SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Kings Scholars"/1) | (@(roleclean,performerclean) "the Kings Scholars")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2904 matches on Performance Title, 2741 matches on Performance Comments, 1615 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia; Or, Theodore (king Of Corsica) At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Poor Vulcan

Event Comment: The Doors to be opened at 5:15. To begin at 6:15 [see 3 May 1790]. Paid Say for Tallow Candles last Season #88 6s. 3d. "That beautiful and best drawn character that the world ever saw, Sir John Falstaff, was mangled by Ryder. He substitutes savageness to jollity, and stiff mimicry to the natural debauchery that should hang as easily on Sir John as the Roomy mantle he moves in...Lewis gave us more the manner of the pretty man of fashion than of a dissipated hero" (Prompter, 4 Nov.). Receipts: #168 1s. 6d. (164.12.6; 3.9.0)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Don Juan

Dance: As17890916

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Poor Soldier

Song: End II: The Lamp Lighter (written and composed by Dibdin)-Reeve; End IV: The Doctrine of an Israelite (written by Collins, author of The Brush) sung in character-Reeve; End: a favorite song a Gentleman (1st appearance on any stage)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Picture of Paris

Cast
Role: Catherine Actor: Mrs Webb

Performances

Mainpiece Title: The Prussian Festival

Afterpiece Title: The First Part of King Henry the Fourth

Afterpiece Title: Oscar and Malvina

Music: As17911122

Event Comment: Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. No Money to be returned. Places for the Boxes to be taken of Fosbrook at the Office of the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 21 Nov.]. Receipts: #231 12s. (129.9; 35.14; 3.9)

Performances

Mainpiece Title: At King's The School For Scandal

Afterpiece Title: All The World's A Stage

Song: III: a song-Dignum

Event Comment: Paid 7 constant Carpenters #2 2s.; 4 Scenemen #5 7s.; The World for Advertisement #1 10s. Receipts: #238 5s. 6d. (166.13.6; 69.11.0; 2.1.0)

Performances

Mainpiece Title: At King's The Rivals

Afterpiece Title: No Song No Supper

Event Comment: [In afterpiece the playbill assigns Euphrosyne to Mrs Crouch, but "illness prevented, and Mrs Bland...undertook the part" (Thespian Magazine, Nov. 1792, p. 125). Mrs Crouch is also listed as one of the Bacchants.] Receipts: #225 8s. 6d. (167.5.6; 57.7.0; 0.16.0)

Performances

Mainpiece Title: At King's The Clandestine Marriage

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Spirit-Benson; Brothers-Banks, Bland; Chief Bacchanals-Kelly, Dignum, Sedgwick; The Lady-Mrs Ward; Euphrosyne (with Sweet Echo, accompanied by Parke)-Mrs Bland; Bacchants-Mrs Bland [sic], Miss DeCamp; Sabrina-Mrs Bland [sic]; Pastoral Nymph-Miss Barclay.
Cast
Role: Brothers Actor: Banks, Bland
Role: The Lady Actor: Mrs Ward
Related Works
Related Work: Comus Author(s): George Colman, the elder
Event Comment: Mainpiece: Written by Colley Cibber; With Alterations. Not Acted these 12 years [acted 10 May 1784]. With new Scenes, Dresses and Decorations. Receipts: #275 19s. 6d. (194.3.6; 78.19.0; 2.17.0)

Performances

Mainpiece Title: At King's Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: At King's The Fugitive

Afterpiece Title: Richard Coeur De Lion

Performance Comment: Richard-Kelly; Blondel-Barrymore; Florestan-Caulfield; Sir Owen-Sedgwick; Seneschal-Phillimore; Antonio-Mrs Bland; Guilliot-Suett; Matthew-Fawcett; William-Banks; Pilgrim-Webb; Matilda-Mrs Crouch; Lauretta-Miss Barclay; Dorcas-Mrs Edwin; Julie-Miss Menage; Chorus of Knights-Danby, Cooke, Maddocks, Lyons; Chorus of Soldiers-Fawcett, Alfred, Shaw, Dorion.
Cast
Role: Matthew Actor: Fawcett

Dance: In afterpiece: Master L. D'Egville, Miss Menage, Miss S. D'Egville. [Danced, as here assigned, in all subsequent performances.

