SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Kings Scholars"/1) | (@(roleclean,performerclean) "the Kings Scholars")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2904 matches on Performance Title, 2741 matches on Performance Comments, 1615 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Characters in Mainpiece New Dress'd in the Habits of the Times. [Theatrical Intelligence for 4 Nov. (Theatrical Miscellaneous Cuttings, G 60.23, Boston Public Library) notes: Last night the reformation in dress took place at the theatre in the revival of the second part of King Henry IV. The beauty as well as the propriety of the dresses give great satisfaction. The Old English Habits are indeed admirably suited to the style and manners of the plays of that time, in which a peculiarity prevails very remote from modern dialogue and the present fashion. The effect of this observation of the Costume, as the French call it, is very visible in the representation of Every Man in His Humour, and will, we hope, for the future be strictly observed in dressing every character of the plays of that age." The author then comments on Love's succes as Falstaff, and Garrick's effectiveness as the sick king especially in delivering the long speeches.

Performances

Mainpiece Title: King Henry Iv, Part Ii

Performance Comment: King Henry-Garrick; Prince John-Lee; Gloster-Master Cautherly; Clarence-Master Burton; Prince of Wales-Holland; Achpb of York-Havard; Chief Justice-Bransby; Westmorland-Burton; Hastings-Ackman; Lord Bardolph-Mozeen; Mowbray-Stevens; Gower-Castle; Justice Shallow-Yates; Justice Silence-Blakes; Colville-Fox; Poins-Packer; Bardolph-Clough; Feeble-Vaughan; Mouldy-Moody; Pistol-King; Shadow-Parsons; Bullcalf-Philips; Davy-Marr; Fang-Watkins; Falstaff's page-Miss Rogers; Hostess-Mrs Bradshaw; Doll Tearsheet-Mrs Lee; Falstaff-Love.
Cast
Role: Gloster Actor: Master Cautherly

Afterpiece Title: The Apprentice

Event Comment: Benefit Delane. Mainpiece: As written by Shakespear. Tickets deliver'd for Monday the 9th will be taken. Tickets to be had of Delane at his lodgings at the Unicorn in New Exchange Row in the Strand. Places of Hobson at the stage door. There is now in rehearsal at the Theatre Royal [dl] and speedily will be acted, a new Petit Piece in imitation of that species of writing on the French Theatre call'd The Suspicious Husband Criticiz'd; or the Plague of Envy (General Advertiser). [A Folger edition of 1750 entitled Chorus for Shakespear's Tragedy of King John lists songs by Sullivan, Mrs Lampe, Mrs Storer, and Mrs Mozeen; the play had no other performance at a London theatre in the interim between 1747 and 1750.

Performances

Mainpiece Title: King John

Afterpiece Title: The Dragon of Wantley

Dance: As17470314

Event Comment: Benefit for Aickin and Mrs Lee. House Charges #33 8s. Rec'd stopages #2 13s. (Treasurer's Book). Tickets deliver'd by Sg Giorgi and Miss Berkley will be admitted. Neville MS Diary: Went to ye Pit to see 2nd part of Henry IV. [Comments on performances of individual characters in general.] Falstaff very well by Love. This last uses his eyes with great propriety in this and many other characters....Pistol by Baddeley (King should have played it)

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: The Capricious Lovers

Dance: End: A Minuet-Miss Giorgi, Miss Collett Scholars to Sg Giorgi; End I of the Farce: Hearts of Oak, as17670212, but-Grimaldi, Mrs King

Event Comment: The Characters in the Mainpiece New Dress'd. Neville MS Diary: At 6, went into the Pit...House not very full. King John was performed with new Dresses and Decorations. Powell and Smith are good in York and the Bastard, and Mrs Bellamy in Constance....The entertainment was the procession of the Coronation, with the ceremony of the Champion. Every truly free soul, on seeing a representation of such extravagant pageantry, must abhor that form of Government, of the superfluous trappings of which it is but a small specimen. Receipts: #91s. (Account Book)

