SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "William Hemmings"/1) | (@(roleclean,performerclean) "William Hemmings")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10791 matches on Author, 1665 matches on Performance Comments, 436 matches on Event Comments, 52 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: This day is publish'd Much Ado About Nothing. Price 1s. Written by William Shakespear. Printed for J. and P. Knapton, &c. [14 printers]. Receipts: #100 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: Romeo and Juliet Author(s): William Shakespeare
Related Work: The History and Fall of Caius Marius Author(s): William Shakespeare
Event Comment: Benefit for Old Cole [William Cole] Citizen of London and Family, under Misfortunes, who has been a Free Mason these thirty years, and Master of several Lodges. Being the last time of performing till the Christmas Holidays

Performances

Mainpiece Title: The Merchant Of Venice

Related Works
Related Work: The Merchant of Venice Author(s): William Shakespeare
Related Work: The Jew of Venice Author(s): William Shakespeare

Afterpiece Title: The Cheats of Scapin

Dance: As17561217

Song: By the Desire of the Friends of Old Cole we will endeavor to sing a Song at the End of the Play (Public Advertiser)

Event Comment: Benefit for Miss Pritchard. Part of Pit laid into Boxes. This day publish'd, Price 1s. Brief Remarks on the Original and Present State of the Drama. To which is added Hecate's Prophecy, being a characteristic Dialogue between future Mangers and their Dependents. [William Shirley? A most virulent attack on Garrick's management as well as Rich's Quotes from the Herald No. XX, a denunciatory article on the managers, deplores the pamphleteering attempt to praise Garrick, asks "Shall he shine the God of our Idolatry, merely for excluding every other emulous and aspiring candidate?"] Receipts: #170 (Cross)

Performances

Mainpiece Title: The Roman Father

Related Works
Related Work: The Roman Father Author(s): William Whitehead

Afterpiece Title: The Apprentice

Dance: II: The Italian Peasants, as17571004; End: By Desire, a Minuet-Noverre, Miss Pritchard

Event Comment: Benefit for Philips and Mrs Lee. Tickets deliver'd by Miss Williams and Miss Berkeley will be admitted. Mainpiece: By Particular Desire, and Dress'd in the Habits of the Times

Performances

Mainpiece Title: King Richard Iii

Related Works
Related Work: The Tragical History of King Richard III Author(s): William Shakespeare

Afterpiece Title: High Life below Stairs

Dance: End: The Medley, as17641120

Event Comment: Benefit for Love. A sequel to the 2nd part of Henry IV. Written in imitation of Shakespeare, and adapted to the stage with considerable alterations by the author (Winston MS 9). [Play by William Kenrick.

Performances

Mainpiece Title: Falstaff's Wedding

Related Works
Related Work: Falstaff's Wedding Author(s): William Kenrick

Afterpiece Title: A Fairy Tale

Related Works
Related Work: The Fairy Tale Author(s): William Shakespeare

Dance: II: A Dance called Hearts of Oak-Aldridge, Miss Baker

Event Comment: Afterpiece: Never performed before. Written by Milton, the Music entirely New (playbill). Music by William Jackson (Wyndham, Annals of Covent Garden, I, 178). As condolence on Death of Duke of York (Genest, V, 186). Paid for licensing Lycidas #1 1s. (Account Book). Receipts: #251 11s. (Account Book)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Lycidas

Related Works
Related Work: Lycidas Author(s): William Jackson
Event Comment: Afterpiece: A dramatic enterainment by William Whitehead. New Scenes, Dresses, and other Decorations. The Farce receiv'd great applause (Hopkins Diary). [An account of the staging of the afterpiece appeared in the Freeholder's Magazine, Jan., concluding: These are the outlines of the Fable of this singular production, which, excepting the episode of Tom Southerton and Dolly Flack, seemed to give great satisfaction to the audience."

