SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "a Young Gentleman"/1) | (@(roleclean,performerclean) "a Young Gentleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3825 matches on Performance Comments, 1343 matches on Event Comments, 1139 matches on Author, 848 matches on Performance Title, and 308 matches on Roles/Actors.

Performances

Mainpiece Title: Love's Last Shift

Performance Comment: Loveless-Garrick; Sir Novelty-Woodward; Sir William Wisewood-Taswell; Young Worthy-Palmer; Snap-Yates; Narcissa-Mrs Clive; Hillaria-Mrs Mills; Flareit-Mrs Bennet; Amanda-Mrs Cibber.
Cast
Role: Young Worthy Actor: Palmer

Afterpiece Title: The London Prentice

Dance: Devisse, Mlle Auretti

Event Comment: [The Gentleman's Magazine, XXIV, p. 485, has an important note on Shuter's interpretation of Trim.

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: The Double Disappointment

Performance Comment: Loveless-Lowe; Gripe-Collins; Jeremy-R. Smith; Fanfaron-Holtom; Isabella-Miss Young; O'Blunder-Barrington.
Cast
Role: Isabella Actor: Miss Young
Event Comment: The tragedy of the Revenge is in rehearsal at Covent Garden in which the part of Zanga will be attempted by the Gentleman who appeared in the character of Osman in Zara, will be performed someday this week, as are also the plays of King Lear and Alexander the Great, revis'd and alter'd in which the parts of Lear and Alexander will be played by Barry

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Barry; Macduff-Ryan; King-Gibson; Malcolm-Anderson; Donalbain-Bennet; Seyton-Redman; Seyward-White; Doctor-Wignell; Fleance-Miss Mullart; Banquo-Sparks; Lenox-Ridout; Hecate-Arthur; 1st Murderer-Bencraft; 2nd Murderer-Marten; Witches-Collins, Dunstall, Cushing; Lady Macduff-Mrs Barrington; Lady Macbeth-Mrs Woffington; With the original music. Vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Mrs Chambers, Miss Young, Mrs Vincent. With Dances and Decorations incident to the Play.

Afterpiece Title: The Contrivances

Dance: As17551114

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17561202, but Young Clincher-Collins.
Cast
Role: Young Clincher Actor: Collins.

Afterpiece Title: Harlequin Sorcerer

Event Comment: Written by Mr Hume. Author of Douglas. Went off wth. great Applause (Cross). A New Tragedy. The Music composed by Dr Boyce. As this is the 1st night of representation, and much depends upon keeping the scenes clear, 'tis hoped no gentleman will be offended that he cannot be admitted upon the stage or into the orchestra. [See Theatrical Review, 1757 and Beginning of 1758 for contemporary comment on source, and at act-by-act progress of play. Judicial but appreciative. Finds some rant and bombast, as well as inconsistency, in Lysander 's characterization: "If...not...known that the author of Agis is the same to whom we are indebted for Douglas, one would not have suspected those two tragedies to have sprung from the same pen...Agis inspires us with admonition; Douglas speaks forcibly to our softer feelings. In Douglas he has shown himself perfect master of nature and the human heart: in Agis of contrivance in point of plot and incidents. What a masterpiece may not we expect from such talents when united in one tragedy!"] Receipts: #200 (Cross)

Performances

Mainpiece Title: Agis

Performance Comment: Actors only listed, but Vocal Parts-Beard, Champness, Vernon, Mrs Vernon, Miss Young; but edition of 1758 lists: Agis-Mossop; Lysander-Garrick; Amphares-Havard; Rhesus-Holland; Euxus-Davies; Agesistrata-Mrs Pritchard; Sandane-Mrs Yates; Euanthe-Mrs Cibber; Prologue-Garrick; Epilogue-Mrs Pritchard.
Event Comment: Went off with applause (Cross). Afterpiece: a New Pantomime after the Manner of the Italian Comedy, with New Scenes, Habits, Decorations. Nothing under Full Prices will be taken. No Gentleman can possibly be admitted behind the Scenes or into the Orchestra, on account of the Machinery and Music. The Music composed by Dr Boyce. The Songs will be printed, and deliver'd at the doors. Receipts: #200 (Cross)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: Harlequin's Invasion; or, A ChristmasGambol

Performance Comment: Harlequin-King1st time; others-Yates, Bransby, Moody, Blakes, Burton, Clough, Packer, Scrase, Vaughan, Ackman, Fox, Mrs Bennet, Miss Pope; The Vocal Parts-Champness, Reinhold, Mrs Vernon, Miss Young, Miss Spencer; The Dances-Grimaldi, Giorgi, Sga Giorgi, Miss Baker; And a new Occasional Prologue-.

