SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the French Eunuch"/1) | (@(roleclean,performerclean) "the French Eunuch")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 577 matches on Performance Title, 459 matches on Event Comments, 336 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally, adapted from the same, by Michel Jean Sedaine. Not in Larpent MS; not published; synopsis of plot in Morning Chronicle, 17 Oct. For text of abridged version see 21 Oct.]: Taken from the celebrated French Opera of that Name. With the original Overture, Airs, Duetts, Trios, Chorusses and Finale, by the celebrated Gretry. To which are added Compositions by the following Masters; Anfossi, Bertoni, Duni, David, Rizzio, Carolan, Tenducci, and Shield. With new Dresses, Scenery and other Decorations. Books of the Songs to be had at the Theatre. [The printed score (Longman & Broderip, c. 1786) indicates that the music was adapted by Shield; it does not refer to Duni, Rizzio or Tenducci, but includes Philip Hayes and John Wilson. After the 1st 4 performances the mainpiece was reduced to an afterpiece of 3 short acts; see 21 Oct.] Account-Book, 28 Nov.: Paid Macnally in full for Coeur de Lion #121 18s. 6d. "Inchbald we thought [was] rather hardly dealt with. His voice happened to fail him in a particular turn of the tune he was singing, and some of the audience were ungenerous enough to disconcert him so far that he made a modest bow and retired [leaving his part unfinished. In consequence of this] a duet that was to have been sung by the King from the battlements of the castle, and Blondel without the walls, on which the turn of the fable hinged, was omitted; a circumstance that could not but materially affect the intrinterest, as it destroyed the connexion of the fable" (Morning Chronicle, 17 Oct.). [The following day Inchbald withdrew from his engagement at cg.] Receipts: #249 12s. 6d. (247.11.6; 2.1.0)

Performances

Mainpiece Title: Richard Coeur De Lion

Afterpiece Title: The Romp

Event Comment: Afterpiece [1st time; MD 3, by John Burgoyne]: From the French of Michel Jean? Sedaine. With new Scenery, Dresses and Decorations. The Music by the celebrated Gretry [adapted by Linley Sen.]; and the Paintings by Greenwood. Books of the Dialogue & also of the Songs to be had at the Theatre. Morning Chronicle, 25 Oct 1786: This Day is published Richard Coeur de Lion (1s. 6d.). Receipts: #226 (191.3; 32.14; 2.3)

Performances

Mainpiece Title: The Winter's Tale

Performance Comment: Leontes-Smith; Polixenes-Bensley; Florizel-Bannister Jun.; Camillo-Aickin; Old Shepherd-Packer; Clown-Suett; Autolicus-Dodd; Perdita (with the Sheep-shearing Song)-Mrs Crouch; Paulina-Mrs Hopkins; Hermione-Miss Farren.

Afterpiece Title: Richard Coeur de Lion

Performance Comment: Principal Characters by Kemble, Barrymore, Suett, Williames, Fawcett, Phillimore, Chaplin, Bannister, Miss Romanzini, Mrs Crouch, Mrs Love, Miss Cranford, Miss DeCamp, Mrs Jordan. Cast from text (J. Debrett, 1786): Richard-Kemble; Blondel-Barrymore; Guillot-Suett; Florestan-Williames; Old Mathew-Fawcett; The Seneschal-Phillimore; Pilgrim-Chaplin; Sir Owen-Bannister; Antonio-Miss Romanzini; William-Spencer; Laurette-Mrs Crouch; Dorcas-Mrs Love; Collette-Miss Cranford; Julie-Miss DeCamp; Matilda-Mrs Jordan.
Cast
Role: Old Mathew Actor: Fawcett
Role: The Seneschal Actor: Phillimore

