Event Comment: [1st piece in place of The Wives Revenged, advertised on playbill of 22 Oct.] 2nd piece: 4th Time [i.e. in continuation of the reckoning for the previous season]. In the course of the Play, the Customs of the Tribunal in the Citation of the Offender-the Leading away to Judgment-the Habits and mysterious Signs of the Ministers of Vengeance, will be given with Accuracy. And in the Last Act, the awful Assembly of the Free Judges at Midnight, with the Ceremonies of the Trial-elucidating an Institution, which, by the Scenery and Certainty of its Judgments, produced many alarming Events in the 15th century, throughout the Germanic Empire. 3rd piece: In the course of the Pantomime a Representation of an Engagement between an English and French Man of Warv. A Shipwreckv. The original Allegoric Scene from Provocation. A View of an English Campv. A Naval and Military Procession. Receipts: #235 3s. 6d. (209.0.0; 26.3.6)

Event Comment: Mainpece: In Act I the Cardinal's Banquet. In Act II the Court for the Trial of Queen Katharine. In Act V a Grand Procession to the Christening of Princess Elizabeth. Receipts: #211 1s. 6d. (150.5.0; 58.4.6; 2.12.0)

Event Comment: Mainpiece: By Permission of the Proprietor of the Theatre Royal, Haymarket. [As afterpiece the playbill announces Oscar and Malvina, but "The Poor Sailor played" (MS annotation on BM playbill, cg, Vol. ix). "The audience were in a violent uproar, at the change from Oscar and Malvina to The Poor Sailor" (Monthly Mirror, Dec. 1795, pp. 122-23).] Receipts: #190 7s. (182.17; 7.10)

Event Comment: Benefit for Harley [whose 1st appearance as Shylock was at cg, 6 Nov. 1789]. 1st piece: Not acted these 6 yexrs. 2nd piece: With a view of High-street, Portsmouth, at the time of an Illumination. Morning Herald, 12 May: Tickets to be had of Harley, Castle-street, Bloomsbury. Receipts: #219 12s. 6d. (102.13.0; 2.11.6; tickets: 114.8.0)

Event Comment: Benefit for Mme Mara. 2nd piece: Compressed into 2 Acts. The Words of the new Song to be had at the Theatre. Morning Herald, 21 May: Tickets to be had of Mme Mara, No. 57, Edgeware-road. Account-Book: Paid the Duke of Bedford one years Rent for the Theatre due Ladyday 1794 #456 4s.; Account-Book, 10 June: Paid the Duke of Bedford one years Rent due Ladyday 1795 #456 4s. Receipts: #339 10s. (250.1.6; 2.2.0; tickets: 87.6.6)

Event Comment: "The shrillness of [Mrs Hopkins's] voice, and the squabbishness of her figure are admirable accompaniments to the peevish expression of her features, and thus as far as natural requisites go, she is perfectly suited to old maids and crabbed aunts" (Monthly Mirror, Aug. 1796, p. 240). [On this evening the following performers appeared both at dl and at the hay: Palmer, Trueman, R. Palmer, Burton, Wathen, Suett, Miss DeCamp.

Event Comment: "Though not equal to Macklin [Palmer, whose 1st appearance as Shylock was at Liverpool, 2 July 1773] was respectable. He differed from the usual readings in some parts, particularly in the following: 'Many a time-and oft On the Rialto-you have rated me, &c.' This is certainly better...by uniting the oft with the Rialto, which is the most public place in Venice, it gives the observation additional force" (Monthly Magazine, June 1796, p. 408)

Event Comment: Afterpiece: The principal parts of the Compilation from The Choice of Harlequin. The Magic Cavern, The Enchanted Castle, The Sylphs, The Sorcerer. The Music compiled from, and composed by Michael Arne, Shield, J. C.? Bach, Spofforth, &c. The Scenery, Machinery and Decorations are partly new, and the rest completely repaired by Hodgins, Phillips, Hollogan. Blackmore, and assistants. Receipts: #210 14s. 6d. (209.16.6; 0.18.0)

Event Comment: Afterpiece [1st time; MF 2, by John Cartwright Cross. MSS: Larpent MS 1139 (as licensed for the hay in Aug. 1796, but, although advertised for performance on 31 successive nights, not acted there), and Larpent MS 1142 (as licensed for dl); not published; synopsis of plot in Morning Herald. 7 Nov.]: The Overture and Musick by Reeve. Books of the Songs to be had in the Theatre. Receipts: #320 4s. (213.14.6; 104.10.0; 1.19.6)

Event Comment: Lewis having a severe Hoarseness, Fortune's Fool [advertised on playbill of 4 Nov.] is deferred till Monday. Afterpiece [1st time: BURL 2. by John O'Keeffe. MS: Larpent MS 1141; not published, except for Airs (T. N. Longman, 1796)]: Partly new, and partly taken from The Golden Pippin [by Kane O'Hara]. The Overture and new Music by Reeve. The Selections from Pergolesi, Rousseau, Mornington, Fisher, Carolan, Rizzio, &c. With new Scenery, Machinery, Dresses and Decorations. The Scenery by Phillips, Blackmore, Hollogan, and assistants. The Dragon, the Car and the Machinery designed and executed by Cresswell. The Dresses by Dick and Mrs Egan. "The beauty of the scenery is only to be equalled by the ingenuity of the machinery. The descents and ascents of the Deities were managed with astonishing regularity and adroitness; and the Flying Cupids hovered in the air in very pleasing attitudes...The Pas de Russe, danced by Delpini, a-la-Parisot [see dl. 1 Oct.], in the character of a fine Lady, with Munden, was irresistibly comic" (Morning Herald, 7 Nov.). Receipts: #191 2s. 6d. (185.10.6; 5.12.0)

Event Comment: Mainpiece [1st time; CO 3, by Prince Hoare. Larpent MS 1159; not published; synopsis of plot in Universal Magazine, May 1797, p. 364]: Overture and rest of Music composed and selected by Shield. Harp by Weippert. The new Scenery by Richards. Books of the Songs to be had in the Theatre. Receipts: #172 10s. 6d. (169.6.6; 3.4.0)

Event Comment: 3rd piece [1st time; F 2, by Andrew Franklin. Prologue by the author (Knapp, p. 164)]. Receipts: #233 7s. (137.2; 93.0; 3.5)

Event Comment: Afterpiece: Never acted here [i.e. in the regular summer season; see 28 Mar. 1780]

Event Comment: "In the scene with Salanio and Solarino after the discovery of Jessica's flight, Elliston was more noisy than impressive; and the speech "hath not a Jew eyes?" &c. was delivered with such a dreadful rant as to destroy all the beauty of the poet, as well as the effect which this part always produces when judiciously delivered...Miss DeCamp's Portia was beyond what we could possibly have expected from a person of her line of acting. It was frequently above, but never below mediocrity" (Monthly Visitor, Sept. 1797, p. 257)

Event Comment: Benefit for Elliston [whose 1st appearance as Othello was at Bath, 8 July 1797]. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. True Briton, 30 Aug.: Tickets to be had of Elliston, No. 3, Frith-street, Soho