SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "duke of Richmond"/1) | (@(roleclean,performerclean) "duke of Richmond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1254 matches on Performance Comments, 1100 matches on Event Comments, 402 matches on Author, 364 matches on Performance Title, and 4 matches on Roles/Actors.
Event Comment: The Duke's Company. L. C. 5@139, p. 125, lists it for 3 March, but as this date falls on Sunday, it is probably an error in dating. The play was licensed on 22 May 1667. Pepys, Diary: To the Duke's playhouse...and I in and find my wife and Mrs Hewer, and sat by them and saw The English Princesse, or Richard the Third; a most sad, melancholy play, and pretty good; but nothing eminent in it, as some tragedys are; only little Mis. Davis did dance a jig after the end of the play, and there telling the next day's play; so that it come in by force only to please the company to see her dance in boy's clothes; and, the truth is, there is no comparison between Nell's dancing the other day at the King's house in boy's clothes and this, this being infinitely beyond the other. Downes (p. 27): Wrote by Mr Carrol, was Excellently well Acted in every Part;...Gain'd them an Additional Estimation, and the Applause from the Town, as well as profit to the whole Company

Performances

Mainpiece Title: The English Princess; Or, The Death Of Richard The Third

Performance Comment: The edition of 1667 lists no actors' names, but Downes (Roscius Anglicanus, p. 27) lists: King Richard-Betterton; Duke of Richmond-Harris; Sir William Stanly-Smith; Prologue-; Edition of 1673: Epilogue. Edition of 1673: Epilogue.
Cast
Role: Duke of Richmond Actor: Harris

Performances

Mainpiece Title: King Charles The First; An Historical Play

Performance Comment: Edition of 1737 lists: King Charles-Giffard; Duke of York-Master Giffard; Duke of Gloucester-Master W. Hamilton; Bishop Juxon-Havard; Duke of Richmond-Bardin; Marquis of Lindsey-Richardson; Oliver Cromwell-Wright; Fairfax-Johnson; Bardshaw-Rosco; Ireton-W. Giffard; Colonel Tomlinson-Hamilton; Queen-Mrs Giffard; Princess Elizabeth-Miss Norris; Lady Fairfax-Mrs Roberts; Prologue-Giffard; Epilogue-Mrs Giffard.

Performances

Mainpiece Title: King Charles I

Performance Comment: King Charles-Connell; Fairfax-Diamond; Duke of York-Mrs Hudson; Duke of Gloucester-Miss Barnes; Bishop Juxon-Banyard; Ireton-Loader; Colonel Tomlinson-Ferguson; Duke of Richmond-Randall; Marquis of Lindsey-Wood; Servant-Cooper; Bradshaw-Thompson; Oliver Cromwell-Gray; Lady Fairfax-Miss Clarke; Princess Elizabeth-Miss Brooksbank; Queen-Miss Greenleaf. With an Occasional Prologue .

Afterpiece Title: The Beggar's Opera (Last Act only)

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

Performances

Mainpiece Title: King Charles The First

Performance Comment: King Charles-Wroughton; Oliver Cromwell-Aickin; Bishop Juxon-Hull; Duke of Richmond-Davies; Ireton-Peile; Bradshaw-L'Estrange; Lindsay-Thompson; Tomlinson-J. Wilson; Fairfax-Lewis; Lady Fairfax-Mrs Lewis; Queen-Mrs Inchbald.
Cast
Role: Duke of Richmond Actor: Davies

Afterpiece Title: True Blue

Afterpiece Title: Midas

Dance: 2nd piece: a Dance of Sailors Sailor's Dance-Aldridge

Performances

Mainpiece Title: Duke And No Duke

Performance Comment: Duke-Milward; Trapolin-Chapman; Brunetto-Salway; Alberto-Lacy; Mago-Aston; Puritan-Hippisley; Barberino-Paget; Dutchess-Mrs Buchanan; Prudentia-Mrs Templer; Flametta-Mrs Stevens.
Cast
Role: Duke Actor: Milward