Performances

Mainpiece Title: A Concert

Performance Comment: In which will be introduced the Original Orations for (this night only) by Mrs Midnight. With a New Dish of Sweet Cream. Prologue-Mrs Midnight; The Echo of Anacreon-Gaudry; Scots Songs-Lauder; A Concerto-La Spoonatissiana; Singing-young Gentlewoman; Mock Italian Air-Sga Mimicottiaccompanied by Mynheer Broomsticado; Concerto on Violincello-Clogget; Advice to the Criticswith a specimen of ancient and modern acting-Mrs Midnight.
Cast
Role: Singing Actor: young Gentlewoman

Afterpiece Title: Britannia's Triumph

Event Comment: Mainpiece: Not acted this season. Full Prices. [Sparked by Victor's publication of his History of the Theatres of London and Dublin, 1730 to the Present, a series of articles on the Rise and Progress of the English Stage appeared in the Gentleman's Magazine for May (p. 214 ff); June (p. 264 ff); and July (p. 297).

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Henry-Bransby; Wolsey-Havard; Buckingham-Austin; Norfolk-Palmer; Surrey-Davies; Lord Chamberlain-Kennedy; Suffolk-Blakes; Cranmer-Burton; Bp. Gardiner-Clough; Anna Bullen-Mrs Bennet; Patience (with a proper song)-Miss Young; Queen Katharine-Mrs Pritchard. With the Coronation, and the Ceremony of the Champion in Westminster Hallv.
Cast
Role: Patience Actor: Miss Young

Afterpiece Title: The Register Office

Performances

Mainpiece Title: Trial Scenes Of The Cock Lane Ghost

Afterpiece Title: Tars of Old England

Entertainment: Exhortation of the Little Lilliputian Squire Hum, a child of five years old. TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady

Performance Comment: TheGrand Hornpipical Balletin the taste and after the manner of Mrs Vernon and Miss Nancy Dawson,-a young lady.
Cast
Role: , Actor: a young lady.
Event Comment: This night Hymen was in the Bills (Hopkins). Mainpiece: dress'd in the Habits of the times. [The Hymen text printed in Gentleman's Magazine, Jan., p. 38.] Receipts: #191 18s. (MacMillan)

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: The Rites of Hecate

Afterpiece Title: Interlude Hymen

Performance Comment: End II, A New Occasional Interlude. Hymen-Vernon; Cupid-Miss Wright; Venus-Miss Young. [See note 20 Jan.]See note 20 Jan.]
Cast
Role: Venus Actor: Miss Young.

Performances

Mainpiece Title: Othello

Afterpiece Title: Thomasand Sally

Performance Comment: Dorcas-Mrs Love; Sally-Miss Young; Thomas-Champnes; Squire-Vernon.
Cast
Role: Sally Actor: Miss Young

Dance: The Irish Lilt, as17630922

Event Comment: New Comedy Never Perform'd. [Attributed to Mrs Griffith. For Contemporary account see Gentleman's Magazine, January 1766, p 19.

Performances

Mainpiece Title: The Double Mistake

Performance Comment: Parts-Ross, Shuter, Dunstall, Cushing, Weller, Miss Wilford, Mrs Walker, Smith, Dyer, Hull, Holtom, Murden, Miss Macklin, Mrs Mattocks; Prologue-Smith; Epilogue-Miss Wilford according to the Gazetteer and New Daily Advertiser; Lord Belmont-Ross; Sir Charles Somerville-Smith; Mr Belmont-Shuter; Elder Freeman-Hull; Southerne-Dunstall; Young Freeman-Dyer; Emily-Mrs Mattocks; Lady Mary-Miss Macklin; Lady Louisa-Miss Wilford; Lady Bridget-Mrs Walker (Genest, V, 106); Parts-Cushing, Weller, Holtom, Murden.
Cast
Role: Young Freeman Actor: Dyer