Event Comment: [In afterpiece the playbill retains Sedgwick, but he "being ill, his part in the Farce was given to Caulfield" (Thespian Magazine, Dec. 1792, p. 150).] Receipts: #162 1s. (107.11; 52.16; 1.14)

Performances

Mainpiece Title: At King's The Wonder

Afterpiece Title: The Prisoner

Cast
Role: Theresa Actor: Miss DeCamp
Event Comment: Mainpiece: Not acted these 7 years [not acted since 21 Apr. 1784. Mrs Bateman is identified in Kemble Mem.]. Receipts: #201 1s. 6d. (156.7.6; 41.11.0; 3.3.0)

Performances

Mainpiece Title: At King's The Chapter Of Accidents

Afterpiece Title: Tit for Tat

Related Works
Related Work: Tit for Tat Author(s): George Colman, the elder
Event Comment: Anna [advertised on playbill of 26 Feb.] is deferred for a few Days, at the Request of the Authoress, in order to amend those passages which prevented the Piece from receiving throughout that unanimous Applause with which the Audience honoured the Four First Acts. [But Anna was not repeated.] Receipts: #316 12s. (253.16; 56.12; 5.18; tickets not come in: 0.6)

Performances

Mainpiece Title: At King's The Country Girl

Performance Comment: Moody-King; Harcourt-Palmer; Sparkish (with a song)-Dodd; Belville-Whitfield; Footman-Webb; Countryman-Jones; Alithea-Mrs Ward; Miss Peggy-Mrs Jordan; Lucy-Mrs Edwards.
Cast
Role: Alithea Actor: Mrs Ward

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Matthew Actor: Fawcett

Performances

Mainpiece Title: At King's As You Like It

Performance Comment: Duke-Aickin; Frederick-Packer; Amiens (with songs)-Dignum; Jaques-Palmer; Le Beau-R. Palmer; Oliver-Whitfield; Jaques de Boys-Benson; Orlando-Barrymore; Adam-Moody; Touchstone-King; Corin-Waldron; Sylvius-Bland; William-Burton; Rosalind (with the Cuckoo song)-Mrs Jordan; Celia-Mrs Kemble; Phebe-Miss Collins; Audrey-Mrs Edwards.
Related Works
Related Work: The Tragedy of King Richard II Author(s): Lewis Theobald

Afterpiece Title: The Prisoner

Cast
Role: Theresa Actor: Miss DeCamp

Song: V: a song-Mrs Bland

Event Comment: Afterpiece [1st time; MD 2, by James Boaden. Larpent MS 970; not published]: The Music principally composed by Attwood, with Airs selected from the works of Giornovichi and the late Mozart. Account-Book, 28 June: Paid Boaden for Ozmyn and Daraxa #100. Receipts: #270 1s. 6d. (196.6.6; 67.19.0; 5.16.0)

Performances

Mainpiece Title: At king's She Wou'd And She Wou'd Not

Afterpiece Title: Ozmyn and Daraxa

Dance: In afterpiece: Miss Menage, the Miss D'Egvilles

Performances

Mainpiece Title: At King's The Confederacy

Afterpiece Title: Ozmyn and Daraxa

Dance: As17930307

Performances

Mainpiece Title: At King's All In The Wrong

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: Benefit for Mrs Kemble. Afterpiece: The [first] and only time of performing it [this season] at this theatre. Morning Herald, 31 July: Tickets to be had of Mrs Kemble, No. 24, corner of Panton-street, Haymarket

Performances

Mainpiece Title: The Life And Death Of King Richard The Iii

Afterpiece Title: No Song No Supper

Performance Comment: Crop (for that night only)-Huttley (from the Theatre Royal, Bath; 1st appearance on this stage); Frederick-Bland; Endless-Suett; Robin-Bannister Jun.; William-Sedgwick (of dl); Dorothy-Miss DeCamp; Louisa-Miss Dall; Nelly-Mrs Hatton; Margaretta-Mrs Kemble (1st appearance in that character).

