SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "little Theatre in the Hay Market"/1) | (@(roleclean,performerclean) "little Theatre in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3006 matches on Event Comments, 637 matches on Performance Comments, 455 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Roncaglia. Opera: The Music composed by Gretry. Tickets to be had of Roncaglia, No. 2, Hay-market

Performances

Mainpiece Title: Zemira And Azor

Dance: End I: The Pert Country Maid, as17810113; End II: The Fortunate Escape, as17801216; End Opera: Les Amans Surpris, as17801216

Event Comment: Benefit for Lepicq. Tickets to be had of Lepicq, No. 9, facing the Opera-house, Hay-market. [Public Advertiser, 14 Mar.: La Bigueule composed by Lepicq; music by Borghi.]

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

Performance Comment: , Sga Crespi, Mlle Theodore, Mme Simonet .
Event Comment: Benefit for Mme Rossi. Tickets to be had of Mme Rossi, No. 80, near the Opera-house, Hay-market

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Le Tuteur Trompe, as17830128, but added: Mme Simonet, and in which the following Novelties: Sequedilla by Lepicq and Mme Rossi; Fandango by Mme Rossi alone; Pas de Deux by Mme Rossi, in Man's Cloaths, and Mlle Baccelli; End of Opera an entire new Ballet, composed by Lepicq, The Amours of Alexander and Roxana (the music entirely new composed by Barthelemon), by Mlle Baccelli (with 2 Pas Seals), Slingsby, Lepicq, Henry, Zuchelli, Sga Crespi, Miss Simonet, Mlle Theodore

Song: New set of Airs, as17830306athi

Event Comment: Benefit for Mlle Theodore. Tickets, 10s. 6d. each, to be had of Mlle Theodore, No. 46, Rupert-street, Hay-market

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

Event Comment: Benefit for Bannister. Gazetteer, 16 Mar.: Tickets to be had of Bannister, No. 7, Suffolk-street, Hay-market. King Lear [announced on playbill of 29 Mar.] cannot be performed, on account of Henderson's Indisposition. Tickets for King Lear will be admitted. Receipts: #244 9s. 6d. (140/7/6; tickets: 104/2/0) (charge: #105)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Rival Knights

Cast
Role: The Devil Actor: Bannister

Afterpiece Title: Rosina

Song: End of mainpiece September the Thirteenth proud Bourbon may mourn, from Gretna Green (composed by Dr Arnold) by Bannister

Event Comment: Benefit for Brett. Public Advertiser, 22 July: Tickets to be had of Brett at Warburton's, Hay-market

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Flitch of Bacon

Dance: End of mainpiece Dance [probably The Medley], as17840528

Event Comment: Benefit for Sga Ferrarese. Sga Ferrarese, whose long and grievous Indispositions have been an Obstacle to the Success she ardently wished to obtain, cannot plead any Merit of her own, and only depends for Patronage on that well-known Liberality of a Public, equally disposed to allow for involuntary Deficiencies as to reward even an Attempt to captivate their Benevolence. Tickets, half a guinea each, to be had of Sga Ferrarese, No. 19, Oxendon Street, Hay-market

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Dance in Wooden Shoes [here entitled La Dance del Sabots], as17850303End of Opera Don Juan, as17850407

Event Comment: Benefit for Jewell, treasurer. 2nd piece: Taken from The Devil upon Two Sticks. 3rd piece: Never performed here. Public Advertiser, 8 Aug.: Tickets to be had of Jewell, No. 26, Great Suffolk-street, Hay-market

Performances

Mainpiece Title: Tit For Tat

Related Works
Related Work: Tit for Tat Author(s): George Colman, the elder

Afterpiece Title: Dr Last's Examination

Performance Comment: Dr Last-Edwin; The Devil-Moss.
Cast
Role: The Devil Actor: Moss.