Dance: III: The Village Romps, as17651019

Event Comment: [The bill for this night and on subsequent nights specifies the additions "Particularly two views of the Eruptions of Mount Vesuviusv." The Gentleman's Magazine this month contained a four-column review of Nipclose's The Theatres, blasting its contentions.] Receipts: #195 5s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: As17711210, but to avoid confusion full cast listed: Malvolio-King; Sebastian-Cautherly; Sir Andrew-Dodd; Orsino-Jefferson; Sir Toby-Love; Clown, with the original Epilogue Song-Vernon; Antonio-Davies; Fabian-Waldron; Captain-Wright; Priest-Griffiths; Valentine-Wheeler; Officers-Wrighten, Follett; Viola-Miss Young; Maria-Mrs Egerton; Olivia with a song-Mrs Abington.
Cast
Role: Viola Actor: Miss Young

Afterpiece Title: The Witches

Event Comment: Benefit for Dodd. Afterpiece: Not acted these 9 years. [See 26 March 1763.] Married at Marylebone Church-W. Lacy, Esq one of managers of Drury Lane to Miss Orpen, daughter of an eminent hatter (Winston MS 10). Married: Willoughby Lacy, Esq to Miss Orpen of St Mary-le-bon (Gentleman's Magazine, 1744, p. 141). Receipts: #166 16s. Charges: #64 12s. Profits to Dodd: #102 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Performance Comment: Capt. Ironsides-Moody; Sir Benjamin Dove-Dodd; Belfield Sen-Packer; Belfield Jan-Brereton; Skiff-Baddeley; Paterson-J. Aickin; Goodwin-Jefferson; Philip-Davies; Francis-Wrighten; Jonathan-Ackman; Sailors-Palmer, Griffith, Courtney; Sophia-Miss Younge; Lady Dove-Mrs Hopkins; Violetta-Mrs Grenville; Fanny-Mrs Davies.
Cast
Role: Sophia Actor: Miss Younge
Related Works
Related Work: The Brothers Author(s): Edward Young

Afterpiece Title: The School Boy

Performance Comment: Schoolboy-Dodd; Major Rakish-Baddeley; Young Rakish-Palmer; Lady Manlove-Mrs Bradshaw; Friendly-Davies; Benedict-Waldron; Lettice-Mrs Davies.
Cast
Role: Young Rakish Actor: Palmer

Entertainment: Bucks Have at ye All-Dodd

Performances

Mainpiece Title: Phaedra And Hippolitus

Performance Comment: Theseus-Barry; Hippolitus-Reddish; Lycon-Palmer; Cratander-Davies; Guards-Wheeler, Everard; Lady-Miss Platt; Ismena-Young Gentlewoman, first appearance on the stage; Phaedra-Mrs Barry.

Afterpiece Title: The Ladies Frolick

Dance: V: The Irish Fair, as17730918

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: The Padlock

Performance Comment: As17741110, but Leonora-a Young Lady not 14 years of age, first time. Pupil to Mr Savage.

Dance: End Epilogue: The Vintage Festival, as17741007

Performances

Mainpiece Title: The Messiah

Performance Comment: As17810302but Principal Vocal Parts-A Young Gentleman (2nd appearance in public [see17810328.see17810328.

Music: End Part I: concerto on the organ, as17810302

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17830917, but Young Meadows (1st time)-Johnstone; Hawthorn (for that night only)-Dighton; Rosetta-Mrs Bannister .
Cast
Role: Young Meadows Actor: Johnstone

Afterpiece Title: Midas

Dance: End of Act I of mainpiece a Statute Dance, incident to the piece (performers not listed); End of mainpiece The Poney Races by Harris, Ratchford, Byrne, Mrs Goodwin, Miss Matthews