Performances

Mainpiece Title: King John

Event Comment: The Provoked Husband and Rival Candidates was given out for Tuesday. On Sunday Morning Mrs Yates sent word she was ill and could not play--sent to Miss Younge, and she sent word that she was ill in bed--King sent word he had a sore Throat, and could not play--so that we could do no Play but the Committee and Rival Candidates. On Monday the Managers met, but nothing was settled. At twelve o'clock Mrs Baddeley sent word she had a sore Throat, and could not play in the Riv[al] Can[didates] (Hopkins Diary). The Hypocrite and The Christmas Tale are obliged to be deferred. "[Smith] has a good figure, is gentlemanlike, and decent in everything he undertakes. When we allow that, we have said all; he wants both feeling to be affected, and powers to convey his feelings, if he had them. In fine, in spite of all the partiality of his friends, or the ignorant prejudices of those who never judge but at second hand, his performance of Richard was little more than a strong union of judgement and industry, unaided by nature. He should woo genteel Comedy oftener; and not that coy sister of hers, who certainly holds Smith at the point of her lance" (London Magazine, Oct. 1776, p. 511). Receipts: #186 18s. 6d

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Elopement

Event Comment: [For Henderson as King Richard see hay, 7 Aug. 1777.] Afterpiece: The Music composed by Dibdin. With New Scenes and Dresses. Books of the Songs, &c. to be had at the Theatre. [The text erroneously assigns: Gillian-$Mrs Wrighten; Floretta-$Miss Walpole, but see Public Advertiser, 8 Oct., which in a review, gives the correct assignment; see also 6 Oct. 1778.] Receipts: #260 7s. (241.14; 17.17; 0.16)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Henderson (1st time [at this theatre]); Richmond-Palmer; Buckingham (1st time)-Farren; Tressel-Davies; Lord Stanley-Chaplin; Norfolk-Hurst; Catesby-Packer; Prince Edward-Miss Field; Duke of York-Master Pulley; Lord Mayor-Griffiths; Ratcliffe-Wright; Lieutenant-R. Palmer; King Henry-Aickin; Lady Anne-Mrs Robinson (1st appearance in that character); Dutchess of York-Mrs Johnston; Queen-Mrs Hopkins.

Afterpiece Title: The Quaker

Event Comment: By Command of Their Majesties. [Kemble's 1st appearance as King John was at the Smock Alley Theatre, Dublin, 18 Apr. 1782; Mrs Siddons's 1st appearance as Constance was at Bath on, by coincidence, the same day.] Receipts: #300 9s. (289/8/0; 10/3/6; 0/5/0; tickets not come in: 0/12/6)

Performances

Mainpiece Title: King John

Performance Comment: King John-Kemble (1st appearance in that character [in London]); Hubert-Bensley; Salisbury-Staunton; Pembroke-Williames; Essex-Chaplin; The Bastard-Smith; King Philip-Aickin; Dauphin-Barrymore; Prince Arthur-Miss Field; Pandulph-Packer; Chatilion-Farren; Austria-Wrighten; Citizen-Fawcett; Queen Elinor-Mrs Hopkins; Lady Blanch-Miss Palmer; Lady Faulconbridge-Mrs Hedges; Constance-Mrs Siddons (1st appearance in that character [in London]) .in London]) .
Cast
Role: The Bastard Actor: Smith

Afterpiece Title: The Deaf Lover

Event Comment: "Falstaff is rather more satirical than facetious...This idea of the part, King adopted; and he gave the text with such correctness and force, that so far from lessening his reputation by attempting so arduous a character, he has in reality afforded new proof of his critical taste and versatility of genius" (Morning Herald, 7 Aug.)