Afterpiece Title: The Intriguing Chambermaid

Afterpiece Title: The Day

Performance Comment: Morning. Champaign Country The Early Horn-Miss George; How sweet in the Woodlands-Davies, Miss George; Noon. Skirts of a Wood Sweet Echo-Mrs Bannister; Dance Shepherd's Wedding-Byrn, Mrs Goodwin, the two Miss Simonets; Prithee Susan-Meadows, Mrs Forster; Afternoon. A Drawing-Room Time has not thinn'd-Meadows, Mrs Bannister; Where the Bee sucks-Davies, Mathews, Miss George, Mrs Bannister; Night. A Country Church-yard My Lucy alas is no more-Chapman, Mrs Forster, Mrs Edwards; dance Fairies Sporting-young D'Egville, Giorgi's Scholars, Miss DeCamp; Musical Epilogue-Meadows, Chapman, Mathews, Mrs Edwards, Mrs Gaudry, Mrs Forster.
Related Works
Related Work: The Battle of Hexham; or, Days of Old Author(s): George Colman, the younger
Event Comment: Benefit for Morigi. A Comic Opera, the music by Paisiello; under the direction of Mazzinghi. Tickets to be had of Morigi, No. 3, Angel-court, Windmill-street, Hay-market. Miss Harvey's tickets will be admitted for the Opera. Receipts not listed

Performances

Mainpiece Title: La Frascatana

Performance Comment: Principal Characters-Morelli, Morigi, Calvesi, Fineschi, Sga Schinotti, Sga Morigi, Sga Storace. Libretto (T. Cadell, 1776) lists the parts: Il Cavaliere Giocondo, Nardone, Don Fabrizio, Pagnotta, Donna Stella, Violante, Lisetta.

Dance: End I: New Ballet, as17880426; with a Pas de Deux-Miss Harvey, Henry

Song: In opera: the Grand Quintetto (never performed in this Country)-; several beautiful parts of music as performed in the original Opera-

Ballet: End Opera: L'Amour et Psiche. As17880129, but Hymen-Henry in place of Chevalier; Graces Furies and Fates-Mlle _Vedie, Miss Harvey, _Jacolet, _Saulnier, _Sala; Didelot_; Coulon_

Event Comment: A New Comic Opera (never performed [in London; 1st performed at Vienna, 1786]); the Music by Martini [i.e. Martin y Soler], under the direction of Mazzinghi. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. Those Subscribers of last season who have not yet signified their intention respecting the retaining of their Boxes are respectfully requested to send their names, in writing, to the Treasurer's office in Union-court, Hay-market, on or before Thursday next, the 15th inst., or the Manager will be under the necessity of disposing of the Boxes. Subscriptions are received and Tickets delivered as usual, at Messrs Ransom, Morland and Hammersley, No. 57, Pall-Mall. All persons claiming admission into the Opera House by Silver Tickets or Renters' Shares are requested to send the same to the Treasurer's Office as early as may be, that they may be examined and properly certified, otherwise they cannot be admitted. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]

Performances

Mainpiece Title: La Cosa Rara

Performance Comment: Principal Characters by Borselli, Forlivesi, Fineschi, Delicati, Torregiani, Sga Graziani, Sga Borselli, Sga Delicati. Cast from libretto (C. Etherington, 1789): Lubino-Borselli; Prince of Spain-Giuseppe Forlivesi; Corrado-Fineschi; Lisargo-Delicati; Tita-Paolo Torregiani; Queen of Spain-Sga Clementina Graziani; Ghita-Sga Elisabetta Borselli; Lilla-Sga Margherita Delicati.

Dance: End I: a New Divertissement-Didelot, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Normand; End Opera: L'Embarquement pour Cythere [composed by Didelot]-Didelot, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand

Event Comment: Benefit for Vestris Sen. Tickets to be had of Vestris, No. 2, Hay-market. 2nd ballet: A new Historical Dance [in 3 acts]. The Music entirely new, composed by VanEsch. With new Dresses, Machinery, and Decorations. [Morning Chronicle, 15 Apr., printed a letter from Vestris complaining that the manage had not fulfilled his promises as regards the scenery. Vestris outlines what he had planned, and concludes with a description of the "3rd and last act, the Olympus descending, which shall fill the whole stage with clouds, and a Glory in which one shall see Jupiter with his whole Celestial Court; Hercules shall appear there mounting in the Olympus to receive his Apotheosis; the Ballet shall be concluded by a general acclamation of joy and admiration of all the people assembled in the place."