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: A Trip to Scotland

Related Works
Related Work: A Trip to Scotland Author(s): William Whitehead
Event Comment: LLalauze stated he had been 42 years an inhabitant of this country,--retained by Rich 32 years, who promis'd him an annuity of #50 a year whenever he was incapable of performing. This was not in his Will but the Executors allowed it him 3 years. Having sold the property they discontinued it; The new parties engag'd him last year but they would not this season. So Foote gave him the House of 14 Feb. at Haymarket gratis (Winston MS 10). Paid Henry Williams for performing the Bells 4 nights #1 10s. Paid Wm Gard 4 nights in the Lyon 10s.--and Thos Singleton for same 10s. (Account Book). Receipts: #188 13s

Performances

Mainpiece Title: Measure For Measure

Related Works
Related Work: Measure for Measure; or, Beauty the Best Advocate Author(s): William Shakespeare
Related Work: Measure for Measure Author(s): William Shakespeare
Related Work: The Law Against Lovers Author(s): William ShakespeareSir William Davenant

Afterpiece Title: Harlequin's Jubilee

Dance: IV: Dutch Dance, [The Dutch Milk Maid] as17691111

Event Comment: [Vernon's Song specified in later bills as the "Original Epilogue Song."] Mainpiece: Not acted in 8 years. [See 6 Jan. 1764.] This Comedy was well perform'd & had great applause (Hopkins Diary). Rec'd Mr Condill's 1st payment for fruit Office #20; Paid Mr Williams, 1 night in Musical Lady #1 1s. (Treasurer's Book). Receipts: #162 2s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Related Works
Related Work: Twelfth Night Author(s): William Shakespeare
Related Work: Love Betray'd; or, The Agreable Disapointment Author(s): William ShakespeareWilliam Burnaby

Afterpiece Title: The Institution of the Garter

Event Comment: Afterpiece: A New Piece in 2 Acts [by William O'Brien] never perform'd. [Genest, V, 363, assigns parts as follows: Grub-$Shuter; Consol-$Quick; Chapeau-$Lewes; George Bevil-$Wroughton; Robin-$Dyer; Mrs Grub-$Mrs Green; Emily-$Mrs Bulkley; Jenny-$Mrs Kniveton. See playbill 8 Oct. 1773. Plot given in detail in Town and Country Magazine for this month.