Afterpiece Title: The School Boy

Dance: PPeasant-Poitier, Miss LaTour; Tambourine-Miss Rogers; Scottish Dance-Glover, DuPre, Delagarde, Mrs Legar, Ogden, Mrs Pelling

Event Comment: For the Entertainment of the Grand, and the Rest of the Brethren of the . . . Gregorians. Benefit Dukes

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Honest Yorkshireman

Dance: II: Richmond Maggot by Le Sac and Mrs Woodward. III: The Medley of Jokes (new) by Dukes and Mrs Bullock. IV: Pierrots by Vallois and Delagarde. V: By Desire of several Persons of Quality, in Modern Habits, The Union (a Ball Dance), with a Minuet by Dukes and Mrs Bullock

Performance Comment: III: The Medley of Jokes (new) by Dukes and Mrs Bullock. IV: Pierrots by Vallois and Delagarde. V: By Desire of several Persons of Quality, in Modern Habits, The Union (a Ball Dance), with a Minuet by Dukes and Mrs Bullock .
Event Comment: The United Company. The date of the first performance is not precisely known, but by 9 May 1693 it had been acted four times (see Dryden's letter, below); on the other hand, the Gentleman's Journal, February 1692@3 (issued in March) had stated that D'Urfey's new farce would not appear until after Easter. Hence, it may well have been the first new play after Passion Week. A dialogue, Behold, the man with that gigantick might, the music by Henry Purcell and sung by Mr Reading and Mrs Ayliff, is in Orpheus Britannicus, 1690. See Purcell's Works, Purcell Society, XXI (1917), viii-x. A dialogue, By these pigsnes eyes that stars do seem, the music by John Eccles and sung by Dogget and Mrs Bracegirdle, is in Joyful Cuckoldom, ca. 1695. Another, Stubborn church division, folly, and ambition, to a Ground of Mr Solomon Eccles, is in Thesaurus Musicus, 1694. And Maiden fresh as a rose, the verse by D'Urfey and sung by Pack, but not printed in the play, is in The Merry Musician, I (1716), 56-57. This last song may have been for a later revival. Gentleman's Journal, April 1693 (issued in May 1693): Since my last we have had a Comedy by Mr Durfey; 'tis called the Richmond Heiress or a Woman once in the right (p. 130). Dryden to Walsh, 9 May 1693: Durfey has brought another farce upon the Stage: but his luck has left him: it was sufferd but foure dayes; and then kickd off for ever. Yet his Second Act, was wonderfully diverting; where the scene was in Bedlam: & Mrs Bracegirdle and Solon [Dogget] were both mad: the Singing was wonderfully good, And the two whom I nam'd, sung better than Redding and Mrs Ayloff, whose trade it was: at least our partiality carryed it for them. The rest was woeful stuff, & concluded with Catcalls; for which the two noble Dukes of Richmond and St@Albans were chief managers (The Letters of John Dryden, pp. 52-53)

Performances

Mainpiece Title: The Richmond Heiress; Or, A Woman Once In The Right

Event Comment: The Duke's Company. The date of the first production is not known, but the date 31 May 1681 on a copy in the Ohio State University Library, representing Luttrell's purchase of a copy, argues for a performance initially in April or early May 1681. See Wilson, Six Restoration Play-Dates, p. 222

Performances

Mainpiece Title: Henry The Sixth: The First Part; With The Murder Of Humphrey Duke Of Glocester

Performance Comment: Edition of 1681: Prologue-; King Henry the Sixth-Jos. Williams; Humphrey Duke of Glocester-Batterton; Cardinal-Harris; Richard Plantagenet-D. Williams; Duke of Suffolk-Smith; Queen Margaret-Lady Slingsby; Elianor-Mrs Batterton; Epilogue-.
Event Comment: The King's Company. Pepys, Diary: By one o'clock to the King's house: a new play, The Duke of Lerma, of Sir Robert Howard's: where the King and Court was; and Knepp and Nell spoke the prologue most excellently, especially Knepp, who spoke beyond any creature I ever heard. The play designed to reproach our King with his mistresses, that I was troubled for it, and expected it should be interrupted; but it ended all well, which salved all. The play a well-writ and good play, only its design I did not like of reproaching the King, but altogether a very good and most serious play

