SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "William King"/1) | (@(roleclean,performerclean) "William King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10811 matches on Author, 4080 matches on Performance Comments, 2683 matches on Performance Title, 1977 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: BBritish Chronicle, 25 Sept.: Last Wednesday the King, Queen and Royal Family went to Covent Garden to see The Beggar's Opera with a [directive?] of the fitting up of the Box (Winston MS 9)

Performances

Event Comment: Box #43 17s. 6d. Paid Mr Blackmore a Bill for sundries and expenses in taking the inventory of the Men's Wardrobe #26 2s. 6d. Bought three men's outfits #68. Gave the King's footmen and Chairmen #4 4s., and Prince of Wales' Footmen and Chairmen #2 2s. Gave the Porters of the several Inns #3 14s. (Account Book). [The Gentlewoman who played Bertha was Miss Fielding. See notation of payment to her for acting this part, 10 Jan.] Receipts: #176 16s

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: Zimri

Performance Comment: Zimri- (King of Moab); Zuran- (Prince of Midianites); Cosbi- (his daughter); Chorus of Midianites-; Moses-; Zimri- (Prince of Israel); Elders of Israel-; Messenger-; Chorus of Israelitish Virgins- (Larpent MS 169).

Music: As17610206

Event Comment: Mainpiece: (The Hope of the Earth) performed last June in Honour of the King's Birth Day, but now with some alterations. Afterpiece: (The Promises of Heaven) an entirely new Serenata writ in order to celebrate, as far as lies in Sga Mattei's power, the late Royal Nuptials, and approaching Coronation. The Nobility and Gentry will please to dispense with their servants not being admitted this night

Performances

Mainpiece Title: Le Speranze Della Terra

Afterpiece Title: Le Promesse del Ciels

Performances

Mainpiece Title: He Whimsical Battle Of The Greybeards; Or, The Humourous History Of A Covent Garden Adventure; Containing The Ridiculous Behaviour Of shela O'flannegan The First Irish Woman Introduced At Any Fair, The Odd Resentment Of col

Performance Comment: Crackcrown and his whimsical Duel with the purblind Major Blinko, the Marriage of Sawney MacGregor, a Scotch Footman, and Shela O'Flannegan; with the fortunate conclusion by a Methodist Cobbler; The whole to conclude with a congratulatory poem; by way of Epithalamium, on the auspicious nuptials of our Illustrious Patriot King, and the Illustrious Princess Charlotte of Mecklenberg-Strelitz-.

Dance: CComic Dance-Signora Florentina, a capital performer from the Opera House at Turin

Event Comment: By Desire. Tolomeo will be performed on Friday next, Saturday being King Charles's Martyrdom

Performances

Mainpiece Title: Il Mercato

Event Comment: Benefit for Mrs Vincent. N.B. To prevent any Interruption in the Performance, No Building on the Stage. Last time of performing the Mainpiece this season. Tickets of Mrs Vincent at the Norwich Stuff Warehouse in King St. Covent Garden, and at the Stage Door

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Enchanter

Related Works
Related Work: The British Enchanters: or, No Magick like Love Author(s): William Corbett

Song: Between Acts: Mrs Vincent

Event Comment: The Thirty-First Day. By Desire of the Cherokee King and Chiefs. Being the last night but one

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Orators

Event Comment: Both pieces By Command of their Majesties. King & Queen (Cross Diary)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Fortunatus

Event Comment: Mainpiece: Not acted this season. Tomorrow will be Reviv'd the second part of King Henry the 4th, New Dress'd in the Habits of the Times (playbill). [In a letter 14 Nov. 1762, T. H. suggested to Garrick a scenic device for the last scene of Act II, of the Wonder, a device he had noted in the Portuguese theatres in Lisbon, to give a view of a number of gallants passing before the window of a lady": two large windows to be made in the scene, cover'd with gauze to give a transparancy and the effect of glass, the windows to be barrel likewise in imitation of a casement (Harvard, D. Garrick, Original MSS (1930) No. 6. TS 1116.256.3).

Performances

Mainpiece Title: The Wonder; Or, A Woman Keeps A Secret

Related Works
Related Work: Ramah Droog; or, Wine does Wonders Author(s): William Reeve

Afterpiece Title: Fortunatus

Dance: I: The Bavarian Shoemakers, as17621009

Event Comment: By Command of their Majesties. King & Queen (Cross Diary)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Genii

Dance: III: The Irish Lilt, as17621023

Event Comment: A new comic Opera...By Command of their Majesties. Music-Galuppi. Overture-J. S. Bach. Text-Goldoni. The first performance in England. Deferred from 30 Jan., because of Martyrdom of King Charles I. [A general Practice upon the Stage at noon 28 Jan.

Performances

Mainpiece Title: La Calamita Di Cuori

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Atto I. Overture del Ag. Bach-; Song Furia di donna irata-Sga Cremonina (Piccini); Concerto Bassoon-Miller; Song Vedi Amor nel mio Sembiante-Ciardini (Ciampi); Song Quando Saprai chi Sono-Sga De Amicis (Trajetta); Atto II. Concerto violincello-; Song Saro qual e il torrente-Quilici (Galuppi); Song Destrier che al arme uiate-Giustinelli (Piccini); Concerto Hautboy-Simpson; Song Misero Pergoletto-Sga Cremonina (Piccini); Song State Lungi Sol per poco-Ciardini (Galuppi); Atto III. Song Fieri tormenti-Quilici (Jomelli); Song Di quanto Cor le pene-Giustinelli (Trajetta); Concerto violin-; Song Madre non mi conosci-Sga De Amicis (Zingoni); God Save the King-.
Cast
Role: God Save the King Actor: .
Event Comment: Benefit for Miss Catley and Hull. Afterpiece: By Desire, but for last time this season. No Building on Stage (playbill). [The Briton" song is Larpent MS 203, high praise of George III, as a truly British king.] Such as please to send for tickets shall have the words of the Ode gratis

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Thomasand Sally

Song: I: A New Ode, call'd A Briton the Son of a Briton- set to music by Bates. Vocal parts: Mattocks, Miss Catley; in IV: Nymphs and Shepherds-Miss Catley

Dance: A New Comic Dance, as17630224

Event Comment: Benefit for Capitani, now in the King's Bench, singer in the Opera for 20 years past. Boxes 10s. 6d. Pit 5s. Gallery 2s. 6d. To begin at 7 p.m. [A long note hn the Public Advertiser about the nature of Capitani's distresses--death of wife after an expensive illness loss of considerable sums in trade, now in debtor's prison. The Public Advertiser this day Published the following Sonnet V, seemingly a new sort of puff' for Foote]: @To Mr F-@While party rage, my F., distracts the state@And mutual lies contending parties raise,@As int'rest leads, or Pitt or Bute to praise,@Let vet'ran Tories with staunch Whigs debate.@With gen'rous Punch our spirits we'll dilate,@Laugh at those loud-tongued politicians' frays,@And to good Brookman's fame attune our lays,@Whose genial bowl all cares can dissipate.@Safely to Harrogate let Bute retire,@His gout at Hayes lett Pitt in quiet nurse,@And Wilkes at either Secretary rail:@These party feuds unsocial rage inspire,@Destroy all mirth, and all good humour curse,@But shall not o'er our joyous souls prevail.

Performances

Mainpiece Title: Concert

Dance: Miss Capitani, Master Rogers

Event Comment: By Command of their Majesties. Command (Hopkins). King & Queen (Cross Diary). Receipts: #240 13s. 6d. (MacMillan)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Fortunatus

Dance: III: The Irish Lilt, as17631119

Event Comment: By Command King & Queen (Cross Diary). Hymen was perform'd but not put in the Bills (Hopkins). [For Hymen, see 23 Jan.] Receipts: #262 6s. (MacMillan)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Rites of Hecate

Afterpiece Title: Interlude Hymen

Performances

Mainpiece Title: Nabal

Performance Comment: Parts were: David (King Elect)-; Nabal-; Asaph (Companion to David)-; Abigail (Nabal's Wife)-; Chorus Attending on David-; Chorus Attending on Nabal-.

Music: As17640309

Event Comment: For the Benefit and Increase of a Fund for Decayed Musicians and their families. Pit and Boxes put together at half a guinea each. N.B. The Society's Collector being dead, and the places of abode of several of the subscribers being unknown to his successor, those Ladies and Gentlemen who have not yet received their tickets are humbly requested to send for them to Mr Jesse Horwood at his house in King Street, Golden Square, who is empowered by the Society to deliver them and receive the Subscription. Tickets to subscribers will admit one person to any part of the House

Performances

Mainpiece Title: Israel In Babylon; Or, The Force Of Truth

Event Comment: Benefit for Condell, box-keeper, and Charles Sarjant, book and house-keeper. Mr Ross having, by a fall from his horse, hurt himself so much as to be incapable of performing, the Play is oblig'd to be chang'd; and the Tickets deliver'd out for King Lear will be taken this night

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Apprentice

Dance: III: A Hornpipe-Miss Pitt; End: Venus Reveng'd, as17631222

Event Comment: By Command of their Majesties. [Sga Spagnolla had been ill and missed a number of performances. For singers and dancers see following letter.] Sir: I am one of those to whom an Oratorio or an Opera (whether Italian or English) gives exquisite delight; and am therefore glad that, as the town is now full, those entertainments will, very probably, be crowded; and thus amply repay the several managers, for the great risk they run, as to their property, as well as for the vast pains they take to amuse us; for the labour employed, on those occasions, is infinitely greater than is usually imagined. The Italian opera has suffered considerably, this season, by the inability of Sga Spagnoli to exert her musical talents, owing to a most severe cold; but as she has now recovered her voice, 'tis presumed that she will be a source of as great pleasure, among us, to persons of a musical ear, and who have a true taste for that species of dramas, as she was in her native country, where she was always heard with great applause. I myself find great charms in the entertainments, as now exhibiting at the King's Theatre: for, besides Sga Spagnoli's taste I do not perceive the least diminution in Sg Elisi's voice or action, both of which pleased us so much two or three years ago. Ciprandi appears to me a fine player as well as singer; and with regard to Sg Savoi, he is generally thought to have a pleasing voice. [Comments on competence of the Orchestra.] The principal dancers are likewise acknowledged to have considerable merit. The gracefulness and the ease of Sg Adriani are very pleasing, as is the elegant agility of Sga Fabris Monari....Sg Sodi has so often diverted us by his compositions as Ballet master that it were superfluous to bestow any encomiums on him in this place. [Long comment on agreeable performance of Sofonisba, Scenery, etc. A puff by Musidorus in Public Advertiser.

Performances

Mainpiece Title: Sofonisba

Dance: Adriani, Sga Fabris Monari

Event Comment: CClandestine Marriage deferred, King Ill

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Hermit

Event Comment: A new Comic Opera. The Music composed by several celebrated Composers. All Boxes put together, and no Persons admitted without Tickets, which will be delivered this Day at the Office at Half a Guinea each; First Gallery 5s. Second Gallery 3s. By His Majesties Command no Person whatsoever to be admitted behind the Scenes or into the Orchestra. 6:30 p.m. Vivant Rex et Regina. [Repeated in all bills.] [A pasticchio similar to La Schiava (The Humorists). See Nicoll, III, 361. Advertisement for the company of performers at the Opera had been given in the Public Advertiser three months earlier, 6 August: 'Drummond, Vincent and Gordon,Proprietors and Managers of the Opera at the King's Theatre in the Haymarket beg leave to announce that they have engaged the best Company that could be got in Italy...and are expected in London this month. The company are as follows: Serious-the celebrated Guarducci, first man; Signora Aunuciati, first woman; Savoi, second man; Miss Young, second woman; Grassi, Signora Piatti, third woman. Comic-Lovattini, first man, tenor; Signora Zamperini, first woman; Savoi, first man, serious; Miss Young, first woman; Signor Moriggi (the old man) bass; Signora Piatti, second woman; Zamperini second man; Signora Gibbetti [Gibelli in the Gazetteer] third woman."

Performances

Mainpiece Title: Gli Stravaganti

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Neck or Nothing

Performance Comment: Parts by: Yates, Palmer, Hartry, Parsons, Packer, Mrs Bradshaw, Miss Plym, Miss Pope. Martin-Palmer; Slip-Yates; Stockwell-Hartry; Sir Harry Harlow-Parsons; Belford-Packer; Miss Nancy-Miss Plym; Mrs Stockwell-Mrs Bradshaw; Jenny-Miss Pope (MacMillan). Garrick's first casting (Larpent MS 260) suggests Stockwell-$Parsons; Harlowe-$Castle; Martin-$King. His initial title was A Narrow Escape.
Event Comment: By Command of their Majesties. With the latest improvement by Mr Handel. Pit and boxes to be put together. Tickets will be deliver'd that day, at the Office in the theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at Half an Hour past Four. Pit and Boxes at Five. To Begin at Half an Hour after Six (Public Advertiser, 4 March). [N.B. This is an Advance notice. No notice occurs on this day, but the following: This Day publish'd Esther: An Oratorio, with the last improvements by Mr Handel. To be performed, by Their Majesties Command at the Theatre Royal in Covent Garden. Price 1s.] Went into the First Gallery at Covent Garden to hear the Oraortio, Esther, composed by Handel. The Stage was formed into an orchestra, like one side of an amphitheatre divided by an organ, atop of which was a head of Handel in a radiated frame. In the front sat the vocal performers, Champney, Vernon, Mrs Arne, Mrs Pinto, Miss Young, and Mrs Frasi. Stanley played on the Organ but retired after the 1st or 2nd act. The house was not much crowded, tho the King and Queen, those idols of fools, were there (Neville MS Diary). Charges: #35 (Account Book)

Performances

Mainpiece Title: Esther

Music: CConcerto on Organ-Stanley