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): William Mason

Afterpiece Title: Cross Purposes

Related Works
Related Work: Cross Purposes Author(s): William O'Brien

Dance: End: The Recruits, as17721117

Event Comment: Benefit for Robinson, Berrisford, Carlton Jr and Kaygill. Saw the Beggar's Opera at Drury Lane. Pit and Gallery so full no place Went into front Box ou much mob--low sort of people had tickets given them--side boxes almost empty. Extremely pleased with Mrs Smith (the Polly whom I never heard before), Mrs Wrighten (Lucy) and Vernon (Macheath) who all performed incomparably well (Baker Diary, p. 259). So Ends the Season 63 different Plays 36 different Farces 188 Nights in all (Hopkins Diary). Receipts: #201 15s. 6d. Charges: #84. Profits to Berrisford, Robinson, Carlton, and Kaygille: #117 15s. 6d. (Treasurer's Book). AFTER SEASON RECEIPTS (Treasurer's Book). 5 June: Rec'd Box Officer keeper's cash (deficit #6 5s.) #18 15s.; Benefit deficiencies #142 13s. 6d.; Remainder of Mr S. Barry's Bag #40 3s. 8d. 15 June: Rec'd in benefit deficiencies #223 18s.; Mr Griffith in full of #12 lent him #2 5s.; Mr Davies on acct #20; J. Aickin ditto #16 11s. 6d. 18 June: Public Advertiser and Gazetteer acct this season #100. 19 June: Sundry salaries taken up by Mr Evans #227 4s.; Remainder of Sinking Fund #70. 23 June: Rowland one yrs rent to Lady Day (#43 with #2 2s. tax decuted) #40 18s.; Mr Pope one yrs rent ditto (#30 with #1 13s. King's tax deducted) #28 7s.; Harrison one yrs rent ditto (#46 with #7 King's tax deducted) #39; Balance from Clutterbuck #159 16s.; Discount on #344 18s. 6d., the amount of tallow chandler's Bills this season #27 11s. 9d.; From the Managers per Mr D. G. #534 11s. 8d. 1 July: J. Johnston in part of Music forfeits #29 10s. 6d. 2 July: From A. Johnston for oil and sperm. Candle ends sold to sundry #6 12s. 6d. 3 July: Their Majesties Acct 3 nights #30; Her Majesty's Ladies Acct ditto #9; Williams one yrs rent to Lady Day last (#48 with #4 King's tax deducted) #44. EXPENDITURES 15 June: Paid J. French on acct #20; Wegg half yrs rent to Lady Day last #57. 19 June: Paid Miss Berkley on note #5 5s.; Loutherbourg (in full of #300) #70; D. Garrick (in full of #800) #254 11s. 8d.; King's extra salary at #3 Per week) #93 10s.; Parsons in lieu of a benefit night #80; J. Stevens 2 weeks as usual #1 16s. 23 June: Paid Black Lyon Wardrobe and Carpenter's Dinner bills #16 10s. 8d.; Pope's bill for wigs #21 4s., and for 54 nights extra dressing &c. #5 8s.; Tallow chandler's 10th and last bill #23 11s. 9d. 24 June: Paid Bibb, sword cutler, #14 16s. 6d.; Dorman, Coals, #27 15s., and for attending practices of Dances, as usual #10 10s.; Jennings, Glover & Furrier #21 9s.; Cropley (linen draper) #35 12s.; Cole (turner) #7 3s.; Hatsell (mercer) #35 9s.; Marshall & Co. (plumbers) #15; Thomson (smith) #15 15s. 6d.; Barber, for men's cloaths #6 6s.; Barret (wax chandler) #18 14s.; Ireland (upholder) #27 6s. 6d.; Blakes (hatter) #16 19s.; Hopkins & Co. (ironmongers) #42 2s.; Carpue (silk dyer) #9 10s.; Carter (scowerer); Jones (worsted lace man) #3 17s.; Hinchcliff (mercer) #36 11s. 6d.; Cubit (tinman) #12 7s.; Lowe & Co. (glasiers) #1 16s.; J. French on Acct #10. 25 June: Waller & Co. (hosiers) #20 19s.; Scott (copper laceman) #47 7s. 6d.; Kirkman, Harpsicord tuning #18 16s.; Mrs Chitty, Coals, #28 5s. A. Johnston a bill for gilt leather &c. #51 15s.; J. Aickin's Law bill to Mr Stephens #54 7s. 9d.; Mrs Garwood for work for the Wardrobe, &c. #17 16s. 6d.; Barrow & Co., for oil, #170; half yrs rent to Duke of Bedford to Lady Day Last, #165 17s. 7d.; Mrs Vaughan (haberdasher) #3 3s.; Mr Page in full of #25 for this season, #1 10s. 1 July: Paid Daigville's 5 Children Dancing &c. in full #5 5s.; Johnston Music bill to Xmas last, #29 10s. 6d.; Chettel (timber) #46 3s.; D. Richards of M: Band 31 weeks and 1 day, extra salary at #1 per week for this season, #31 3s. 4d.; Victor's gratuity as usual, #30; Evans in lieu of a Benefit #42; Hopkins, prompter's bill, #4 12s. 6d.; Jenkins, extra Trumpet 17 nights in full #8 18s. 6d.; Miss P. Hopkins, 8 Nights in full #2; C. Roberts (shoemaker) #6 9s. 6d.; One yrs Watch & Paving for Covent Garden Parish to Lady Day last #4 8s.; Victor & Evans 2 weeks salary as usual #8. BOOKS CLOSED 1 July 1773: Total income #32,639 15s. 5d. Total outgo #27,705 7s. 3d. Profit #4,934 8s. 2d. distributed as follows: To Managers #3,760; To Clutterbuck #1000, To Clutterbuck #174 8s. 2d

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Trip to Scotland

Related Works
Related Work: A Trip to Scotland Author(s): William Whitehead

Dance: II: A Dance, as17730506

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Related Works
Related Work: The Merchant of Venice Author(s): William Shakespeare
Related Work: The Jew of Venice Author(s): William Shakespeare