Dance: In III afterpiece: Dance-the two young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; O 1, by John Wolcot. Larpent MS 770; not published]: Being a Translation from the French Opera of that name [Nina; ou, La Folle par Amour, by Benoit Joseph Marsollier des Vivetieres], now performing at Paris with universal applause. With the original Music [by Nicolas Dalayrac, adapted by William Shield and William Thomas Parke. Two other versions of this opera, both unacted, were published this year: one anonymous, and one by George Monck Berkeley]. Receipts: #300 8s. 6d. (150.0.0; 2.18.0; tickets: 147.10.6)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Nina

Afterpiece Title: The Intriguing Chambermaid

Song: Between acts 1st piece: an entire new song, The Nymph's Refusal-Mrs Martyr

Event Comment: Mainpiece: Not performed these 5 years. In 3 acts; altered from Dryden. [Both Kemble and Moss were from the Edinburgh theatre. Address by George Colman elder (European Magazine, ibid).] Afterpiece [1st time; CO 2, by Charles Dibdin. London Chronicle, 17 May, refers to it as "from the French"]: The Musick composed by Dibdin. Books of the Songs to be had at the Theatre. Public Advertiser. 7 July: This Day is published Harvest Home (1s.). Places for the Boxes to be taken of Rice, at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: The Spanish Friar

Performance Comment: Dominick-Kemble; Gomez-Moss (Their 1st appearance on this stage); Alphonso-Johnson; Pedro-Chapman; Lorenzo-Williamson; Elvira-Mrs Brooks (1st appearance in that character).

Afterpiece Title: Harvest Home

Performance Comment: Principal Characters by Meadows, Chapman, Usher, Mathews, Johnson, Young Sestini, Mrs Bannister, Mrs Edwards, Miss George. Cast from text (Harrison and Co., 1787): Glanville-Meadows; Trim-Chapman; Scandaroon-Usher; Muzzy-Mathews; Congo-Johnson; Pickle-Young Sestini; Cleora-Mrs Bannister; Goody Muzzy-Mrs Edwards; Unah-Miss George; Signora Estella-Mrs Poussin (see17870521).
Cast
Role: Muzzy Actor: Mathews

Entertainment: Monologue End: Occasional Address (in character)-Young Sestini (European Magazine, July 1787, p. 63)

Event Comment: Benefit for Miss Farren. Afterpiece [1st time; MF 2, "taken from the French" (see Songs), by @@ Robinson. Larpent MS 783; not published. Music selected by John Edwin, ynger (Town and Country Magazine, Sept. 1787, p. 414). Author of Prologue unknown]

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Test of Love

Related Works
Related Work: The Test of Love Author(s): John Edwin, the younger

Dance: In II: a Masquerade Dance-Byrn, the two Simonets, young D'Egville, Miss DeCamp

Event Comment: Paid Pugh, oilman, #92 3s. Afterpiece: From the French of Sedaine. The Music by the celebrated Gretry; and the Paintings by Greenwood. Receipts: #180 9s. 6d. (129.12.0; 48.9.0; 2.8.6)

Performances

Mainpiece Title: The Country Girl

Cast
Role: Alithea Actor: Mrs Ward
Role: The Country Girl Actor: Mrs Jordan.

Afterpiece Title: Richard Coeur de Lion

Performance Comment: Richard (1st time, with a song from the original Piece)-Kelly; Blondel-Barrymore; Guillot-Suett; Seneschal-Phillimore; Pilgrim-Chaplin; Old Mathew-Fawcett; William-Spencer; Florestan-Williames; Sir Owen-Dignum; Antonio-Miss Romanzini; Lauretta-Mrs Crouch; Dorcas-Mrs Love; Collette-Miss Cranford; Julie-Miss DeCamp; Matilda-Mrs Jordan.
Cast
Role: Old Mathew Actor: Fawcett

Dance: In III afterpiece: Dance-the two young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

Event Comment: A new Comic Opera [1st time; COM 2, librettist unknown]; the Music composed by Storace. "Signor Storace does not appear to have studied that art [of music] much in Italy; for he has entirely deviated from the usual plan of Italian authors...The overture anneunces entirely a French author, and the finales are in the German style of Gluck, loaded with harsh, terrifying music of trumpeting and drumming" (Public Advertiser, 6 Mar.). Receipts: !162 [non-subscription]

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End Opera: Les Fetes de Tempe, as17880301End I: New Dance, as17880226; Pas de Bernois, as17880226; Pas de Trois, as17880226; Pas Seul, as17880226; Pas de Russe, as17880226; Pas de Cinq, as17880226; Pas de Sept, as17880226; General Dance, as17880226

Event Comment: 2nd piece [1st time; C 3, by Elizabeth Inchbald, said to be translated from a French comedy. Prologue by Henry Sampson Woodfall (World, 30 Apr.). Text 1st published, Dublin: C. Lewis, 1789; it assigns no parts]. [3rd piece in place of The Guardian, advertised on playbill of 28 Apr.] Receipts: #158 0s. 6d. (149.14.6; 8.6.0)

Performances

Mainpiece Title: Rosina

Afterpiece Title: Animal Magnetism

Performance Comment: Principal Characters by Quick, Edwin, Pope, Blanchard, Cubitt, Mrs Wells, Mrs Mattocks. [Cast adjusted from playbill of 27 Nov. 1788: Doctor-Quick; La Fleur-Edwin; Marquis D'Lancy-Pope; Jeff'ry-Blanchard; Picard-Cubitt; Constance-Mrs Wells; Lisette-Mrs Mattocks; Prologue-Pope. [This was spoken, as here assigned, at the 1st 8 performances only (see17880605.]This was spoken, as here assigned, at the 1st 8 performances only (see17880605.]

Afterpiece Title: Omai

Event Comment: Benefit for Edwin. Afterpiece: With the Triumphal Entryv of King Chrononhotonthologos into Queerumania attended with Drums, Trumpets, Fiddles, Flutes, Fifes, Flagellets, Lutes, Bagpipes, Tabours and Pipes, Marrow-Bones and Cleavers, Post-Horns, French Horns, Cows Horns, Salt-Boxes, Broom-stickado's. The different Instruments will be played after the Manner of the Queen's Band at Queerum. The most comical Tragedy that ever was Tragedized by any comical Company of Tragedians. Public Advertiser, 23 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent-Garden

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Chrononhotonthologos

Performance Comment: Chrononhotonthologos (King of Queerumania)-Edwin; Bombardinian (his General)-Bannister Jun.; Aldiborontiphoscophornio-Moss; Ridgum@Funidos-Wewitzer; Herald-Gardner; Captain of the Guards-Phillimore; Cook-Barrett; Doctor-Ledger; King of the Fiddlers-Johnson; King of the Antipodes-Smith; Fadladinida (Queen of Queerumania)-Mrs Edwin; Tatlanthe (Favourite to the Queen)-Miss Collett; Maids of Honour-Miss Francis, Miss Palmer; Venus-Mr Mathews; Cupid-Mr Painter.

Song: End III: Four@and@twenty Perriwigs all on a Row-Edwin

Entertainment: Monologue. End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

Event Comment: 2nd piece [1st time; ball. P 3, adapted by Sir George Collier from La Mort du Capitaine Cook a son Troisieme Voyage au Nouveau Monde, by Jean Francois Mussot, dit Arnould. For a detailed synopsis of the action, see 13 Apr.]: As now representing in Paris with uncommon Applause. With the original French Music. New Dresses, Scenery, Machinery and Decorations. Books, containing a description of the Ballet [by James Byrne (World, 23 Mar.)], to be had at the Theatre. Receipts: #257 16s. 6d. (247.16.0; 10.0.6)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Death of Captain Cook

Afterpiece Title: The Poor Soldier

Cast
Role: Father Luke Actor: Booth
Event Comment: Benefit for Ryder. Public Advertiser, 20 Mar.: Tickets to be had of Ryder at his house, No. 5, Bow-street, Covent-garden. 1st piece: The Overture, Airs, &c. by Dr Arnold. The selected by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, Carolan the Irish Bard. 2nd piece: 1st time Here. Translated from the French of La Bonne Mere, by Horatio Edgar? Robson, and at this Time reading with great success and general applause by LeTexier in Lisle-Street [and 1st acted at the hay, 22 Aug. 1788]. 3rd piece [1st time; F 2, by Thomas Ryder, altered from The Man of Parts, by Isaac Jackman; not published]. Receipts: #271 0s. 6d. (191.15.6; 5.7.0; tickets: 73.18.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Look before You Leap

Afterpiece Title: Such Things Have Been

Performance Comment: Characters-Ryder, Bernard, Fearon, Macready, Rock, Booth, Mrs Webb, Miss Wewitzer, Miss Fontenelle. [Larpent MS 818 lists the parts: Mr Traffick, Sir Patrick Prospect, Clack, Tom Prospect, Pat Conelly, Jew Pedlar, Servant, Fanny Traffick, Mrs Traffick, Biddy, Orange Girl.]Larpent MS 818 lists the parts: Mr Traffick, Sir Patrick Prospect, Clack, Tom Prospect, Pat Conelly, Jew Pedlar, Servant, Fanny Traffick, Mrs Traffick, Biddy, Orange Girl.]

Song: End 3rd piece: Paddy's Ramble from Dublin to Londonwritten and to be sung-Ryder

Entertainment: Monologue. In course of Entertainments: Bucks have at Ye All-Ryder

Event Comment: Afterpiece: As now representing in Paris with uncommon Applause. With the original French Music, new Dresses, Scenery, Machinery, and Decorations. Receipts: #229 19s. 6d. (228.13.0; 1.6.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Death of Captain Cook

Performance Comment: Cast from text (T. Cadell, 1789), and Parke, I, 115: Terreeobo-Blurton; Pareea-Byrne; Koah-Delpini; Captain Cook-Cranfield; His Lieutenant-Evatt; Priest-Darley; Lieutenant of the Marines-Ratchford; Emai-Miss Francis. Part I. A Nuptial Procession, with the Performance of the Marriage Ceremony according to the Custom observed at O'Whyee. The Manner of Combat between two Natives. Part II. The Arrival of the Resolution. The Disembarkation of the English, with the Ceremonies observed at entering into a Treaty of Peace with the Natives. A Preparation for a Human Sacrifice. The Assassination of Captain Cook. Part III. A Representation of the Naval and Military Honours observed on erecting a Pile to the Memory of Capt. Cook, by the Officers of the Resolution. The Ceremony performed on the same Occasion, according to the Manner of the Natives of O'Whyee. To conclude with a Representation of a Burning Mountain.

Song: As17890914, but Vocal Parts-Lee, W. _Thompson, Miss +MacGeorge, Mrs +Lefevre

Event Comment: Mainpiece: Not acted these 20 years [not acted since 13 Oct. 1748. With alterations by John Philip Kemble]. Receipts: #167 18s. 6d. (122.19.0; 42.11.6; 2.8.0)

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Performance Comment: English: King Henry-Kemble; Exeter-Aickin; Westmorland-R. Palmer; Duke of Bedford-Dignum; Duke of Gloucester-Benson; Pistol-Suett; Erpingham-Waldron; Bardolph-Alfred; Williams-Whitfield; Nym-Burton; Gower-Williames; Archbishop of Canterbury-Maddocks; Ely-Jones; Grey-Lamash; Scroop-Wilson; Cambridge-Webb; Bates-Banks; Boy-Master Gregson; Fluellen-Baddeley; Hostess-Mrs Booth; French: King-Packer; Duke of Burgundy-Phillimore; Constable-Fawcett; Montjoy-Haymes; Governor-Hollingsworth; Dauphin-Barrymore; Princess Catharine-Miss Collins; Queen of France-Mrs Ward.