Performances

Mainpiece Title: The Great Favourite; Or, The Duke Of Lerma

Performance Comment: Edition of 1668: Prologue to the Duke of Lerma-Mrs Ellen Gwyn?, Mrs Nepp Knepp?; No actors' names; Epilogue-Mrs Ellen Gwyn?; Maria?-Mrs Gwyn?.
Event Comment: The United Company. The Prologue and Epilogue are printed in Miscellaneous Works, Written by His Grace, George, late Duke of Buckingham (London, 1704), pp. 9-13. There is no certainty that Buckingham wrote the adaptation itself, but, in view of his writing both the Prologue and Epilogue, it seems likely. The Epilogue alludes to Shaftesbury, who had taken refuge in Holland and who had died there on 21 Jan. 1682@3, suggesting that the play, if acted, was probably presented in February 1682@3 or soon thereafter. The adaptation was apparently never printed

Performances

Mainpiece Title: The Restoration; Or, Right Will Take Place

Performance Comment: Prologue to Philaster by the Duke of Buckingham-; The Epilogue-the Governor in Philaster by the Duke of Buckingham.
Related Works
Related Work: The Restoration; or, Right Will Take Place Author(s): George Villiers, Duke of Buckingham
Event Comment: Benefit Chetwood. By Their Royal Highnesses' Command. N.B. Tickets given out for The Merry Wives of Windsor will be taken at this Play. [See Daily Post, 3 Aug., for Penkethman's celebration at Richmond on 1 Aug., the anniversary of the Hanoverian succession to the throne, and British Journal, 8 Aug., for an account of William Marshall, of lif, as an anti-Hanoverian demonstrator on 1 Aug.

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: The Stage Coach

Dance: Drunken Man-Harper

Song:

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: A Pasticcio

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin (an Usurper transformed by Magic to the Duke of Florence)-Palmer; Brunetto (Prince of Savoy)-R. Palmer; Barbarino and Alberto (Lords and Counsellors to the Duke)-Wilson and Phillimore; Officer-Spencer; Captain of the Guards-Alfred; Count Gulcardi (under the Character of Magosa Magician)-Wrighten; Puritan-Suett; Mason-Fawcett; Whip (the Coachman)-Chaplin; Jailer-Kenny; Supernatural Agents, Attendants upon Trappolin: Eo-Master Whitty; Meo-Master Purser; and Little Fred-Master J. Whitty; Lavinio (the Grand Duke of Tuscany)-Staunton; Officer's Widow-Mrs Love; Old Woman-Mrs Booth; Flametta (Mistress to Trappolin)-Miss Barnes; Prudentia (sister to the Duke)-Miss Tidswell; Isabella (Duchess of Tuscany)-Mrs Hedges .

Performances

Mainpiece Title: Duke And No Duke; Or, Trapolin Suppos'd A Prince

Performance Comment: Trapolin-Harper; Duke-Bridgwater; Brunetto-Williams; Alberto-Chapman; Barberino-Roberts; Prudentia-Mrs Houghton; Isabella-Mrs Orfeur; Conjuoro-Orfeur; Flametta-Mrs Roberts; Dustress'd Women-Mrs Willis, Mrs Davison; Puritan-Norris.
Cast
Role: Duke Actor: Bridgwater

Afterpiece Title: Hob; or, The Country Wake

Song: A Quaker's Song-Mrs Willis

Dance: Highland Lilt-Mrs Willis; Running Footman-Houghton; Union Dance-Houghton, Mrs Willis

Performances

Mainpiece Title: The Double Gallant; Or, A Sick Lady's Cure

Afterpiece Title: Duke and No Duke; or, Trapolin's Vagaries

Performance Comment: Trapolin (for that night only)-Lewis (1st appearance in that character); Duke of Tuscany-Macready; Alberto-Thompson; Barbarino-Powel; Brunetto-Claremont; Mago-Davenport; Puritan-Simmons; Three Young Devils-Masters Standen, Goodwin, Griffiths; Flametta-Miss Logan; Prudentia-Mrs Watts; Rogera-Mrs Platt; Algera-Miss Leserve; Duchess of Tuscany-Mrs Follett.
Cast
Role: Duke of Tuscany Actor: Macready