Afterpiece Title: Love a-la-Mode

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Event Comment: Mainpiece: A Comedy [by William Kenrick] never performed before. [The play failed to succeed. Kenrick accounts for the failure in his Preface to the 1773 edition by reference to the Macklin affair (See 23 Oct., 30 Oct. and 18 Nov.) He quotes from the Public Advertiser (22 Nov.): "On Saturday last a new comedy called the Duellist was performed, for the first time, at Covent Garden Theatre. Previous to the curtain being drawn up, the following written handbill was dispersed about the house. 'Mr Macklin has been pursued by a malicious party to such a pitch of rancour, that at last they have succeeded so far in their cursed designs, as to get him discharged this theatre, and thereby have deprived him of the means of a livelihood; therefore if the public have any spirit, they will not suffer the new play to begin till Mr Colman promises that Mr Macklin shall be engaged again.' This handbill found its way into the green-room, and had a very visible effect on the performers, as was plainly evident from their confusion. The piece was received with great marks of approbation, and given out again for Monday, which was attended with some hissing, but that was greatly overpowered by the general applause of the audience. The overture to Thomas and Sally being attended to with silence, the greatest part of the author's friends quitted the theatre; which being taken advantage of by a party in the gallery, a riot ensued, and the entertainment was not suffered to go on till another play was given out for Monday." Kenrick agrees with this account, then analyses several other objections which he dismisses, to wit, in the play (a) too lengthy a satire on lawyers, (b) an indelicate passage in Latin (omitted from the printed version); in the audience, a conspiracy of Garrick and Bickerstaffe against him; and lack of a claque of his own friends to carry through their suport of him. Macklin's name appears on the playroll this night, but only for a accumulated 4 days of pay #8 16s. (Account Book).] Receipts: #221 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Duellist

Related Works
Related Work: The Duellist Author(s): William Kenrick

Afterpiece Title: Thomasand Sally

Event Comment: Mainpiece [1st time in London; DR. POEM 5, by William Mason, 1st acted at Crow Street Theatre, Dublin, 30 Mar. 1764]: Written on the Model of the ancient Greek Tragedy. The Overture and all the Music composed New by Dr Arne. With a New Scene designed and executed by Dahl [recte Dall]. The Dresses, Decorations, &c. all entirely New. Books of the Lyrical Part of the Drama to be had at the Theatre. 'But I had rather talk of Caractacus; I agree that he will not suffer by not being sputtered by Barry, who has lost all his teeth. Covent Garden is rather above Drury Lane in actors, but both sets are exceedingly bad, so bad-that I almost wish Caractacus was not to appear. Very seldom do I go to the play, for there is no bearing such strollers" (Walpole [to the author, 8 Oct. 1776], IX, 419-20). "I attended Caractacus last winter, and was greatly interested, both from my friendship for Mr Mason and from the excellence of the poetry. I was out of all patience; for though a young Lewis played a subordinate part very well, and Mrs Hartley looked her part charmingly, the Druids were so massacred, and Caractacus so much worse, that I never saw a more barbarous exhibition" (Walpole [13 July 1777], X, 81-82). Public Advertiser, 7 Dec. 1776: This Day is published the Lyrical Part of Caractacus (6d.). [The publisher, J. Wilkie, states that he also has the "whole Drama, as altered by the Author, 18d." Ibid., 9 Dec., contains an advertisement from Mason stating that this version is unauthorized.] Ibid., 12 Dec.: This Day is published [by A. Ward of York] a new Edition of Caractacus, now altered for Representation at the Theatre-Royal in Covent Garden (1s. 6d.). Receipts: #163 10s. (163.6; 0.4)

