SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ye Prince "/1) | (@(roleclean,performerclean) "Ye Prince ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1270 matches on Event Comments, 866 matches on Performance Comments, 606 matches on Performance Title, 402 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Ezio

Dance: End of Act I Pastoral Dance, as17811128, to finish with a new minuet (composed by Noverre and the music by Le Brun), The Prince of Wales's Minuet, by Gardel and Mme Simonet; End of Act II Divertisement Dance, as17811117; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

Performances

Mainpiece Title: Edward The Black Prince; Or, The Battle Of Poictiers

Afterpiece Title: The Apprentice

Dance: End of mainpiece, as17831018

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: The Citizen

Dance: As17831020

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: The Gentle Shepherd

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: Who's the Dupe

Dance: As17831020

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: All the World's a Stage

Dance: As17831020

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: Harlequin Junior

Performances

Mainpiece Title: Hamlet: Prince Of Denmark

Afterpiece Title: Taste; or, The Diversions of the Morning

Afterpiece Title: Catherine and Petruchio; or, The Taming of a Shrew

Performances

Mainpiece Title: The Messiah, Preceded By god Save The King(coronation Anthems)

Music: End II: concerto on the violin-Master Bridgtower, Son to the African Prince

Performances

Mainpiece Title: The Czar

Afterpiece Title: Three Weeks after Marriage

Song: III: The Prince unable to conceal his Pain, from Alexander's Feast-Mrs Billington. [This was included, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: Il Burbero Di Bu0n Cuore

Dance: End of Act I New Divertisement, as17940311End of Act II a new Ballet Dramatic Pantomime, composed by D'Egville, Le Bon Prince; ou, Les Infortunes Vertueux, by Favre Guiardele, Gentili, Aumer, Master Menage, D'Egville, Mlle Hilligsberg, Mlle Guiardele, Mme Del Caro

Related Works
Related Work: The Captive of Spilburg Author(s): Prince Hoare

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Irish Widow

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Afterpiece Title: The Poor Soldier

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Purse; or, Benevolent Tar

Afterpiece Title: The Agreeable Surprise

Cast
Role: Prince of Wales Actor: Miss Menage

Performances

Mainpiece Title: Hamlet: Prince Of Denmark

Afterpiece Title: The Son-in-Law

Song: End: a song-Bannister

Performances

Mainpiece Title: The Purse

Afterpiece Title: Hamlet; Prince of Denmark

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

Event Comment: Mainpiece: By Particular Desire. My oath & Mrs Simson's appear'd in ye G: Advertiser, & Mr Fitzpatrick now swore (in ye Inspector) to what before he had given his Honour to--when Woodward appear'd in ye Pant: great Noise, he said gentlemen, if you think the two affidavids to-day not sufficient I will corroberate 'em on Monday with six or Seven more. quiet on Sunday Mr Fitz: waited on Lord Chamberlain, to complain of Woodward's Insolence, my Lord sent for Garrick who told ye whole Story; & upon Mr Fitz owing he threw an apple at him, my Lord said, that act put upon a Footing with ye lowest, & judg'd him the Agressor,--upon wch Fitz; desir'd all affidavids &c shoul'd cease & he wou'd drop his resentment. which was done (Cross). Receipts: #100 (Cross). [In the General Advertiser appeared (1) Letter to the Public from Woodward disclaiming any note of insolence, and accusing Fitzpatrick of having a bad memory; (2) an Affidavit from Cross that he was present and heard Woodward say distincly "Sir I thank you," without any air of menace. He heard this from his prompter's seat "next adjoining the Stage box call'd the Prince of Wale's box"; (3) an Affidavit from Mrs Elizabeth Simson, who was standing in the "First entrance next the stage door, on the Prompter's side," that she heard what Cross Heard and no more, and understood no air of Menace to be present. In the General Advertiser also appeared a letter from one T. C. explaining the approach of Birnam Wood to Dunsinane in Macbeth on the basis of a story told him by a Scots Laird of a nearby castle, to the effect that the Clans used to distinguish themselves in battle by sprays from different trees attached to their bonnets. From this T. C. developed a theory that Macbeth's experience was one of historical face rather tahn a figment of Shakespeare's imagination.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Queen Mab