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: King Henry the Fourth [Part I]

Event Comment: [In mainpiece "English Herald [omitted from playbill] Trueman; Cooke Ill." In afterpiece the playbill retains Aumer as Hephestion, but "Hephestion C. Kemble, Aumer at the Opera House. Miss Redhead, Miss Leak absent, Ill" (Powell).] Powell, 13 Mar.: King John rehearsed at 10; Edwy and Elgiva at 12; Jack of Newbury read at 2; 14 Mar.: Jack of Newbury rehearsed at 11. Receipts: #255 3s. (204.14.0; 48.8.6; 2.0.6)

Performances

Mainpiece Title: King John

Afterpiece Title: Alexander the Great

Cast
Role: Perdiccas Actor: Fairbrother
Role: High Priest of the Sun Actor: Roffey
Event Comment: Mainpiece: Not Acted these Fifty Years. At the Desire of several Ladies of Quality. Written by Shakespear. N.B. The above Play of King Henry IV is the Genuine Play of Shakespear, and not that alter'd by Mr Betterton, and so frequently acted at the other Theatre

Performances

Mainpiece Title: King Henry The Fourth, Part Ii

Afterpiece Title: The Royal Chace

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Not acted these 5 years. [See 29 Dec. 1766.] Afterpiece: A Comedy of two acts taken from Vanbrugh's Relapse [by John Lee?]. Tickets by Mas. Harris will be taken. Charges #65 18s.; Profit to Mrs Lessingham #39 18s. 6d., plus #79 13s. from tickets (Box 166; Pit 131; Gallery 185) (Account Book). [The Gentleman who played King Henry was George Savile Carey (Hogan).] Receipts: #105 16s. 6d

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: The Man of Quality

Performance Comment: Lord Foppington-Woodward; Sir Tunbelly-Dunstall; Young Fashion-Lewes; Coupler-Quick; Lory-Cushing; Nurse-Mrs Pitt; Miss Hoyden (With an Apology in character to the Town)-Mrs Lessingham.

Music: End: A Concerto on the Double Mandoline, Royal Guitar-Sg Mussolini, after which he will accompany a young Gentlewoman in a song, being their first appearance in Public

Event Comment: By Permission of the Lord Chamberlain. Benefit for Digges. Mainpiece: Never acted here. [Barry had acted King Lear at this theatre on 15 July 1767, and Ross on 18 June 1770.] Afterpiece: Altered into 3 acts

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Digges; Bastard-West; Kent-Gardner; Gloster-Mitchell; Gentleman Usher-Blissett; Albany-Taylor; Burgundy-Turner; Cornwall-Davis; Edgar-Dimond (from the Theatre-Royal, Bath); Goneril-Mrs Lefevre; Regan-Mrs West; Cordelia-Mrs Massey.
Cast
Role: Theatre Actor:

Afterpiece Title: The Gentle Shepherd

Music: Afterpiece: With the Scots Musick incidental to the Piece-

Event Comment: Benefit for Henderson. Mainpiece: Not acted these 4 years [acted 8 June 1776]. Public Advertiser, 6 Mar.: Tickets to be had of Henderson, Buckingham-street, York Buildings. [Henderson's 1st appearance as King Lear was at Bath, 20 Feb. 1773.] Receipts: #259 9s. (162.9.0; 16.12.6; 0.13.6; tickets: 79.14.0) (charge: #105)

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Henderson (1st appearance in that character [in London]); Gloster-Aickin; Bastard-Palmer; Kent (1st time)-Hurst; Albany-Packer; Cornwall-Wrighten; Burgundy-Norris; Gentleman Usher-Burton; Physician-Wright; Old Peasant-Waldron; Servant to Cornwall-R. Palmer; Curan-Fawcett; Captain of the Guards-Chaplin; Edgar-Webster; Goneril-Miss Sherry; Regan-Mrs Colles; Arante-Miss Kirby; Cordelia-Miss Younge.