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: Divertisement, as17910326

Ballet: End II: La Mort d' Hercule, and his Apotheosis. Hercule-Vestris Sen. [For other parts see17910412]

Performance Comment: Hercule-Vestris Sen. [For other parts see17910412] .For other parts see17910412] .
Event Comment: Benefit for Wrighten, prompter. Morning Herald, 10 Apr.: Tickets to be had of Wrighten, No. 84, Hay-market. Receipts: #384 16s. (79.8.6; 37.15.0; 6.2.0; tickets: 261.10.6) (charge: #177 13s. 6d.)

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Mathew Actor: Fawcett
Event Comment: [Afterpiece in place of Poor Old Hay-Market, advertised on playbill of 27 June.

Performances

Mainpiece Title: The Battle Of Hexham

Cast
Role: Man in the Pit Actor:
Related Works
Related Work: The Battle of Hexham; or, Days of Old Author(s): George Colman, the younger

Afterpiece Title: The Liar

Event Comment: Benefit for Sga Banti. 2nd piece: A Comic After-piece; the music by Paisiello. Tickets to be had of Sga Banti, No. 3, Hay-market. "The Banti's Benefit produced (presents included) #1, 353" (World, 3 June)

Performances

Mainpiece Title: Semiramide

Afterpiece Title: LA SERVA PADRONA

Dance: End of Act I of afterpiece us Ruus dt I' A11WMr (performers not listed, but see17940401 No other ballet performed this evening.]

Event Comment: Benefit for Mme Banti. A Grand Serious Opera (1st time in this Country [1st performed at Paris, 1779]); the Music by Gluck. Accompanied With Chorusses under the Direction of Kelly. With entirely new Scenes designed by Marinari, and executed under his direction, Dresses and Decorations. Tickets to be had of Mme Banti, No. 7, Hay Market. The Company are respectfully entreated not to come upon the Stage this Night, as the Iphigenia is accompanied with a degree of Spectacle on which the effect of the Performance chiefly depends; besides, the Machinery used in this Opera will make it dangerous for the Company to be upon the Stage during the time of the representation. "We never saw a House more splendid, more crowded, nor more gratified...In spite of the request not to crowd upon the stage, it was quite thronged; and it was impossible to move the complicated and superb scenery with effect. We lament that no means can be devised to save the stage from this perpetual intrusion" (Morning Chronicle, 8 Apr.). "Banti had a crowded house for her benefit, and is said to have netted 1500 guineas" (Monthly Magazine, May 1796 p. 321)

Performances

Mainpiece Title: Ifigenia In Tauride

Dance: As17960315

Event Comment: Benefit for Mme Rose. The Opera [will be performed] instead of Antigona, already announced in the papers of yesterday, it having been found impossible to get ready the machinery of the new Ballet after the performance of the Serious Opera. Mme Rose having been presented with an Engraving Ticket for her night, she proposes to give one with each Ticket, separately from the Ticket which will be admitted at the door. The Nobility and Gentry are respectfully entreated not be on that part of the stage where the mountain stands, as the machinery of the Ballet will be attended with danger. Tickets to be had of Mme Rose, No. 9, Hay-market. "The most bewitching dance we ever witnessed, for novelty of idea, charm of fancy, and delicacy of passion was performed last night. Not content with the common praise, the audience called forward the author, Didelot, and paid to him the tribute due to original and inventive talents. The ballet was entitled L'Amour Vange. The invention, which was perfectly new, was that of bands of Cupidsv floating in air-suspended seemingly on their own wings, without the intervention of any grosser medium" (Morning Chronicle, 3 June)

