SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Royal Highnesss Birth Day"/1) | (@(roleclean,performerclean) "his Royal Highnesss Birth Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3161 matches on Event Comments, 1224 matches on Performance Title, 637 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Love, Mrs Cross, and Mrs Millidge. Last time of performing both pieces this season. Afterpiece: By Desire. Tickets delivered for Macbeth, on Monday the 13th, and by Garland, Walker, L'Englois, and Mas. Pulley will be taken. This Benefit was fix'd and advertised for Macbeth on Tuesday the 21st but as Mr G., wanted that day to play himself he gave them the above Play and Farce as a Recompense for their coming later they had a very great House (Hopkins Diary). Rec'd stopages #9 9s. Receipts: #105 6d. Charges: #84. Profits to Mrs Love, Mrs Cross, and Mrs Millidge: #21 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Jubilee

Dance: A Hornpipe-Walker

Event Comment: The Prologue to the Capuchin, written by George Colman, Esq printed this day in the Public Advertiser: @"Critics, whatsoe'er I write, in every scene,@Discover meanings that I never mean, etc."

Performances

Mainpiece Title: The Capuchin

Afterpiece Title: The Metamorphoses

Dance: The Venetian Regatta-

Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Twelfth Night

Afterpiece Title: Miss in her Teens

Event Comment: [Afterpiece in 3 acts, altered from Garrick's original 5 acts by Richard Brinsley Sheridan.] The Music composed by Dibdin. With New Dresses. The Scenes, Machines, &c. invented by DeLoutherbourg. The Christmas Tale reduced to three Acts (by R. B. Sheridan esq.) was performed for the first time as a Farce--was received with very great Applause--it is too long, and must be shortened (Hopkins Diary). Public Advertiser, 22 Oct. 1776: This Day at Four o'Clock will be published A Christmas Tale (1s.) [For Baker see 28 Sept.] Receipts: #241 14s

Performances

Mainpiece Title: The Hypocrite

Performance Comment: Doctor Cantwell-Moody; Sir John Lambert-Packer; Seyward-Brereton; Col. Lambert-Jefferson; Maw@Worm-A Young Gentleman (3rd appearance upon any stage [Baker]); Darnley-Bensley; Lady Lambert-Miss Sherry; Old Lady Lambert-Mrs Bradshaw; Charlotte-Mrs Abington (1st appearance this season).

Afterpiece Title: A ChristmasTale

Event Comment: Alexander the Great? [announced on playbill of 4 Nov.] is obliged to be deferred. [The playbill lists Mrs Yates as Lady Townly, but see following note. Miss Younge's name appears in all subsequent playbills, except on 19 Dec.] Alexander was advertised for this Night, but Lacy being hoarse, who was to have played Alexander, it was obliged to be deferred, and this Play substituted. It was between eleven and twelve o'clock at (Night) before we got it settled. Mr. Sheridan ordered me not to send to Mrs. Yates about (it) till the Morning. About eight o'clock I sent her Notice that the Provoked Husband was to be performed at Night. A little after nine, she sent Word by her Niece that she was never so ill treated in her life, that she was never before asked to play on the fifth of November [which day was traditionally set aside for the acting of Tamerlane], that she would not play Lady Townly that Night, nor would she play any more; and if she had an Inclination to play, she had no Cloaths ready to play it in; and sent back the Part of Semiramis in a new Tragedy that was preparing [see 16 Nov., 14 Dec.]. I got Miss Younge to do Lady Townly, and an Apology was made by Packer that Mrs Yates having refused this Morning to do Lady Townly, Miss Younge at a Minutes' Notice undertook to do it. Miss Younge was much applauded and Yates had a few hisses (Hopkins Diary). Receipts: #179 11s. 6d

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: A ChristmasTale

Event Comment: Afterpiece [1st time; F 2, by Thomas Vaughan, based on Il Servitor di due Padroni, by Carlo Goldoni. Prologue by the author (Town and Country Magazine, Dec. 1776, p. 663)]: With New Dresses. Public Advertiser, 2 Dec. 1776: This Day at Noon is published The Hotel (1s.). Receipts: #182 1s