Performances

Mainpiece Title: The Life And Death Of King Richard The Iii

Afterpiece Title: The Prize; or, 2

Performances

Mainpiece Title: The Life And Death Of King Richard Iii

Afterpiece Title: COMUS

Performance Comment: Comus-Palmer; Spirit-Pindar; Brothers-Palmer Jun., Bland; Bacchanals-Bannister, Davies, Sedgwick, Cooke, Linton, Kenrick, Walker, Dorion, Willoughby, Little, Brown, Aylmer, Saunders, Dibble, &c.//1st Bacchant and Pastoral Nymph (with Sweet Echo, accompanied on the hautboy by Foster) (1st time)-Miss Leak; 2nd Bacchant and Sabrina-Miss De Camp; 3rd Bacchant-Mrs Harvey; Euphrosyne (1st time)-Mrs Harlowe; Bacchants-Mrs Norton, Mrs Masters, Mrs Hale, Mrs Butler, Mrs Gaudry, Misses M. and C. Wrighten, Miss Menage; The Lady-Miss Palmer (1st appearance in that character) .
Cast
Role: Brothers Actor: Palmer Jun., Bland
Role: The Lady Actor: Miss Palmer
Related Works
Related Work: Comus Author(s): George Colman, the elder
Event Comment: The King's Company. The date of the premiere is not known, but a licensing date of 28 March 1678 suggests a first performance not later than February 1678. One song, One night while all the village slept, with music by Louis Grabu and words by Sir Car Scroop, is in Choice Ayres and Songs, The Third Book, 1681. Downes (Roscius Anglicanus, p. 17): Major Mohun...[in] Mithridates, &c. An Eminent Poet seeing him Act this last, vented suddenly this Saying: Oh Mohun, Mohun! Thou little Man of Mettle, if I should write a 100 Plays, I'd Write a Part for thy Mouth; in short, in all his Parts, he was most Accurate and Correct. [Downes, p. 12, gives an identical cast except for omissions.] Princess Anne apparently played Ziphares and Frances Apsley played Semandra in a production of this drama, probably at St James's Palace or at Sir Allen Apsley's house in St James's Square, between January 1677@8 and August 1679. See Benjamin Bathurst, Letters of Two Queens (London, 1924), p. 61

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performance Comment: Edition of 1678: Prologue-; Mithridates-Mohun; Ziphares-Hart; Pharnaces-Goodman; Archelaus-Griffin; Pelopidas-Wintershul; Andravar-Powell; Aquilius-Clark; Another Roman Officer-Wiltshire; Monima-Mrs Corbett; Semandra-Mrs Boutel; Epilogue by Mr Dryden-.
Event Comment: The United Company. Luttrell, A Brief Relation, II, 593, 15 Oct. 1692: On Thursday last was acted the tragedy of Oedipus king of Thebes at the theater, where Sandford and Powell acting their parts together, the former by mistake of a sharp dagger for one that runs the blade into the handle, stab'd the other 3 inches deep: said the wound is mortal

Performances

Mainpiece Title: Oedipus, King Of Thebes

Event Comment: Betterton's Company. The date of the premiere is not known, but the Epilogue refers to it as a summer production and the play was advertised in the London Gazette, No 3108, 22-26 Aug. 1695; hence, it appeared first not later than August. A song, Stretch'd in a dark and dismall grove, composed by John Eccles and sung by Mrs Hudson, is in Deliciae Musicae, The Third Book, 1696. A Comparison Between the Two Stages (p. 16): Sullen: Imprimis, Here's Pyrrhus King of Epire. Ramble: Whose is that? Sullen: Charles Hopkin's, an Irish Gentleman of good Sense, and an excellent Ovidian. Ramble: What was it's Fate? Sullen: Damn'd

Performances

Mainpiece Title: Pyrrhus King Of Epirus

Event Comment: Betterton's Company. There may have been a revival of Oedipus in the summer of 1696. In Francis Manning's Poems upon Several Occasions and to Several Persons (1701) there is a poem To Mr Betterton, Acting Oedipus King of Thebes. The first stanza describes the splendor of the installation of the Duke of Gloucester as a Knight of the Garter, an event which occurred at Windsor Castle in July 1696; but there is no certainty that Betterton's performance occurred before that date. It should be noted also that the play was reprinted in 1696

Performances

Mainpiece Title: Oedipus, King Of Thebes