SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "little James"/1) | (@(roleclean,performerclean) "little James")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2140 matches on Author, 1239 matches on Performance Comments, 739 matches on Event Comments, 262 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The King's Company, presumably. For a version of this play, see R. G. Howarth, "A Manuscript of James Shirley's Court Secret," Review of English Studies, VII (1931), 302-13. The manuscript is in the Worcester College Library (Plays 9. 21). Pepys, Diary: My wife going to-day to dine with Mrs Pierce, and thence with her and Mrs Clerke to see a new play, The Court Secret. [The play had not been acted before the Restoration.

Performances

Mainpiece Title: The Court Secret

Related Works
Related Work: The Court Secret Author(s): James Shirley
Event Comment: [By James Moore Smythe.]All the Characters new dress'd

Performances

Mainpiece Title: The Rival Modes

Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe
Event Comment: [By James Miller.] All the Characters new drest

Performances

Mainpiece Title: The Humours Of Oxford

Related Works
Related Work: The Humours of Oxford Author(s): James Miller
Event Comment: [Written by James Thomson.] With New Habits

Performances

Mainpiece Title: Sophonisba

Related Works
Related Work: Sophonisba Author(s): James Thomson
Event Comment: A New Tragedy. [By James Ralph.

Performances

Mainpiece Title: The Fall Of The Earl Of Essex

Related Works
Related Work: The Fall of the Earl of Essex Author(s): James Ralph
Event Comment: Mainpiece: Not Acted these thirty Years. Taken from the French of Moliere by Sir John Vanbrugh. [This version by James Ralph.] The Songs new set by John Frederick Lampe, and a new Grand Dance, in Grotesque Characters, proper to the Play. Afterpiece: a Farce of two Acts. Alter'd from Beaumont and Fletcher. [Author unknown. Apparently not published.]

Performances

Mainpiece Title: The Cornish Squire

Related Works
Related Work: The Cornish Squire Author(s): James Ralph

Afterpiece Title: The Sham Pilgrims

Event Comment: A new Comedy [By James Miller.]

Performances

Mainpiece Title: The Mother-in-law; Or, The Doctor The Disease

Related Works
Related Work: The Mother-in-Law; or, The Doctor the Disease Author(s): James Miller
Event Comment: At the particular Desire of several Ladies of Quality. Afterpiece: A New Farce of Two Acts. Taken from Shakespear: Intermix'd with Songs. [By James Worsdale.]

Performances

Mainpiece Title: The Earl Of Essex [the Unhappy Favourite]

Afterpiece Title: A Cure for A Scold

Related Works
Related Work: A Cure for a Scold Author(s): James Worsdale

Dance: As17350222

Event Comment: Mainpiece: Never Acted before. [By James Miller.] Daily Advertiser, 6 March: We hear that Sir John Barnard has offerM a Proposal limiting the Number of Playhouses, and for putting them under the Regulation of Parliament

Performances

Mainpiece Title: The Man Of Taste; Or, The Guardian

Related Works
Related Work: The Man of Taste Author(s): James Miller
Related Work: The Man of Taste; or, The Guardian Author(s): James Miller

Afterpiece Title: Harlequin Orpheus

Event Comment: Mainpiece: Never Acted before. [By James Sterling.] Afterpiece: a Ballad Opera. [Author unknown. Apparently not published.]

Performances

Mainpiece Title: The Parracide

Related Works
Related Work: The Parracide Author(s): James Sterling

Afterpiece Title: The Ch1mney Sweeper

Event Comment: [By James Miller. An adaptation of Much Ado About Nothing.

Performances

Mainpiece Title: The Universal Passion

Related Works
Related Work: The Universal Passion Author(s): James Miller
Event Comment: Benefit Lacy. Afterpiece: A new Satyrical, Allegorical, Political, Philosophical Farce, [Apparently by Lacy.] Daily Advertiser, 30 April: Yesterday I accidentally call'd in at the Theatre in the Hay-Market, and saw the Rehearsal of a new Farce call'd Fame...Which is to be acted there on Wednesday next...for the Benefit of Mr Lacy the Author. As I am neither acquainted with him, nor the Master of the Playhouse, I cannot be accus'd of Partiality, in affirming, that I think this the best Farce this Age has produc'd. It seems to be writ in Imitation of Shakespear, and entirely calculated for the present Taste. The Characters are strong, lively, majestic, and just; the incidents natural and moving; the Conduct regular; the Distresses extremely affecting; the Stile sublime; the Sentiments grand, full of Patriotism; and the Catastrophe so masterly wrought up, that, I am persuaded, no Farce whatsoever, now acting, will draw more Tears than this. But what affected me beyond all, was, the Zeal, the exemplary Zeal of a worthy Magistrate, who so strictly adheres to the very Letter of the Law, as to send a rich and honest Merchant, and Freeholder, to the House of Correction, as a sturdy Beggar, or Loiterer. I could enlarg in its Praise, but fear I may do the Author wrong, in raising your Expectations too high. See it, and I am convinc'd you will entertain the same Sentiments of it, as does Your Humble Servant, James Lacy. Alias Fustian, alias Sour-Wit, alias--But hold:--If I should be arraign'd for the Murder of this Farce, so many Alias's will half condemn me before I am heard

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Related Works
Related Work: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest Author(s): James Lacy
Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Written by Shakespear. Afterpiece: a new Dramatick Piece: Intermix'd with Songs in Character. [By James Miller.