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: The Belle's Stratagem

Performance Comment: As17900407, but Whitfield's and Phillimore's names listed in playbill Villers-Phillimore; Letitia Hardy-Mrs Goodall; Gentlemen-_; Mountebank-_; French Servant-_; Porter-_; Dick-_; Gibson-_; Saville's Servant-_; Tradesman-_.

Afterpiece Title: Piety in Pattens

Afterpiece Title: Miss in her Teens

Song: In course: a song-Miss Barnes; The Greenwich Pensioner-Dignum

Entertainment: Vaudeville. End: an Epilogue in the character of Harlequin-Banks

Performance Comment: End: an Epilogue in the character of Harlequin-Banks.
Event Comment: Mainpiece: Not acted these 4 years [acted 28 Dec. 1787. Toms is identified in Morning Herald, 22 Sept. 1795: A Mr Toms made a probationary essay last night in the character of Romeo. The bills erroneously announced it as his first appearance on this stage [cg]; for his unsuccessful attempt in Young Norval [i.e. Douglas], about five years ago, on the same boards, is perfectly within our recollection. London Chronicle, 22 Sept. 1795, also refers to Toms as Douglas. European Magazine, Oct. 1790, p. 305, gives the name as Turner, but in Oct. 1795, p. 273, states that Toms performed on one night only "a few years since."]. Afterpiece [1st time; BALL. P 2 (?), by James Byrne, based partly on his Nootka Sound, and in May 1793 agin altered as The Shipwreck; or, French Ingratitude. Not in Larpent MS; not published; synopsis of action in Diary, 5 Oct.]: A Ballet Pantomime, with new Scenes, Dresses, and Decorations. The Overture and Music compiled by Byrne, from Haydn, Rochefort, Pleyel, Gyrowetz, Reeve, Pieltain, Dibdin. The new Music by Shield. On account of some Scenes which are introduced from the Entertainment of Nootka Sound (performed last Season [on 4 June 1790]) Half Price will be taken. [This alludes to the custom of not llowing half-price during the run of entirely new pantomimes.] Paid Brodie, for Stoves for the Theatre, #19 8s. Receipts: #207 8s. 6d. (201.16.0; 5.12.6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Provocation

Event Comment: 1st piece: Taken from Moor's Comedy of Gil Blas. 3rd piece: With the Original French Music, Dresses, Scenery, Machinery, and Decorations. [For a detailed synopsis of the action, see 16 Nov.] Receipts: #122 5s. 6d. (118.9.6; 3.16.0)

Performances

Mainpiece Title: The Female Pursuit; Or, Stop Her Who Can

Afterpiece Title: The Fugitive

Afterpiece Title: The Death of Captain Cook

Performance Comment: ["Follett played the part of Koah in the room of Delpini" (Diary, 8 Nov.). The other characters probably were: Terreeobo-$Blurton; Pareea-$Byrne; Captain Cook-$Cranfield; His Lieutenant-$Evatt; Lieutenant of the Marines-$Ratchford; Emai-$Miss Francis (see17890921).]
Event Comment: [Fennell had acted Douglas at Edinburgh on 5 July 1788, and perhaps Previously.] Afterpiece [1st time: P 2, by Charles Bonnor and Robert Merry. Larpent MS 886; not published. Synopsis of action in Universal Magazine, Dec. 1790, pp. 321-23. Author of Prologue unknown]: Interspersed with Dialogue, Airs, Duettos, Chorusses, Dances, &c. &c. &c. The Scenery, Machinery, and Decorations entirely new, and painted by Richards, Carver, Hodgins, Pugh, Malton, with many Assistants [including W. Hamilton (European Magazine, Dec. 1790, p. 468]. Among others will be exhibited the following Scenes taken from accurate Drawings made on the Spot: The Jacobines Convent, Rue St. Honorie; Places de Greve; Inside of the Hotel de Ville; View of the New Bridge called Pont Louis Seize; Fountain des Innocens; Palais Bourbon; View of the Champ de Mars, with the Grand Pavillion preparatory to the Festival; A Grand Assembly; View of the Triumphal Arch, prepared for the Procession to the Champ de Mars; Perspective View of the Champ de Mars, with the Bridge of Boats. With an exact Representation of the Banners, Oriflammes, &c. &c. in the Grand Procession to the Champ de Mars. The Whole to conclude with a Representation of the Grand Illuminated Platform, as prepared by the City of Paris, on the Ruins of the Bastille, for the Entertainment of the Provincial Deputies, and the Public. [The above has reference to the "Grand National Fete" held in Paris, 14 July 1790, in commemoration of the first anniversary of the fall of the Bastille. It is included in all subsequent playbills.] The Dances [composed] by Byrn. The Music composed and compiled [from Reeve and Naumann] by Shield. The Dresses all Characteristically French and New. Books of the Songs, &c. with a short Description of the Performance [T. Cadell, 1790] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 11 Jan. 1791: Paid Bonnor #200. Receipts: #316 16s. (296.14; 20.2)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