Afterpiece Title: High Life below Stairs

Event Comment: [Mainpiece altered by John Philip Kemble.] An Accurate Edition of King Lear to be had in the Theatre. Receipts: #214 19s. 6d. (159.2.6; 54.9.0; 1.8.0)

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Kemble; Duke of Burgundy-Dignum; Duke of Cornwall-C. Kemble; Duke of Albany-Whitfield; Earl of Kent-Aickin; Earl of Gloucester-Packer; Edgar-Wroughton; Edmund-Barrymore; Knights-Caulfield, Phillimore, Maddocks, Welsh; Physician-Jones; Captain of the Guard-Trueman; Officer-Cooke; Oswald-Russell; Herald-Banks; Page to Goneril-Master Chatterley; Page to Regan-Master Gell; Old Man-Burton; Edward-Benson; Ruffians-Webb, Evans; Goneril-Mrs Cuyler; Regan-Mrs Maddocks; Cordelia-Mrs Siddons; Aranthe-Miss Tidswell.
Cast
Role: Captain of the Guard Actor: Trueman
Role: Aranthe Actor: Miss Tidswell.

Afterpiece Title: The Village Lawyer

Cast
Role: Sheepface Actor: Wathen

Performances

Mainpiece Title: King Lear

Afterpiece Title: Barataria; or, Sancho Turned Governor

Performance Comment: Sancho Pancha-Quick; Duke-Claremont; Manuel-Davenport; Pedro-Thompson; Recorder-Powel; Alonzo-Waddy; Don Quixote-Dyke; Custom@house Officer-Farley; Thin Man-Simmons; Lady Tereza Pancha-Mrs Davenport; Spanish Lady-Mrs Platt; Big Woman-Mrs Gilbert; Duchess-Mrs Follett; Mary the Buxom-Mrs Mattocks.
Cast
Role: Mary the Buxom Actor: Mrs Mattocks.
Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 6 years. In I a Grand Banquet Scene. A Procession from the Abbey at the Coronation of Queen Anne Bullen. The Piece to conclude with the ceremony at the Royal Christening. [Holman's 1st appearance as King Henry was at this theatre, 24 May 1793.] Morning Chronicle, 27 Apr.: Tickets to be had of Mrs Pope, Half Moon-street, Piccadilly. Receipts: #391 0s. 6d. (299.15.6; 2.9.0; tickets: 88.16.0)

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman; Cromwell-Lewis; Bishop of Winchester-Munden; Lord Sands-Fawcett; Duke of Buckingham-H. Johnston; Earl of Surry-Knight; Cranmer-Murray; Doctor Butts-Emery (1st and positively the Only Time of the above Performers appearing in those Characters); Duke of Norfolk-Whitfield; Duke of Suffolk-Waddy; Campeius-Davenport; Brandon, Usher-Claremont; Lord Chamberlain-Clarke; Sir George [recte Thomas] Lovel-Farley; Surveyor-Thompson; Chancellor-Whitmore; Porter-Rees; Capucius-Abbot; Porter's Man-Wilde; Cryer-Street; Serjeant-Lee; Abergavenny-Curties; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Patience (with a song, composed by Attwood)-Mrs Atkins; Queen Catherine (1st time)-Mrs Pope.
Cast
Role: Queen Catherine Actor: Mrs Pope.

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

Event Comment: Weekly Journal or British Gazetteer, 27 April: Last Tuesday Night Phormio, a Play out of Terence, was acted by the King's Scholars at Westminster, where were present several Lords and other Persons of Quality

Performances

Mainpiece Title: Phormio

Performance Comment: The King's Scholars.
Event Comment: Weekly Journal or Saturday's Post, 25 Nov.: On Tuesday the King's Scholars at Westminster acted the Andrea of Terrence in their Dormitory, before several of the Nobility, with great Applause

Performances

Mainpiece Title: Andrea

Performance Comment: The King's Scholars.
Event Comment: Freeholder's Journal, 31 Jan.: The Eunuchus of Terrence was acted by the King's Scholars at Westminster, in their Dormitory: The whole Play was prettily perform'd, particularly the Parts of Parmeno and Cherea

Performances

Mainpiece Title: Eunuchus

Performance Comment: The King's Scholars.
Event Comment: Containing the Distresses and death of King Henry the Sixth; the Artful acquisition of the Crownv by King Richard; the Murder of Young King Edward V and his Brother in the Tower. The Landing of the Earl of Richmond, and the death of King Richard in the memorable battle of Bosworth Field, being the last that was fought between the Houses of York and Lancaster. [This notice accompanies subsequent performances of Richard III, but will not be recorded here further.