Event Comment: 2nd ballet: With entirely new Scenery, Machinery, Dresses and Decorations. The Music entirely new, composed by Millerd, composer for the ballets at the Opera at Paris. In the course of the performance the Grand Procession of Iphiginia into Aulide. The Scenery, Machinery, &c. designed by Marinari, and executed by him and his assistants. The decorations by Johnston, the dresses by Sestini. [Scenario published by J. Hammond [1793].] The Managers beg leave particularly to request that no Gentleman will come behind the Scenes, as the number of people engaged in the ballet, and the variety of scenery and machinery, render such admission highly inconvenient. Morning Herald, 24 Apr,: The story [of the ballet] is perhaps not very intelligibly told; but the shew and the dance are admirable. It begins and concludes with magnificent processions, the last of which brings Iphiginia to the altar, where she is saved just as the holy knife is raised for the sacrifice. At this instant the chariot of the Sun, the brilliancy of which is much beyond any former representation of the sort, passes over the stage, and is, for some time, suspended over the altar, while the whole corps de ballet offer their adorations

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Les Epoux du Tempe- [See17930205]

Ballet: End Opera: the Grand Historical Ballet in 4 Parts, which has been so long in preparation, Iphiginia in Aulide; or, The Sacrifice of Iphiginia composed by Noverre. Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet

Performance Comment: Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet.
Cast
Role: Young Orestes Actor: Mlle Menage
Event Comment: A Free Benefit for Ryan. Mainpiece: Not acted these 4 years. [See 3 April 1756.] Written by the late Mr Hughes. [For Afterpiece, see note.] Receipts: Door, #87 7s. Tickets #121 17s. (boxes 267; pit 286; gallery 122). (Account Book). [Ryan had advertised his benefit on 15 March to be The Siege of Damascus and a new Dramatic Satire called The Anniversary, being a Sequel to Lethe. On 16 March the following letter appeared in the Public Advertiser: "Upon reading Ryan's advertisement of a New Dramatic Satire, I was extremely pleas'd with a Description of the motive that occasioned it. He being last week at dinner with a set of particular friends, they inquired what Play and Farce he had chose this year for his Benefit. He inform'd them the Siege of Damascus and Lethe. Lethe, replied a Gentleman is very pleasing, but your friends have seen it, and you must fall into the fashion of having a new additional Scene; for a little bit of novelty may give assistance to its merit, and prove to your advantage. Why, then, said a facetious Gentleman, who sat very near him, Pray sir, do you write him one; 'twill cost you little trouble, and, you know, you are very capable. No more capable than yourself, Good Sir, answered the other; but to show I am full as willing, if you'll attempt to please his friends with one, upon my word I'll use my best endeavor to do the same, in writing of another. We need not fear Severity, for none will blame a friendly inclination to serve a man, who, I believe everyone wishes well. "Twas agreed, but Ryan judiciously observed, 'twould be a shame that two Gentlemen, each capable of writing to give an audience satisfaction, should condescend to make mere Lacqueys of their pens, and send them forth to hold the tail of Lethe; therefore if they should once begin, let them each write only one Hour longer, and they might raise a Structure of their own. They kindly undertook it, and in a Week sent him the piece he has now advertised."

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Anniversary : Being a Sequel to Lethe

Performance Comment: Parts-Ryan, Shuter, Dunstall, Baker, Costollo, Wignel, Mrs Green, Mrs Pitt, Mrs Chambers. [Parts in Larpent MS 144: Aesop , Charon , Mercury , Lady , Captain , Gentleman , Wife . Reynard , Wolf , Tyger crossed out.]Parts in Larpent MS 144: Aesop , Charon , Mercury , Lady , Captain , Gentleman , Wife . Reynard , Wolf , Tyger crossed out.]

Dance: SSicilian Peasants, as17571217; Fingalian Dance, by Desire, as17571013

Event Comment: Benefit for Kent and Family. By Desire of Her Serene Highness, the Margravine of Anspach. Kent's most respectful Compliments waits on the Ladies and Gentlemen of Hammersmith, and its Vicinity, informs them that Mr Newman has kindly granted the Assembly Room for one or two Evenings; to accomodate Her Highness the Margravine and principal Inhabitants: Kent has spar'd neither trouble or expence to render it conveniant [sic] as possible, the Room itself being very respectable & the Entrance unexceptionable. He earnestly solicits the company of his Friends in general, assuring them that every endeavour will be exerted for their Entertainment; the Interest of every Lady & Gentleman will be ever most gratefully remember'd, as very highly contributing to Kent's extricating himself from a Situation obvious to all acquainted with the Expence he has been at, and the ill Success he has met with. To begin exactly at 6:30. Admittance 2s. Tickets to be had at the Winsor Castle, of Kent, and Miss Connard in Union Court, and of Miss Kent, at Mrs Bevias

