SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Royal Highnesss Birth Day"/1) | (@(roleclean,performerclean) "his Royal Highnesss Birth Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3161 matches on Event Comments, 1224 matches on Performance Title, 637 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Sga Hidou. Paid 1 yrs. Poor's Rate for Covent Garden parish to Lady Day last #2 16s. 8d.; one yrs. ditto for St Martin's to Xmas last #60 6s. 7d. (Treasurer's Book). Main characters in the New Ballet New Dressed. Receipts: #170 3s. 6d. Charges: #66 4s. 6d. Profits to Sga Hidou: #103 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Wives

Performance Comment: As17750209, but Belville-Brereton, first time; Capt. Savage-a Gentleman, first appearance on this stage.

Afterpiece Title: The Ladies Frolick

Dance: I: A New Ballet (for that Night Only) call'd The Force of Love-M LaRavier (his first appearance on that stage), Sga Hidou, Como, Sga Como, Two Children, first appearance; End: The Grand Provencalle Dance, as17750202

Event Comment: House. Mr Reddish Still continuing a little Mad or So--Mr Cautherly plaid the Duke & very well was applauded (Hopkins Diary). Last time but one of performing before Easter. Paid Carpenter's Dinners &c. at Black Lyon #6 6s.; Tabor & Pipe 10 nights (1st inst. incl.) #5 5s.; Rec'd of Mr Rowland 1 yrs. rent to Lady Day last (#1 16s. Land tax deducted) #41 4s. Receipts: #180 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: Harlequin's Jacket

Dance: II: The Grand Garland Dance-Slingsby, Sga Hidou

Event Comment: Mainpiece: Not acted in two years. [See 13 May 1772.] Benefit for Miss Pope. Last time of performing till Easter. Part of p1t laid into boxes. Last play till Holidays. Paid 4 days salary list #378 10s. 8d.; J. French on acct #5 5s.; Tallow chandler's 8th bill #27 11s. 4d. Receipts: #287 3s. Charges: #66 3s. 6d. Profits to Miss Pope: #220 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Bon Ton

Cast
Role: Whisp Actor: Wheeler
Event Comment: Benefit for Hopkins, prompter, and Mrs Hopkins. Paid half yrs. Land & Window tax Covt. Garden to Lady Day last #3 3s. 6d. (Treasurer's Book). Receipts: #133 4s. Charges: #67 14s. Profits to Mrs Hopkins: #65 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: A Peep behind the Curtain

Dance: End Act I: Grand Provencalle Dance, as17750202

Entertainment: End Act V: By Desire, Hippisley's Drunken Man-Weston

Event Comment: Benefit for Waldron and Mrs Greville. Farce (in 2 Acts) Never performed before, and for that night only. This Farce was written by Mr Waldron-Some Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wegg's rent half year to Lady Day last #57; Duke of Bedford ditto #164 2s. 10d.; One yrs Paving, Cleansing & Lighting to ditto #39 7s. 6d.; Mr Moody for Mr Philips #13 13s.; St Martin's Charity School, 1 year, 1774 #2 2s. (Treasurer's Book). [The Westminster Magazine for May gives the following cast for the farce: Reuben-$Waldron; Blunt-$Moody; Sharp-$Dodd; Flimsy-$LeMash; Joseph-$Burton; Mrs Reuben-$Mrs Davies; Betty-$Miss Platt. It then bluntly tells the plot and concludes: "The whole is beneath criticism."

