's, Swordcutler, in Exchange Alley; and at Will Hill's Lodgings, Mr Geves's in Abchurch Lane.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Damon and Phillida

Dance: Master J. Granier, Master J. Granier's Sister

Event Comment: By Ye King's Command but not (by order) in ye Bills (Cross). Present His Majesty, 2nd time this season. [The George Garrick Drury Lane MS Treasurer's Book makes its first entry Mon. 30 Oct. 1749, indicating an expenditure to date of #1,733 2s. 7d. as against an income of #3,455 6s. 6d. and that Mon. was the twenty-ninth night of performance. The Treasurer's Book carries full entries until the 165th night, Sat. 28 April 1750. First itemizing of expenditures begins Wed. 1 Nov. 1749 as follows: Paid to Pipe & Tabor to Sat., 10s. 6d.; to 2 French Horns and a Kettle Drum, 15s.; to 12 1!2 lbs. Wax Candles, #1 11s. 3d.; To Properties and King's servants, #3 2s. 5d. [N.B. The use of extra musical instruments (horns, flutes, cymbols, kettle drum) averaged 6s. per night for the 165 nights. The season extended to 174 nights; so the approximate total cost for instruments came to #52 4s. Properties expense averaged 5s. per night. The approximate total cost was #43 11s. No further itemization of these will be made.] This month was publish'd The Rosciad; a Poem, by Charles Churchill (Gentleman's Magazine, Register of Books). Receipts: #70 (Cross); #73 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The London Cuckolds

Dance: Entertainments-Grandchamps, Mlle Auretti, Matthews, Mrs Addison

Related Works
Related Work: Tartuffe; or, The French Puritan Author(s): Matthew Medbourne
Related Work: London's Anniversary Festival, Performed on Monday October the 29th, 1688 Author(s): Matthew Taubman
Related Work: London's Great Jubilee Author(s): Matthew Taubman
Related Work: The Spendthrift Author(s): Matthew Draper
Related Work: The Parthian Hero; or, Love in Distress Author(s): Matthew Gardiner
Related Work: The Sharpers; or, The Female Match-Maker Author(s): Matthew Gardiner
Related Work: Vertumnus and Pomona Author(s): Matthew Feilde
Related Work: The Castle-Spectre Author(s): Matthew Gregory Lewis
Related Work: The Twins; or, Is It He, or his Brother? Author(s): Matthew Gregory Lewis
Related Work: The East Indian Author(s): Matthew Gregory Lewis
Related Work: Primrose Green; or, Love in the Country Author(s): Matthew Peter King
Event Comment: Box and Pit 10s. 6d. 1st Gallery 5s. Upper Gallery 3s. 6d. Pit and Boxes will be put together and no persons to be admitted without tickets, which will be delivered this day at the Office in the Theatre. Galleries opened at half an hour after Four. Pit and Boxes at Five. To begin at Half past Six

Performances

Mainpiece Title: Alexander Balus

Performance Comment: Alexander Balus-(King of Syria); Ptolomee-(King of Egypt); Jonathan-(Chief of the Jews); Cleopatra-(Daughter to Ptolomee); Aspasia-(Her Friend and Companion); Chorus of Israelites-; Chorus of Asiatics-.
Event Comment: Benefit for Sga Passerini. [From charges and countercharges published in great length in the Public Advertiser, it appears that Sga Frasi had earlier arranged to produce Samson at the King's on this night for her benefit. Learning that the subscribers to the opera season could enter on their own tickets on this night she decided to change nights to avoid any losses, only to find that her singers were engaged at one theatre or another on other nights. Meanwhile, Signor Passerini got permission to have this night scheduled at King's for his wife's benefit, and Sga Frasi lost out all around. Passerini asserted that the charge for renting the Great Room, Dean St. Soho was 5 guineas for a night.

Performances

Mainpiece Title: Didone

Event Comment: Text--Goldoni; first performance in England. Music by Sg Vinceni Ciampi. Play a New Italian Burletta. Printed books of the opera will be sold at the theatre. Ladies send servants at half three. [The Epilogue (Larpent MS 117) suggests lovemaking in crowded theatres (see 8 Jan. 1755)]: @Close pack'd they sit and woo with secret squeeze,@Attracting elbows, sympathetic knees...

