SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "a Young Gentleman"/1) | (@(roleclean,performerclean) "a Young Gentleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3825 matches on Performance Comments, 1343 matches on Event Comments, 1139 matches on Author, 848 matches on Performance Title, and 308 matches on Roles/Actors.
Event Comment: Benefit for an Ancient Gentleman, with a large Family in great distress

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: Miss in Her Teens

Dance: LLes Paisans Gallants, as17551203; also By Desire Fingalian Dance, as17551126

Event Comment: Benefit for the Author. This Day Publish'd Athelstan, a Tragedy, as it is acted at Drury Lane, by the author of Barbarossa, Printed for Lockyer Davis, and Charles Reymers, against Grays Inn Gate, Holborn, and at Lord Bacon's Head in Fleet St. (Public Advertiser). This month was published Critical Remarks on the Tragedy of Athelstan, 6d. Cooper (Gentleman's Magazine). Receipts: #140 (Cross)

Performances

Mainpiece Title: Athelstan

Event Comment: [Pantomime new by Woodward] Went off with great Applause. ye Cyclops Dance encored (Cross). New Habits, Scenes, and Decorations. Full Prices. As the performance greatly depends upon the Music and Machinery, no gentleman can possibly be admitted into the Orchestra or behind the Scenes. [This prohibition repeated in all subsequent performances, will not be further noted here.] N.B. The Play of the Revenge oblig'd to be deferred on account of Mossop's indisposition. Receipts: #210 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Mercury Harlequin

Event Comment: Benefit for a Gentleman under Misfortunes

Performances

Mainpiece Title: Othello

Afterpiece Title: The Virgin Unmask'd

Dance: AAs 17 Dec. 1756

Performances

Mainpiece Title: None

Event Comment: [This month in the Gentleman's Magazine (p. 168) in an article entitled an Estimate of the Manners and Principles of the Times, appeared this paragraph: 'Tho' a great genius has rendered the stage the last refuge of manly taste, and with a variety of powers beyond example, establish'd nature. Shakespeare and himself, yet it is to be feared the crowd of spectators is drawn by secondary circumstances, as the fashionable part of it sit with the same face of admiration at Lear, an Opera, and a pantomime.'

Performances

Mainpiece Title: None

Performances

Mainpiece Title: A Medley Concert; Or, An Impromptu Of Whim, Novelty And Amusement

Performances

Mainpiece Title: The Humourous Physician; Or, A Cure For All Ills

Afterpiece Title: The Restoration and Adventures of Harlequin

Song:

Dance:

Performances

Mainpiece Title: A School For A Wife; Or, The Lucky Adventure

Song:

Dance:

Performances

Mainpiece Title: An Impromptu Faragolio

Afterpiece Title: Harlequin's Frolic

Performances

Mainpiece Title: The Intriguing Lover; Or, A Tit-bit For A Nice Palate

Afterpiece Title: Harlequin's Vagaries

Dance:

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Mercury Harlequin

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Mercury Harlequin

Performances

Mainpiece Title: The Tempest

Cast
Role: Ariel Actor: Miss Young

Afterpiece Title: The Male Coquette

Event Comment: Benefit for a Gentleman under Misfortunes. By the Desire of several Persons of Distinction

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: A Duke and no Duke

Dance: newComic Dance, as17580417

Event Comment: At Marybone Gardens. Translated into English. The Music by Pergolesi. Admittance 2s. 6d., tea and coffee included. [Daily Advertiser, 15 May, notice: Only 26 Tickets for ball room will be sold each night. Admittance one shilling; Ballroom five shillings to admit one gentleman and two ladies.