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-Kent; Sir Oliver Surface-A Gentleman from London; Joseph Surface-A Gentleman from London; Crabtree-Morphew; Sir Benjamin Backbite-Baker; Rowley-Cooper; Moses-Parsons; Careless (with a song)-Johnson; Charles-Skerrett//Lady Teazle-Mrs Parsons; Maria-Miss Kent; Lady Sneerwell-Mrs Smith; Maid-Miss Connard; Mrs Candour-Mrs Johnson .

Afterpiece Title: WHO'S THE DUPE

Performance Comment: Granger-A Gentleman from London; Old Doiley-Kent; Grad us-Jo.hnson//Miss Doiley-Mrs Parsons; Charlotte-Miss Kent. VAUDEVILLE. End of mainpiece Garrick's Picture of a Modtrn Fint Lady by Miss Kent; a song (1st time) by Miss Connard; an Address to the Ladies by Miss C. Kent, a child 5 years old; a favourite song of Sans Cullote by Johnson; to conclude with an Address of ThtJnks, written by a Lady purposely for Mr Kent & Family, spoken by Kent . a song (1st time) by Miss Connard; an Address to the Ladies by Miss C. Kent, a child 5 years old; a favourite song of Sans Cullote by Johnson; to conclude with an Address of ThtJnks, written by a Lady purposely for Mr Kent & Family, spoken by Kent .
Event Comment: Benefit a Young Gentleman reduced to Prison by the Extravagancies of his Guardian. With Stage, Scenes, and Cloaths proper to the Play. At 5 p.m

Performances

Mainpiece Title: Cato

Afterpiece Title: The Stage Coach

Music: The best Masters

Dance: The best Masters

Event Comment: A riot caused the acting of Cato to cease in Act IV. See The Weekly Packet 1 March, The Evening Post 22-25 Feb., The Post Boy 22-25 Feb. The most complete account appeared in Read's Original Weekly Journal, 1 March: The Night before had been the Third Night of a New Comedy, written by a young Gentleman of good Interest, and well respected, and the Boxes were bespoke for Monday Night, but a certain Ruler of that House, remarkable for Ill-Nature and Immorality, stop'd the Run of the Play, and caus'd the Tragedy of Cato to be given out...and tho' he was earnestly expostulated with on the Injustice of such a Proceeding, yet he obstinately persisted in his Resolution, which the Friends of the Author of the New Play very much resented: But this was not all, for when Cato came to be play'd, Mr Wilks, Mrs Oldfield, and Mrs Porter, who have principal Parts had given them to some of the inferior Players, which was look'd on as Riding the Audience, who would no longer Brook what they look'd on as an Insult, but with their hisses, Catcalls, &c. deafen'd the House, and drown'd the Shrill Pipes of the Actors; insomuch that the loudest Rant in Lee or Shakespear had been no more to be prefer'd to it, than the Noise of a Flagelot to the whistling of a Tempest; till the End the Players were obliged to retreat to their Fastnesses, unable any longer to Stand their Assaults; for they were storm'd with Orange-Peals, &c. as well as bombarded with Hisses Huzzas and Catcalls. Nor wou'd the Audience suffer them to Capitulate or receive any Offers of Submission, but calling for a Dance, put an End to the Play, in the middle of the 4th Act

Performances

Mainpiece Title: Cato

Afterpiece Title: The Loves of Mars and Venus announced, but possibly not acted

Event Comment: London Journal, 23 Dec.: The ingenious Mr Weston of Greenwich, having lately erected a Theatre for the Use and Diversion of the young Gentlemen under his Tuition, the Play of Tamerlane was last Week performed there, with vast Applause. A new Prologue and Epilogue was pronounced upon the Occasion, written by an ingenious Hand

Performances

Performances

Mainpiece Title: Cato

Performance Comment: The young Gentlemen of Mr Weston's Academy.