Performances

Mainpiece Title: Caractacus

Related Works
Related Work: Caractacus Author(s): William Mason

Afterpiece Title: Polly Honeycombe

Event Comment: Benefit for Wild, prompter, and Mahon. Gazetteer, 26 Apr.: Tickets to be had of Wild, No. 20, Martlet-court, Bow-street, Covent-garden; of Mahon, No. 6, Paradise-street, Marybone. Mainpiece: With the Triumphal Entry of Alexander into Babylon. Afterpiece [1st time; CO 2, by-Richards]: The Music entirely new, composed by William? Bates. Receipts: #256 13s. 6d. (126.0.6; tickets: 130.13.0) (charge: #72 15s. 6d.)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Device; or, The Marriage-Office

Related Works
Related Work: The Device; or, The Marriage-Office Author(s): William Bates
Related Work: The Device; or, The Deaf Doctor Author(s): William Shield
Related Work: The Deaf Lover Author(s): William Shield

Dance: End: The Humours of New@Market with the Pony Races, as17770428

Song: End I: A Welcome to the Spring (composed by Dr Arne)-Mrs Farrell

Event Comment: Mainpiece [1st time; T 5, by William Shirley. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 19 Dec. Prologue by the author (London Chronicle, 23 Dec.). Epilogue by Richard Cumberland (Collection...of English Prologues and Epilogues, IV, 194]: With New Scenes and Dresses. "I have been at another new play, The Roman Sacrifice. It is the old story of Junius Brutus, without a tolerable line. I went to see it, as I had never seen Henderson, and thought I could Judge him better in a new part; but either the part was so bad, or he wants to copy, that I should not have found out he was at all superior to all other actors" (Walpole [23 Dec. 1777], X 170). Receipts: #2223s. 6d. (207.8.0; 13.13.6; 1.2.0)

Performances

Mainpiece Title: The Roman Sacrifice

Related Works
Related Work: The Roman Sacrifice Author(s): William Shirley

Afterpiece Title: Daphne and Amintor

Event Comment: Benefit for Miss Younge. Mainpiece: With the grand Triumphal Entryv. [Public Advertiser, I Apr., identifies the Epilogue as an alteration by Garrick of his epilogue to Alfred.] Afterpiece [1st time; CO 2, by J Hough]: The Music composed by William? Bates. Tickets delivered for The Brothers will be taken. Books of the Performances to be had at the Theatre. Public Advertiser, 7 Mar.: Tickets to be had of Miss Younge at Thelwall's, Silk Mercer, King-street, Covent Garden. Receipts: #285 13s. 6d. (141.9.0; 11.15.0; 0.2.6; tickets: 132.7.0) (charge: #76 19s. 6d.)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Second Thought is Best

Related Works
Related Work: Second Thought is Best Author(s): William Bates
Event Comment: Benefit for the Miss Hopkins'. Afterpiece [1st time; CO 2 (?), by Thomas Holcroft. Not in Larpent MS; not published]: The Music [by William Shield (European Magazine, Jan. 1782, p.59)] entirely new. Public Advertiser, 15 Apr. Tickets to be had of the Miss Hopkins', No. 7, Little Russel-street, Covent Garden. Receipts: #129 8s. 6d. (61.15.0; 24.5.6; 0.1.0; tickets: 43.7.0) (charge: #66 11s. 6d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Crisis; or, Love and Fear

Related Works
Related Work: The Crisis; or, Love and Fear Author(s): William Shield

Dance: As17780109

Event Comment: Mainpiece: Altered from [The Artful Wife, by William? Taverner. [1st time; C 3, by George Colman elder. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 20 May. Public Advertiser, 19 May, notes that the Prologue was the same as that spoken on 15 May 1777. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep Places are to be at the door in Suffolk-street by Five o'clock. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On account of the Performers employed at other Theatres the second Night of Representation cannot be till Thursday, the 21st inst. [On this night, the 18th, Baddeley's name is in the playbills at both dl and hay.

Performances

Mainpiece Title: The Female Chevalier

Related Works
Related Work: The Female Chevalier Author(s): William Taverner

Afterpiece Title: Piety in Pattens

Dance: End I: The Merry Lasses-(see17780529); End: Provencalle Dance-Master and Miss Byrn

Event Comment: Afterpiece [1st time; co 2, by Henry Bate (later Sir Henry Bate Dudley). Music by William Shield]. Books for both Pieces to be had at the Theatre. Public Advertiser, 15 June 1779: This Day is published The Flitch of Bacon (1s.)