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End II: [a new Ballet Episodique (in the style Anacreontique), in 2 acts, composed by Didelot with music by Bossi] L'Amour Vange- [;ou, La MetamorphoseMme Rose, Mme Hilligsberg, Mlle Parisot, Mme Bossi, Didelot, Gentili

Ballet: End I: a new Indian Divertisement by Didelot, The Caravan at Rest. Cast from Morning Herald, 27 May: Nair (Malabar Officer)-Didelot; Moor-Gentili; Arab (Chief of the Caravan)-Fialon; Malabar Woman-Mme Rose; Negro Caffre (of the natural country)-Mme Hilligsberg; Arab Woman-Mlle Parisot; Young Woman, Wotyake-Mme Bossi; Two Audalisques-Mlles Cabanel

Performance Comment: Cast from Morning Herald, 27 May: Nair (Malabar Officer)-Didelot; Moor-Gentili; Arab (Chief of the Caravan)-Fialon; Malabar Woman-Mme Rose; Negro Caffre (of the natural country)-Mme Hilligsberg; Arab Woman-Mlle Parisot; Young Woman, Wotyake-Mme Bossi; Two Audalisques-Mlles Cabanel.
Event Comment: 3rd piece: By permission of the Proprietor of the Thaatre Royal, Hay-Market. Receipts: #209 15s. (122.7; 85.8; 2.0)

Performances

Mainpiece Title: The Purse

Cast
Role: The Baron Actor: Packer
Role: Theodore Actor: Trueman
Role: Will Steady Actor: Wathen

Afterpiece Title: The Children in the Wood

Afterpiece Title: Sylvester Daggerwood

Related Works
Related Work: Sylvester Daggerwood Author(s): George Colman, the younger

Afterpiece Title: Lodoiska

Event Comment: Benefit for Mme Rose. Tickets to be had of Mme Rose, No. 8, Hay-Market. 2nd ballet: 1st time; composed by Didelot in the Erotic Style. The Music entirely new, by Mazzinghi. With new Dresses [by Sestini], Scenery [by Greenwood], and Decorations

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: L'Heureux Retour, as17970401; Minuet de la Cour-Mme Rose, Didelot

Ballet: End Opera: Sapho et Phaon. Cast from synopsis (A. Dulau, 1797): Adonis-Miss Menage; L'Amour-Master Menage; Zephyre-Gentili; Vulcain-Fialon; Phaon-Didelot; Alcee-Simpson; Nemesis-Simpson [i.e. doubled]; Le Feu-Gentili [i.e. doubled]; L'Hypocrisie-Fialon [i.e. doubled]; Sapho-Mme Rose; Damophile-Mme Hilligsberg; Venus-Mlle Parisot

Event Comment: Benefit for Didelot. Tickets to be had of Didelot, No. 8, Hay-market. 2nd ballet: 1st time, composed by Didelot, the Music entirely new by Cesare Bossi

Performances

Mainpiece Title: Merope

Dance: End I: Le Rendez@vous, as17970513; Minuet de la Cour, as17970406; End Opera: Acis et Galatie- [see17970617

Event Comment: Benefit for Mme Rose Didelot. Semiramide [advertised in Morning Chronicle, 18 Apr.] cannot be given this evening on account of the necessary Machinery in the new Ballet. Tickets to be had of Mme Rose Didelot, No. 8, Hay-Market

Performances

Mainpiece Title: Cinna

Dance: End I: A New Divertisement-; Minuet de la Cour-Didelot, Mme Rose; End Opera: a new grand Ballet, composed by Gallet, Enee et Didon-Didelot, Mme Rose, Laborie, Mme Hilligsberg, Miss Hilligsberg, Mme Laborie, St.Pierre

Event Comment: Benefit for Mme Banti. A Serious Opera, 1st time in this country [1st performed at Naples, 1792]; the Music by Paisiello. Tickets to be had of Mme Banti, No. 3, Hay Market

