SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "a Young Gentleman"/1) | (@(roleclean,performerclean) "a Young Gentleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3825 matches on Performance Comments, 1343 matches on Event Comments, 1139 matches on Author, 848 matches on Performance Title, and 308 matches on Roles/Actors.
Event Comment: Paid Gallini in part of his Bond #50 (Account Books, Egerton 2268). Mrs Cibber, being Indisposed with a violent Fever, which renders her incapable of performing in the Distrest Mother this day for her Benefit, she is therefore oblig'd to defer it till further Notice. On Tuesday next will be publish'd (Address'd to Mr Garrick) The Pretty Gentleman, or Softness of Manners vindicated from the False Ridicule exhibited unter the character of William Fribble, Esq:...Printed for M. Cooper in Paternoster Row. We hear the Comedy of the Suspicious Husband will be performed in a few days, and the continuance of Mr Garrick's Indisposition, rendering his appearance on the Stage entirely uncertain; the part of Ranger will be attempted by Mr Chapman.--General Advertiser

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Phebe

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Patie And Roger

Song: Select Songs-Cunningham

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Miss in Her Teens

Dance: As17461231

Performances

Mainpiece Title: Diversions Of The Morning

Performances

Mainpiece Title: Diversions Of The Morning

Performances

Mainpiece Title: The Artful Husband

Afterpiece Title: The Devil to Pay

Dance: III: Mechel, Mlle Mechel

Song: V: A Preamble on the Kettle-drums-Jo Woodbridge

Event Comment: Benefit a Gentleman under misfortunes. Mainpiece Alter'd from Dryden by $Colley Cibber, Esq.

Performances

Mainpiece Title: The Comical Lovers

Afterpiece Title: The Anatomist

Song: I: By Particular Desire, The Early Horn-Lowe

Performances

Mainpiece Title: The Merchant Of Venice

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: Miss in Her Teens

Event Comment: We hear that the play Venice Preserv'd is in Rehearsal at the Theatre Royal in Covent Garden, and is to be perform'd on Friday next; and that the part of Pierre will be attempted by a Gentleman who never appear'd on any stage before (General Advertiser). [This month was published A Letter to a certain Patentee, in which the Conduct of Managers is impartially considered, and a few Periods bestowed on those darlings of the Publick, Mr G k, Mr F te, Mrs P d, &c." Addressed to Rich it is criticism of his personnel policies as manager, with side comments on his morals, and some on his performances: of his Orpheus and Eurydice, the author agrees that three flaming scenes of Hell, now left out, should have been omitted from the beginning. The Serpent, however, generally behaves himself so well, that "I have had more real pleasure in his appearance than if he had been a living one." Dislikes his replacing Ryan with Hallam, dislikes his abuse of Mrs Pritchard, criticizes his casting Hippisley as Polonius, since Polonius requires more than Hippisley can give, the latter being able to act only in the comic way.

Performances

Performances

Mainpiece Title: The Foundling

Cast
Role: Young Belmont Actor: Garrick

Dance: Cooke, Anne Auretti

Event Comment: Benefit for Barry. Pit and Boxes laid together, and Stage, for better accommodation of the Ladies, will be form'd into Front and Side Boxes. Tickets to be had of Barry at the corner of Bow St., and of Hobson at the Stage Door. [This month was printd The Town, a Satire by Wm. Kenrick, with especial attack upon Garrick and Garrick's plays. In Miss in her Teens, he boasts the strange pretense, To satire Coxcombs, while he murders sense." Kenrick is one of the few who criticizes Garrick (p. 21) for playing a low character Abel Drugger, rather than a king. He yields indirect praise to Janeton Auretti by blaming the town for cheering her dance, while neglecting the players: @Yet if Janeton shakes her slender feet@How loud the thunder clatters through the Pit.@ Prologue intended to have been spoken on the Revival of The Distress'd Mother, for the Benefit of Mr Barry, but omitted through some misunderstanding. Written by Mr Rolt, printed in Gentleman's Magazine, March 1748, p. 134.] Receipts: #270 (Cross); house charges, #60 (Powel); cash, #80 3s. 6d.; tickets, #118 5s. (Clay MS)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Miss in Her Teens

Dance: Cooke, Anne Auretti

Event Comment: Benefit for Mrs Woffington. As ye Curtain was rising for ye farce a Gentleman's sword was taken out of ye Scabbard & carry'd up with ye Curtain & there Hung to ye terror of those under it (least it shou'd fall) & ye Mirth of ye rest of ye Audience--a Scene man fetch'd it down (Cross). Four rows of the Pit will be rail'd into the Boxes; and the stage form'd into front and side boxes. Tickets and places of Hobson at the stage door. Receipts: #240 (Cross); house charges, #50 (Powel).This was also in her agreement to pay no more than the above sum (Powel). Cash, #84 19s. 6d.; tickets, #100 3s. (Clay MS)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Intriguing Chambermaid

Dance: II: Tambourine-Anne Auretti; IV: New Comic Dance-Matthews, Mrs Addison; V: Dutch Dance, as17471128

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Dragon of Wantly

Dance: II: Pastoral Dance, as17480326 III: Savoyards, as17471215; V: By Desire Les Characters de la Dance-Anne Auretti