Performance Comment: Speaking Characters: St. Alban-Holman; Captain O'Leary-Johnstone; Patrick-Rock; Catherine-Mrs Webb; Louisa-Miss Brunton; Vocal Characters-Bannister, Incledon, Davies, Blanchard, Cubitt, Johnstone, Mrs Martyr, Mrs Warrell, Miss Huntley, Miss Barnet (Their 1st appearance), Miss Stuart, Miss Francis, Miss Williams, Mrs Mountain; Pantomimical Characters: Harlequin-Boyce; Petit Maitre-Farley; Marquis-W. Powel; Pioneer-Cranfield; Dusty Gentleman-Bernard; Poet-Marshall; Shoe@Black-Rees; Jacobine-Cross; Lemonadier-C. Powell; Poissards-Blurton, Rayner; Gardener-Milburne; Grotesque-Follett; Dancing Nymphs-Mrs Goodwin, Mrs Watts, Mrs Ratchford, Mrs Byrne, Mrs Boyce, Mrs Cranfield, Mrs Lloyd; Colombine-Mrs Harlowe; New Prologue-Holman.
Cast
Role: Catherine Actor: Mrs Webb

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Relief of Williamstadt; or, The Return from Victory

Performance Comment: Vocal Parts-Incledon, Darley, Gray, Linton, Mrs Clendining; SCENE I. A Camp. How stands the glass around-Incledon; Good subjects with jolly full bottle-Incledon, Darley, Gray; Scene II. A View of the Scheldt. Gentle Soldier oft you've told me (composed by Dr Arne)-Incledon, Mrs Clendining; Scene III. The French Troops preparing for the Siege. With a View of the Fort. Scene IV. The Storming of the Fort by Figures in Perspective; and the Repulse of the Enemy. Oh what a charming thing's battle-Incledon (1st time); Scene V. The Temple of Mars, with the Return from Victory. Great Britain still her charter boasts-(composed by Shield).

Afterpiece Title: Hartford Bridge

Dance: In 2nd piece: Byrn, Holland, Mrs Watts, Mme Rossi

Entertainment: Monologue. A new Occasional Address in the character of Goldfinch ,-Lewis

Performance Comment: A new Occasional Address in the character of Goldfinch ,-Lewis.
Event Comment: Benefit for Johnstone. Afterpiece [1st time; MF 2. Larpent MS 980; not published]: By a Gentleman of the Bar [Horatio Edgar Robson]. The Story partly founded on the celebrated old Scotch Ballad of the Heir of Lynne. The Irish, Scotch, Italian and French Airs selected, and the new Music and Medley Overture composed by Reeve. Books of the Songs to be had at the Theatre. Morning Herald, 24 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden. Receipts: #488 9s. 6d

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: As17920926, but Wowski-Mrs Martyr; Yarico-Mrs Crouch (of king's); Hush Ev'ry Breeze-Mrs Crouch; Sweet Bird (by Handel)-Mrs Crouch; accompanied on the flute-Ashe (from the Hanover-Square Concert); Planters-_; Sailor-_.
Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: Money at a Pinch; or, The Irishman's Frolicks