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): George Colman, the elder

Dance: End I: Peggy's Love composed by Didelot [with music by Bossi]-; Pas de Trois-Laborie, Mme Laborie, Mme Hilligsberg; End Opera: La Vengeance de l'Amour, as17980421

Event Comment: Mainpiece [1st time; MD 3, by George Colman, ynger]: The new Musick (with a Martial Overture) by Dr Arnold. The Scenery by Rooker. The Characters will be dressed [playbill of 6 Aug.: The Dresses by Whitfield] in the Habits of the Times. Books of the Songs [T. Cadell, 1791] to be had at the Theatre

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Surrender of Calais

Performance Comment: Characters by Williamson, Bland, Usher, Aickin, Farren (1st appearance at this theatre), Bensley, Iliff, Evatt, Johnstone, Bannister Jun., Wilson, Parsons, Wewitzer, Burton, Rock, Chapman, Abbott, Powell, Barrett, Mrs Goodall, Mrs Kemble, Mrs Bland. Other Vocal Parts-Davies, Cubitt, Kenrick, Willoughby, Linton, Dorion, Aylmer, Little, Brown, Lyons, Mrs Bannister, Mrs Iliff, Mrs Edwards, Mrs Taylor, Miss Fontenelle, Miss DeCamp, Mrs Edwin, Mrs Powell, Miss Hale, Mrs Gaudry; [Cast from text (Longman [et al.], 1808), and Larpent MS 913: King Edward the III-Williamson; Harcourt-Bland; Sir Walter Manny-Usher; John de Vienne-Aickin; Ribaumont-Farren [in text: Palmer]; Eustache de St. Pierre-Bensley; Officer-Iliff [in text: Palmer Jun.]; John d'Aire-Evatt; O'Carrol-Johnstone; La Gloire-Bannister Jun.; Serjeant-Wilson; Workmen-Parsons, Burton; Citizens-Wewitzer, Abbott, Barrett; Cryer-Rock; Old Man-Chapman [in text: Johnson]; Arundel-Powell; Queen-Mrs Goodall; Julia-Mrs Kemble; Madelon-Mrs Bland; Attendant-Mrs Taylor; Nuns-Miss Fontenelle, Miss DeCamp, Mrs Edwin, Mrs Powell.
Related Works
Related Work: The Surrender of Calais Author(s): George Colman, the younger
Event Comment: 2nd piece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Never acted Here. The Musick composed by Storace. The new Musical Entertainment of The Charity Boy [advertised on every playbill beginning with 25 July] is unavoidably deferred till Wednesday next. [But it was permanently deferred at this theatre; see dl, 5 Nov. 1796.

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Iron Chest

Performance Comment: Characters by Elliston, Aickin, Bannister Jun., Fawcett, Palmer, Suett, Master Willoughby, C. Kemble, R. Palmer, Davies, Caulfield, Trueman, Bannister, Master Webb, Waldron Jun., Lyons, Abbot, Chippendale, Mrs Kemble, Mrs Gibbs, Mrs Bland, Miss Granger, Miss DeCamp. Cast adjusted from text (Cadell and Davies, 1796), and from playbill of 14 Aug. 1797: Sir Edward Mortimer-Elliston; Fitzharding-Aickin; Wilford-Bannister Jun.; Adam Winterton-Fawcett; Rawbold-Palmer; Samson-Suett; Boy-Master Willoughby; Robbers-C. Kemble, Davies, Caulfield; Orson-R. Palmer; Gregory-Trueman; Armstrong-Bannister; Robber's Boy-Master Webb; Cook-Waldron Jun.; Peter-Lyons; Walter-Abbot; Simon-Chippendale; Helen-Mrs Kemble; Blanch-Mrs Gibbs; Barbara-Mrs Bland; Girl-Miss Granger; Judith-Miss DeCamp; The General Chorus-Boyce, Brown, Aylmer, Little, Walker, Willoughby, Linton, Dibble, Mrs Butler, Mrs Gaudry, Mrs Hale, Mrs Masters, Miss Menage, Mrs Norton.
Related Works
Related Work: The Iron Chest Author(s): George Colman, the younger
Event Comment: Benefit for Munden. 1st piece: Not acted these 12 years [acted 20 Apr. 1789]. 2nd piece: By Permission of the Proprietors of the Theatre-Royal, Drury-Lane. Never Performed at this Theatre. With the Original Overture, Songs, Trios, Duets and Chorusses. To conclude with a Perspective Representation of a Grand Camp. Morning Chronicle, 1 Apr.: Tickets to be had of Munden, No. 16, Clement's Inn. Receipts: #565 0s. 6d. (202.9.0; 10.10.0; tickets: 352.1.6)