Event Comment: In L. C. 5@12, p. 212, is a list of plays formerly acted at Blackfriars and now allowed (ca. 12 Jan. 1668@9) to the King's Company: Everyman in his Humour. Everyman out of his Humour. Cyntheas Revells. Sejanus. The ffox. The Silent Weoman. The Alchymist. Catilin. Bartholomew ffayre. Staple of Newes. The Devills an Asse. Magnitick Lady [The Humours Reconciled]. Tale of a Tubb. New Inn [or The Light of Heart]. Beggers Bush [by John Fletcher, with Philip Massinger?]. Bonduca. Custome of ye Country. The Captaine. The Chances. The Coxcombe. The Double Marriage. The ffrench Lawyer. The ffalse One. The fayre Mayd of ye Inn. The Humorous Leivt. The Island Princes. The Knights of Malta. Nathan Field. The Loyall Subject. The Lawes of Candye. Loves Progresse [The Lover's Progress; or, The Wandering Lovers. The Winters Tale. King John. Richard the Second. Loues Cure [or The Martial Maid]. Loues Pilgrimage. The Noble Gentlemen. The Nice Valour [or, The Passionate Madman]. The Prophetesse. The Marshall Mayd [see Love's Cure]. The Pilgrim. The Queene of Corinth. The Spanish Curate. The Sea Voyage. Valentinian. The Weomans Prize [or, The Tamer Tamed]. A Wife for a Moneth. The Wyd Goose-Chase. The Elder Brother. The ffaythfull Shepherdesse. A King & noe King. The Maydes Tragedie. Phylaster. Rollo Duke of Normandy [or, The Bloody Brother]. The Scornefull Lady. Thiery & Theodorat. Rule a Wife. The Gentlemen of Verona. The Merry Wives of Windsor. The Comoedy of Errors. Loves Labour Lost. Midsomer Nights Dreame. The Merchant of Venice. As you like it. The Tameing of ye Shrew. Alls well yt ends well. Henry ye fourth. The Second part Henry IV. The Royall Slaue

Performances

Event Comment: Doors to open at half past Four. Play to begin at half past Six. Send servants to hold places by Four o'clock. [Mrs Vincent's deficit of 1st instant received #20 3s. 6d.] Paid scavenger's rate for St Martin's due Lady Day #5 1s. Paid printer's bill #9 6s. (Treasurer's Book). Receipts: #262 7s. 6d. (Treasurer's Book). Went to Drury Lane, but could not get in. Stayed from half past 4, sometime at one Pit door, sometime at the other, till past 6, and got in at the right hand side just as the play began, and was dreadfully squeezed, but rewarded by seeing Garrick play Hamlet. The expression in his features, his eyes particularly, surpasses anything I ever saw. He is a little man, but handsome and full of that fire which marks the stronger, and of the softness natural to the tender passions. It is impossible to see his greatest excellencies from ye Gallery. Baddeley and Dodd are pretty well in Polonius and Ostrick. Mrs Baddeley and Yates do Ophelia and ye Grave Digger very well. Mrs Pritchard is great, as usual in ye Queen. Gravedigger's man-Castle. Horatio-$Mr Packer. Several parts of ye play, as it is in $Shakespeare, are omitted rather improperly...The Prince Brunswick, his wife and Louisa were present (Neville MS Diary)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Musical Lady

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture. 'Twas at the royal. Happy pair. Timotheus plac'd. The song began. The list'ning croud. With ravish'd ears. The praise of Bacchus. Bacchus ever fair. Bacchus' blessings. Sooth'd with the sound. He chose a mournful. He sung Darius. With downcast looks. Behold Darius. The mighty master. Softly sweet, accompanied on the violoncello by C. Ashley. War, be sung. The many rend. The prince unable. PART II. Now strikes the golden. Break his bands. Hark, hark! Revenge, revenge. Behold a ghastly band. Give the vengeance. Thais led the way. The Princes applaud. Thus long ago. At last divine Cecilia. Your voices tune. Let's imitate her notes. Let old Timotheus. PART III. A GRAND MISCELLANEOUS ACT. Overture and March (SCIPIO). He measureth the waters and He layeth the beams by Bartleman (REDEMPTION). O let eternal Honors and From mighty Kings by Miss Parke (JUDAS MACCABAEUS). Softly rise O southern breeze by Incledon; Ye Southern breezes by Chorus (SOLOMON, by Boyce). Bravura Song by Mme Mara. The Lord shall reign by Chorus; And Miriam and Sing ye to the Lord by Mme Mara; The horse and his Rider by Double Chorus (ISRAEL IN EGYPT). To conclude with God save Great George our King and Rule Britannia .

Music: End of Part I Giardini's Sixth Concerto on the Violin by G. Ashley

Event Comment: Roger Boyle, Earl of Orrery, to Edward, Viscount Conway, 17 July 1666: If we meet at London you will see a Play Acted, wh I writt by ye King s Command; I call it, Edward ye Black Prince; And if ever I writt anythinge fit for ye Theatre this Play is it (Calendar of State Papers, Ireland, 1666-1669, p. 158; in The Dramatic Works of Roger Boyle, 1, 43)

Performances

Event Comment: The Bulstrode Papers (1, 274): The first of January ye young Princes are to divert their Maties and Court wth a play & an opera in whch ye splendour of ye English monarchy will be seen

Performances

Event Comment: Benefit Mrs Robinson. By Command. With the Original Mad-Scenev. Admission as 2 April. Colman's Opera Register: Ye House & ye stage full ye King, Prince, &c. present

Performances

Mainpiece Title: Ernelinda

Event Comment: For ye Author. Prince of Wales & 5 of ye Fam. Mrs Cibber taken ill in the Play, but made shift to finish-Mrs Yates did ye Part on Monday-(Well). Receipts: #220 (Cross)

Performances

Mainpiece Title: Agis