Dance: End: The Merry Sailors-

Song: In afterpiece: the following songs (incidental to the Piece) The Row, The Land of Potatoes, My sweetest Honoria (to a favorite air of Carolan's)-Johnstone

Performances

Mainpiece Title: Ways And Means

Performance Comment: As17931008, but Palmer Jun.'s name listed in playbill; French Waiter-_; English Waiter-_.
Related Works
Related Work: Ways and Means; or, A Trip to Dover Author(s): George Colman, the younger

Afterpiece Title: All the World's a Stage

Afterpiece Title: The Prize

Event Comment: 1st piece: Taken from Moor's Comedy of Gil Blas. 3rd piece: With the Original French Music, Dresses, Scenery, Machinery, and Decorations. [For a detailed synopsis of the action, see 16 Nov.] Receipts: #122 5s. 6d. (118.9.6; 3.16.0)

Performances

Mainpiece Title: The Female Pursuit; Or, Stop Her Who Can

Afterpiece Title: The Fugitive

Afterpiece Title: The Death of Captain Cook

Performance Comment: ["Follett played the part of Koah in the room of Delpini" (Diary, 8 Nov.). The other characters probably were: Terreeobo-$Blurton; Pareea-$Byrne; Captain Cook-$Cranfield; His Lieutenant-$Evatt; Lieutenant of the Marines-$Ratchford; Emai-$Miss Francis (see17890921).]
Event Comment: [Fennell had acted Douglas at Edinburgh on 5 July 1788, and perhaps Previously.] Afterpiece [1st time: P 2, by Charles Bonnor and Robert Merry. Larpent MS 886; not published. Synopsis of action in Universal Magazine, Dec. 1790, pp. 321-23. Author of Prologue unknown]: Interspersed with Dialogue, Airs, Duettos, Chorusses, Dances, &c. &c. &c. The Scenery, Machinery, and Decorations entirely new, and painted by Richards, Carver, Hodgins, Pugh, Malton, with many Assistants [including W. Hamilton (European Magazine, Dec. 1790, p. 468]. Among others will be exhibited the following Scenes taken from accurate Drawings made on the Spot: The Jacobines Convent, Rue St. Honorie; Places de Greve; Inside of the Hotel de Ville; View of the New Bridge called Pont Louis Seize; Fountain des Innocens; Palais Bourbon; View of the Champ de Mars, with the Grand Pavillion preparatory to the Festival; A Grand Assembly; View of the Triumphal Arch, prepared for the Procession to the Champ de Mars; Perspective View of the Champ de Mars, with the Bridge of Boats. With an exact Representation of the Banners, Oriflammes, &c. &c. in the Grand Procession to the Champ de Mars. The Whole to conclude with a Representation of the Grand Illuminated Platform, as prepared by the City of Paris, on the Ruins of the Bastille, for the Entertainment of the Provincial Deputies, and the Public. [The above has reference to the "Grand National Fete" held in Paris, 14 July 1790, in commemoration of the first anniversary of the fall of the Bastille. It is included in all subsequent playbills.] The Dances [composed] by Byrn. The Music composed and compiled [from Reeve and Naumann] by Shield. The Dresses all Characteristically French and New. Books of the Songs, &c. with a short Description of the Performance [T. Cadell, 1790] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 11 Jan. 1791: Paid Bonnor #200. Receipts: #316 16s. (296.14; 20.2)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