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Coffee House

Related Works
Related Work: The Coffee House Author(s): James Miller

Dance: V: Ballet, as17380120

Event Comment: Never Acted before. [By James Miller.] Preface to edition of 1738: Ill-fated Scenes....It was said...by a Gentleman at the Time of this Comedy's being Represented, That he never knew a Play Destroy'd with so much Art; its Enemies suffering those Things to pass without Disturbance which were of an indifferent Nature...but giving no Quarter to the Parts which they thought would entertain

Performances

Mainpiece Title: Art And Nature

Related Works
Related Work: Art and Nature Author(s): James Miller
Event Comment: Never Acted before. [By James Thomson.

Performances

Mainpiece Title: Agamemnon

Related Works
Related Work: Agamemnon Author(s): James Thomson
Event Comment: By Desire. Afterpiece: a Dramatic Fable. [By James Miller.] Edition of 1739: The Musick by Mr Arne. Sung by Mrs Clive

Performances

Mainpiece Title: Cato

Afterpiece Title: An Hospital for Fools

Related Works
Related Work: An Hospital for Fools Author(s): James Miller
Event Comment: Never perform'd before. All the Characters new dressed. [By James Dance, adapted from Richardson's novel.

Performances

Mainpiece Title: Pamela

Related Works
Related Work: Pamela Author(s): James Dance
Event Comment: The farce never acted before [by James Ralph]. Two acts taken from The Spanish Curate, by Beaumont and Fletcher. Macklin's Reply to Garrick's Answer published

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lawyer's Feast

Related Works
Related Work: The Lawyer's Feast Author(s): James Ralph

Song: II: Song-Morland (his 1st appearance)

Dance: V: Italian Masquerade, as17431126

Event Comment: Never acted before. After the manner of Ben Johnson [by James Ralph]. The Receipts...upon the First Night were but Twenty-One Pounds...and...when the Manager had the Generosity to Risque a Second...he was oblig'd to shut up his Doors for want of an Audience [from Preface to printed edition]

Performances

Mainpiece Title: The Astrologer; Or, The Pretended Transformation

Related Works
Related Work: The Astrologer; or, The Pretended Transformation Author(s): James Ralph
Event Comment: Afterpiece an Operetta never perform'd before. The Words by Mr Ayre [James Ayres], and the Musick by Mr Lampe. Benefit Sullivan

Performances

Mainpiece Title: The Queen Of Spain

Afterpiece Title: The Kiss Accepted and Returned

Related Works
Related Work: The Kiss Accepted and Returned Author(s): James Ayres
Event Comment: Never acted before...From the French of Voltaire [By James Miller]

Performances

Mainpiece Title: Mahomet The Imposter

Related Works
Related Work: Mahomet the Imposter Author(s): James Miller
Event Comment: Afterpiece by James Miller

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Related Works
Related Work: The Picture; or, Cuckold in Conceit Author(s): James Miller

Afterpiece Title: The Picture; or, Cuckold in Conceit

Related Works
Related Work: The Picture; or, Cuckold in Conceit Author(s): James Miller

Dance: IV: Peasant's Dance-Muilment

Event Comment: Tragedy never acted. By James Thomson. Characters New Dress'd. But as it is rather more fashionable to run mad about Mr Thomsons's play, I will change my theme and talk to you of Tancred. I want much to know how you like it, at this distance I would lay any wager you do not like it so well as your sister does, who certainly cannot be your sister and not have been to see it long ago. Everybody agrees that no play was ever so much improved in acting, at least since the Booths and Bettertons. That first scene expecially, where Siffredi discovers to Tancred who he is, pleased me almost beyond anything I ever saw, indeed even before I saw it, that scene was my favourite. But what do you think of the story, and what of the style?-A Series of Letters between Mrs Elizabeth Carter and Miss Catherine Talbot, I, 60 (dated strangely 2 March). [On 26 April, the Daily Post published a letter by Bellario on Tancred and Sigismunda, discussing the kind of support it received]: A very remarkable new Lord of the Treasury was proud of appearing its Foster Father, and attended at the public rehearsals; the first night of the performance this celebrated person and his friends in the Box with him (all very lately most flaming Patriots) were seen clapping their hands at the following remarkable speech: First of You All...To Quit Mistakes. [The letter also discussed political aspects of the play, then the poetry of the lines. The author heard that three hundred lines were cut out after the first performance, and was of opinion that double that amount would have been beneficial.

Performances

Mainpiece Title: Tancred And Sigismunda

Related Works
Related Work: Tancred and Sigismunda Author(s): James Thomson
Event Comment: Mainpece: By Desire. [An article appeared in the St James Chronicle; or, British Evening Post proposing reserved seats for the theatre, and suggesting a method by which to operate the system.

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Hermit

Related Works
Related Work: The Hermit; or, Harlequin at Rhodes Author(s): James Love
Event Comment: letter in the St James Chronicle; or, British Evening Post suggests a one@way street for entrance to Drury Lane Theatre, because of the great confusion caused by carriages approaching from both directions.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Hermit

Related Works
Related Work: The Hermit; or, Harlequin at Rhodes Author(s): James Love