Performances

Mainpiece Title: La Serva Padrona; Or, The Servant Mistress

Performances

Mainpiece Title: La Serva Padrona

Event Comment: TThe London Chronicle 1758 (p. 461): Having already read the play [The London Cuckolds] it was no wonder if my inclinations to attend the exhibition of it were very small; however, being in some measure oblig'd to perform that penance, I paid my money and sat down in the pit, where I underwent three hours entertainment, if I may call it so, only to be rooted in a former opinion, that the author of this comedy deserved to be hanged; and that the only excuse which could be made for suffering it to be acted would be invincible stupidity. This monstruous production of nonsense and obscenity, is the spawn of one Ravenscroft, a writer whose wit was as contemptible as his morals were vitious. He does not seem to have had one sentiment either of a man of Genious of a gentleman, at least if we may judge by the characters he has daubed, which are a pack of reprobates of the lowest kind. Nor are the things which look like incidents in this play the produce of his own invention, but the squeezings from an extravagant novel of Scarron, and two or three ill-chosen fables of LaFontaine; of which ingredients he has contrived to mix up a sort of hog-wash, sweetened with a few luscious expressions and a large portion of the grossest lewdness, to the palates of swine, or what is the same thing, men like them; but which must be odious to, and nauseated by all people of delicate taste, or common modesty. The three gallants in this comedy, Townly, Ramble and Loveit, never make their appearance upon the stage but to talk bawdy, and that in terms very little different from the most vagabond inhabitants of Covent Garden, nor do they make their exit but with a professed intention to commit adultery with one woman or another, who walks off with him very contentedly for that purpose. I must here observe that adultery is committed no less than seven times during the five acts. [The play an insult to the London aldermen and their wives.] There were several men of distinction in the boxes at this play, and I think about eight ladies. What their inward feelings might be I know not; but if one might judge of their thoughts by the gravity of their looks, they were rather mortified than diverted. But of the women of the town, who as we suppose were unwilling to let slip so fair an opportunity of getting a supper and a bed-fellow, there were crowds both in the pit and green boxes...

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Double Disappointment

Cast
Role: Isabella Actor: Miss Young

Dance: As17581016

Event Comment: The Farce dislik'd (Cross). Receipts: #160 (Cross); #169 18s. 6d. (Winston MS 8). [See review of the reception and circumstances of publication in Gentleman's Magazine (p. 37), which presents Hill in no good light. See also review of A Letter to the Honourable Author of the Rout (idem.) with its charges against Garrick.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Rout

Event Comment: This Play tho' all new dress'd and had Fine Scenes did not seem to give ye audience any great plasure, or draw any applause (Cross). Written by Shakespear. Never Acted there. New Habits, Scenes, and Decorations. Nothing under Full Prices will be taken during the Performance. No Gentleman can possibly be admitted behind the Scenes, or into the Orchestra on account of the Music, Decorations, and number of Performers which are necessary to the Representation (playbill). [See "Garrick's Presentation of Antony and Cleopatra," RES, Jan. 1937. The following characters appear in Capel's acting text, 23 Oct. 1958, Maecenas-Atkins; Proculeius-$Austin; Soothsayer-$Burton; Mardian-$Perry; Seleucas-$Burton.] Receipts: #200 ($Cross); #193 14s. (Winston MS 8)

Performances

Mainpiece Title: Antony And Cleopatra

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Double Disappointment

Cast
Role: Isabella Actor: Miss Young

Entertainment: Between play and farce: Dish of All Sorts-Mr Shuter; will entertain the Audience. The Bill of Fare consisting of a Medley@Song-Shuter; A Dialogue upon Himself between an Old Man a North Briton and a Gentleman of Connaught-Mr Shuter; The History of Mr Shuter and the Sow-Shuter; To be sung by him as a Cantata in Sga Gruntinella's Taste. The Cries of London, as17581020

Performance Comment: The Bill of Fare consisting of a Medley@Song-Shuter; A Dialogue upon Himself between an Old Man a North Briton and a Gentleman of Connaught-Mr Shuter; The History of Mr Shuter and the Sow-Shuter; To be sung by him as a Cantata in Sga Gruntinella's Taste. The Cries of London, as17581020. To be sung by him as a Cantata in Sga Gruntinella's Taste. The Cries of London, as17581020.

Dance: TThe Threshers, as17581016

Performances

Mainpiece Title: Alfred The Great

Music: I: Concerto on Hautboy-Vincent; II: Concerto on Organ-Arne Jr

Performances

Mainpiece Title: The Tempest

Cast
Role: Ariel Actor: Eliz. Young

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: La Serva Padrona