Performance Comment: Speaking Characters: St. Alban-Holman; Captain O'Leary-Johnstone; Patrick-Rock; Catherine-Mrs Webb; Louisa-Miss Brunton; Vocal Characters-Bannister, Incledon, Davies, Blanchard, Cubitt, Johnstone, Mrs Martyr, Mrs Warrell, Miss Huntley, Miss Barnet (Their 1st appearance), Miss Stuart, Miss Francis, Miss Williams, Mrs Mountain; Pantomimical Characters: Harlequin-Boyce; Petit Maitre-Farley; Marquis-W. Powel; Pioneer-Cranfield; Dusty Gentleman-Bernard; Poet-Marshall; Shoe@Black-Rees; Jacobine-Cross; Lemonadier-C. Powell; Poissards-Blurton, Rayner; Gardener-Milburne; Grotesque-Follett; Dancing Nymphs-Mrs Goodwin, Mrs Watts, Mrs Ratchford, Mrs Byrne, Mrs Boyce, Mrs Cranfield, Mrs Lloyd; Colombine-Mrs Harlowe; New Prologue-Holman.
Cast
Role: Catherine Actor: Mrs Webb
Event Comment: Benefit for Bernard. 1st piece [1st time; M. PREL 1]: With the Storming of the Fort, and a View of the Fleet and Harbour. In which will be introduced the Grand Ceremony of the Enemy's Surrendering the Colours, and Marching out before the British Troops. The whole (including Dances) got up entirely under the direction of Byrn. Morning Herald, 13 May: Tickets to be had of Bernard at his house, No. 12, Kirby-street, Hatton Garden. Receipts: #249 8s. 6d. (83/9/6; 7/19/6; tickets: 157/19/6)

Performances

Mainpiece Title: The Fall Of Martinico; Or, Britannia Triumphant

Performance Comment: Principal Vocal Performers-Incledon (with Hark! the Drum beats to Arms, composed by J. Worgan), Townsend, Richardson, Linton//Britannia-Miss Poole .

Afterpiece Title: THE BELLE'S STRATAGEM

Performance Comment: As17931010, but omitted: Villers, Courtall, French Valet, Porter, Miss Ogle, Kitty Willis .

Afterpiece Title: THE HIGHLAND REEL

Dance: In Act IV of 2nd piece a Masquerade, in which a Minuet by Mrs Pope and Byrn

Song: In Masquerade Old Towler by Incledon; End of 2nd piece A Catalogue of Plays and Farces; or, a Love Letter from Dick Ranter to Kitty Sprightly, to an old Tune, by Bernard; After which Sally in our Alley by Incledon

Event Comment: Benefit for Follet, Sloper & Farley. By Particular Desire of His Excellency the Turkish Ambassador [see 7 May). 2nd piece: To conclude with a Representation of the Engagement and Defeat of the French Navy, by the British Fleet under the Command of Lord Howe, on the Glorious First of June (1794); with the bringing in La Juste, Sans Pareille, L'America, L'Achille, Northumberland, et L'Eupeteux; and the Sinking of Le Vengeur; with Rule Britannia. Receipts: #357 10s. (66/2/6; 3/16/6; tickets: 287/11/0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: A LOYAL EFFUSION

Afterpiece Title: HARLEQUIN AND FAUSTUS

Performance Comment: As17940213, but added: In the course of the Pantomime (for that night only) Harlequin will leap through a Blazing Star of Fireworks, and a Hogshead of Real Water; The Peacock-Sloper; omitted from I: all characters; from III: Harlequin, Miller, Bridemen, Miller's Wife, Bridemaids; from V: Playhouse Glee; VII entire; IX entire . omitted from I: all characters; from III: Harlequin, Miller, Bridemen, Miller's Wife, Bridemaids; from V: Playhouse Glee; VII entire; IX entire .
Event Comment: In celebration of the Glorious Victory of His Majesty's Fleet over the Fleet of the French

Performances

Mainpiece Title: La Serva Padrona

Dance: End of opera concerto, as17940603 after which La Vittoria (a Grand Cantata, composed by Paisiello, and performed by Mme Banti at Naples, adapted [by Da Ponte] to the glorious occasion of the triumph of the British flag [on 1 June 1794]), The Goddess of Victory-Mme Banti, accompanied by Chorusses, and a grand Allegorical Ballet, composed by Noverre; to conclude with Rule Britannia by Mme Banti