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Hotel; or, The Double Valet

Performance Comment: Principal Characters by King, Brereton, Packer, Davies, Burton, Griffiths, Parsons; Miss P. Hopkins, Miss Jarratt, Mrs Wrighten. [Cast from text (T. Becket, 1776): Trimwell-King; Neville-Brereton; Wentworth-Packer; Sir John Seymour-Davies; Robin-Burton; Irish Chairman-Griffiths; Sir Jacob Thrift-Parsons; Clarissa-Miss P. Hopkins; Flavia-Miss Jarratt; Tabby-Mrs Wrighten; Prologue-King. [This was spoken, as here assigned, at the first 7 performances only (see17770201).]This was spoken, as here assigned, at the first 7 performances only (see17770201).]
Event Comment: Afterpiece [1st time; MD 3, by Sir George Collier, based on Zemire et Azor, by Jean Francois Marmontel]: The Music [by Thomas Linley Sen., adapted from Gretry], Scenes, Dresses, and Decorations entirely New. The Scenes, &c., designed by DeLoutherbourg. The Words of the Songs, &c. to be had at the Theatre. The Entertainment is splendidly got up--The Music by Thomas Linley Jun. [sic] was very well received (Hopkins Diary). Public Advertiser, 7 Dec. 1776: This Day is published the Songs in Selima and Azor (6d). [Text 1st published by J. Bell, 1784.] Receipts: #218 7s

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Selima and Azor

Event Comment: Mainpiece [1st time; T 5, by George Edward Ayscough, based on Semiramis, by Voltaire. Prologue by the author. Epilogue by Richard Brinsley Sheridan (see text)]: With New Scenes and Dresses. This Tragedy is a translation from Voltaire by Captain Ayscough. Mrs Yates played finely, and met with the Applause she deserved. Mrs Reddish, alias Mrs Canning, who played the part of Azema, was hissed all through, and must never perform again. Indeed she was very bad. The Play was greatly applauded (Hopkins Diary). Public Advertiser, 24 Dec. 1776: This Day is published Semiramis (1s. 6d.). Receipts: #226 3s. 6d. (224.16.6; 0.0.0; 1.7.0)

Performances

Mainpiece Title: Semiramis

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17761031

Event Comment: [Opera in place of La Fraschetana, announced in Public Advertiser, 20 Dec.] The last Opera till the 31st of December [but on that day no opera is announced]

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End Overture: Les Amans Heureux, as17761217; End I: La Force de l'Amour, as17761214; End Opera: Grand Serious Ballet, as17761217

Music: As17761214

Event Comment: The new Serious Opera of Germondo [announced in Public Advertiser, 2 Jan.] is obliged to be deferred 'till This Day Se'nnight, on account of the Illness of a principal Performer

Performances

Mainpiece Title: La Fraschetana

Dance: End I: La Force de l'Amour, as17761214; End II: Grand Serious Ballet, as17761130; End Opera: Les Amans Heureux, as17761217, but Sga Zuchelli

Event Comment: Mainpiece [1st time; C 5, by Arthur Murphy, based on L'Irresolu, by Philippe Nericault, dit Destouches. Prologue by the author. Epilogue by David Garrick (see text)]: A new Scene and New Dresses. Public Advertiser, 2 May 1778: This Day is published Know Your Own Mind (1s 6d.). Receipts: #246 7s. 6d. (245.7.0; 1.0.6)

Performances

Mainpiece Title: Know Your Own Mind

Performance Comment: Principal Characters by Lewis, Wroughton, Aickin, Whitefield, Fearon, Booth, Wewitzer, Thompson, Lee Lewes, Mrs Hartley, Mrs Jackson, Miss Dayes, Miss Ambrose, Mrs Mattocks. [Cast from text (T. Becket, 1778): Millamour-Lewis; Melvil-Wroughton; Bygrove-Aickin; Sir Harry Lovewit [in all subsequent cg playbills until 1800: Sir Harry Lizard]-Whitefield; Sir John Millamour-Fearon; Captain Bygrove-Booth; Charles-Wewitzer; Dashwould-Lee Lewes; Miss Neville-Mrs Hartley; Mrs Bromley-Mrs Jackson; Lady Jane-Miss Dayes; Madam La Rouge-Miss Ambrose; Lady Bell-Mrs Mattocks; Thompson; New Prologue-Lewis; New Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the first 9 performances (see17760318 and on 30 Apr. only.]These were spoken, as here assigned, at the first 9 performances (see17760318 and on 30 Apr. only.]

Afterpiece Title: The Mock Doctor

Dance: As17761123

Event Comment: Benefit for Woodward. Tickets delivered for Every Man in His Humour, March 18th, and for this Day, will be admitted. Public Advertiser, 7 Apr.: Tickets to be had of Woodward, Chapel Street, Grosvenor Place, Hyde-Park Corner. Receipts: #204 10s. (168.15; tickets 35.15) (charge: free)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Midas

Dance: As17761120

Event Comment: By Command of Their Majesties. Such Tickets as have been delivered for this Day cannot possibly be admitted this Evening, but will be received on Thursday, the Eighth of May. The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #243 9s. 6d. (242.18.6; 0.11.0)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Old Maid

Dance: End III: The Serenade, as17770426; End: The Humours of Leixlip, as17770425

Event Comment: Mainpiece [1st time; BO 3]: Being the Sequel to The Beggar's Opera, Written by Gay, with Alterations [by George Colman elder; the overture (a compilation of airs from The Beggar's Opera) and 6 new airs by Samuel Arnold]. Books of the Opera to be had at the Theatre. [Mrs Colles is identified on playbill of 9 July.] Public Advertiser, 20 June: This Day is published Polly (1s.)