Performances

Mainpiece Title: All For Love

Afterpiece Title: The Contrast; or, The Jew and Married Courtezan

Event Comment: Mrs Jewel from the Haymarket Theatre made her first appearance upon this stage in Lucinda and was receiv'd with great applause (Hopkins Diary). Paid 3 days salary list #134 15s. 6d.; Lampmen #2 12s.; Bill stickets #3 12s.; Handbills 8s.; Candlemen Bill #2 15s. 6d.; Taylor's Bill #13 16s. 3d.; Mantua Maker's Bill #8 12s.; Mr French #12 12s.; Painter's Bill #3 6s.; Heath andWife #2; Roye #4 1Os. (Treasurer's Book). [The following items among those listed in the Treasurer's Book were constant weekly expenditures. Their averages and totals appear in the following table and will not again be mentioned]: @Week's Average Total expense for season@Lampmen #4 5s. #171@Billstickers #2 14s. #92 12s.@Handbills 12s. #22 16s.@Tailors #8 10s. #323@Mant. Makers #2 5s. #85 2s.@Candlemen #12 #456@Mr French #10 10s. #388@Painters #7 #266@Mr Heath and Wife #2 #76 [A spectator writes to the Public Advertiser (to inform the country readers) about the changes in the interior of Drury Lane Theatre resulting from the remodeling by the Adams@brothers. They had managed to give the impression of greater magnitude to the house. They removed the old heavy square pillars at the side of the stage, raised the sounding board on the side next to the stage, greatly improving the sound of the music and the actors' voices. Much new decoration went into the boxes making them more light and gay. Much panel glass, ornamentation, and ceiling decoration, giving it the effect of a dome. The author believes the crimson drapery over the stage is too dark for the objects around it, and the gold fringe lacks the brilliant effect. The lobby behind the front boxes was remodeled and kept clear of servants, by means of an adjoining room prepared for the servants. New arches lead into the entrance from Brydges St. toward the boxes.] Receipts: #235 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorne-Vernon; Justice Woodcock-Parsons; Sir William-Aickin; Eustace-Davies; Young Meadows-Dodd; Hodge-King; Margery-Mrs Wrighten, frist time; Lucinda-Mrs Jewell, first appearance on this stage; Rosetta-Mrs Smith; Deborah-Mrs Love; in I, a Country Dance incident to the piece-.

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: A Trip to Scotland

Event Comment: Paid 3 day's salary at #100 12s. 6d. per diem #301 17s. 6d. Salaries short-paid last week #168 8s. 6d.; Tabor and Pipe #3 13s. 6d. Louchre [Lauchery] #8 8s. Mr Abington #2; Mr King #3; (Treasurer's Book). [The payment to King was the first of 37 similar ones for extra salary amounting to #111. That to Mrs Abington was the first of weekly payments for her clothes account, amounting to #60 for the season. No further mention will be made of these items.] Receipts: #265 9s. 6d. (Treasurer's Book). [From the Middlesex Journal (7-9 Oct.) quoted by Hampden, Eighteenth Century Journal: "The Way of the World, though confessedly replete with wit and character, is not the most entertaining play in representation. It is so full of plot and intrigue, that it demands an Unusual degree of attention in the performers and audience to excite admiration. On Saturday they seemed averse to assist the author. Mr King in Witwou'd was as entertaining and full of spirits as usual. Mr Jefferson in the gay admired Mirabel (independent of the antique mode of his wig, and formal cut of his clothes, which surely were both uncharacteristic) seemed in attempting to be quite natural, to keep the entire plot of the play in his own bosom, looked more like the father than the Mirabel of Congreve. Mr Reddish was a contrast to his friend Mirabel; he seemed attentive nervous, and played the latter part of his character well....Mrs Abington's person, manner and dress were fashionable and elegant; but though the character was certainly a fine one, there was a want of that spirit best calculated to call her powers into action: her delivery was tediously formal; and had the audience been deprived of their sight they would conclude that Capt. Bobadill had got into petticoats. Her dress was no more decent than Madam Hidou's was on her first appearance last year; stays so low cut before puts modesty to the blush; and will not be countenanced by an English audience, though made after the French fashion....Mrs Greville, to convince the town that she could keep a secret, whispered it to only a few friends in the Pit....her indifference is intolerable, and should be noticed by her employer."

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Deserter

Event Comment: St Patrick's Day oblig'd to be deferr'd on account of Indisposition of Mrs Pitt. The Slip now converted into Boxes at 5s. Was only 2s. (Folger News Clipping, and Winston MS 11 note from the Morning Post of 9 Oct.)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Cross Purposes

Event Comment: Paid salary list 5 days at #101 19s. 8d. per diem #509 18s. 4d.; Mr Bensley 2 weeks not on list #8. Receipts: #216 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Distress'd Mother

Performance Comment: Orestes-Smith; Pylades-Packer; Pyrrhus-Palmer; Phoenix-Usher; Hermione-Miss Younge; Cleone-Mrs Johnston; Cephissa-Miss Platt; Andromache-Mrs Yates.
Cast
Role: Cephissa Actor: Miss Platt

Afterpiece Title: Harlequin's Jacket

Event Comment: Parsons being taken last night suddenly ill, the New Musical Farce of May Day is oblig'd to be deferr'd till Wednesday. Receipts: #166 15s. (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Elopement

