SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "World"/1) | (@(roleclean,performerclean) "World")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 521 matches on Performance Title, 192 matches on Event Comments, 130 matches on Roles/Actors, 48 matches on Performance Comments, and 0 matches on Author.

Performances

Mainpiece Title: What Is She

Afterpiece Title: The Magic Oak

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Magic Oak

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Birth Day

Afterpiece Title: Albert and Adelaide

Dance: As17990504

Performances

Mainpiece Title: What Is She

Afterpiece Title: The Horse and the Widow

Afterpiece Title: Raymond and Agnes

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Birth Day

Afterpiece Title: Albert and Adelaide

Dance: As17990504

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Tell Truth and Shame the Devil

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: The Birth Day

Afterpiece Title: The Jew and the Doctor

Music: Preceding 1st piece: Grand Sonata on the Piano Forte, as17990515; End I 2nd piece: Lesson of Nicolai, as17990515

Entertainment: Monologues End 1st piece: Alexander's Feast, as17990515; End 2nd piece: Grand Address to the Audience, as17990515

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: Raymond and Agnes

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: A Divertisement

Dance: Afterpiece: Minuet de la Cour and Gavot-Klanert, Mrs Watts

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Birth Day

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: A Divertisement

Dance: As17991209

Event Comment: The Journal of Sir Richard Bulstrode (p. 19): This evening is repeated in the great Hall by foure persons of quality the Indian Emper, but the Company is made very private, soe as few attempt to gett in. Jean Chappuzeau, Le Theatre Francois (Paris, 1675), p. 55, states that in 1668 he saw a revival of The Indian Emperor in London. Pepys, Diary: 14 Jan.: They fell to discourse of last night's work at court, where the ladies and Duke of Monmouth and others acted The IndianEmperour; wherein they told me these things most remarkable: that not any woman but the Duchesse of Monmouth and Mrs Cornwallis did any thing but like fools and stocks, but that these two did do most extraordinary well: that not any man did any thing well but Captain O'Bryan, who spoke and did well, but, above all things, did dance most incomparably. That she did sit near the players of the Duke's house; among the rest, Mis Davis, who is the most impertinent slut, she says, in the world; and the more, now the King do show her countenance; and is reckoned his mistress, even to the scorne of the whole world; the King gazing on her, and my Lady Castlemayne being melancholy and out of humour, all the play, not smiling once. The King, it seems, hath given her a ring of #700, which she shews to every body, and owns that the King did give it her; and he hath furnished a house for her in Suffolke Street most richly, which is a most infinite shame. It seems she is bastard of Colonell Howard, my Lord Berkshire, and that he do pimp to her for the King, and hath got her for him; but Pierce says that she is a most homely jade as ever she saw, though she dances beyond any thing in the world

Performances

Mainpiece Title: The Indian Emperour

Performances

Mainpiece Title: Entertainments

Performance Comment: By a compleat Company of near 20 of the best Rope/Dancers, Vaulters, Tumblers in Europe, who are all excellent in their several Performances, and do such wonderful and surprizing things as the whole World cannot parallel; where , who gave that extraordinary satisfaction before Charles III, King of Spain on Board the Royal Katherine, performs several new Entertainments-Finley; and where the Lady Mary, likewise shews such Additions to her former admirable perfections, as render her the wonder of the whole World. and where the Lady Mary, likewise shews such Additions to her former admirable perfections, as render her the wonder of the whole World.
Event Comment: [The plays originally intended to be acted on this night were The Man of the World and Rosina, both advertised on playbill of 18 Nov. The playbill for this night, however, announces Love in a Village, with Mrs Billington as Rosetta, and Barataria, and carries the note "On Account of the sudden Indisposition of Macklin, The Man of the World is obliged to be deferred." But a third change had to be made; in place of Love in a Village and Barataria were substituted The Conscious Lovers and Hob in the Well, occasioned by the sudden indisposition of Mrs Billington" (World, 20 Nov.).] Receipts: #158 3s. (150.14.6; 7.8.6)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Hob in the Well