Performances

Mainpiece Title: King Richard Iii

Event Comment: Containing the Distresses and death of King Henry VI ; the Arthful acquisition of the Crown by King Richard ; the Cruel Murder of Young King Edward V , and his brother in the Tower; The Landing of the Earl of Richmond , and the death of King Richard at the Memorable Battle of Bosworth Fieldv ; being the last that was faught between the Houses of Yorkv and Lancasterv . With many other Historical Passages (General Advertiser)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Perseus and Andromeda

Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald
Related Work: Perseus and Andromeda Author(s): Lewis Theobald
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald
Event Comment: The United Company. The date of the first performance is not known, but it very probably occurred not later than May 1691, as the play was advertised in the London Gazette, 4-8 June 1691. For discussions of it, see E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44-45, and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter III. Downes, Roscius Anglicanus, p. 42: King Arthur an Opera, wrote by Mr Dryden: it was Excellently Adorn'd with Scenes and Machines: The Musical Part set by Famous Mr Henry Purcel; and Dances made by Mr Jo. Priest: The Play and Musick pleas'd the Court and City, and being well perform'd, twas very Gainful to the Company. Roger North: I remember in Purcell's excellent opera of King Arthur, when Mrs Butler, in the person of Cupid, was to call up Genius, she had the liberty to turne her face to the scean, and ner back to the theater. She was in no concerne for her face, but sang a recitativo of calling towards the place where Genius was to rise, and performed it admirably, even beyond any thing I ever heard upon the English stage....And I could ascribe it to nothing so much as the liberty she had of concealing her face, which she could not endure should be so contorted as is necessary to sound well, before her gallants, or at least her envious sex. There was so much of admirable musick in that opera, that it's no wonder it's lost; for the English have no care of what's good, and therefore deserve it not (Roger North on Music, ed. John Wilson [London, 1959], p. 217-18)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Performance Comment: Edition of 1691: King Arthur-Betterton; Oswald, King of Kent-Williams; Conon-Hodgson; Merlin-Kynaston; Osmond-Sandford; Aurelius-Alexander [Verbruggen]; Albanact-Bowen; Guillamar-Harris; Emmeline-Mrs Bracegirdle; Matilda-Mrs Richardson; Philidel-Mrs Butler; Grimbald-Bowman; Prologue to the Opera-Mr Betterton; The Epilogue-Mrs Bracegirdle.
Event Comment: Mainpiece Containing the Distresses and Death of King Henry the Sixth; the Artful Acquisition of the Crown by King Richard; The Cruel Murder of Prince Edward and his Brother in the Tower; the Landing of the Earl of Richmond, and the death of King Richard in the Memorable battle of Bosworth Fieldv; being the last that was fought between the Houses of York and Lancaster. Receipts: #160 19s

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Virgin Unmasked

Event Comment: Mainpiece: Containing the Distresses and Death of King Henry the Sixthv; the Artful Acquistion of the Crown by King Richardv; the Cruel Murder of Prince Edwardv and his Brother in the Tower; the Landing of the Earl of Richmondv, and the death of King Richard in the Memorable Battle of Bosworth Fieldv; being the last that was faught between the Houses of York and Lancasterv. [A customary elaboration of the title, appearing at subsequent performances this season, but not repeated here.

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Royal Chace

Event Comment: Mainpiece: Not acted these 3 years. [See 29 Feb. 1748.] Containing the distresses and death of King Henry VIv; the Artful acquisition of the Crown by King Richardv; The cruel Murder of Prince Edward and his brother in the Towerv; the landing of the Earl of Richmond, and the death of King Richardv in the Memorable battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. [Customary advertisement for this play this season. It will not be repeated further.] This month was published Characters in Dancing; with a Rhapsody (Gentleman's Magazine). Receipts: #164 13s

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Phoebe