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Afterpiece Title: The Mock Doctor; or, The Dumb Lady Cur'd

Event Comment: At Lee and Yeates Sen and Jun great Theatrical Booth...will be reviv'd that celebrated Droll, call'd The Unnatural Parents; or, The Fair Maid of the West. Shewing the Manner of her being forced to wander from Home, by the Cruelty of her Parents and beg her Bread; and directs her to a Nobleman's House: How she was there taken in as a Servant; and, at length, for her Beauty and modest Behaviour, married to a Gentleman of great Fortune; with her Return to her Parents, and their happy Reconciliation. Also the Comical Humours and Adventures of Trusty her Father's Man, and the three Witches. The Scenes and Cloaths are entirely new; and the Droll the same that was perform'd by Mrs Lee 15 Years ago with great Applause. Boxes: 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each Day at Twelve o'Clock. [Notice repeated 25, 26, 27 Aug.

Performances

Mainpiece Title: The Unnatural Parents

Dance: The original Dance-Three Wild Cats of the Wood; Between the Acts: Dancing-Adams, Mrs Ogden

Music: A Good Band of Musick

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Afterpiece Title: The Mock Doctor

Dance: Jockey dancing-Mr Adams

Event Comment: By Particular Desire. [A long critical analysis of The Orphan appeared in the Gentleman's Magazine this month, admitting that it evoked compassion, but finding it deficient in "exhibiting some useful instruction."] Receipts: #130 (Cross); #109 4s. 6d. (Powel)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Lying Valet

Dance: V: Savoyards, as17480920

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Lying Valet

Event Comment: To be seen a Person who performs the most surprizing Things...he presents you with a common Wine bottle, which any of the Spectators may first examine; this Bottle is plac'd on a Table in the Middle of the Stage, and he (without any Equivocation) goes into it in Sight of all the Spectators, and sings in it; during his Stay in the Bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle. The Performance continues about Two Hours and a Half. These Performances have been seen by most of the Crowned Heads of Asia, Africa, and Europe, and never appear'd anywhere Public but once. Stage 7s. 6d. where Masks may be worn. Boxes 5s. Pit 3s. Gallery 2s. [The famous Bottle Conjurer hoax.] Theatre was crowded...by five o'clock; at seven the house was lighted up [but not music]...a Person came before the Curtain, and, bowing, promis'd if Mr Conjurer did not arrive in half an Hour, their Money should be return'd...after near an Hour...a Gentleman in the Box snatch'd a Candle lighted, and in Violence threw it on the Stage; this was the Signal for the Onset of Battle...the Boxes, Seats, Glasses, Scenes, Chairs, Machinery, and all the Furniture of the Play House, were in less than ten Minutes carried into the Street...an excellent Bonfire was made of Mr Foote's Auction Room...it may put a [pe]riod to the Auction, till the Theatre can be refitted.--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 139. [Potter was still owner of this theatre.] Those opposed to a recent late book would have been gratified had the Conjurer jumped into the bottle and proved that miracles had not yet ceased."--Daily Advertiser, 17 Jan. Last Night a numerous Audience, among whom were several Persons of Quality, was at the New Theatre in the Haymarket, in wonderful Expectation of seeing the Miraculous Man creep into a Bottle, and do several other Miracles; but the only one he perform'd was, that he render'd himself invisible (without any Equivocation) to the no small Disappointment of the gaping Multitude; who, being told from behind the Curtain that the Performer had not yet appear'd, but that if they would stay until the next Night, instead of a Quart Bottle he should creep into a Pint, immediately grew outrageous, and in a Quarter of an Hour's Time broke to Pieces all the Boxes, Benches, Scenes, and everything that was in their power to destroy, leaving only the Shell of the House remaining. Surely this will deter anyone from venturing to impose on the public in the like manner for the future.--General Advertiser, 17 Jan. [See also dl Comment 18, 19, 20, 27 Jan.

Performances

Mainpiece Title: None

Event Comment: Afterpiece: By desire. To Mr G-, Sir: You will very much oblige many of your friends by reviving the play of Ulisses wrote by the celebrated Mr Rowe; We apprehdnd there are four characters in which yourself, Mr Barry, Mrs Cibber and Mrs Pritchard would shine inimitably. If you think this hint worthy your notice, we make no doubt it will in every Respect answer your expectations, as well as gratify the town in general. S. W., S. T., &c. (General Advertiser). This day is publish'd, at 1s. Lethe Rehears'd or a critical discussion of the beauties and blemishes of that performance; interspers'd with occasional remarks upon dramatick satires in general, as well as on some that have been best receiv'd in particular. The whole in a free conversation amongst several persons of distinction. Printed for J. Roberts (General Advertiser). [This is a fifty@two@page puff for Lethe, and for the usefulness of the stage for propagating morals. The characters who lead the discussion are: Sir Francis Friendly , a sensible learned Gentleman; Dr Heartfree , a candid, judicious person; who has a great opinion of Mr Garrick; Mr Snip@Snap , a vociferous modern Critic; and Two Women .] Receipts: #120 (Cross); #118 12s. 6d. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid