SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Wm Penkethman"/1) | (@(roleclean,performerclean) "Wm Penkethman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 890 matches on Performance Comments, 154 matches on Event Comments, 6 matches on Performance Title, 2 matches on Author, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Apprentice

Dance: II: Pantomime Dance, as17670926

Performances

Mainpiece Title: The Widow'd Wife

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Harlequin's Jubilee

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Harlequin's Jubilee

Dance: IV: Dutch Dance, [The Dutch Milk Maid] as17691111

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Mayor of Garratt

Dance: II: Comic Dance, as17710416

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Mayor of Garrett

Dance: The Shoemaker, as17710517

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: A Trip to Scotland

Entertainment: Epilogue End: (By Particular Desire) New Occasional Epilogue-Mrs Bulkley

Dance: Minuet-Aldridge, Mrs Bulkley (playbill) Fisher, Mrs Bulkley (Public Advertiser)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: High Life below Stairs

Dance: II: The Irish Fair-Atkins, Mrs Sutton

Performances

Mainpiece Title: Judas Maccabaeus

Music: As17740218

Performances

Mainpiece Title: The Fall Of Egypt

Music: As17740218

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Mayor of Garratt

Dance: II: A New Dance, call'd The Pirates-Como, Sga Crespi. [See17730422.

Entertainment: End Opera: (By particular Desire) Imitations Vocal and Rhetorical-Bannister

Performances

Mainpiece Title: The Strategem

Afterpiece Title: Gallic Gratitude

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Tom Thumb

Dance: End of Act III of mainpiece, as17821231; End of mainpiece Diversion a-la-Mode, as n Dec. 1782, in which The Devonshire Minuet, as17821129

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performances

Mainpiece Title: Douglas

Afterpiece Title: Harlequin Captive; or, The Magick Fire

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: Alive and Merry

Performances

Mainpiece Title: The Messiah 0

Music: End I: concerto on the violoncello-C. Ashley

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: No Song No Supper

Dance: End: A Country Dance and Scotch Reel-Thompson, Whitfield, Wells, Banks, Garman, Miss Bourk, Mrs Haskey, Mrs Brigg, Mrs Byrne, Mrs Barrett; The Minuet de la Cour and Gavot-Roffey, Mrs Wild; A Hornpipe-Sga Bossi DelCaro

Event Comment: Post Boy, 20-23 Aug. 1698: Jephtha's Rash Vow: Will be play'd again this Bartholomew Fair at Blakes and Penkethman's Booth, over against Hosier Lane. [See also William King, 25 Aug. 1698.

Performances

Mainpiece Title: Jephtha's Rash Vow

Event Comment: Rich's Company. That this day was the premiere is implied by the Post Boy, 6-9 July 1700: This Day at the Theatre Royal in Drury-Lane, will be presented a New Comedy, never Acted before, called Courtship Alamode. Preface, Edition of 1700: This Play was so long expected e're it came into the World, that I'm oblig'd in Justice to my self, to excuse its appearance at at time when there were scarce Witnesses in Town of its Birth. It was enter'd in the other House [lif], where Mr Betterton did me all the Justice I cou'd indeed reasonably hope for. But that Example he gave, was not it seems to be follow'd by the whole Company, since 'tis known that Mr Bowman (I mention his Name to keep the reflection from other sharers) kept the first Character of my Play six weeks, and then cou'd hardly read six lines on't. How far that Way of management makes of late for the Interest and Honour of that House, is easie to be judg'd. Some who valu'd their reputations more, were indeed rarely or never absent. To these I gave my thanks; but finding that six or seven people cou'd not perform what was design'd for fifteen, I was oblig'd to remove it after so many sham Rehearsals, and in two days it got footing upon the other Stage [dl]. Where twas immediately cast to the best Advantage, and Plaid in less than twenty days. [In the Dedication Penkethman states that he saw the play into print after its being received well by the town.] A Comparison Between the Two Stages (1700), pp. 104-5: Ramble: Courtship Alamode, the Author, one Crawford, a Caledonian. Sullen: I remember it, and its Adventures; it was enter'd into the New-House, at the Recommendation of a certain Scotch Lord, and sojourning there six Months to no purpose, it travell'd afterwards to the Old-House, where it was with much ado Acted. Ramble: And Damn'd-there I was in with you

Performances

Mainpiece Title: Courtship A La Mode

Event Comment: Benefit William Penkethman

Performances

Mainpiece Title: Love Makes A Man