Performances

Mainpiece Title: La Famiglia De Bertholdi, Alla Corte Del Re Alboino

Performance Comment: The Larpent MS 116 copy, (Amsterdam, 1754) lists the parts: Alboino (King)-; Ipsicratea (Queen)-; Erminio (Confidant of the King)-; Bertoldo-; Bertoldino (his son)-; Menghina (Son's wife and mother of)-; Cacasemo-.

Dance: [Unspecified.]

Event Comment: A great deal of Hissing-but the Boxes being on our Side some swords were drawn, & several turn'd out of the Pit & Galleries. The Officers of the Army are very busy in this Affair, on Account of their hissing when ye King was there-saying it was an Affront-the King did turn his back to the Audience (Cross). [See note 14 Nov. on the Dancers Damn'd.] Mr Barry Play'd HamletR at Covent Garden (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Chinese Festival

Event Comment: Benefit for the Unhappy Sufferers by the late Dreadful Fire in King's Stredt, Covent Garden (playbill). We gave our Night's pay for ye Sufferers by the fire in King's Street Covent Garden Sun: ye 23d. of Dec. (Cross). Sisters diner at Mrs B's. I slept [slipt?] in after the play at Drury Lane & see them in the Gallery, where I had a few words with Mr Williams (Hailey, "Brietzcke Diary," Vol. 197, p. 69). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Mock Doctor

Event Comment: Benefit for Tenducci. At the Great Room, Dean St., Soho. The Petition of Ferdinand Tenducci, Musician, arrested for Debt and been in King's Bench for eight Months. Tickets to be had of Tenducci at the King's Bench Prison

Performances

Mainpiece Title: Concert

Performance Comment: Music directed by Abel. Vocal parts-Sga Calori, Mrs Storer, Tenducci; Instrumental parts-Pinto, Gordon, Tacet, Simpson, and all the rest of the principal performers in town.
Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: To begin each Day (for the short time of the Fair) at One o'clock, and end at Eleven. At Yates's Great Theatrical Concert Hall, in the Greyhound Inn, West Smithfield. Performed by a company of Comedians from both Theatres. Prices for this droll: Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. There is a commodious way to the Boxes and Pit at the upper end of Cow Lane (Public Advertiser). [This may be an advance notice. It appears again on Th., F., S., and Mon. (Sept. 3, 4, 5, 7).

Performances

Mainpiece Title: The Fair Bride; Or, The Unexpected Event

Afterpiece Title: The British Tar's Triumph over M Soup-Maigre

Performance Comment: Cast:The performance will be highly enlivened with several entertaining Scenes between England, France, Ireland, and Scotland, in the diverting personges of Ben Bowling, an Dnglish Sailor; M Soup-Maigre, a French Captain; O'Flannaghan, an Irish officer; M'Pherson, a Scotch officer. Through which the manners of each nation will be characteristically and humourously depicted. In which will be introduced as singular and curious a procession as was ever exhibited in this nation. The Objects that compose the Pageantry are both Exotic and British. The Principal figure is the glory and delight of Old England, and the envy of our enemies. The Whole to conclude with a Loyal song on the approaching marriage of our great and glorious Sovereign, King George, and Princess Charlotte of Mecklenberg. An extraordinary band of music is provided: drums, hautboys, violins, French horns, violincellos, bassoons, clarinets. O'Flannaghan, an Irish officer; M'Pherson, a Scotch officer. Through which the manners of each nation will be characteristically and humourously depicted. In which will be introduced as singular and curious a procession as was ever exhibited in this nation. The Objects that compose the Pageantry are both Exotic and British. The Principal figure is the glory and delight of Old England, and the envy of our enemies. The Whole to conclude with a Loyal song on the approaching marriage of our great and glorious Sovereign, King George, and Princess Charlotte of Mecklenberg. An extraordinary band of music is provided: drums, hautboys, violins, French horns, violincellos, bassoons, clarinets.

Entertainment: of singing and dancing.of singing and dancing