Performances

Mainpiece Title: The Good-natured Man

Performance Comment: Lofty-Lewis; Honeywood-Pope; Old Croaker-Munden; The Bailiff-Knight; Leontine-H. Johnston; Sir William Honeywood-Murray; Little Flannagan-Emery; Postboy-Simmons; Jarvis-Thompson; Butler-Abbot; Mrs Croaker-Mrs Mattocks; Olivia-Miss Murray; Garnet-Mrs Mills; Miss Richland-the Late Miss Betterton [i.e. now Mrs Glover].i.e. now Mrs Glover].

Afterpiece Title: The Camp

Performance Comment: William-Incledon; Gage-Munden; O'Daub-Johnstone; Serjeant Drill-Townsend; Sir Harry Bouquet-Betterton; Monsieur Bluard-Farley; Recruits-Emery, Simmons; Nell-Mrs Chapman; Nancy (with the Manual Exercise)-Mrs Mills.
Related Works
Related Work: First Faults Author(s): Maria Theresa De Camp

Afterpiece Title: The Hermione

Song: End: A Chapter of Fashions (never performed; written by T. Dibdin Jun.)-Munden; The Tight Little Lads of the Ocean (never performed; written by the Author of The Bundle of Proverbs)-Fawcett

Performance Comment: Dibdin Jun.=)-Munden; The Tight Little Lads of the Ocean (never performed; written by the Author of The Bundle of Proverbs)-Fawcett.
Event Comment: The Duke's Company. The date of the premiere is not known. Pepys saw it on 6 March 1679@80, calling it a "New Play," and that may have been the first day. The Prologue alludes also to the Duke of York's triumphant return from Scotland on 24 Feb. 1679@80, and the play was entered in the Term Catalogues, May 1680. For Mrs Bracegirdle as the "little Girl," see Edmund Curll, History of the English Stage (1741), p. 26, and Lucyle Hook, Anne Bracegirdle's First Appearance, Theatre Notebook, XIII (1959), 134. For Betterton as Castalio and Mrs Barry as Monimia, probably as they performed in the next decade, see Cibber, Apology, ed. Lowe, I, 116, 160. Downes (Roscius Anglicanus, p. 37) gives the same cast except for omissions and except for Serina-The Fatal Marriage] These three Parts, gain'd her the Name of Famous $Mrs Barry">Mrs Mountfort, who acted it later. Downes (pp. 37-38) adds: [Monimia, Belvidera in Venice Preserved, and Isabella in The Fatal Marriage] These three Parts, gain'd her the Name of Famous $Mrs Barry, both at court and City; for when ever She Acted any of these three Parts, she forc'd Tears from the Eyes of her Auditory, especially those who have any Sense of Pity for the Distress't. These 3 Plays, by their Excellent Performances, took above all the Modern Plays that succeeded. A song for this play, Come all the youths whose hearts have bled, the music by Forcer, is in Choice Ayres and Songs, The Third Book, 1681

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Edition of 1680: Acasto-Gillow; Castalio-Batterton; Polydore-Jo. Williams; Chamont-Smith; Ernesto-Norris; Paulino-Wiltshire; Cordelio-the little Girl [Anne Bracegirdle]; Chaplain-Percivall; Monimia-Mrs Barry; Serina-Mrs Boteler; Florella-Mrs Osborn; Prologue-; Epilogue-.
Cast
Role: Cordelio Actor: the little Girl