Dance: As17880915

Event Comment: [The playbill announces The Way of the World, Love and War, and The Deserter, but "King being ill, the play was worse. For instead of Congreve's brilliant dialogue in The Way of the World there was, what few epithets can reach, The Castle of Andalusia" (World, 19 Dec.). The substitute for Love and War is listed in the Account-Book.] Receipts: #140 18s. (136.16; 4.2)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Death of Captain Cook

Event Comment: The Duke's Company. Pepys, Diary: And seeing The Bondman upon the post, I consulted my oaths and find I may go safely this time without breaking it...There I saw it acted. It is true, for want of practice, they had many of them forgot their parts a little; but Betterton and my Poor Ianthe outdo all the world. There is nothing more taking in the world with me than that play

Performances

Mainpiece Title: The Bondman

Event Comment: The Duke's Company. Although Downes refers to the play's being acted "12 Days together" [see below], these were not consecutive, as Pepys saw another play at lif on 7 May. Pepys, Diary: To the Duke of York's playhouse, at a little past twelve, to get a good place in the pit, against the new play, and there setting a poor man to keep my Place, I out...and so back again, where I find the house quite full. But I had my place, and by and by the King comes and the Duke of York; and then the play begins, called The Sullen Lovers; or, The Impertinents, having many good humours in it, but the play tedious, and no design at all in it. But a little boy, for a farce, do dance Polichinelli, the best that ever anything was done in the world, by all men's report: most pleased with that, beyond anything in the world, and much beyond all the play. Thence to the King's house to see Knepp, but the play done. Downes (p. 29): This Comedy being Admirably Acted:...This Play had wonderful Success, being Acted 12 Days together

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents

Event Comment: Post Man, 5-8 Sept. 1696: At Mr Barns's Booth in Southwark Fair, near St Georges Church, will be seen the only English, Dutch, Spanish, High German and Indian Companies of Rope-Dancers, who are all five joined together, and will perform such variety of Dancing, Walking, Vaulting and Tumbling; the like was never seen in England before. 1st, You will see the famous Indian Woman and her Company. 2. You will see the High German Company. 3. You will see the Spanish Company dance excellently well on the Low Rope. 4. You will see the two famous Dutch Children, who are the wonder and admiration of all the Rope Dancers in the World of their Sex and Age. 5. You will see the two famous Englishmen, Mr Edward Barns of Rederiff, and Mr Appleby, who are the only two Master Ropedancers and Tumblers in the old world; also you may see Mr Edward Barnes dance with a Child standing on his shoulders, and with 2 children at his Feet, in Jack-boots and Spurs, and cuts Capers a yard and a half high, and dances a Jig on the Rope with that variety of steps, that few, or no Dancing Masters can do the like on the ground: He likewise walks on a slack Rope no bigger than a penny Cord, and swings himself 6 or 7 yards distance. Afterwards you will see the famous Indian Woman Vault the High Rope with great dexterity. Likewise you will see the famous Mr Appleby, who is the only Tumbler in all Europe, fling himself over 16 mens heads, through 12 Hoops, over 14 Halbards, over a Man on Horseback, and a Boy standing upright on his Shoulders. You will likewise the entertained with good Musick. The merry Conceits of Harlequin and his Son Punch. You will see the English and Dutch Flag on the top of the Booth. Vivat Rex. We shall play in this place 12 days

Performances

Mainpiece Title: Entertainments

Event Comment: Lady Marow to Arthur Kay, 12 March 1699@1700: The Way of the World, Congreve's new play doth not answer expectation, there being no plot in it but many witty things to ridicule the Chocolate House, and the fantastical part of the world (HMC, 15th Report, Appendix, Dartmouth MSS., Part I, p. 145). John Dryden to Mrs Steward, 12 March: Congreves New Play has had but moderate success; though it deserves much better (Letters of John Dryden, p. 134)