Performances

Mainpiece Title: Polly

Afterpiece Title: Polly Honeycombe

Dance: End I: a Dance of Pirates-(see17770611; III: Dance of Indians- (see17770611. [These were danced in all subsequent performance.

Event Comment: Public Advertiser: "The Sheep-Shearing and The Fairy Tale not being quite ready for Representation This Day are postponed till To-morrow.

Performances

Mainpiece Title: None

Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Mrs Lisley, late Miss Barsanti. T. Davis's benefit, which was intended for Tuesday next, is obliged to be deferred till a Future Day, of which Proper Notice will be given. [Digges's 1st recorded appearance as Lord Townly was at Edinburgh, 6 Mar. 1756.

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Occasional Prelude

Afterpiece Title: The Mayor of Garratt

Event Comment: Paid Mrs Yates 9 Days Cloaths #10 10s. 10d.; Renters' Interest #8 [this paid daily throughout season]. Receipts: #250 9s. 6d. (221.17.0; 26.5.0; 2.7.6)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: St

Performance Comment: Patrick's Day. Lieut. O'Connor (1st time)-Mahon; Justice Credulous-Lee Lewes; Doctor Rosy-Quick; Serjeant Trounce-Dunstall; Bridget-Mrs Pitt; Lauretta-Miss Brown; song-Miss Brown.

Dance: Hornpipe, as17771017; End II: La Soiree a@la@Mode-Dagueville, Harris, Master Holland, Sga Tinte

Performances

Mainpiece Title: The Duenna

Afterpiece Title: St

Performance Comment: Patrick's Day. As17771103.

Dance: As17771104

Performances

Mainpiece Title: The Orphan Of China

Afterpiece Title: St

Performance Comment: Patrick's Day. As17771103, but song-_.

Dance: As17771104

Performances

Mainpiece Title: The Duenna

Afterpiece Title: St

Performance Comment: Patrick's Day. As17771108.

Dance: End: new dance, The Garden of Love-Dagueville, Master Holland, Master Dagueville, Miss Simonet, Sga Tinte

Event Comment: Mainpiece [1st time; CO 3, by Thomas Hull, altered from The School for Guardians by Arthur Murphy. Not in Larpent MS; synopsis of plot in Public Advertiser 19 Nov.]: With New Dresses, &c. The Music chiefly compiled; the rest composed by Dr Arne, Sacchini and Fisher. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1777: This Day is published the Airs in Love Finds the Way (6d.). [Miss Courtenay is identified in the Airs.] Receipts: #233 8s. 6d. (232.5.0; 1.3.6)

Performances

Mainpiece Title: Love Finds The Way

Afterpiece Title: The Upholsterer

Dance: End II: The Minuet de la Cour, as17771111; End: The Enchantress, as17771104

Event Comment: Mainpiece [1st time; T 5, by John Home. Prologue by the author (London Chronicle, 16 Feb.). Epilogue by David Garrick (ibid.)]: New Scenes, Dresses, &c. Account-Book, 26 Jan.: Paid Wild for [obtaining] license for Alfred #2 2s. Public Advertiser, 14 Feb. 1778: This Day is published Alfred (1s. 6d.). Receipts: #246 (241.17.6; 4.2.6)

Performances

Mainpiece Title: Alfred

Afterpiece Title: The Padlock

Dance: End: The Villagers-Aldridge, Langrish, Master Jackson, Miss Valois

Performances

Mainpiece Title: Alfred

Afterpiece Title: St

Performance Comment: Patrick's Day. As17771108.

Dance: As17780121

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (Collection...of English Prologues and Epilogues, II, 214; IV, 195)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 7 Feb. 1778: This Day is published The Battle of Hastings (1s. 6d.). "This piece was received with uncommon applause...[Palmer's] heroic exclamation-'all private feuds should cease when England's glory is at stake'-was so sensibly felt by the audience that a repetition was called for, but judiciously refused, as out of character in a tragedy" (London Magazine, Jan. 1778, p.37). Receipts: #243 15s. 6d. (235.0.0; 8.13.0; 0.2.6)

Performances

Mainpiece Title: The Battle Of Hastings

Afterpiece Title: Daphne and Amintor