Dance: II: The Savage Hunters, as17751020

Event Comment: Benefit for the Author of the Alterations (Hopkins Diary). [On this day Garrick wrote to Mrs Abington, relative to his practice in casting new plays: "That I may hear no more of this or that part in Mr Murphy's play, I now again tell you that every author since my management distributed his parts as he thinks will be of most service to his interest, nor have I ever interfered, or will interfere, unless I perceive that they would propose something contrary to common sense" (Harvard Theatre Collection, Autograph Letter Signed). Charges: #84 (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: The Deserter

Dance: II: The Merry Peasants, as17751018

Event Comment: Mrs Abington being ill with a cold, The Sultan is oblig'd to be deferr'd a Day or two. Receipts: #83 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Genii

Dance: II: A Comic Dance-LaRiviere, Fontaine, Sga Crespi, Mrs Sutton

Performances

Mainpiece Title: None

Performance Comment: [No Performance. Christmas Day.]
Event Comment: Paid 5 days salary list #525 1s. 3d.; Supernumeraries for the Jubilee #71 7s.; Ditto for the Jubilee this night #14 8s.; Tallow Chandler's 4th bill #50 13s. 1d. (Treasurer's Book). [N.B. at a rate of 2s. 6d. for walking in a pageant the Jubilee would seem to have required 115 supernumeraries this evening.] Receipts: #194 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Jubilee

Event Comment: A New Comic Opera of Two Acts written by Mr Bate--Much hissing and Crying out no more no more!--Mr Reddish was desired to give out the Play as soon as Matilda was over--but he with his usual politeness ran up and undress'd himself as fast as he could so that the play was not given out till the End of the Farce as soon as the Blackamoor was given out for the next Night they kept a great Noise and call'd for another Farce to be given out--at length they began to be more appeas'd and went away vowing Vengeance on it the next Night (Hopkins Diary). The Overture and Music of the afterpiece entirely New. Books of the Songs &c. to be had at the Theatre. New Scenes, Dresses, &c. [This is Larpent MS 400. Sir Oliver Oddfish distrusts his servants and is about to replace them with blacks, giving his nephew the chance to introduce Frederick , his daughter Julia 's lover, in disguise as a blackamoor, and to effect an elopement. Act I criticizes Londoners and concludes with the comment, "O that I should ever live to see the day when white Englishmen must give place to foreign blacks." MacMillan's note from Kemble differs slightly.] Paid the late Mr Johnston's bill to his executors #44 18s. 6d. (Treasurer's Book). [Afterpiece reviewed in three columns in the Westminster Magazine for Feb. Reviewer thought it had been produced well in all departments, music, scenery, costume, and acting, but concluded it a theatrical trifle giving not much credit to its author.] Receipts: #166 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Blackamoor Wash'd White

Event Comment: Wash &c. left out of the title (Winston MS). The farce went off very well till the second act when Capt. Roper and another Gentleman came into the boxes very Drunk hiss'd and kept a great Noise 'till at last the Pit and Gallery began to hiss them he struck at Somebody in the Pit--the Gentleman that came with Capt. Roper Jump'd out of the Stage Box upon the Stage immediately Several out of the Pit and Boxes follow'd and Some blows ensued and I thought they would have pull'd the House down this lasted about half and hour and then it all grew quiet and we finished the Farce (Hopkins Diary). Paid salary list 5 days #520 5s. 5d.; Mrs Garrick for sundry stage trimmings #7 8s. 6d. Receipts: #197 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Blackamoor

Event Comment: Mainpiece: By Particular Desire. [MacMillan notes from Kemble: "The Spleen, or Islington Spa was not acted tonight. The Jubilee was perform'd instead of it." The Spleen, tho' advertised was deferred on account of King's illness.] Paid 4 days salary list at #104 1s. 1d. per diem #416 4s. 4d.; Mr Short for attending Jubilee 17 nights #4 5s. Receipts: #212 14s. (Treasurer's Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Jubilee

Event Comment: King continuing ill. The Spleen Deferr'd. Paid 4 days salary list #416 4s. 4d. Receipts: #239 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Distress'd Mother