Afterpiece Title: Oscar and Malvina

Event Comment: Benefit Mrs Pritchard. Mainpiece: Written by Shakespear. Servants admitted to keep places on the stage, which will be fram'd into Front and side boxes, and entirely enclosed after the manner of an Oratorio. Ladies are desired to send servants to keep places to prevent mistakes. Tickets and places to be had at Mrs Pritchard's in Duke's late Earl's Court, Bow St.; At Mr Vaughan's, the Royal Exchange, Cornhill, and at the stage door

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Duke and no Duke

Dance: PPeasant-Cooke; Comic Ballet-Cooke, Signora Campioni

Song: SSong of Diana from Dryden's Secular Masque,-Beard (set by Mr Boyce); Genius of England-Beard

Event Comment: Present The Duke, Princess Amelia, and Princess of Hesse (Account Books, Egerton 2268). Receipts: #161 3s

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: Duke and No Duke

Event Comment: Mainpiece: By Command. Present the Duke, Princess Amelia, The Princess of Hesse. Paid Mr Day for the use of a Turkish Vase 2 nights in Tamerlane for Mr Bencraft #1 1s. Receipts: #144 12s. 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Duke and no Duke

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Toy Shop

Music: Handel's Overture to Ariadne

Dance: The Flanderkins by Duke and Mrs Ogden. Richmond Maggot by Le Sac and Miss Rogers. Harlequin by Miss Norsa Jr. Scot's Dance, as17350311

Performance Comment: Richmond Maggot by Le Sac and Miss Rogers. Harlequin by Miss Norsa Jr. Scot's Dance, as17350311.

Song: As17350422

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: The School Boy

Dance: Flanderkim by Duke and Mrs Ogden. Richmond Maggot by Le Sac and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, De la Garde, Mrs De l'Orme. s1Ng1NG. As17350422

Performance Comment: Richmond Maggot by Le Sac and Miss Rogers. Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, De la Garde, Mrs De l'Orme. s1Ng1NG. As17350422.

Performances

Mainpiece Title: The Unhappy Favourite

Afterpiece Title: The School Boy

Music: Handel's Water Musick, with Preamble on Kettle Drums by Benj. Baker

Dance: Flanderkins by Duke and Mrs Ogden. Richmond Maggot by Le Sac and Miss Rogers. Tambourine by Glover and Miss Rogers

Performance Comment: Richmond Maggot by Le Sac and Miss Rogers. Tambourine by Glover and Miss Rogers .

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: A Duke and No Duke

Performance Comment: Duke-Thurmond Jr; Trapolin-Shaw; Duchess-Mrs Booth; Trapolin's Wife-Mrs Bicknell.
Cast
Role: Duke Actor: Thurmond Jr

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: A Duke and no Duke

Performance Comment: Duke-Perry; Trappolin-Shuter.
Cast
Role: Duke Actor: Perry

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: A Duke and no Duke

Performance Comment: Duke-Perry; Trappolin-Shuter.
Cast
Role: Duke Actor: Perry

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: A Duke and no Duke

Performance Comment: Duke-Perry; Brunetto-Davis; Alberto-Wignel; Barberino-Anderson; Duchess-Mrs Stephens; Prudentia-Miss Helm; Flametta-Mrs Evans; Trappolin-Shuter.
Cast
Role: Duke Actor: Perry

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: A Duke and no Duke

Performance Comment: Duke-Perry; Brunetto-Davis; Alberto-Wignel; Barbarino-Costollo; Mago-Bennet; Duchess-Mrs Stephens; Prudentia-Miss Helm; Flametta-Mrs Evans; Trappolin-Shuter.
Cast
Role: Duke Actor: Perry

Dance: II: La Femme Maitresse, as17641004; End: Les Mattelots Provencals, as17641004