Performances

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Wilks; Iago-Cibber [Daily Courant, 20 June, only]; With a new Epilogue (intended to be Humorous) Writ-Mr Cibber[, upon all Mankind's being Actors on the Stage of the World., upon all Mankind's being Actors on the Stage of the World.
Event Comment: Paid Quin on account #100. Gilbert Walmesley to Garrick, 3 Nov,: I see by the prints you are engaged with Mr Rich. I hope you will take care not to hurt your health by playing more than you can well bear....But I must not forget to tell you what Lord Chesterfield says of you. He says you are not only the best tragedian now in the world, but the best, he believes, that ever was in the world; but he does not like your comedy, and particularly objects to your playing Bayes, which he says is a serious solemn character and that you mistake it. He spoke much in praise of Barry's handsome figure, but made a joke of his rivaling or hurting you.-Boaden, Private Correspondence of Garrick, I, 44. Receipts: #170 9s

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: Rosina

Afterpiece Title: Barnaby Brittle

Afterpiece Title: The Irish Widow

Entertainment: End I, end 1st piece: those Dramatic Imitations-Mrs Wells [of which the Public have deigned to think so flatteringly; In the First Part: Traits of Tragic Comic and Vocal Characters-; The Second will conclude: a Scene from Two great Tragic Actresses of this Country-. [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).

Performance Comment: [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).]

Performances

Mainpiece Title: A gala Sponsored By brooks's Club, Celebration Of king's Recovery [and See 15, 24 Apr

Performance Comment: 11 May]. [Shortly before midnight an overture-; [was played, followed by a duet-Kelly, Sga Storace, [assisted by a Chorus; music by Mazzinghi-; An Ode by Robert Merry-Mrs Siddons; [dressed "a la Britannia, with a spear, standing on a raised stage...This being finished a Transparent Paintingv dropped upon her, and she was no more seen." The Ode was concluded at 12:30, and Rule Britannia-[ was sung. Supper was served at two o'clock, but no dancing was possible because of the large number of guests. "Many persons were not gone at six in the morning." The price of seven tickets was 25 guineas (World, 22, 23 Apr.). was sung. Supper was served at two o'clock, but no dancing was possible because of the large number of guests. "Many persons were not gone at six in the morning." The price of seven tickets was 25 guineas (World, 22, 23 Apr.).

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Toy Shop

Afterpiece Title: Laoeudaimonos; or, A People Made Happy

Performance Comment: Principal Characters-Kelly, Dignum, Sedgwick, Miss Romanzini, Mrs Edwards, Mrs Crouch. [Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]Larpent MS lists the parts: Britannia, Genius of England, Hope, Hygeia, Britons.] SCENE I. Cavern of Despairv. SCENE II. White Cliffs of Albionv. SCENE III. Grove of Hygeiav. SCENE IV. Temple of Gratitudev. In which will be displayed those Superb Transparencies which were exhibited at the Opera House, at the Grand Gala given [on 21 Apr.] in Commemoration of his Majesty's Recovery. The Capitals of the Transparencies will be ornamented with rich Festoons of different coloured Lamps, and the intervening Columns beautifully illuminated with variegated Fire. [There were three transparencies: the 1st representing George I, II and III, the 2nd King William, the 3rd the Prince of Wales and the Duke of Gloucester (World, 22 Apr.).]

Dance: End II: The Russian Minuet-the young D'Egvilles, Miss DeCamp; End: a new dance, The Irish Bird@Catchers-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Event Comment: Benefit for Mrs Jordan. Part of the Pit [9 rows (World, 23 Mar.)] to be laid into the Boxes. Afterpiece [1st time; F 2, probably by Isaac Bickerstaffe, but also ascribed to Mrs Jordan and to Richard Ford. Text 1st published (unauthorized), Dublin, 1799]. Kemble Mem.: The Farce is written by Mr Bickerstaffe. World, 29 Apr. 1790: The Spoil'd Child was sent to Mrs Jordan from Bickerstaffe in Italy, where her fame had reached. Public Advertiser, 13 Mar.: Tickets to be had of Mrs Jordan at her house, No. 14, Somerset-street, Portman-square. Receipts: #352 18s. 6d. (137.13.0; 12.4.6; 1.7.0; tickets: 201.14.0) (charge: #111 6s. 11d.)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Spoil'd Child