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Flitch of Bacon

Related Works
Related Work: The Flitch of Bacon Author(s): William Shield
Event Comment: Mainpiece [1st time; CO 3, by William Kenrick, based on The Country Lasses, by Charles Johnson]: With new Scenery, Dresses and Decorations. The Overture and the rest of the Music composed by Hook. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Dec. 1778: This Day at Noon is published The Lady of the Manor (1s. 6d.)

Performances

Mainpiece Title: The Lady Of The Manor

Related Works
Related Work: The Lady of the Manor Author(s): William Kenrick

Afterpiece Title: The Apprentice

Dance: End II: As17780925; I: a Rural Dance[, incident to the Piece,-Dagueville [This was danced, as here assigned, in all subsequent performances.]

Event Comment: Mainpiece [1st time; CO 3, by Miles Peter Andrews and William Augustus Miles; Larpent MS 485; not published; Synopsis of plot in London Magazine, July 1779, pp. 306-7]: The Airs partly selected from Dibdin, Giordani, Dr Arne, &c. The Overture and New Music composed by Dr Arnold. With New Dresses and Decorations. The Scenes painted by Rooker. Songs of the Opera to be had at the Theatre

Performances

Mainpiece Title: Summer Amusement; Or, An Adventure At Margate

Related Works
Related Work: Summer Amusement; or, An Adventure at Margate Author(s): William Augustus Miles

Afterpiece Title: Piety in Pattens

Dance: Mainpiece: With Two New Dances-(see17790705

Event Comment: Afterpiece [1st time; F 2, by Frederick Pilon, based in part on Le Poulet, by Louis Carrogis, dit Carmontelle. Incidental music by William Shield. Larpent MS 491; not published. Author of Prologue unknown. This farce was altered, and produced on 2 Feb. 1780 as The Deaf Lover]. Paid Music the 24th Inst. #7 4s. 4d. Receipts: #190 4s. 6d. (18.5.0; 0.19.6)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Device; or, The Deaf Doctor

Related Works
Related Work: The Device; or, The Deaf Doctor Author(s): William Shield
Related Work: The Device; or, The Marriage-Office Author(s): William Bates
Related Work: The Deaf Lover Author(s): William Shield

Dance: End III: The Dockyard, as17790924

Song: II: The Cottage on the lawn (set by Michael Arne)-Mrs Kennedy

Event Comment: By Command of Their Majesties."The croud was so great at Drury-lane playhouse, to see the young prince William in his naval uniform, that it was found necessary to throw a kind of bridge from the stage to the pit to liberate several people, who otherwise must have perished in the throng" (Gentleman's Magazine, Mar. 1780, P. 151). Receipts: #271 14s. (259.13; 9.6; 2.15)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): William ShakespeareSir William Davenant
Related Work: The Tempest; or, The Enchanted Island Author(s): Sir William Davenant

Afterpiece Title: The Quaker

Dance: I: Dance of Spirits, as17791103; III: a Dance of Fantastic Spirits, as17791103; IV: Grand New Dance, as17800228, but Sga _Crespi

Event Comment: By particular desire of their Excellencies the Persian Ambassadors. Benefit for Griffiths, Norris, Spencer & Williams. [Afterpiece in place of The Flitch of Bacon, announced on playbill of 21 May.] Receipts: #251 0s. 6d. (35.14.0; 14.17.6; 4.8.0; tickets: 196.1.0) (charge: none listed)

Performances

Mainpiece Title: The Old Batchelor

Related Works
Related Work: The Old Batchelor Author(s): William Congreve
Related Work: The Credulous Husband Author(s): William Congreve

Afterpiece Title: The Quaker

Performance Comment: As17801012, but Lubin (1st time)-Williams.
Cast
Role: Lubin Actor: Williams.

Dance: End: The Devonshire Minuet, as17810517