Cast
Role: Cephissa Actor: Miss Platt

Afterpiece Title: The Jubilee

Dance: The Grand Garland Dance-Slingsby, Como, Sga Crespi, Sga Paccini

Event Comment: A few hisses at the End of the Farce (Hopkins Diary). [Public Advertiser: A correspondent, who was at Drury Lane Theatre Thursday evening, remarks that the Ridicule of the Head-Dresses in Mr Garrick's last Epilogue, and in his performance of Sir John Brute, has had its proper Effect; for the Ladies have lowered their Main Top-Gallant Sails from nine inches to twelve; so that they are not present above three quarters of a yard higher than they ought to be.] Paid salary list 4 days #416 4s. 4d.; Tallow chandler #35 9s. 9d.; Mr Parsons on note by order #25; Settre and Co., Mercers #9 6s. 10d. Receipts: #252 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Spleen

Event Comment: Lyric Ode (never performed) "On the Witches, Fairies, and Aerial Beings in Shakespeare. The Music entirely New." [The Westminster Magazine for March commented: "This poem is said to be written by a young gentleman of Oxford, and has many strokes of genius and inagination in it. The music, we hear, is composed by Mr Linley Jr, who has (since his return from Italy) been a student under that most excellent musician Dr Boyce. This composition must be allowed to be an extraordinary effort of genius in so young a man. The Fugue of the overture is masterly. The song of 'There in old Arden's inmost shade,' is well suited to the scene described by the poet....But what we think most deserving of praise is the power our young composer has shown in the chorusses....From the general and sincere applause with which the Ode was received, we may venture to pronounce, that if Mr Linley Jr pursues his studies, he will one day stand foremost in the list of modern composers."

Performances

Mainpiece Title: A Lyric Ode; Alexander's Feast, And The Coronation Anthems

Music: After the Ode: A Miscellaneous Act-; New Overture-; Song-a Gentleman (his first appearance in Public); Concerto on Oboe-Fischer; Song-Miss M. Linley (composed by Bach); Concerto on violin-Linley Jr; Song-Miss Linley (composed by Sacchini); Duetto-the Two Miss Linley's (composed by Piccini); Chorus

Event Comment: A Sacred Oratorio, never performed. The Music entirely new, composed by Hook. [The reviewer for the Westminster Magazine for March thought the Ascension would make but a poor figure at the Day of Judgement. [Hook] has, like many other votaries of Clio and Calliope, mistaken dullness for dignity...if there were no other objection to the Ascension than its extreme length and tediousness, that circumstance alone would prevent it from ranking among the pleasing Oratorios now in performance."

Performances

Mainpiece Title: The Ascension; Judas Maccabaeus

Music: Between the parts of the Oratorio: A Concerto on the Pedal Harp-Jones; concerto on the Violin-Lamotte[, as17760315

Event Comment: Benefit for Vernon. Rec'd Mrs Johnston's rent 1 year to Lady Day #6. Paid Powney (stationer) #7 2s. 6d.; Ray (linen draper) #25 6s. 6d.; Vaughan (haberdasher) #4 10s. 6d.; Norfolk (glazier) #2 3s.; Barrow and Co. Oil #54 15s. 6d.; Pryer (turner) #5 18s. 6d.; Carter (scowerer) #9 8s. 6d.; Evans for Spermacetti Candles #5; Watch Rate half year #18 15s.; Cubit (tinman) #2 6d. Receipts: #160 10s. Charges: #66 16s. Profits to Vernon: #93 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Dance: End Opera: The Grand Garland Dance, as17760311

Event Comment: Benefit for Moody. Paid Paving, Cleaning and Lighting to Lady Day last #27 6d.; 3 extra trumpets 2 nights #2 5s. Charges: #83 13s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Jubilee

Song: I: Moody (By Desire) will introduce the song in Love a@la@Mode-Moody

Event Comment: Benefit for Palmer. Paid 1!2 yrs. Poor's rate to Lady Day last #2 13s. 4d. Receipts: #116 2s. 6d. Charges: #67 12s. 6d. Profits to Palmer: #48 10s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Man of Quality

Dance: End: The Grand Garland Dance, as17760311 but Sga Pacini

Event Comment: Benefit for Sga Crespi. Tickets deliver'd by Harwood will be taken. Rec'd Stopages #14 14s. Paid half yrs. paving #19 13s. 9d.; three quarters land and Window tax (Covent Garden Parish) #12 2s. 9d.; Ditto for paving #6; Ditto for Rector's rate 13s. 4d.; Duke of Bedford's Rent half year to Lady day last #164 2s. 10d. Receipts: #25 17s. Charges: #66 18s. 6d. Deficit to Sga Crespi: #41 (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: A Peep behind the Curtain

Dance: V: A Grand Chaconne-Como, Sga Crespi